Desmond Nethersole-Thompson has been studying his favourite bird, the greenshank Tringa nebularia, since May 1932. This book, published in 1976, owes much to the interest, almost an obsession, of the Nethersole-Thompson family. The two girls and four boys, as well as both parents, now work as a team in the wild and beautiful north-west Highlands of Scotland. Greenshanks has drawn heavily on the team's field notebooks. In the gneiss country of Sutherland, so different from the forest bogs of Spey Valley, Fennoscandia and the Soviet Union, they have particularly concentrated on the greenshank's displays and breeding, food and feeding behaviour and its remarkable voice. There can be few long-term projects on waders to equal this made by the Nethersole-Thompsons, and there are valuable specialist contributions by other eminent ornithologists. Greenshanks is a major contribution to bird studies and takes its place beside Desmond Nethersole-Thompson's four earlier monographs. The illustrations in colour and monochrome by Donald Watson have all the veracity and atmosphere that one has come to expect of this gifted artist.
Desmond Nethersole-Thompson has been studying his favourite bird, the greenshank Tringa nebularia, since May 1932. This book, published in 1976, owes much to the interest, almost an obsession, of the Nethersole-Thompson family. The two girls and four boys, as well as both parents, now work as a team in the wild and beautiful north-west Highlands of Scotland. Greenshanks has drawn heavily on the team's field notebooks. In the gneiss country of Sutherland, so different from the forest bogs of Spey Valley, Fennoscandia and the Soviet Union, they have particularly concentrated on the greenshank's displays and breeding, food and feeding behaviour and its remarkable voice. There can be few long-term projects on waders to equal this made by the Nethersole-Thompsons, and there are valuable specialist contributions by other eminent ornithologists. Greenshanks is a major contribution to bird studies and takes its place beside Desmond Nethersole-Thompson's four earlier monographs. The illustrations in colour and monochrome by Donald Watson have all the veracity and atmosphere that one has come to expect of this gifted artist.
A comprehensive monograph on waders. All of the Nethersole-Thompson family contribute in some measure to this book but it is Dr Desmond Nethersole-Thompson's life-long interest in waders which gives the work its exceptional quality and authority. For well over fifty years the study of waders and their behaviour has been his passion, and his great knowledge and experience are internationally recognised. There is a bonus, too, for the reader in the particular freshness and style of his writing which conveys not only his closely observed, patient study but also the joy and satisfaction he has known in watching such intriguing and beautiful birds, mainly in their Scottish habitats. The core of the book is the comprehensive accounts of the biology and behaviour of 18 species of waders in their breeding haunts. In addition there are chapters on waders generally, wader spacing and dispersion, the wader watchers of past and recent times, and two final chapters on new or returning waders and those pipe-dream species that, not too fancifully, may yet breed one day in these islands. Voice is one of the headings within the species accounts but there is also an appendix of sonagrams of wader songs and calls; there are tables of data and an extensive, selected bibliography. Donald Watson has provided more than a hundred drawings to complement and embellish the text and there are 32 photographs. Jacket paintings are also by Donald Watson.
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