First published in 1994, this volume features an autobiography of Allen Davenport, a key figure linking Chartism with the French Revolution, along with some of his selected works. Davenport was an important propagandist for agrarian reform, a critical follower of Robert Owen, one of the first male supporters of the feminist causes and birth control and a leading member of the revolutionary underground movement in Regency London. He was a prolific author, political journalist and poet. His autobiography, published in 1845, has long been presumed lost - historians have had to make do with tantalising fragments from contemporary reviews. When a copy was found in Nashville in 1982 it was immediately recognised as a unique source of information about nineteenth-century popular politics. This volume reprints the complete text with editorial apparatus and supplemented by a careful selection of Davenport's other writing by Dr Malcolm Chase. The Life and Literary Pursuits of Allen Davenport thus gives a unique insight into the cultural and political life of England in the crowded years between Peterloo and Chartism.
Chartism, the mass movement for democratic rights, dominated British domestic politics in the late 1830s and 1840s. It mobilised over three million supporters at its height. Few modern European social movements, certainly in Britain, have captured the attention of posterity to quite the extent it has done. Encompassing moments of great drama, it is one of the very rare points in British history where it is legitimate to speculate how close the country came to revolution. It is also pivotal to debates around continuity and change in Victorian Britain, gender, language and identity. Chartism: A New History is the only book to offer in-depth coverage of the entire chronological spread (1838-58) of this pivotal movement and to consider its rich and varied history in full. Based throughout on original research (including newly discovered material) this is a vivid and compelling narrative of a movement which mobilised three million people at its height. The author deftly intertwines analysis and narrative, interspersing his chapters with short ‘Chartist Lives’, relating the intimate and personal to the realm of the social and political. This book will become essential reading for anyone with an interest in early Victorian Britain, specialists, students and general readers alike.
Integrating in detail the experiences of both Britain and Ireland, 1820 provides a compelling narrative and analysis of the United Kingdom in a year of European revolution. It charts the events and forces that tested the government almost to its limits, and the processes and mechanisms through which order was maintained. This book will be required reading for everyone interested in late-Georgian and early nineteenth-century Britain or Ireland. 1820 is about much more than a single year. Locating the Queen Caroline divorce crisis within a broader analysis of the challenges confronting the government, it places that much-investigated episode in a new light. It illuminates both the pivotal Tory Ministry under Lord Liverpool and the Whigs (by turns febrile and feeble) who opposed it. It is also a major contribution to our understanding of popular radicalism and its political containment.
Once again we have an eclectic mix of stories new and old. Leading off the pack is an original tale by Andrew Welsh-Huggins, “Digging In,” as a couple goes to great lengths to save their marriage. It was acquired for BCW by editor Michael Bracken. Barb Goffman found a real crime-story treat by John Lantigua. And we have a novel by Stephen Marlowe, a solve-it-yourself short by Hal Charles, and a classic historical story (yes, another Western—but it’s also a mystery) by W.C. Tuttle. On the science fiction and fantasy end of things, there are two “brain” stories—John W. Campbell’s planet-hopping space opera, “The Brain Pirates” and Malcolm Jameson’s “Brains for Bricks.” Nelson Bond’s Lancelot Biggs space-opera hero returns to save the day in “Where Are You, Mr. Biggs?” And one of the kings of space opera, Edmond Hamilton, is back with a change-of-pace fantasy from Weird Tales. Dorothy C. Quick, another WT alum, also contributes a fantasy. Great classic reading. Here’s the lineup: Mysteries / Suspense / Adventure: “Digging In,” by Andrew Welsh-Huggins [Michael Bracken Presents short story] “A Surprising Treat,” by Hal Charles [solve-it-yourself mystery] “The Avenging Angel,” by John Lantigua [Barb Goffman Presents short story] “The Wisdom of the Ouija,” by W.C. Tuttle [short story] Model for Murder, by Stephen Marlowe” [novel] Science Fiction & Fantasy: “Brains for Bricks,” by Malcolm Jameson [short story] “The Lost Gods,” by Dorothy C. Quick [short story] “The Brain Pirates,” by John W. Campbell, Jr. [novella] “Dreamer’s Worlds,” by Edmond Hamilton [short story] “Where Are You, Mr. Biggs?” by Nelson S. Bond [short story]
“Malcolm Beith risked life and limb to tell the inside story of Joaquín ‘El Chapo’ Guzmán Loera, Mexico’s notorious drug capo.” —George W. Grayson, author of Mexico: Narco-Violence and a Failed State? The dense hills of Sinaloa, Mexico, were home to the most powerful drug lord since Pablo Escobar: Joaquin “El Chapo” Guzman. Guzman was among the world’s ten most wanted men and also appeared on Forbes magazine’s 2009 billionaire list. With his massive wealth, his army of professional killers, and a network of informants that reached into the highest levels of government, catching Guzman was once considered impossible Newly isolated by infighting amongst the cartels, and with Mexican and DEA authorities closing in, El Chapo was vulnerable as never before. Newsweek correspondent Malcolm Beith had spent years reporting on the drug wars and followed the chase with full access to senior officials and exclusive interviews with soldiers and drug traffickers in the region, including members of Guzman’s cartel. The Last Narco combines fearless reporting with the story of El Chapo’s legendary rise from a poor farming family to the “capo” of the world’s largest drug empire. “The Last Narco gracefully captures the heroic struggle of those who dare to stand up to the cartels, and the ways those cartels have tragically corrupted every aspect of Mexican law enforcement.” —Laura Bickford, producer, Traffic
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