In this book, Dr. Manohar James explores how Hindu intolerance has contributed to anti-Christian propaganda over the centuries, how such intolerance has informed the conclusions of the Niyogi Committee Report, and how the Report's ongoing publications, redactions and recessions have intensified anti-Christian rhetoric in India over the last six decades.
The Present Book Traces The Background To Indian English Women S Fiction, Excluding The Translated Texts, From The Late Nineteenth Century Novels Of Toru Dutt, Krupabai Satthianadhan, And Shevantibai M. Nikambe. Almost All The Twentieth Century Major Works Of Leading Women Writers Such As Kamala Markandaya, Nayantara Sahgal, Anita Desai, Kamala Das, Gita Mehta, Shashi Deshpande, Shobha De To The Emerging Novelists Like Anjana Appachana, Namita Gokhale, Githa Hariharan, Manju Kapur Have Been Studied In Depth To Discuss The Issues Of Marriage, Career And Divorce. The Book Attempts To Delve Into The Life Of Educated Women And Traces The Answers To The Followings:" What Kind Of Marriage Should The Women Undergo: Arranged Marriage Or Love Marriage Or Love-Cum-Arranged Marriage? " What Is The Difference Between A Job And A Career?" What Kind Of Career Should They Choose?" Who Is Going To Determine What Career To Choose?" What Career Options Do The Women Have?" Do Women Want Separation Or Divorce And Why?" What Is The Right Time For Divorce? There Are Many Other Feministic Issues Which Have Been Approached To Realistically And Analytically, With Special Reference To Several Literary Works.The Present Book Thus Offers An In-Depth Study Of Elite Women On One Hand And Caters To The Academic Needs Of Students And Researchers Of Indian English Women Fiction On The Other. The General Readers Will Definitely Find It A Real Eye-Opener And Also Interesting.
This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.
Below and around me lay the village, quiet and serene in the evening shadows, smoke rising from chimneys all along the slope. Looking down the valley, I could see the snow lingam of the Goshal Cone, glowing with the last flush of sunlight. On the opposite side of the valley, Karding and its monastery nestled in the shadow of the Dilburi peak. As twilight came on, all was quiet, save for the occasional gruff barking of a dog and the muffled roar of the Bhaga river in its cavernous passage. And then, the shrill haunting notes of the gyadung began to float down from the monastery. I was home at last.
The Men Who Killed Gandhi by Manohar Malgonkar takes readers back into the pages of Indian history during the time of the partition, featuring the murder plot and assassination of Mahatma Gandhi. The Men Who Killed Gandhi is a spellbinding non fictional recreation of the events which led to India’s partition, the eventual assassination of Gandhi, and the prosecution of those who were involved in Gandhi’s murder. This historical reenactment is set against the tumultuous backdrop of the British Raj. Malgonkar’s book is a result of painstaking research and from also having privileged access to many important documents and photographs related to the assassination. There is no doubt that Mahatma Gandhi played a leading role in obtaining independence from the British. But the problems that ensued afterwards, such as the structural rebuilding of the country and the Partition, led to many riots, massive migrations, and deep racial and cultural divides. Not everyone agreed with Gandhi and his ideals. As a result, a plot to assassinate Gandhi was devised by six individuals named, Narayan Apte, Gopal Godse, Madanlal Pahwa, Digambar Badge, and Nathuram Godse. This was eventually carried out in New Delhi, on the 30th of January, 1948. Eventually, these six individuals were tried and convicted. Four of them received life sentences while two of them received the death penalty. The first publication of The Men Who Killed Gandhi occurred in 1978, during the Emergency years. As a result, Malgonkar omitted many vital facts including Dr. Ambedkar’s role in minimizing Savarkar’s criminal conviction. This 11th edition of the text contains these omitted facts as well as rare documents, and photographs obtained from National Archives. After the four individuals who were convicted for Gandhi’s murder completed their life sentences, they were interviewed by Malgonkar. These individuals revealed many details to him which were never known before. The author also received access to the Kapur Commission from his friend Mr. Nayar, who was in the Indian Police Service. As a result, The Men Who Killed Gandhi is considered the most historically accurate account of Gandhi’s assassination plot.
Narayanam Namaskritya I Bow Before Thee With Deep Reverence O Lord Krishna Says Great Indian Epic Mahabharata In Its Opening Benedictory Verse. The Impact Of Krishna Cult On Indian Art, Literature And Culture Is Stupendous. Krishna Worship Includes Music, Dance, Drama, Which Delights Him Most. Bhassa Describes Him As Sutradhar, String-Holder, Of The Drama Of Life That Is Being Enacted In All The Three Worlds. Bhagavata Purana Eulogise Him As Natavar, Supreme Actor, And Enjoins The Devotees To Offer Him Theatricals On Festive Occasions. Inscriptions Speak Of The Tradition Of Enacting Plays In The Krishna Temples. The Tradition Still Continues As River Yamuna, On Whose Bank Krishna Performed Ras Dance, Continues To Flow. All Over India Plays Based On Krishna Theme Are Enacted. Indian Classical Dance Forms Take Delight In Depicting Radha-Krishna Love Lore. The Ras Leela Of Vraj, Ankia Nat Of Assam, Kala Of Goa And Maharashtra, Krishna Attam Of Kerala, Ras Of Manipur, Odissi Of Orissa Kathak Of Uttar Pradesh Are Some Of The Traditional Drama And Dance Forms That Depict Krishna Lore? Many Krishna Plays Are There In The Repertory Of Kathakali, Yakshagana, Kuchipudi, Tamasha And Many Other Folk And Traditional Theatrical Forms Of India. In Fact Some Scholars Believe That Indian Theatre Itself Has Originated From The Cult Of Krishna That Flourished In Surasena Region. This Most Colourful Theatrical Saga Full Of Poetry, Dance And Music Is Narrated In The Book By Eminent Scholar Shri M.L. Varadpande In A Most Attractive Manner. In A Style Picturesque And Lucid The Author Tells Us How The Dark-Hued Krishna Danced With Milkmaids Fair As Champak Flower On The Bank Of Yamuna And How The Indian Traditional Theatre And Dance Forms Recreated This Romance On The Stage. The Spectacular Rainbow Of Delightful Romance Of Krishna S Eventful Life As Seen On Indian Stage Is Charmingly Revealed To The Readers Through The Pages Of This Profusely Illustrated Book Of Infinite Charm.
This issue reviews the state of the art in pediatric demyelinating diseases. Articles cover topics on childhood transverse myelitis, neuromyelitis optica, multiple sclerosis, acute demyelinating encephalopathy, and more.
This is a description of contemporary India and some of its recent history in the form of an autobiography. Rajmata Scindia is a member of the Indian Parliament. As a maharani she had thousands of servants and several enormous palaces. Since Independence, which marked the end of the supremacy of the Maharajas, she has emerged as one of Indias most popular political leaders, first with the Congress party and now with the opposition. Her appeal to the masses, who see her as an image of Mother India, amazes both her admirers and her critics.
1. The entire syllabus has been divided into sections 2. Questions covered in the book contains answers side by side 3. Provides Recent Years’ General Studies questions & 4. Authentic and detailed solution have been given as per latest pattern 5. Each chapter contains variety of questions designed on the line of syllabus In order to crack the hard of the competitions one is required have a vigorous preparations and practice of the subjects. Bringing you the updated edition of the “14000 Objective Questions on General Studies” a compendium of objective questions which will significantly improve the knowledge of the aspiring students. This Question Bank focuses on Indian History & Culture, India & World Geography (Env. & Eco), Indian Polity, Indian Economy, General Science, Science & Technology, General Knowledge and Current Affairs , and every section is divided into sub sections. As the title suggest, it contains more than 2750 objective questions covering General Studies subject. With authentic and detailed answers to the questions, aspirants get an insight into the recent examination pattern and the types of questions asked therein. The book is the best preparation material for general studies for UPSC (CSAT), State PCS, CDS, NDA, etc. TOC Indian History, Geography, Indian Polity, Indian Economy, General Science, General Knowledge.
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