This first volume of Bradbury's collected critical writings concentrates on British fiction since 1945. It is written from the center of the field it surveys: Bradbury is a writer who is also a critic, a critic who is also a writer. He often feels a conflict between the two roles, but writes in a personal, lucid, and amusing style, alert to modern critical theory yet at the same time deeply involved as a creative novelist.
Looking to strike it rich with television gold, an English media tycoon enlists the help of an unassuming novelist to script his small-screen epic, to disastrous—and hilarious—effect The year is 1986, and the cuts imposed by Margaret Thatcher’s government have trickled down to university life, where departments are being forced to shave their payrolls to account for reduced public funding. Meanwhile, at Eldorado Television, a different kind of cut is about to wreak havoc. Lord Mellow, head of the declining studio, watches as his last-ditch effort to produce a hit series falls to pieces. The show’s star, the volatile but vaunted Sir Luke Trimingham, has just declared that he will quit unless the script is entirely rewritten. Desperate to save the project, Eldorado brings university lecturer and author Henry Babbacombe into the fold to write thirteen new episodes of ambitious television—something so grand that the leading man cannot possibly refuse it. But the production is plagued from the start, suffering endless calamities with its unpredictable actors and crew, whose behind-the-scenes drama rivals anything Babbacombe could dream up.
What is written lives far longer than we do -- or so we would like to think.' From unfinished novel to unsent letters, from prose to play, from Macclesfield to the New Year's Honours List, Liar's Landscape is evidence of the late great author's versatility, wit and passion for the written word. When Sir Malcolm Bradbury died in 2000, he left behind a lifetime's work; some of it published and some of it not; fiction and non-fiction; short stories and novels; completed work, work in progress, work barely begun; plans, sketches, notes, titles. Given shape and coherence by his son, Dominic, that work has now become Liar's Landscape, a book about books, about writing and writers, about being a writer and, of course, about being Malcolm Bradbury. 'Liar's Landscape is essential reading for all admirers of Malcolm Bradbury and, for those who don't know his work, an invaluable sampler of his worldly-wise humour and satirical wit' Tom Rosenthal, Independent
�The funniest book ever written� Auberon WaughTo the Hermitage tells two stories. The first is of the narrator, a novelist, on a trip to Stockholm and Russia for an academic seminar called the Diderot Project. The second takes place two hundred years earlier and recreates the journey the French philosopher Denis Diderot made to Russia at the invitation of Catherine the Great, a woman whose influence could change the path of history . . . Malcolm Bradbury's last novel is rich with his satirical wit, but it is also deeply personal and weaves a wonderfully wry self-portrait.
At the end of the 1950s, a debonair and well-dressed Malcolm Bradbury returned from a year in the United States, slightly shattered but not quite broken, to a Britain that had thoroughly changed. Commercial television had started, the bee-hive hairdo was in, and there were supermarkets instead of grocer's shops.In this piece of vintage Bradbury, the author of "The History Man" takes on Consumer Society and the British character as only he can.
At the height of the 1960s, a British writer accepts an academic post in America for a year that he’ll never forget English author James Walker has three books to his name, each greeted with middling success and then promptly forgotten. But his résumé is significant enough to earn him a yearlong appointment at Benedict Arnold University as the American college’s writer in residence. At Benedict Arnold, Walker is something of a celebrity—a firebrand of 1960s British literary culture whose work, though perhaps met with shrugs at home, is the subject of vibrant scholarly criticism among American academics. Walker, of course, is not quite what some were expecting, and culture clashes abound as he encounters the tropes of American academia in the sixties. Fusty, buttoned-up professors, spirited advocates of free love, and aggressively ambitious colleagues collide to ensure that Walker’s year in America will be anything but ordinary.
Who Do You Think You Are?" contains all the wit, verbal dexterity and spot-on satirical humour of Malcolm Bradbury's finest novels, including the work that helped to define a generation, "The History Man". In seven short stories he takes a subtly ironic look at a variety of targets; American academics, provincial Britain, the aspirations of social workers, psychologists, the well-intentioned ... In addition he delights us with an irreverent and hilarious series of parodies of some of the greatest paradigms of the British and American literary scenes: a passage from Iris Murdoch's little-known "The Sublime and the Ridiculous"; Muriel Spark (a whole novel); the fifth volume of Durrell's 'Alexandria Quartet'; John Osborne; J.D. Salinger, and many more.
Forty-year-old university professor Stuart Treece is rather set in his ways, and in the midst of the changing attitudes of the ’50s, his encounters with the younger generation are making him feel decidedly alien. When he falls disastrously in love with one of his students all his efforts to acclimatize are hilariously undermined. Timeless and brilliant, Eating People is Wrong is Malcolm Bradbury’s first novel, and established him as a master of satire.
Sharp-witted novels and social commentary by the beloved British critic, teacher, and author of the “outstanding” comic masterpiece, The History Man (The Guardian). “A satirist of great assurance and accomplishment,” Malcolm Bradbury remains one of the sharpest comic minds of the twentieth century (The Observer). Cuts and Doctor Criminale—like “all Bradbury’s novels, for all their surface wit and comedy, have serious moral and philosophical subtexts” (The Guardian), as do his barbed and brilliant observations on 1950s culture shock in Great Britain in All Dressed Up and Nowhere to Go. Taken together, these three volumes illustrate the myriad ways “Bradbury dazzles” (Kirkus Reviews). Cuts: In Bradbury’s “outrageously funny” satire set in Thatcher-era Great Britain, a media tycoon, looking to strike it rich with television gold, recruits an unassuming novelist and academic to script his small-screen epic, with disastrous—and hilarious—consequences (Publishers Weekly). “It is funny, exact—and pretty bloody serious.” —The Observer All Dressed Up and Nowhere to Go: In this nonfiction social commentary, Bradbury confronts a curious moment in British history. After teaching abroad for a year in the 1950s, he returned to find that his native country had become nearly as mystifying to him as the American Midwest. As Britain marched toward a new decade, much of the country was changing rapidly, its agrarian past paved over by suburban developer and its quiet traditionalism replaced by beehive hairdos and shiny, glass-walled office buildings. With wry wit, he reacts to this uncomfortable transition to mid-twentieth-century modernism. “A master not only of language and comedy but of feeling too.” —The Sunday Times Doctor Criminale: “Playful, smart and entertaining,” Bradbury’s comic novel follows enterprising young reporter Francis Jay as he attempts to navigate the chaotic world of post–Cold War Europe in pursuit of the specter of literary legend Bazlo Criminale, a mysterious novelist and thinker known for his extreme elusiveness (The New York Times Book Review). “Bradbury writes with splendid energy and a fertile mind.” —Los Angeles Times Book Review
A headstrong young journalist goes on the adventure of a lifetime, traveling through Europe to find the world’s most enigmatic philosopher Bazlo Criminale is one of Europe’s most legendary living men. A mysterious novelist and thinker known for his extreme elusiveness, the beloved Criminale is a cultural icon of the highest order. Seeking to find the man behind the myth, a London television-news station hires Francis Jay, an enterprising young reporter, to find Criminale. From Vienna to Budapest to the picturesque lakeshores of Italy, Jay journeys across the continent—and even briefly to Brazil—interviewing the man’s biographer, his publisher, and his former lover, all of whom have their own interests at stake. Through literary award dinners and other examples of “culture as spectacle,” Jay must navigate the chaotic world of post–Cold War Europe as he chases the specter of a literary legend.
Shortlisted for the Man Booker Prize: In this comedic novel, an English professor collides with disaster at the peak of the Cold War Shortly after his plane first grazes the tarmac in the eastern European nation of Slaka, Dr. Angus Petworth is beset by a cavalcade of misadventures. A university lecturer and seasoned international traveler, Petworth is nevertheless unprepared for the oddities of culture and circumstance that await him on the other side of the iron curtain. In two eventful weeks, Petworth gives an incendiary interview, is seduced by a femme fatale, and becomes embroiled in a plot of international intrigue, all of which conspire to give the mild, unassuming professor way more than he bargained for. Satirizing everything from critics and diplomats to Marxism and academia, Malcolm Bradbury’s Rates of Exchange is a witty and lighthearted novel of cultural interchange at the height of the Cold War.
Explains how the stock market works. Basic concepts such as the difference between stocks and bonds, dividends, risk and volatility, and efficent market theory are covered.
From the author of Rates of Exchange comes a savagely funny satire--"a bracing comedy of ideas" (GQ). A brash, young journalist's assignment to track down an elusive European philosopher/bon vivant takes him into a glitzy postmodern world on both sides of what used to be the Iron Curtain.
This anthology is in many was a ‘best of the best’, containing gems from thirty-four of Britain's outstanding contemporary writers. It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all ...
This first volume of Bradbury's collected critical writings concentrates on British fiction since 1945. It is written from the center of the field it surveys: Bradbury is a writer who is also a critic, a critic who is also a writer. He often feels a conflict between the two roles, but writes in a personal, lucid, and amusing style, alert to modern critical theory yet at the same time deeply involved as a creative novelist.
Malcolm Bradbury’s classic skewering of 1970s academia, hailed by the New York Times as “an encyclopedia of radical chic as well as a genuinely comic novel” Among the painfully hip students and teachers at the liberal University of Watermouth, Howard Kirk appears to be the most stylish of them all. With his carefully manicured mustache and easygoing radicalism, Kirk prides himself on being among the most highly evolved teachers on his redbrick campus. But beneath Kirk’s scholarly bohemianism and studied cool is a ruthless, self-serving Machiavellian streak. A sociology lecturer who outwardly espouses freethinking nonconformity, Kirk is himself vain and bigoted, dismissing female students and colleagues while releasing vitriol against those who contradict him, particularly his clever, wayward wife, Barbara, the long-suffering mother of his two children. A funny and incisive satire of academia and ideological hypocrisy, The History Man is one of Malcolm Bradbury’s most acclaimed novels and remains just as sharp and witty today as when it was first published.
What is written lives far longer than we do -- or so we would like to think.' From unfinished novel to unsent letters, from prose to play, from Macclesfield to the New Year's Honours List, Liar's Landscape is evidence of the late great author's versatility, wit and passion for the written word. When Sir Malcolm Bradbury died in 2000, he left behind a lifetime's work; some of it published and some of it not; fiction and non-fiction; short stories and novels; completed work, work in progress, work barely begun; plans, sketches, notes, titles. Given shape and coherence by his son, Dominic, that work has now become Liar's Landscape, a book about books, about writing and writers, about being a writer and, of course, about being Malcolm Bradbury. 'Liar's Landscape is essential reading for all admirers of Malcolm Bradbury and, for those who don't know his work, an invaluable sampler of his worldly-wise humour and satirical wit' Tom Rosenthal, Independent
Malcolm discusses the novelist's use of major twentieth-century historical events to shape and deform the lives of his characters; his focus on the distortions and evasions that characterize the discussion of personal, local, and national histories; and his fascination with the complexities, sufferings, and joys that mark individual lives. Malcolm suggests that despite Swift's dark vision of human suffering, he tempers his writing with an intermittent focus on that which can redeem our failures, our losses, and our cruelties."--BOOK JACKET.
Three satires of academia by the beloved British critic, teacher, and novelist—including his “outstanding” comic masterpiece, The History Man (The Guardian). “A satirist of great assurance and accomplishment,” Malcolm Bradbury remains one of the sharpest comic novelists of the twentieth century (The Observer). In Rates of Exchange and Stepping Westward, as “in almost all of Bradbury’s novels, the most frequently recurring theme is that of the slightly naïve, liberal innocent, usually an academic, hilariously abroad in an unfamiliar, and occasionally slightly threatening, context” (The Guardian). In The History Man, the tables are turned, and the professor himself is the threat, resulting in “grim wit, chill comedy and a fictional energy which is as imaginative as the tale is shocking” (A. S. Byatt). Rates of Exchange: University lecturer and seasoned international traveler Angus Petworth is unprepared for the oddities of culture and circumstance that await him on the other side of the iron curtain—in the eastern European nation of Slaka. In two eventful weeks, the professor gives an incendiary interview, is seduced by a femme fatale, and becomes embroiled in a plot of international intrigue. Satirizing everything from critics and diplomats to Marxism and academia, Rates of Exchange is a witty and lighthearted novel of cultural interchange at the height of the Cold War, shortlisted for the Man Booker Prize. “Explosively funny.” —The Daily Telegraph The History Man: Bradbury’s classic skewering of 1970s academia and ideological hypocrisy centers around Professor Howard Kirk, who prides himself on being the most highly evolved teacher on campus. But beneath Kirk’s scholarly bohemianism and studied cool is a ruthless, self-serving Machiavellian streak. Kirk is vain and bigoted, dismissing female students and colleagues while releasing vitriol against those who contradict him, particularly his clever, wayward wife, Barbara, the long-suffering mother of his two children. Someone needs to teach him a lesson . . . “[A] genuinely comic novel.” —The New York Times Stepping Westward: At the height of the swinging sixties, mediocre British writer James Walker accepts an academic post in America for a year he’ll never forget. As Benedict Arnold University’s writer in residence, he finds himself something of a celebrity—his work, though met with shrugs at home, is the subject of vibrant scholarly criticism among American academics. But the buttoned-up professor is about to take a crash course in culture shock taught by spirited advocates of free love and aggressively ambitious colleagues. “Highly entertaining.” —Margaret Drabble, The Sunday Times
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.
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