Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
The physical and chemical properties of food products have central roles in biotechnology and the pharmaceutical and food industries. Understanding these properties is essential for engineers and scientists to tackle the numerous issues in food processing, including preservation, storage, distribution and consumption.This book discusses models to predict some of the physical-chemical properties (pH, aw and ionic strength) for biological media containing various solutes. In recent years, food production has involved less processing and fewer additives or preservatives. If health benefits for consumers are obvious, it is not only necessary to adapt current processing and preservation processes but also to verify that appropriate technological and health properties are preserved.The authors present established models, but also introduce new tools for prediction with modeling methods that are part of a more general approach to understand the behavior of fluid mixtures and design new products or processes through numerical simulation. - Describes the construction of a tool to allow you to predict the physical-chemical properties of foods and bacterial broths - Shows you how to apply this tool with complex medias to predict water activity and pH levels and how to integrate this tool with a process simulator - Full with theoretical equations and examples to help you apply the content to your data
Published in 1999. These essays are not deconstructive in the postmodern sense. None of the authors have that depth of scepticism about knowledge claims, but they are all concerned that the terms of reference of Cold War enquiry have been inappropriately bounded. The chapters by Murray and Reynolds specifically address the broad theoretical issues involved with paradigms and explanation. The chapters by Dobson, Marsh, Malik, Evans and Dix stretch out Cold War paradigms with successive case studies of Anglo-American relations; the USA, Britain, Iran and the oil majors; the Gulf States and the Cold War; South Africa and the Cold War; and Indian neutralism. All five authors challenge the efficacy of neo-realist analysis and explanation and critique the way that assumptions derived from that position have been used in historical explanation. The chapters by Ryall, Rogers and Bideleux deal with Roman Catholicism in East Central Europe, with nuclear matters and with the Soviet perspective. Each work goes beyond the limits of Cold War paradigms. Finally, Ponting places the Cold War in the broad context of world history. These essays provide thought-provoking scholarship which helps us both to nuance our understanding of the Cold War and to realise that it should not be taken as an all-embracing paradigm for the explanation of postwar international relations.
Lotfi Zadeh introduced the notion of a fuzzy subset of a set in 1965. Ris seminal paper has opened up new insights and applications in a wide range of scientific fields. Azriel Rosenfeld used the notion of a fuzzy subset to put forth cornerstone papers in several areas of mathematics, among other discplines. Rosenfeld is the father of fuzzy abstract algebra. Kuroki is re sponsible for much of fuzzy ideal theory of semigroups. Others who worked on fuzzy semigroup theory, such as Xie, are mentioned in the bibliogra phy. The purpose of this book is to present an up to date account of fuzzy subsemigroups and fuzzy ideals of a semigroup. We concentrate mainly on theoretical aspects, but we do include applications. The applications are in the areas of fuzzy coding theory, fuzzy finite state machines, and fuzzy languages. An extensive account of fuzzy automata and fuzzy languages is given in [100]. Consequently, we only consider results in these areas that have not appeared in [100] and that pertain to semigroups. In Chapter 1, we review some basic results on fuzzy subsets, semigroups, codes, finite state machines, and languages. The purpose of this chapter is to present basic results that are needed in the remainder of the book. In Chapter 2, we introduce certain fuzzy ideals of a semigroup, namely, fuzzy two-sided ideals, fuzzy bi-ideals, fuzzy interior ideals, fuzzy quasi ideals, and fuzzy generalized bi-ideals.
This ambitious exposition by Malik and Mordeson on the fuzzification of discrete structures not only supplies a solid basic text on this key topic, but also serves as a viable tool for learning basic fuzzy set concepts "from the ground up" due to its unusual lucidity of exposition. While the entire presentation of this book is in a completely traditional setting, with all propositions and theorems provided totally rigorous proofs, the readability of the presentation is not compromised in any way; in fact, the many ex cellently chosen examples illustrate the often tricky concepts the authors address. The book's specific topics - including fuzzy versions of decision trees, networks, graphs, automata, etc. - are so well presented, that it is clear that even those researchers not primarily interested in these topics will, after a cursory reading, choose to return to a more in-depth viewing of its pages. Naturally, when I come across such a well-written book, I not only think of how much better I could have written my co-authored monographs, but naturally, how this work, as distant as it seems to be from my own area of interest, could nevertheless connect with such. Before presenting the briefest of some ideas in this direction, let me state that my interest in fuzzy set theory (FST) has been, since about 1975, in connecting aspects of FST directly with corresponding probability concepts. One chief vehicle in carrying this out involves the concept of random sets.
`This is one of the most important books on race, representation and politics to come along in a decade.... Sarita Malik′s book is a brilliant contribution to the literature on race, cultural studies and public pedagogy′ - Henry Giroux, Penn State University Representing Black Britain offers a critical history of Black and Asian representation on British television from the earliest days of broadcasting to the present day. Working through programmes as wide-ranging as the early documentaries to `ethnic sitcoms′ and youth television, this book provides a detailed analysis of shifting institutional contexts, images of `race′ and ethnic-minority cultural politics in modern Britain. Representing Black Britain: focuses on issues of representation, ideology, `race′ and difference; covers a spectrum of television genres including documentary, news, comedy, light entertainment, youth television, drama, film and sport; examines the sociopolitical context of Black Britain; and looks at questions of policy and the institutional context of British broadcasting.
Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
With a wealth of images and commentary, this is the essential career survey of Cave's socially responsive art The definitive volume on the ever-evolving and shape-shifting work of the Chicago-based artist, Nick Cave: Forothermore highlights the way Cave's practice has shifted and continues to shift in response to our history and current moment of cultural crisis. Including several new, never-before-seen works, the book shows an artist at the height of his power. Addressing topics ranging from art history to social justice, Nick Cave: Forothermore includes essays from Naomi Beckwith, Romi Crawford, Antwaun Sargent, Malik Gaines, Krista Thompson and Meida Teresa McNeal. Punctuating these contributions are interviews with the artist exploring his life, work and teaching practice, as well as a roundtable discussion between Cave and dancer Damita Jo Freeman, musician Nona Hendryx and publisher Linda Johnson Rice on Cave's art and influences, as well as pivotal cultural phenomena from Soul Train to Ebony magazine. Nick Cave: Forothermore reveals the way art, music, fashion and performance can help us envision a more just future. Nick Cave (born 1959) is an artist and educator working between the visual and performing arts through a wide range of mediums, including sculpture, installation, video, sound and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the police beating of Rodney King in 1991. Cave has had major exhibitions at MASS MoCA (2016), Cranbrook Art Museum (2015), Saint Louis Art Museum (2014-15), ICA Boston (2014), Denver Art Museum (2013), Seattle Art Museum (2011) and the Yerba Buena Center for the Arts (2009), among others. Cave lives and works in Chicago.
The first-in depth publication to critically investigate the impact of Pope.L's early performances on his career Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums - including painting, drawing, installation, sculpture, theatre and video - utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L's career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.
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