This book focuses on Shenzhen, one of China’s most globalized metropolises, a leading centre of high-tech industries and, as a melting pot of migrants from all over China, a place of vibrant cultural creativity. While in the early stages of Shenzhen’s development this vibrant cultural creativity was associated with the resilience of traditional social structures in Shenzhen’s migrant ‘urban villages’, today these structures undergird dynamic entrepreneurship and urban self-organization throughout Shenzhen, and have gradually merged with the formal structures of urban governance and politics. This book examines these developments, showing how important traditional social structures and traditional Chinese culture have been for China’s economic modernization. The book goes on to draw out the implications of this for the future of Chinese culture and Chinese economic engagement in a globalized world.
For nearly four hundred years the Changlu salt merchants played a leading role in the urbanization, commercial development, and social change of the city of Tianjin. As early as the fifteenth century, this small yet important group of citizens negotiated with the state as revenue-farmers, developing and defending their businesses and customs while evolving their own urban culture. In this the first detailed study in English of the mercantile activities and social role of Tianjin's salt merchants, Kwan Man Bun reveals how they helped stabilize the city and assumed many civic responsibilities, providing relief, charities, and other services to their fellow citizenry. Although these developments resemble the emergence of an idealized "public sphere" as in Europe, Kwan makes clear that Tianjin's social changes were not grounded on "rational discourse" but rather drew their strength and continuity from merchant networks based on exclusivity, wealth, education, and kinship.
The book Handheld Total Chemical and Biological Analysis Systems: Bridging NMR, Digital Microfluidics, and Semiconductors centers on the complete design of Nuclear Magnetic Resonance (NMR) microsystems for in vitro chemical and biological assays based on semiconductor chips and portable magnet. Different sensing mechanisms for CMOS in vitro assay are compared, key design criteria of the CMOS transceiver for NMR measurement are revealed, and system-level optimizations of the CMOS NMR platform utilizing digital microfluidic and diverse functions of the CMOS technology are discussed. Two CMOS NMR platforms are implemented, each of these focuses on different aspect of optimization.
This book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy.
This comprehensive study concentrates particularly on the use of a closed set of motion verbs in five of the major dialects, including Mandarin, Wú, Hakka, Min and Cantonese. The author shows that these dialects form a continuum with some exhibiting more characteristics of a verb-framed language than the others. The phenomenon reflects the various stages of typological transformation and grammaticalization that the dialects have undergone.
In Crossing the Gate, Man Xu examines the lives of women in the Chinese province of Fujian during the Song dynasty. Tracking women's life experience across class lines, outside as well as inside the domestic realm, Xu challenges the accepted wisdom about women and gender roles in medieval China. She contextualizes women in a much broader physical space and social network, investigating the gaps between ideals and reality and examining women's own agency in gender construction. She argues that women's autonomy and mobility, conventionally attributed to Ming-Qing women of late imperial China, can be traced to the Song era. This thorough study of Song women's life experience connects women to the great political, economic, and social transitions of the time, and sheds light on the so-called "Song-Yuan-Ming transition" from the perspective of gender studies. By putting women at the center of analysis and by focusing on the local and the quotidian, Crossing the Gate offers a new and nuanced picture of the Song Confucian revival.
Victoria, a Canadian teenager adopted from China as a baby, goes through incredible adventures in China and America to discover her mysterious background. Victorias odyssey is interwoven with the amazing story of the first warrior queen of China during the Shang dynasty, circa 1200 BCE. Victoria is also linked to a northeastern barbarian tribe at the beginning of the Han dynasty, circa 200 BCE. These barbarians and their descendants would one day rule China and become a part of China. The famous Mulan was from that barbarian ruled era. Many of the mysteries are encoded in the ancient Chinese Oracle Bone writing. Victoria also learns the origins of the Chinese and other ancient civilizations. They are all related to a mythical paradise planet known as Shangala, which colonized the red giants Betelgeuse of Orion and Antares of Scorpio, the latter also known as the Heart of the Dragon.
Unlike previous studies that have examined the late Qing utopian imagination as an ahistorical motif, a literary theme, and a translation phenomenon, in this book Shuk Man Leung considers utopian fiction as a knowledge apparatus that helped develop Chinese nationalism and modernity. Based on untapped primary sources in Chinese, English, and Japanese, her research reveals how utopian imagination, blooming after Liang Qichao’s publication of The Future of New China, served as a tool of knowledge formation and dissemination that transformed China’s public sphere and catalysed historical change. Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.
This book is a collection of selected essays presented at the International Symposium on «Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity» hosted by the Humanities Programme of Hong Kong Baptist University in September 2006. As «modernity» has been used to describe the cultural, economic and socio-political conditions in the Western worlds, the time in which we now live and the Asian countries where capitalistic transformation is extensively carried out are already articulating their own descriptions. The essays collected here discuss the notions of «contemporary», «Asia» and «modernities» as they relate to the global trend of adopting capitalism. They probe into questions related to modernity as well as global modernity, ranging from China in particular to Asia in general. As reflected in the pluriversal meanings in the title, the book endeavours to make critical inquiries into the concept of modernity/modernities from different perspectives.
As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.
The Class of 1761 reveals the workings of China's imperial examination system from the unique perspective of a single graduating class. The author follows the students' struggles in negotiating the examination system along with bureaucratic intrigue and intellectual conflict, as well as their careers across the Empire—to the battlefields of imperial expansion in Annam and Tibet, the archives where the glories of the empire were compiled, and back to the chambers where they in turn became examiners for the next generation of aspirants. The book explores the rigors and flexibilities of the examination system as it disciplined men for political life and shows how the system legitimated both the Manchu throne and the majority non-Manchu elite. In the system's intricately articulated networks, we discern the stability of the Qing empire and the fault lines that would grow to destabilize it.
“When thinking about modern China’s chemical industry, forget not Fan Xudong,” so declared Mao Zedong publicly after 1949. Although Mao might have united front politics in mind when invoking Fan as a paragon of the national bourgeoisie, why would the chairman praise a champion of private enterprise? How did Fan Xudong and his colleagues build Yongli from scratch into one of the largest industrial conglomerates in modern China amid predatory foreign competition and domestic strife? What were his secrets of success? Drawing from company documents, government archives, and personal correspondences, this book traces Yongli’s birth, growth, nationalization, and how Fan and his colleagues pursued a third path of national development between for-profit private enterprise and state ownership.
Comprehensively covers protein subcellular localization from single-label prediction to multi-label prediction, and includes prediction strategies for virus, plant, and eukaryote species. Three machine learning tools are introduced to improve classification refinement, feature extraction, and dimensionality reduction.
As Commander Wong gazes into the vastness of the South China Sea from the deck of a Chinese Navy ship, he is alerted that a US Navy battleship is approaching. Meanwhile as Admiral Smith stands in the control room of the US battleship, three Chinese jets fly overhead and warn the crew that they are in foreign waters. But neither leader has any idea that in mere seconds, everything is about to change. After a computer glitch prompts a US Navy lieutenant to make a split-second decision to take down two of the Chinese aircraft with missiles, the Chinese retaliate and launch their own attack. While Russia and others push China toward war, a peace summit is called. But can the sworn enemies who are leading the summit find a way to utilize diplomacy, cultural understanding, and friendship to stop a Third World War from unfolding? In this political thriller, a computer error prompts an unplanned battle in the South China Sea between two superpowers with the potential to cause a Third World War.
Based on extensive archival research, Beyond Market and Hierarchy reconstructs how Fan waged modern China's war of salts. Led by his Jiuda Salt Industries, the nascent refined salt industry battled revenue farmers who, as a group, monopolized the production and distribution of evaporated salt.
At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong’s modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip’s stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema. “Yip subjects critical clichés to rigorous examination, moving beyond generalized notions of martial arts cinema’s appeal and offering up informed scrutiny of every facet of the genre. He has the ability to encapsulate these films’ particularities with cogent examples and, at the same time, demonstrate a thorough familiarity with the historical context in which this endlessly fascinating genre arose.” —David Desser, professor emeritus, University of Illinois at Urbana-Champaign “Eschewing a reductive chronology, Yip offers a persuasive, detailed, and sophisticated excavation of martial arts cinema which is read through and in relation to rapid transformation of Hong Kong in the 1960s and 1970s. An exemplar of critical genre study, this book represents a significant contribution to the discipline.” —Yvonne Tasker, professor of film studies and dean of the Faculty of Arts and Humanities, University of East Anglia
This book challenges the widely held belief that Hong Kong's political culture is one of indifference. The term "political indifference" is used to suggest the apathy, naivete, passivity, and utilitarianism of Hong Kong's people toward political life. Taking a broad historical look at political participation in the former colony, Wai-man Lam argues that this is not a valid view and demonstrates Hong Kong's significant political activism in thirteen selected case studies covering 1949 through the present. Through in-depth analysis of these cases she provides a new understanding of the nature of Hong Kong politics, which can be described as a combination of political activism and a culture of depoliticization.
This book employs a biographical approach to comprehensively study a set of Tang era-tomb guardian figurines, known as the Four Gods (Sishen), comprising a pair of warriors (Dangkuang and Dangye) and a pair of hybrid beasts (Zuming and Dizhou). These objects were exclusively used by officials until 841 AD and were mainly found in capitals then. They disappeared in the 9th century AD. The book is divided into three sections. Part one focuses on their symbolism through names, images, burial contexts, associated ritual regulations, and the interplay of all of these, revealing their dual significance – apotropaic and political, tied to ritual propriety, nuo exorcism, yin-yang divination, and more. Part two explores their connection to other supernatural tomb figurines in the early and middle Tang periods, challenging previous theories and highlighting regional standardization. Additionally, this part delves into the Four Gods’ regulated production, government oversight, and role in funerary processions. Part three examines their disappearance due to shifting views on the afterlife and diminishing national power. It also explores changes in the usage of related tomb objects after the Tang era, focusing on protective functions and spatial concepts.
The Terra Cotta Army is one of the greatest archaeological discoveries ever made. Over seven thousand life-size figures of warriors and horses were interred in the mausoleum of the first emperor of China—and each figure was individually carved. Weaving together history and a first-hand account of his experiences in China, John Man tells the fascinating story of how and why these astonishing figures were created in the third century BC, and how they have become a symbol of China's history, culture, and society.
Many scholars have noted the role of China’s demand for silver in the emergence of the modern world. This book discusses the interaction of this demand and the early-nineteenth-century Latin American independence movements, changes in the world economy, the resulting disruptions in the Qing dynasty, and the transformation from the High Qing to modern China. Man-houng Lin shows how the disruption in the world’s silver supply caused by the turmoil in Latin America and subsequent changes in global markets led to the massive outflow of silver from China and the crisis of the Qing empire. During the first stage of this dynastic crisis, traditional ideas favoring plural centers of power became more popular than they ever had been. As the crisis developed, however, statist ideas came to the fore. Even though the Qing survived with the resumption of the influx of Latin American silver, its status relative to Japan in the East Asian order slipped. The statist inclination, although moderated to a degree in the modern period, is still ascendant in China today. These changes—Qing China’s near-collapse, the beginning of its eclipse by Japan in the East Asian order, and shifting notions of the proper relationship between state and market and between state and society—led to “China upside down.”
In War and Geopolitics in Interwar Manchuria Kwong Chi Man revisits the civil wars in China (1925-1928) from the perspective of the often-overlooked "warlords," who fought against the joint forces of the Nationalist and Communist parties. In particular, this work focuses on Zhang Zuolin, the leader of the "Fengian Clique" who was sometimes seen as the representative of the Japanese interest in Manchuria. Using primary and secondary sources from China, Japan, the United Kingdom and the United States, this work tries to revisit the wars during the period from international, political, military, and economic-financial perspectives. It sheds new light on Zhang Zuolin's decision to fight against the Nationalists and the Communists and offers an alternative explanation to the Nationalists (temporary) victory by revealing the central importance of geopolitics in the civil wars in China during the interwar period.
Digital and social media are increasingly integrated into the dynamics of protest movements around the world. They strengthen the mobilization power of movements, extend movement networks, facilitate new modes of protest participation, and give rise to new protest formations. Meanwhile, conventional media remains an important arena where protesters and their targets contest for public support. This book examines the role of the media -- understood as an integrated system comprised of both conventional media institutions and digital media platforms -- in the formation and dynamics of the Umbrella Movement in Hong Kong. For 79 days in 2014, Hong Kong became the focus of international attention due to a public demonstration for genuine democracy that would become known as the Umbrella Movement. During this time, twenty percent of the local population would join the demonstration, the most large-scale and sustained act of civil disobedience in Hong Kong's history -- and the largest public protest campaign in China since the 1989 student movement in Beijing. On the surface, this movement was not unlike other large-scale protest movements that have occurred around the world in recent years. However, it was distinct in how bottom-up processes evolved into a centrally organized, programmatic movement with concrete policy demands. In this book, Francis L. F. Lee and Joseph M. Chan connect the case of the Umbrella Movement to recent theorizations of new social movement formations. Here, Lee and Chan analyze how traditional mass media institutions and digital media combined with on-the-ground networks in such a way as to propel citizen participation and the evolution of the movement as a whole. As such, they argue that the Umbrella Movement is important in the way it sheds light on the rise of digital-media-enabled social movements, the relationship between digital media platforms and legacy media institutions, the power and limitations of such occupation protests and new "action logics," and the continual significance of old protest logics of resource mobilization and collective action frames. Through a combination of protester surveys, population surveys, analyses of news contents and social media activities, this book reconstructs a rich and nuanced account of the Umbrella Movement, providing insight into numerous issues about the media-movement nexus in the digital era.
Korea’s most prized literary masterpiece: a Buddhist journey questioning the illusions of human life—presented in a vivid new translation by PEN/Hemingway finalist Heinz Insu Fenkl *Named one of the year's most anticipated books by The New York Times, The Millions, and i09* Often considered the highest achievement in Korean fiction, The Nine Cloud Dream poses the question: Will the life we dream of truly make us happy? Written in 17th-century Korea, this classic novel’s wondrous story begins when a young monk living on a sacred Lotus Peak in China succumbs to the temptation of eight fairy maidens. For doubting his master’s Buddhist teachings, the monk is forced to endure a strange punishment: reincarnation as the most ideal of men. On his journey through this new life full of material, martial, and sensual accomplishments beyond his wildest dreams, he encounters the eight fairies in human form, each one furthering his path towards understanding the fleeting value of his good fortune. As his successes grow, he comes closer and closer to finally comprehending the fundamental truths of the Buddha’s teachings. Like Hesse’s Siddhartha, The Nine Cloud Dream is an unforgettable tale that explores the meaning of a good life and the virtue of living simply with mindfulness. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Leisure Beyond On Shan” is composed of three sections: Eulogies, Prayers for Contemplation, and Sermons. The Sermons section is further categorized into ‘Ancestors’ on amity and enmity, ‘Psalm’ on grievances chants, and ‘Gospel’ on Jesus’s footsteps. The three eulogies commemorate the youngest and oldest member of the church respectively: Lau Shan was born severely handicapped and was abandoned at birth. She was only ten when she died; Professor Hu Xiuying was an eminent figure at home and abroad with very high status. She rested in peace at the age of 102; "Those years" is written in memory of my beloved mother.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.