Malachy McCourt, bestselling author of A Monk Swimming, shares the extraordinary story of how he went from living the headlong and heedless life of a world-class drunk to becoming a sober, loving father and grandfather, still happily married after thirty-five years. Bawdy and funny, naked and moving, told in the same inimitable voice that left readers all over the world wondering what happened next in A Monk Swimming, Singing My Him Song is "told with the frankness and honesty for which McCourt has become renowned" (New York Daily News).
Before he runs out of time, Irish bon vivant Malachy McCourt shares his views on death - sometimes hilarious and often poignant - and on what will or won't happen after his last breath is drawn. During the course of his life, Malachy McCourt practically invented the single's bar; was a pioneer in talk radio, a soap opera star, a best-selling author; a gold smuggler, a political activist, and a candidate for governor of the state of New York. It seems that the only two things he hasn't done are stick his head into a lion's mouth and die. Since he is allergic to cats, he decided to write about the great hereafter and answer the question on most minds: What's so great about it anyhow? In Death Need Not Be Fatal, McCourt also trains a sober eye on the tragedies that have shaped his life: the deaths of his sister and twin brothers; the real story behind Angela's famous ashes; and a poignant account of the death of the man who left his mother, brothers, and him to nearly die in squalor. McCourt writes with deep emotion of the staggering losses of all three of his brothers, Frank, Mike, and Alphie. In his inimitable way, McCourt takes the grim reaper by the lapels and shakes the truth out of him. As he rides the final blocks on his Rascal scooter, he looks too at the prospect of his own demise with emotional clarity and insight. In this beautifully rendered memoir, McCourt shows us how to live life to its fullest, how to grow old without acting old, and how to die without regret.
New York Times bestselling author Malachy McCourt offers an authoritative and engrossing one-volume chronicle of Ireland from pre-Christian times to the present, told with Irish flair by the gifted storyteller. The pages are populated with figures from myth, history, and the present-from Saint Patrick to Oliver Cromwell, James Joyce, Samuel Beckett, and Charles Parnell to Sinead O'Connor and Bono. Some beloved, some controversial-each influenced the course of Irish and world history. While McCourt vividly describes Ireland's turbulent history, he also offers a cultural survey with fresh insights to the folklore, literature, art, music, and cuisine of Ireland, producing an irresistible tour through the Emerald Isle.
A play written by brothers Frank and Malachy McCourt about growing up in Limerick, Ireland, and their journey to Brooklyn, New York, where they learn to incorporate the lessons learned from their hard Irish past.
In this “irresistible memoir that’s equal parts pathos and belly laughs,” the Irish American writer and actor shares stories from his first decade in the US (People). Malachy McCourt left behind a childhood of poverty and painful memories of his father and mother in Limerick, Ireland, when he followed his brother, Frank, to America in 1952. In A Monk Swimming, McCourt recounts the decade that followed. With not much to his name other than his sharp wit and knack for storytelling, McCourt was unsure what he would do after arriving in New York City. He worked as a longshoreman on the Brooklyn docks, became the first celebrity bartender in a Manhattan saloon, performed on stage with the Irish Players, and told tales to Jack Paar on The Tonight Show. Although McCourt gained success, money, women, and, eventually, children of his own, he still carried memories of the past with him. So, he fled again. He found himself in the Manhattan Detention Complex, otherwise known as the Tombs. He was arrested several times: poolside in Beverly Hills, in Zurich with gold-smugglers, and again in Calcutta with sex workers. McCourt’s journey also took him to Paris, Rome, and even Limerick again, until finally he was forced to grapple with his past. “[A] funny, oddly winning book.” —The New York Times “A rollicking good read that, as the Irish say, would make a dead man laugh.” —The Philadelphia Inquirer “A triumphant tale. . . . You will find yourself laughing through the tears.” —Newsday “Howlingly funny.” —Atlanta Journal-Constitution “Build[s] on the story of the McCourts’ early life so dazzlingly told in Angela’s Ashes by his brother Frank.” —Thomas Keneally, author of the international bestseller Schindler’s List
BACK IN PRINT! "A rollicking good read that, as the Irish say, would make a dead man laugh." ―Philadelphia Inquirer Malachy McCourt was already famous as an actor, saloon-keeper, and late-night television personality when Angela's Ashes was published. Brother Frank's book introduced the incorrigible, indomitable young Malachy to a worldwide audience that was charmed, and clamored for more. Frank's book was a hard act to follow, but Malachy's delightful memoir, which picked up where Angela's Ashes left off, won critical acclaim and commercial success. Born in Brooklyn, and raised in the lanes of Limerick, Malachy returned to New York in 1952, at age 20. After stints in the Air Force and as a longshoreman, he parlayed his gifts of gab and conviviality into an ownership position at Malachy's―the first singles' bar―located around the corner from the Barbizon Hotel for young women, whose glamorous residents frequently repaired to Malachy's for a tipple and flirt. Malachy's madcap, manic life ricocheted from higher highs to lower lows as he tried selling Bibles at the beach on Fire Island and smuggling gold in Zurich. He entertained a voracious public on the stage as a member of the Irish Players and was a semi-regular on the Tonight Show with Jack Paar. In these years, he was almost always drunk, almost always chasing (or being chased) by women. His gifts for language and storytelling are so well honed that when you read A Monk Swimming, "You'll laugh uncontrollably . . . You're in the grip of a master raconteur" (Houston Chronicle). Now the last of the McCourts of Limerick, Malachy reflects on the tumultuous events of the twenty-five years since he wrote A MONK SWIMMING in his Afterword. "Read it and weep: they don't make lives like this anymore." -The Irish Voice
Bestselling Irish-American author Malachy McCourt takes a fascinating historical look at the traditional folk song, Danny Boy, discovering its origin, lyricist, and the moving heritage that has grown around it. Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He traces the evolution of the music, which is one of more than 100 songs composed to the very same tune, including the familiar "Londonderry Air," and explores the enduring mystique of "Danny Boy" in an unforgettable tribute that brilliantly weaves history with folklore.
Before he runs out of time, Irish bon vivant Malachy McCourt shares his views on death - sometimes hilarious and often poignant - and on what will or won't happen after his last breath is drawn. During the course of his life, Malachy McCourt practically invented the single's bar; was a pioneer in talk radio, a soap opera star, a best-selling author; a gold smuggler, a political activist, and a candidate for governor of the state of New York. It seems that the only two things he hasn't done are stick his head into a lion's mouth and die. Since he is allergic to cats, he decided to write about the great hereafter and answer the question on most minds: What's so great about it anyhow? In Death Need Not Be Fatal, McCourt also trains a sober eye on the tragedies that have shaped his life: the deaths of his sister and twin brothers; the real story behind Angela's famous ashes; and a poignant account of the death of the man who left his mother, brothers, and him to nearly die in squalor. McCourt writes with deep emotion of the staggering losses of all three of his brothers, Frank, Mike, and Alphie. In his inimitable way, McCourt takes the grim reaper by the lapels and shakes the truth out of him. As he rides the final blocks on his Rascal scooter, he looks too at the prospect of his own demise with emotional clarity and insight. In this beautifully rendered memoir, McCourt shows us how to live life to its fullest, how to grow old without acting old, and how to die without regret.
In this “irresistible memoir that’s equal parts pathos and belly laughs,” the Irish American writer and actor shares stories from his first decade in the US (People). Malachy McCourt left behind a childhood of poverty and painful memories of his father and mother in Limerick, Ireland, when he followed his brother, Frank, to America in 1952. In A Monk Swimming, McCourt recounts the decade that followed. With not much to his name other than his sharp wit and knack for storytelling, McCourt was unsure what he would do after arriving in New York City. He worked as a longshoreman on the Brooklyn docks, became the first celebrity bartender in a Manhattan saloon, performed on stage with the Irish Players, and told tales to Jack Paar on The Tonight Show. Although McCourt gained success, money, women, and, eventually, children of his own, he still carried memories of the past with him. So, he fled again. He found himself in the Manhattan Detention Complex, otherwise known as the Tombs. He was arrested several times: poolside in Beverly Hills, in Zurich with gold-smugglers, and again in Calcutta with sex workers. McCourt’s journey also took him to Paris, Rome, and even Limerick again, until finally he was forced to grapple with his past. “[A] funny, oddly winning book.” —The New York Times “A rollicking good read that, as the Irish say, would make a dead man laugh.” —The Philadelphia Inquirer “A triumphant tale. . . . You will find yourself laughing through the tears.” —Newsday “Howlingly funny.” —Atlanta Journal-Constitution “Build[s] on the story of the McCourts’ early life so dazzlingly told in Angela’s Ashes by his brother Frank.” —Thomas Keneally, author of the international bestseller Schindler’s List
Bestselling Irish-American author Malachy McCourt takes a fascinating historical look at the traditional folk song, Danny Boy, discovering its origin, lyricist, and the moving heritage that has grown around it. Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He traces the evolution of the music, which is one of more than 100 songs composed to the very same tune, including the familiar "Londonderry Air," and explores the enduring mystique of "Danny Boy" in an unforgettable tribute that brilliantly weaves history with folklore.
Explores the Ireland's history, from the early Celtic settlements through British occupation and struggles for independence, highlighting prominent heroes, artists, poets, and politicians.
This book is a new kind of daily reflection book, a refreshing alternative to the somber and often verbose standard daily meditation books currently available.
This moving Miniature Edition™ features the complete lyrics to the haunting Irish ballad. The most requested of Irish songs, it has been recorded by dozens of vocalists, from Kate Smith to the Pogues, and never fails to bring a tear to the eye. This elegant gift edition is illustrated with gorgeous full-color photographs of Ireland.
Before he runs out of time, Irish bon vivant Malachy McCourt shares his views on death--sometimes hilarious and often poignant--and on what will or won't happen after his last breath is drawn. During the course of his life, Malachy McCourt practically invented the single's bar; was a pioneer in talk radio, a soap opera star, a best-selling author; a gold smuggler, a political activist, and a candidate for governor of the state of New York. It seems that the only two things he hasn't done are stick his head into a lion's mouth and die. Since he is allergic to cats, he decided to write about the great hereafter and answer the question on most minds: What's so great about it anyhow? In Death Need Not Be Fatal, McCourt also trains a sober eye on the tragedies that have shaped his life: the deaths of his sister and twin brothers; the real story behind Angela's famous ashes; and a poignant account of the death of the man who left his mother, brothers, and him to nearly die in squalor. McCourt writes with deep emotion of the staggering losses of all three of his brothers, Frank, Mike, and Alphie. In his inimitable way, McCourt takes the grim reaper by the lapels and shakes the truth out of him. As he rides the final blocks on his Rascal scooter, he looks too at the prospect of his own demise with emotional clarity and insight. In this beautifully rendered memoir, McCourt shows us how to live life to its fullest, how to grow old without acting old, and how to die without regret"--
In 1952, travelling steerage, Malachy McCourt left a childhood of poverty in Limerick, Ireland, heading for the promise of America. This is the story of what he brought with him, and what he thought he left behind. Armed with savage humor and a gift for storytelling, fueled by rage and the desire never to go hungry again, he ran from memories of a drunken, vanished father and the humiliations of Angela, his mother.
This Vintage Classics edition of James Joyce’s groundbreaking story collection has been authoritatively edited by scholars Hans Walter Gabler and Walter Hettche and includes a chronology, bibliography, and afterword by John S. Kelly. Also included in a special appendix are the original versions of three of the stories as well as Joyce's long-suppressed preface to Dubliners. With the fifteen stories in Dubliners Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. Whether writing about the death of a fallen priest ("The Sisters"), the petty sexual and fiscal machinations of "Two Gallants," or of the Christmas party at which an uprooted intellectual discovers just how little he really knows about his wife ("The Dead"), Joyce takes narrative art to places it had never been before.
Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did ""Danny Boy"" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He tr.
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