Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
Perfect for canine fanatics, The Dog Lover's Pocket Bible contains all the essential facts, feats and frivolities about man's best friend, the perfect gift for any dog lover.
Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
Corruption Plots illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.
Locating Race provides a powerful critique of theories and fictions of globalization that privilege migration, transnationalism, and flows. Malini Johar Schueller argues that in order to resist racism and imperialism in the United States we need to focus on local understandings of how different racial groups are specifically constructed and oppressed by the nation-state and imperial relations. In the writings of Black Nationalists, Native American activists, and groups like Partido Nacional La Raza Unida, the author finds an imagined identity of post-colonial citizenship based on a race- and place-based activism that forms solidarities with oppressed groups worldwide and suggests possibilities for a radical globalism.
Since the nineteenth century, a succession of states has classified the inhabitants of what are now the borderlands of Northeast India and Bangladesh as Muslim "frontier peasants," "savage mountaineers," and Christian "ethnic minorities," suspecting them to be disloyal subjects, spies, and traitors. In Jungle Passports Malini Sur follows the struggles of these people to secure shifting land, gain access to rice harvests, and smuggle the cattle and garments upon which their livelihoods depend against a background of violence, scarcity, and India's construction of one of the world's longest and most highly militarized border fences. Jungle Passports recasts established notions of citizenship and mobility along violent borders. Sur shows how the division of sovereignties and distinct regimes of mobility and citizenship push undocumented people to undertake perilous journeys across previously unrecognized borders every day. Paying close attention to the forces that shape the life-worlds of deportees, refugees, farmers, smugglers, migrants, bureaucrats, lawyers, clergy, and border troops, she reveals how reciprocity and kinship and the enforcement of state violence, illegality, and border infrastructures shape the margins of life and death. Combining years of ethnographic and archival fieldwork, her thoughtful and evocative book is a poignant testament to the force of life in our era of closed borders, insularity, and "illegal migration.
Hema Malini, the quintessential 'Dream Girl'of Hindi cinema, has truly nurtured a dream and followed it to its realization. After being unceremoniously dropped from her first Tamil film as the director felt that she didn't have 'star quality', Hema signed the Hindi film she was offered opposite Raj Kapoor. Just eighteen, she soon conquered the hearts of all moviegoers with her beauty, grace and charisma. From Johnny Mera Naam to Sholay, from Meera to Baghbaan, she has portrayed a diverse range of characters that will always remain a part of film legend. Raj Kapoor, Dev Anand, Sanjeev Kumar . she worked with all the leading stars, but it was with Dharmendra that the chemistry on screen was palpable. The special bond she shared with Dharmendra set the rumour mills buzzing, and defying all conventions, Hema married her Jat hero in May 1980. Striking a perfect balance between her personal and professional life, Hema maintains a dignity about the little world she shares with daughters Esha and Ahana. This intimate portrayal, the first authorized biography, by Bhawana Somaaya is a result of her long years of association with Hema as a film journalist and critic. Hema speaks to Bhawana more candidly than ever before about her life, with and without Dharmendra, her children, her mother and her twin passions of dance and acting.
The Handbook of Social Status Correlates summarizes findings from nearly 4000 studies on traits associated with variations in socioeconomic status. Much of the information is presented in roughly 300 tables, each one providing a visual snapshot of what research has indicated regarding how a specific human trait appears to be correlated with socioeconomic status. The social status measures utilized and the countries in which each study was conducted are also identified. QUESTIONS ADDRESSED INCLUDE THE FOLOWING: Are personality traits such as extraversion, competitiveness, and risk-taking associated with social status? How universal are sex differences in income and other forms of social status? What is the association between health and social status? How much does the answer vary according to specific diseases? How well established are the relationships between intelligence and social status? Is religiosity associated with social status, or does the answer depend on which religion is being considered? Are physiological factors correlated with social status, even factors involving the brain? Finally, are there as yet any "universal correlates of social status"?
The study of globalization in cinema assumes many guises, from the exploration of global cinematic cities to the burgeoning 'world cinema turn' within film studies, which addresses the global nature of film production, exhibition and distribution. In this ambitious new study, Malini Guha draws together these two distinctly different ways of thinking about the cinema, interrogating representations of global London and Paris as migrant cinematic cities, featuring the arrival, settlement and departure of migrant figures from the decline of imperial rule to the global present. Drawing on a range of case studies from contemporary cinema, including the films of Michael Haneke, Claire Denis, Horace OvcY nd Stephen Frears, Guha also considers their world cinema status in light of their reconfiguration of established forms of filmmaking, from modernism to social realism. An illuminating analysis of London and Paris in world cinema from the vantage point of migrant mobilities, From Empire to the World explores the ramifications of this historical shift towards the global, one that pertains in equal measure to cityscapes, their representation as world cinema texts, and to the rise of world cinema discourse within film studies itself.
The objective of this book is to present the concepts and applications of INSTRUMENTATION AND CONTROL SYSTEM. The book is prepared with simple operating procedures and easy to understand the concept of different instruments.
This book is an analysis of the social criticism and the political implications of rhetorical strategies in personal-political (nonfictional) narratives by liberal American writers from the 18th century till the 1970s. Using the theories of Mikhail Bakhtin, Schueller examines works by Benjamin Franklin, Henry David Thoreau, Henry James, Henry Adams, Jane Addams, James Agee, Norman Mailer, and Maxine Hong Kingston.
This is the autobiography of Malini Chib—a woman who defied all odds to emerge victorious in spite of a crippling disability and an indifferent society; who dragged herself out of the limits of her condition. This is the story of Malini’s search for independence and identity, and her zeal to live a full, meaningful life despite the lifelong disability of Cerebral Palsy. She recounts her experiences from childhood to adulthood, her struggles with motor skills and speech, managing day-to-day activities, and the apathy and indifference of people towards her and others who are disabled. She educates herself, learns to type with her little finger and speak through the Lightwriter. Finally, she works through unfavorable social systems and attitudes to get a career as an event manager.
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