Creating Reality in Factual Television analyzes the uneasy interaction between economics, culture, and professional ethics in reality and documentary television storytelling. Through the "frankenbite," an editorial tool that extracts and re-orders the salient elements or single words of a statement, interview, or exchange into a revealing confession or argument, the book explores how and why editors manipulate truth in factual television. The author considers how the editing of documentary television is increasingly following reality television’s dictate to entertain instead of inform, how the "real" and the "truth" fall victim to the demand to "tell entertaining stories," and how editors must compromise their professional ethics as a result. Drawing on interviews with 75 North American and European editors that explore their experiences and opinions of reality and documentary television practices, and their views on their responsibilities and loyalties in the field, Creating Reality in Factual Television illuminates the real and potential ethical dilemmas of editorial decision making, the context in which decisions are made, and how editors themselves validate the editing choices to themselves and others. Addressing a dramatic development in contemporary media ecology – the age of "alternative facts" – this book is a useful research tool for scholars and students of documentary film, media literacy, genre studies, media ethics, affect theory, and audience perception.
The contacts between man and nonhuman primates enable the transmission of mic roorganisms from one species to the other. Such contact may occur at quite differ ent levels: man and nonhuman primates may share the same ecosystem including the presence of vectors in the countries of origins of monkeys and apes; the animals are captured to be sold or used for food; field researchers have to stay near the ani mals in the wild; an uncontrolled human population gets close enough to almost touch the animals in zoological gardens around the world; pet owners establish bodily contact and finally researchers doing surgery or necropsies are exposed to an increased number of pathogens liberated from the organs and body fluids. Usually monkeys and apes are more threatened with catching the microorgan isms indigenous to man than vice versa, but nevertheless outbreaks of true zoonoses with nonhuman primates as the source of infection have occurred. Also the retrans mission of originally human pathogens via nonhuman primates to man may pose a considerable risk to human health. Unfortunately the information on the different agents transmissible between man and his relatives is too disseminated for practical use, as it involves quite differ ent scientific disciplines such as virology, bacteriology, parasitology, primatology, laboratory animal science etc. It seemed therefore necessary to compile the current knowledge concerning this topic in a single publication. Human infections of simian origin may be caused by several viruses, bacteria, fungi or endoparasites. Ectoparasites, in comparison, are of little importance.
Creating Reality in Factual Television analyzes the uneasy interaction between economics, culture, and professional ethics in reality and documentary television storytelling. Through the "frankenbite," an editorial tool that extracts and re-orders the salient elements or single words of a statement, interview, or exchange into a revealing confession or argument, the book explores how and why editors manipulate truth in factual television. The author considers how the editing of documentary television is increasingly following reality television’s dictate to entertain instead of inform, how the "real" and the "truth" fall victim to the demand to "tell entertaining stories," and how editors must compromise their professional ethics as a result. Drawing on interviews with 75 North American and European editors that explore their experiences and opinions of reality and documentary television practices, and their views on their responsibilities and loyalties in the field, Creating Reality in Factual Television illuminates the real and potential ethical dilemmas of editorial decision making, the context in which decisions are made, and how editors themselves validate the editing choices to themselves and others. Addressing a dramatic development in contemporary media ecology – the age of "alternative facts" – this book is a useful research tool for scholars and students of documentary film, media literacy, genre studies, media ethics, affect theory, and audience perception.
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