Manu's Code of Law is one of the most important texts in the Sanskrit canon, indeed one of the most important surviving texts from any classical civilization. It paints an astoundingly detailed picture of ancient Indian life-covering everything from the constitution of the king's cabinet to the price of a ferry trip for a pregnant woman-and its doctrines have been central to Indian thought and practice for 2000 years. Despite its importance, however, until now no one has produced a critical edition of this text. As a result, for centuries scholars have been forced to accept clearly inferior editions of Sanskrit texts and to use those unreliable editions as the basis for constructing the history of classical India. In this volume, Patrick Olivelle has assembled the critical text of Manu, including a critical apparatus containing all the significant manuscript variants, along with a reliable and readable translation, copious explanatory notes, and a comprehensive introduction on the structure, content, and socio-political context of the treatise. The result is an outstanding scholarly achievement that will be an essential tool for any serious student of India.
Manu was seated, when the great seers came up to him: "Please, Lord, tell us the Laws of all the social classes, as well as of those born in between..."' The Law Code of Manu is the most authoritative and the best-known legal text of ancient India. Famous for two thousand years it still generates controversy, with Manu's verses being cited in support of the oppression of women and members of the lower castes. A seminal Hindu text, the Law Code isimportant for its classic description of so many social institutions that have come to be identified with Indian society. It deals with the relationships between social and ethnic groups, between men and women, the organization of the state and the judicial system, reincarnation, the workings ofkarma, and all aspects of the law.Patrick Olivelle's lucid translation is the first to be based on his critically edited text, and it incorporates the most recent scholarship on ancient Indian history, law, society, and religion.
Medical problems of the male genitals are extremely common and male health is assuming a new importance as men are increasingly recognising the need to look after their bodies. The rates of sexually transmitted infections are rising rapidly in many countries, including a dramatic increase in HIV infection and the recent resurgence of syphilis.Patients with genital disease often present to their general practitioner, sexual health clinics, dermatology departments and urology clinics, and this quick reference guide aids easy diagnosis.Fully illustrated, with colour photographs, this is the ideal volume for anyone dealing with men with genital rashes, skin lesions and sexually transmitted diseases. It covers, in detail, the broad area of male genital disease encompassing dermatology and genito-urinary medicine.
India is generally regarded as a civilization with a set of intrinsic attributes that emerged in the age of the Vedas or, better still, in the Harappan times. In recent decades, historical studies have moved away from rigid perspectives of singularity in origin and expansion; the emphasis now is on pluralities and long-term processes spanning centuries and millennia. There is also an influential school of thought which rejects antiquity claims such as these and holds that India is a construct of the colonial and nationalist imagination. In his radical reinterpretation of India's past, Manu V. Devadevan moves away from these reifying assessments to examine the evolution of institutions, ideas and identities that are characterized, typically, as Indian. In lieu of endorsing their Indianness, he traces their emergence to specific conditions that developed in India between 600 and 1200 CE, a period which historians now call the 'early medieval'.
This book is a pioneering attempt to understand the prehistory of Hinduism in South Asia. Exploring religious processes in the Deccan region between the eleventh and the nineteenth century with class relations as its point of focus, it throws new light on the making of religious communities, monastic institutions, legends, lineages, and the ethics that governed them. In the light of this prehistory, a compelling framework is suggested for a revision of existing perspectives on the making of Hinduism in the nineteenth and the twentieth century.
When did categories such as a national space and economy acquire self-evident meaning and a global reach? Why do nationalist movements demand a territorial fix between a particular space, economy, culture, and people? Producing India mounts a formidable challenge to the entrenched practice of methodological nationalism that has accorded an exaggerated privilege to the nation-state as a dominant unit of historical and political analysis. Manu Goswami locates the origins and contradictions of Indian nationalism in the convergence of the lived experience of colonial space, the expansive logic of capital, and interstate dynamics. Building on and critically extending subaltern and postcolonial perspectives, her study shows how nineteenth-century conceptions of India as a bounded national space and economy bequeathed an enduring tension between a universalistic political economy of nationhood and a nativist project that continues to haunt the present moment. Elegantly conceived and judiciously argued, Producing India will be invaluable to students of history, political economy, geography, and Asian studies.
« Savoir où se positionner rythmiquement en ponctuant, en syntaxant, sans en faire trop — tout en gardant la pulse et sa force intérieure —, c’est tout l'art du batteur. Ponctuer, syntaxer ! » Le « beat », c’est le groove, le tempo, le coup du batteur. Les rencontres de Manu Katché, ses expériences artistiques, sa vie au quotidien ont nourri ce beat, cette manière si particulière de frapper sa « snare » (caisse claire). Ce beat, au départ, était « frêle et vert » ; il a mûri, s’est développé, transformé. Aujourd’hui, il est patiné — c’est ce qui en fait le prix ! Il était temps, pour ce célèbre batteur de rock et de jazz, de revenir sur son parcours franco-français. Ainsi, à la manière d’un dictionnaire aux entrées en forme d’hashtags (#Audace, #Alladin, #Sanson Véronique, #Coluche, #Singularité, #Dewaere Patrick, #Obispo Pascal...), nous raconte-t-il sa vie de musicien. On y croise tous ceux qui ont compté et qui comptent encore dans la chanson française (Francis Cabrel, Jean-Jacques Goldman, Louis Bertignac, Michel Jonasz, Catherine Lara, Daniel Lévi, Jeanne Mas, Mireille Mathieu, Sheila, Sinclair). Manu Katché les croque dans l’intimité des studios, sur scène et backstage. On l’aura compris : ce document de première main est sans concession. Les coups de cymbales sont nombreux. On rit, on s’étonne, on apprend, on découvre. C’est un témoignage brut, mené tambour-battant. Ça pulse ! Les vrais amateurs de musique ne s’y tromperont pas.
Prepare yourself for yet another adventure featuring Iqbal Farooq and his family as Iqbal finds himself involved in a new set of mysteries! While on a field trip with school, Iqbal gets onto the trail of a case involving the Youth House, an old and mysterious hunting party called Hubert's Hunting Company, and the Queen's Crown Jewels! Can Iqbal find the crown jewels and return them to their rightful place? From stolen goats to excavators on fire, ́Iqbal Farooq and the Crown Jewels ́ is the ideal read for anyone who's on the lookout for a fun and exhilarating story. Former Danish national congress member, Manu Sareen, is the author behind the politically incorrect children’s books about Iqbal and his immigrant family’s life in multicultural Nørrebro in Copenhagen, Denmark. In November 2007, he received the BMF Children's Book Prize, and in April 2008, he was awarded the Orla Prize for the books about Iqbal Farooq.
The next volume in this branch of humorous stories happening between the first and second volumes of Zenith presents two stories. In the first, the Dungeon is attacked by a swarm of enormous flying venomous toads. The Dungeon almost succumbs as the toads seek to get free rein inside! In the second, herbert is sent on a mission to clear out the septic tank, which hasn't been done for 40 years. Turns out the crap has accumulated so massively a whole beautiful ecology has formed in the basement. Should this flowery dung heap be destroyed?
Dallas Cowboy brings the reader into the author's face-off with insomnia, that weird limbo between wakefulness and slumber when we're conscious of being unconscious. The author looks back--or rather, flashes back to childhood, fears, complexes, mistakes.. everything that makes up a life. In his first book published by Les Rêveurs, Manu Larcenet experiments with autobiography, a new genre, a graphic narrative experience which ultimately gives birth to a story that's neither harsh nor tender, just sincere.
In 1948, at the age of fifteen, Manu Dibango left Africa for France, bearing three kilos of coffee for his adopted family and little else. This book chronicles Manu Dibango's remarkable rise from his birth in Douala, Cameroon, to his worldwide success—with Soul Makossa in 1972—as the first African musician ever to record a top 40s hit. Composer, producer, performer, film score writer and humanitarian for the poor, Manu Dibango defines the "African sound" of modern world music. He has worked with and influenced such artists as Art Blakey, Don Cherry, Herbie Hancock, Harry Belafonte, Paul Simon, and Johnny Clegg. In Africa, he has helped younger musicians, performed benefit concerts, and transcribed for the first time the scores and lyrics of African musicians. The product of a "mixed marriage" (of different tribes and religions) who owes allegiances to both Africa and Europe, Dibango has always been aware of the ambiguities of his identity. This awareness has informed all of the important events of his life, from his marriage to a white Frenchwoman in 1957, to his creation of an "Afro-music" which joyfully blends blues, jazz, reggae, traditional European and African serenades, highlife, Caribbean and Arabic music. This music addresses the meaning of "Africanness" and what it means to be a Black artist and citizen of the world. This lively and thoughtful memoir is based on an extensive set of interviews in 1989 with French journalist Danielle Rouard. Richly illustrated with photographs, this book will be a must for readers of jazz biographies, students of African music and ethnomusicology, and all those who are lovers of Manu Dibango's unique artistry and accomplishments.
This is the third volume of one of the most remarkable works of the contemporary comic books scene. In "Precious Things," Marco has to face up to Emilie's maternal longing and the aftermath of the death of his father. Through various little things, such as old photos and insignificant events, Larcenet pursues his inquisition of the human soul with incredible wisdom and insight.
The Parade branch of this great saga happens between the first and second volumes of Zenith and presents light humorous stories of the adventures of Marvin the vegetarian dragon and Herbert the Timorous. In this first volume, the ultimate horror: Dungeon has competition! Right in front of their noses, another dungeon has sprung up and is attracting away the adventurers Dungeon makes a lucrative business of, luring then plundering and massacring - unacceptable! Marvin and Herbert are on the case.
Imagine a world where the boundaries of creativity are not only stretched but redefined. This book serves as your guide to this new frontier, engaging general readers, tech enthusiasts, and creatives alike in the captivating interplay between human ingenuity and artificial intelligence (AI). Journey through the ground-breaking advancements in AI as they intersect with art, design, entertainment, and education. Discover how AI’s power to analyze and understand language can be harnessed to generate breathtaking visuals from mere text descriptions—a process known as text-conditional image generation. But this book goes beyond just showcasing AI’s capabilities: it delves into its transformative effects on the creative process itself. How will artists and designers adapt to a world where they co-create with machines? What are the implications of AI-generated art in educational settings? This book tackles these questions head on, offering a comprehensive view of the changing landscape of creativity. At its core, this book challenges you to rethink what’s possible in the realm of artistic expression. Manu contends that as AI evolves, mastering the art of collaboration between human and machine will become essential. More than just a look into the future, Transcending Imagination: Artificial Intelligence and the Future of Creativity is a roadmap for artists, designers, and educators eager to navigate the uncharted territory of AI-augmented creativity. It is a must-read for anyone interested in how AI might redefine the realms of art, design, and education.
It is more important to know what sort of person has a disease than to know what sort of disease a person has. Hippocrates Ayurveda is an ancient health care system from India which has been practiced all over India for the last 5000 years. From India this knowledge has travelled to numerous countries like Nepal, China and even to Europe. In the wake of the recent outbreak of Covid 19, Dr Manu Das of Kadaltheeram Ayurveda Beach Resort answers your questions on Epidemics and their prevention in Ayurveda.
Ayyan Mani works in the Institute of Theory and Research as a lowly personal assistant to a brilliant, insufferable astronomer, Arvind Acharya, who is obsessed with his theory about microscopic aliens falling to earth. Stranded in an ordinary life, Ayyan knows he may not be able to escape his realities.
Empire’s Tracks boldly reframes the history of the transcontinental railroad from the perspectives of the Cheyenne, Lakota, and Pawnee Native American tribes, and the Chinese migrants who toiled on its path. In this meticulously researched book, Manu Karuka situates the railroad within the violent global histories of colonialism and capitalism. Through an examination of legislative, military, and business records, Karuka deftly explains the imperial foundations of U.S. political economy. Tracing the shared paths of Indigenous and Asian American histories, this multisited interdisciplinary study connects military occupation to exclusionary border policies, a linked chain spanning the heart of U.S. imperialism. This highly original and beautifully wrought book unveils how the transcontinental railroad laid the tracks of the U.S. Empire.
India and the Quest for One World revolutionizes the history of human rights, with dramatic impact on some of the most contentious debates of our time, by capturing the exceptional efforts of Mahatma Gandhi and the Nehrus to counter the divisions of the Cold War with an uplifting new vision of justice built on the principle of "unity in diversity.
Manu Saadia has managed to show us one more reason, perhaps the most compelling one of all, why we all need the world of Star Trek to one day become the world we live in." — Chris Black, Writer and Co-Executive Producer, Star Trek: Enterprise What would the world look like if everybody had everything they wanted or needed? Trekonomics, the premier book in financial journalist Felix Salmon's imprint PiperText, approaches scarcity economics by coming at it backwards — through thinking about a universe where scarcity does not exist. Delving deep into the details and intricacies of 24th century society, Trekonomics explores post-scarcity and whether we, as humans, are equipped for it. What are the prospects of automation and artificial intelligence? Is there really no money in Star Trek? Is Trekonomics at all possible?
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