Henry Prinsep is known as Western Australia’s first Chief Protector of Aborigines in the colonial government of Sir John Forrest, a period which saw the introduction of oppressive laws that dominated the lives of Aboriginal people for most of the twentieth century. But he was also an artist, horse-trader, member of a prominent East India Company family, and everyday citizen, whose identity was formed during his colonial upbringing in India and England. As a creator of Imperial culture, he supported the great men and women of history while he painted, wrote about and photographed the scenes around him. In terms of naked power he was a middle man, perhaps even a small man. His empire is an intensely personal place, a vast network of family and friends from every quarter of the British imperial world, engaged in the common tasks of making a home and a career, while framing new identities, new imaginings and new relationships with each other, indigenous peoples and fellow colonists. This book traces Henry Prinsep’s life from India to Western Australia and shows how these texts and images illuminate not only Prinsep the man, but the affectionate bonds that endured despite the geographic bounds of empire, and the historical, social, geographic and economic origins of Aboriginal and colonial relationships which are important to this day.
This volume concerns the history of the Australian port of Fremantle, located on the edge of Western Australia and the Indian Ocean, throughout the hundred years of frequent changes to its structure and function between 1897 and 1997. Tull’s aim is to use Fremantle as a prime example of the complex network of a Port, as a community and a place of vast and varied maritime business endeavours. He seeks to erase the perception of ports as ‘passive links in the international transport chain’ in order to draw ports to the attention and further research of maritime historians. The chapters are arranged thematically rather than chronologically, and includes statistical appendices, a bibliography, and an index, for ease of navigation.
Henry Prinsep is known as Western Australia’s first Chief Protector of Aborigines in the colonial government of Sir John Forrest, a period which saw the introduction of oppressive laws that dominated the lives of Aboriginal people for most of the twentieth century. But he was also an artist, horse-trader, member of a prominent East India Company family, and everyday citizen, whose identity was formed during his colonial upbringing in India and England. As a creator of Imperial culture, he supported the great men and women of history while he painted, wrote about and photographed the scenes around him. In terms of naked power he was a middle man, perhaps even a small man. His empire is an intensely personal place, a vast network of family and friends from every quarter of the British imperial world, engaged in the common tasks of making a home and a career, while framing new identities, new imaginings and new relationships with each other, indigenous peoples and fellow colonists. This book traces Henry Prinsep’s life from India to Western Australia and shows how these texts and images illuminate not only Prinsep the man, but the affectionate bonds that endured despite the geographic bounds of empire, and the historical, social, geographic and economic origins of Aboriginal and colonial relationships which are important to this day.
For countless generations, coastal country in the west Kimberley region of northwest Australia has been the home of Dambeemangaddee Traditional Owners. Barddabardda Wodjenangorddee- We're Telling All of You describes the deep history of this country. In it our senior people describe our country's creation during Lalai and provide recollections of our ancestors' lives. The book also draws on archival sources and information Dambeemangaddee people had shared with early missionaries and anthropologists, while incorporating cultural knowledge our senior people have imparted over the past four decades to the book's compilers and authors. The result is a book that contains an unprecedented level of detail regarding our history, culture and country- the Aboriginal names of some three hundred ancestors, many born in the mid-1800s; their connections to country and to each other; their responses to the arrival of explorers, missionaries and others in our country; and their often heroic efforts to sustain our traditions and care for our country despite outsiders' attempts to regulate their lives and displace them from our lands.
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