Shakespeare's In Love At the royal command of Queen Elizabeth, Sir Ian Terrance has sought out a popular local playwright named William Shakespeare-only to discover that "he" is a "she."..and a most desirable and delectable she indeed! And now that the remarkable Olivia is his prisoner, Sir Ian is the one in chains-bewitched by the singular young woman's irrestible beauty, deliciously sharp wit, and innocent sensuality. Olivia's secret life was well hidden, until Ian burst through her wall of pretense. There is much the devilishly handsome man can teach an imaginative, if inexperienced, maid, with his tender caresses and intoxicating kisses. But how long will the exquisite writer be able to remain aloof from the passionate attentions of her bold kidnapper? And can a breathtaking romance turn Ian form his duty-and ensure a happy ending?
The heroic exploits of dashing Captain James Ashley have made him an idol in the eyes of an adoring public. But in London's salons, the society ladies whisper that "The Most Delectable Man in England" is good for only one thing. The proud adventurer wants respectability, not a reputation for excellence in battle and bed. But one obstacle stands in his way: the exquisitely distracting vixen, Lady Prudence Farnsworth. The lovely, tempestuous widow's fierce independence stirs the conqueror in him, and her searing sensuality makes him ache to taste the fire of her kiss. Rumor has this tempting woman of dark mystery linked to Captain Ashley's despised enemy, so even one ecstasy-filled evening together would be perilous. But when two equally passionate souls come together, no amount of pride or willful prudence can keep them apart.
When Trevor Phillips finally returns home to claim his inheritance, he's astonished to find the estate in shambles. Still, he has no great desire to be rusticating in the country and it's only the enchantingly beautiful—and shockingly young—Dowager Duchess, Sara, who captures the rake's very masculine interest. But while Trevor is determined to lure Sara into his arms, she is equally determined to entice this confirmed bachelor into doing his duty by finding him a bride. Trevor has made it quite clear that nothing could be more boring than to marry a nice debutante and produce an heir. And in Sara he discovers a passionate woman who is unlike any other he's ever known. But what he hasn't yet told her is that he has a plan of his own...and her future depends on her answer to his proposal.When Trevor Phillips finally returns home to claim his inheritance, he's astonished to find the estate in shambles. Still, he has no great desire to be rusticating in the country and it's only the enchantingly beautiful—and shockingly young—Dowager Duchess, Sara, who captures the rake's very masculine interest. But while Trevor is determined to lure Sara into his arms, she is equally determined to entice this confirmed bachelor into doing his duty by finding him a bride.
Aleene has vowed never to enter into a forced marriage with the vile pawn who threatens to usurp power over her beloved Seabreeze Castle. But she never expected rescue could come in the virile form of a poacher roaming the estate. In a rebellious act she marries this man. Yet how could Aleene ever have known that the unexpected passion joining her with Cynewulf, her husband, will lead her into a more treacherous game.
The Soviet Tragedy is an essential coda to the literature of Soviet studies...Insofar as [he] returns the power of ideology to its central place in Soviet history, Malia has made an enormous contribution. He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post
This masterful comparative history traces the West’s revolutionary tradition and its culmination in the Communist revolutions of the twentieth century. Unique in breadth and scope, History’s Locomotives offers a new interpretation of the origins and history of socialism as well as the meanings of the Russian Revolution, the rise of the Soviet regime, and the ultimate collapse of the Soviet Union. History’s Locomotives is the masterwork of an esteemed historian in whom a fine sense of historical particularity never interfered with the ability to see the large picture. Martin Malia explores religious conflicts in fifteenth- and sixteenth-century Europe, the revolutions in England, American, and France, and the twentieth-century Russian explosions into revolution. He concludes that twentieth-century revolutions have deep roots in European history and that revolutionary thought and action underwent a process of radicalization from one great revolution to the next. Malia offers an original view of the phenomenon of revolution and a fascinating assessment of its power as a driving force in history.
A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.
10 proven practices to help children thrive In a world that seems to grow more unpredictable and challenging by the day, how can we increase learning and joy for children while offering them much-needed support? Uncertainty and disruption have created a youth mental health crisis that requires all hands on deck. This urgently needed guidebook offers comprehensive and scientifically-grounded methods you can use to support young people’s well-being, no matter what obstacles they face. Written by an expert with decades of experience in education, youth development, and social work, this timely and timeless resource includes: 10 practices that can prevent and address mental health challenges and enable young people to thrive Strategies for taking care of kids while also taking care of yourself Information on the most pressing issues youth face, from nurturing healthy relationships to building community and belonging Key takeaways and reflection questions for individual use and group discussion as well as "Try Now" sections with tips and tools that can be used immediately Providing essential information, practical advice, stories, and time-tested strategies to help kids live and learn, Whole Child, Whole Life is required reading for anyone who is working with, caring for, or raising young people.
Heroic exploits have made captain James Ashley the idol of an adoring public. In London's posh salons, ladies whisper that he is--assuredly--"the most delectable man in England." But the proud officer is determined to have respectability, not a reputation for his skills in the bedroom. And he won't let anything interfere with that goal. Especially not Lady Prudence Farnsworth. The distracting vixen stirs a hunger in James that makes him ache to taste the fire of her kiss. But a dark mystery surrounds the beautiful widow, and even one night of ecstasy may be dangerous.
Every year, Italy swells with millions of tourists who infuse the economy with billions of dollars and almost outnumber Italians themselves. In fact, Italy has been a model tourist destination for longer than it has been a modern state. The Beautiful Country explores the enduring popularity of “destination Italy,” and its role in the development of the global mass tourism industry. Stephanie Malia Hom tracks the evolution of this particular touristic imaginary through texts, practices, and spaces, beginning with the guidebooks that frame Italy as an idealized land of leisure and finishing with destination Italy’s replication around the world. Today, more tourists encounter Italy through places like Las Vegas’s The Venetian Hotel and Casino or Dubai’s Mercato shopping mall than experience the country in Italy itself. Using an interdisciplinary methodology that includes archival research, ethnographic fieldwork, literary criticism, and spatial analysis, The Beautiful Country reveals destination Italy’s paramount role in the creation of modern mass tourism.
Its brilliant prose makes [Empire's Mobius Strip] easily accessible to anyone interested in today's migration crisis in the Mediterranean and elsewhere in the world.― American Historical Review Italy's current crisis of Mediterranean migration and detention has its roots in early twentieth century imperial ambitions. Empire's Mobius Strip investigates how mobile populations were perceived to be major threats to Italian colonization, and how the state's historical mechanisms of control have resurfaced, with greater force, in today's refugee crisis. What is at stake in Empire's Mobius Strip is a deeper understanding of the forces driving those who move by choice and those who are moved. Stephanie Malia Hom focuses on Libya, considered Italy's most valuable colony, both politically and economically. Often perceived as the least of the great powers, Italian imperialism has been framed as something of "colonialism lite." But Italian colonizers carried out genocide between 1929–33, targeting nomadic Bedouin and marching almost 100,000 of them across the desert, incarcerating them in camps where more than half who entered died, simply because the Italians considered their way of life suspect. There are uncanny echoes with the situation of the Roma and migrants today. Hom explores three sites, in novella-like essays, where Italy's colonial past touches down in the present: the island, the camp, and the village. Empire's Mobius Strip brings into relief Italy's shifting constellations of mobility and empire, giving them space to surface, submerge, stretch out across time, and fold back on themselves like a Mobius strip. It deftly shows that mobility forges lasting connections between colonial imperialism and neoliberal empire, establishing Italy as a key site for the study of imperial formations in Europe and the Mediterranean.
Is sacramental anointing the same as last rites?" "Don't you have to have some kind of special gift to be part of the Church's healing ministry?" "Why am I sick? Is it God's punishment?" "Ever since I became sick, I don't feel like myself anymore." If life is a journey, what happens when our way is obstructed by sickness or failing health? In Healing Touch and Saving Word, Linda Malia draws upon the rich theology of the Anglican tradition personified in the Episcopal Church's sacramental liturgies of healing. In easy-to-understand language, Healing Touch examines the theological foundations of the Episcopal Church's healing liturgies, from the first Book of Common Prayer to the most recent sacramental rites. Probing the dynamics of symbol and ritual, the complex relationship of sin and sickness, and the spiritual and psychological impact of every serious illness, the book explores the power of these graced encounters in enabling the faithful to draw new hope and renewed purpose out of the chaos and turmoil of illness and debility. Individuals struggling with life-changing illness and those who care for them--clergy and laity alike--are sure to find Healing Touch a helpful and thought-provoking resource.
How business leaders can move their DEI efforts from intention to impact through strategy and culture change. In the aftermath of George Floyd’s murder, corporate America has doubled down on its public intentions to be more inclusive and equitable. Yet beyond the pledges it is difficult to see which system changes make a real difference. In From Intention to Impact, Malia Lazu draws on her background as a community organizer, her corporate career as a bank president, and now her experience as a leading DEI consultant to explain what has been holding organizations back and what they need to do better. First and foremost, she recognizes that truly moving from intention to impact means targeting and changing the traditions and culture that normalize whiteness. From Intention to Impact shows what organizations, leaders, and people at all levels must do to create more inclusive environments that honor and value diversity. Lazu shares a seven-stage guide through this process as well as a 3L model of listening, learning, and loving that readers can use from the initial excitement of doing “something” to the frustration when the inevitable pushback comes, and finally to the determination to do the hard work despite the challenges—on corporate and political fronts. Most compelling, From Intention to Impact shows that, while commitment from the top is paramount, for DEI to be most effective, it needs to be decentralized—among managers, within teams, and across the organization. A crucial read for anyone looking to future-proof their company, From Intention to Impact goes beyond the “feel good” PR-centric actions to showcase the real DEI work that must be done to create true and lasting systemic change.
Giorgio Strehler Directs Carlo Goldoni uses Giorgio Strehler’s Goldoni productions (and Arlecchino servitore di due padroni in particular) as a means to defining his directorial aesthetic. The book provides a framework for examining the director’s career that is expansive rather than restrictive, using Goldoni and Arlecchino servitore di due padroni as a through-line for Strehler’s fifty-year career at the Piccolo Teatro di Milano. This research defines Strehler’s multifaceted style and brings to light interrelationships among his various works, creating a base from which a variety of subsequent critical inquiries can be made. It also establishes Strehler’s identity within the larger scope of the Italian theatre as a whole. Finally, it creates the critical challenge of finding more expansive notions of directorial style and concept that unite diverse ideologies without delimiting our understanding of the director. Crucial to understanding Strehler’s work with Arlecchino servitore di due padroni is his consistent reinterpretation of the play, which received no less than five distinct productions during Strehler’s lengthy career. His repeated reworking of existing productions provides a baseline for examining what elements were maintained and what elements changed or evolved. The four key influences that defined Strehler’s aesthetic in his work with Arlecchino were commedia dell’Arte, Bertolt Brecht, “refractive theatricality” and Jacques Copeau. Through these productions, Strehler created a dialogue with his audience and helped change the reputation of Carlo Goldoni both in his own country and abroad.
The story starts out in St. Louis in 1868 with Peter Langerman, an Ex-Confederate soldier leaning on the rail of the steam-wheeler reflecting on his gracious southern lifestyle in Waycross, Georgia. The grandson of a prominent merchandiser, he knew on his release from the Yankee prison that he could not go back home to a war torn South. "BILLINGS" is a historical, romantic drama that takes place just after the Civil War. It was during that time when the young and adventurous looked to the West for more opportunity and a better way of life. Its about how Billings, Montana was born, the first settlers, their ambitions, hard work, loves, wins, losses and terrible political fights for power and how Billings opened the west for shipping cattle and grain east. "PEGGY", the sequel to BILLINGS, is about the granddaughter of Henry Reiner who continues the story from 1916 through World War II with the third generation grandchildren of Peter Langerman. We meet Ed and Judy MacFarland, the children of Millicent (Langerman) and Frank MacFarland as well as Bill Callahan the son of Mike and grandson of Pat Callahan and Attorney Jim Duffy, the son of Judge Dan Duffy.
Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present. Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.
The Soviet Tragedy is an essential coda to the literature of Soviet studies...Insofar as [he] returns the power of ideology to its central place in Soviet history, Malia has made an enormous contribution. He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post
When Trevor Phillips finally returns home to claim his inheritance, he's astonished to find the estate in shambles. Still, he has no great desire to be rusticating in the country and it's only the enchantingly beautiful—and shockingly young—Dowager Duchess, Sara, who captures the rake's very masculine interest. But while Trevor is determined to lure Sara into his arms, she is equally determined to entice this confirmed bachelor into doing his duty by finding him a bride. Trevor has made it quite clear that nothing could be more boring than to marry a nice debutante and produce an heir. And in Sara he discovers a passionate woman who is unlike any other he's ever known. But what he hasn't yet told her is that he has a plan of his own...and her future depends on her answer to his proposal.When Trevor Phillips finally returns home to claim his inheritance, he's astonished to find the estate in shambles. Still, he has no great desire to be rusticating in the country and it's only the enchantingly beautiful—and shockingly young—Dowager Duchess, Sara, who captures the rake's very masculine interest. But while Trevor is determined to lure Sara into his arms, she is equally determined to entice this confirmed bachelor into doing his duty by finding him a bride.
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