Two Fascinating Women, One Unforgettable Story Kerala, 1900. Wealth, beauty, and intellect – sixteen-year-old Padma has it all. Her husband worships her, her mother-in-law adores her, and everyone else looks up to her. Yet she continues to be deprived of the one thing her soul aches for: children. Desperate for an heir, her husband succumbs to familial pressures and agrees to a second marriage that turns her life upside down. Mumbai, present day. Naina loves her life the way it is – an exciting career in advertising, married to the love of her life, and they’ve just decided to start a family. Sounds perfect? Except, it isn’t. Naina soon discovers she cannot give her husband what he wants. Determined, they put their hopes in IVF (in vitro fertilization). But this is only the beginning of the storm that will soon rip Naina’s life apart. Two wilful women, separated by the chasm of time, negotiate their feminine identities, struggle against patriarchal forces, face accusations of crime, and resurgence of old wounds – all in pursuit of fulfilling their innermost desires. Powerful and unflinching, Padma offers an intimate portrait of womanhood in India that will captivate you from the very first page.
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
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