The recent lockdown has our imaginations spinning new futures – for the world, for our nation, for us – as humankind waits, restlessly, at the cusp, unable to move forward, and thus, visiting the only place that can be explored with certainty: within. Within days of the countrywide lockdown, we announced a short story contest inviting writers to share stories from self-isolation. The ten stories in this collection are a result of things they discovered within – comfort in old memories, new perspectives for old relationships, a sense of humour in the face of crushing uncertainty, courage to make peace with oneself and an unwavering faith in humanity. Sucharita Dutta-Asane is an award-winning writer and independent books’ editor based in Pune. She has been editing manuscripts for publishing houses and for individual writers for more than a decade. She teaches a course in Writing and Editing at Symbiosis College of Arts and Commerce and at Flame Liberal Arts University, Pune. Gargi Mehra is a software professional by day, a writer by night and a mother of two at all times. Her short fiction and essays have appeared in numerous online and print literary magazines. Lawrence Houldsworth is a trained mathematics teacher and now works in teacher education and training. Malini Gupta has spent nearly three decades as a development worker. She has experienced an upheaval of her attitudes, values and beliefs in her journey from a student of geography and rural development to a seasoned and well-travelled practitioner of her craft, and she writes of this personal perspective of change. Kanishq Banka is a Mumbai-based writer and traveller. He has finished his double master’s degree in Sociology and Journalism & Mass Communication. He is presently working on a couple of scripts and on his next novel about a poet from Kashmir. Rajni Mishra has been writing verses and cooking up stories for as long as she can remember. She has been a patent expert, an innovation strategist and a café floor manager in the past. At present, she works as a product marketer and copywriter to support her writing habit. Pragya Bhagat is a spoken word poet, an award-winning essayist and author of two books. Her work examines the intersections between mental health, body image and belonging. Amit Singh studied print journalism at Asian College of Journalism, Chennai. He has worked with the Star Network as a writer. Taking cue from the twin peaks of Neil Gaiman and Varun Grover, he wants to explore all kinds of writing, from short stories to scripts, comic books and novels. Purva Grover is a journalist, poet, playwright and stage director. She made her debut as an author with The Trees Told Me So, is the founder-editor of The Indian Trumpet, a quarterly digital magazine for Indian expats, and works as assistant editor with a UAE national daily. Ajay Patri is a graduate of the National Law School of India University (NLSIU), Bangalore, and has experience working in a corporate law firm and a think tank. His works of short fiction have appeared in several journals and short presses in the past, and have been nominated and long-listed for many awards and prizes. He is currently working on his first novel.
Corruption Plots illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.
Since the nineteenth century, a succession of states has classified the inhabitants of what are now the borderlands of Northeast India and Bangladesh as Muslim "frontier peasants," "savage mountaineers," and Christian "ethnic minorities," suspecting them to be disloyal subjects, spies, and traitors. In Jungle Passports Malini Sur follows the struggles of these people to secure shifting land, gain access to rice harvests, and smuggle the cattle and garments upon which their livelihoods depend against a background of violence, scarcity, and India's construction of one of the world's longest and most highly militarized border fences. Jungle Passports recasts established notions of citizenship and mobility along violent borders. Sur shows how the division of sovereignties and distinct regimes of mobility and citizenship push undocumented people to undertake perilous journeys across previously unrecognized borders every day. Paying close attention to the forces that shape the life-worlds of deportees, refugees, farmers, smugglers, migrants, bureaucrats, lawyers, clergy, and border troops, she reveals how reciprocity and kinship and the enforcement of state violence, illegality, and border infrastructures shape the margins of life and death. Combining years of ethnographic and archival fieldwork, her thoughtful and evocative book is a poignant testament to the force of life in our era of closed borders, insularity, and "illegal migration.
Hema Malini, the quintessential 'Dream Girl'of Hindi cinema, has truly nurtured a dream and followed it to its realization. After being unceremoniously dropped from her first Tamil film as the director felt that she didn't have 'star quality', Hema signed the Hindi film she was offered opposite Raj Kapoor. Just eighteen, she soon conquered the hearts of all moviegoers with her beauty, grace and charisma. From Johnny Mera Naam to Sholay, from Meera to Baghbaan, she has portrayed a diverse range of characters that will always remain a part of film legend. Raj Kapoor, Dev Anand, Sanjeev Kumar . she worked with all the leading stars, but it was with Dharmendra that the chemistry on screen was palpable. The special bond she shared with Dharmendra set the rumour mills buzzing, and defying all conventions, Hema married her Jat hero in May 1980. Striking a perfect balance between her personal and professional life, Hema maintains a dignity about the little world she shares with daughters Esha and Ahana. This intimate portrayal, the first authorized biography, by Bhawana Somaaya is a result of her long years of association with Hema as a film journalist and critic. Hema speaks to Bhawana more candidly than ever before about her life, with and without Dharmendra, her children, her mother and her twin passions of dance and acting.
The Handbook of Social Status Correlates summarizes findings from nearly 4000 studies on traits associated with variations in socioeconomic status. Much of the information is presented in roughly 300 tables, each one providing a visual snapshot of what research has indicated regarding how a specific human trait appears to be correlated with socioeconomic status. The social status measures utilized and the countries in which each study was conducted are also identified.QUESTIONS ADDRESSED INCLUDE THE FOLOWING: - Are personality traits such as extraversion, competitiveness, and risk-taking associated with social status? - How universal are sex differences in income and other forms of social status? - What is the association between health and social status? - How much does the answer vary according to specific diseases? - How well established are the relationships between intelligence and social status? - Is religiosity associated with social status, or does the answer depend on which religion is being considered? - Are physiological factors correlated with social status, even factors involving the brain? - Finally, are there as yet any "universal correlates of social status"?
India’s tech/startup industry today is estimated to be worth over $0.5 trillion, employing over 5 million people. And the stage for this incredible ‘tech-tonic’ rise and transformation of the country into the world’s software powerhouse, is Bengaluru. Being the backdrop to this dramatic transition, Bengaluru has changed irrevocably. The city has been through many avatars—pensioner’s paradise, PSU capital, garden city, India’s Silicon city and pub capital. Once known for secure state and federal government jobs, it is now a buzzing startup hub attracting job-seekers from India and abroad. And the new monikers will continue. From ed-tech to health-tech, mobility to EVs, Bengaluru is at the heart of the multiple shifts underway in the digital era. Truly, it is the city of new beginnings. In Unboxing Bengaluru—the first ever deep-dive into the city—Malini Goyal and Prashanth Prakash ably unravel the city’s journey and the ensuing social, behavioural, technological and consumptive changes. They look at why people are drawn to the city; how the cosmopolitan culture and multi-linguistic society gives it a distinct flavour; the parallel economies that have cropped up; how the influx of young workers have changed the city; and the fault-lines of unplanned and poorly managed growth over the decades. Richly researched and vividly written, Unboxing Bengaluru is filled with absorbing vignettes, extensive reportage and solid data. A fascinating book and a must-read for anyone interested in understanding the city, and indeed, India.
Locating Race provides a powerful critique of theories and fictions of globalization that privilege migration, transnationalism, and flows. Malini Johar Schueller argues that in order to resist racism and imperialism in the United States we need to focus on local understandings of how different racial groups are specifically constructed and oppressed by the nation-state and imperial relations. In the writings of Black Nationalists, Native American activists, and groups like Partido Nacional La Raza Unida, the author finds an imagined identity of post-colonial citizenship based on a race- and place-based activism that forms solidarities with oppressed groups worldwide and suggests possibilities for a radical globalism.
Corruption Plots illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.
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