Mahesh Dattani Is India S Best-Known Playwright And The First Indian Playwright Writing In English To Have Won The Sahitya Akademi Award. Collected Plays: Volume Ii Showcases Dattani S Talent As A Writer And Director And His Wide Thematic And Stylistic Range. The Ten Plays In This Volume Include 30 Days In September, Performed Extensively In India And Abroad To Commercial Success And Critical Acclaim, The Radio Plays Aired On Bbc Radio And The Screen Plays Of Mango Soufflé (Winner Of The Best Motion Picture Award At The Barcelona Film Festival), Dance Like A Man (Winner Of The Best Picture In English Awarded By The National Panorama), And Morning Raga, Premiered At The Cairo Film Festival And Winner Of The Award For Best Artistic Contribution, That Established Dattani As The New Voice Of Contemporary Indian Cinema. With A General Introduction By Jeremy Mortimer Of Bbc Radio And Introductions To Individual Plays By Actors Like Lillete Dubey And Shabana Azmi, The Plays In This Collection Provide Fascinating Insights Into The Human Psyche And Reveal Just How Caught Up We Are In The Complications And Contradictions Of Our Values And Assumptions.
‘A playwright of world stature’—Mario Relich, Wasafiri Framed by the age-old battle between traditional authority and youthful rebellion, Dance Like a Man pivots on the strained relationship between Jairaj Parekh and his wife Ratna, both ageing Bharatanatayam dancers. When their daughter arranges for them to meet the boy she wants to marry, the fissures in the elderly couple's relationship come to the fore. As old wounds are torn open again, both Jairaj and Ratna find that they must come to terms with their bitter past. The play was later adapted into a National Award-winning film. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest; gender bias and death. The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars; Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory; only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter. Playful and poignant; devastating and redemptive; these critically acclaimed plays lay bare the far-reaching consequences of the choices we make; confirming Dattani as one of India’s foremost dramatists.
‘A playwright of world stature’—Mario Relich, Wasafiri A witty and enjoyable black comedy, Where There’s a Will was Mahesh Dattani's first play. Following the death of business tycoon Hasmukh Mehta, his family is in for a rude shock: Hasmukh's mischievous will stipulates that they will not inherit his wealth anytime soon and, worse, his mistress must come to stay with them. But while Hasmukh's ghost gleefully watches the proceedings from the sidelines, little does he know that he is in for the biggest surprise of all. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri In this cleverly constructed radio play, negotiations are underway for an arranged marriage between Alpesh Patel and Lata Gowda. Despite their cultural differences, both their families are desperate for this match. But while all seems genial on the surface, tension simmers beneath the happy facade—for both Alpesh and Lata have their own secrets to hide . . . ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Mahesh Dattani Is India S Best-Known Playwright And The First Indian Playwright Writing In English To Have Won The Sahitya Akademi Award. Collected Plays: Volume Ii Showcases Dattani S Talent As A Writer And Director And His Wide Thematic And Stylistic Range. The Ten Plays In This Volume Include 30 Days In September, Performed Extensively In India And Abroad To Commercial Success And Critical Acclaim, The Radio Plays Aired On Bbc Radio And The Screen Plays Of Mango Soufflé (Winner Of The Best Motion Picture Award At The Barcelona Film Festival), Dance Like A Man (Winner Of The Best Picture In English Awarded By The National Panorama), And Morning Raga, Premiered At The Cairo Film Festival And Winner Of The Award For Best Artistic Contribution, That Established Dattani As The New Voice Of Contemporary Indian Cinema. With A General Introduction By Jeremy Mortimer Of Bbc Radio And Introductions To Individual Plays By Actors Like Lillete Dubey And Shabana Azmi, The Plays In This Collection Provide Fascinating Insights Into The Human Psyche And Reveal Just How Caught Up We Are In The Complications And Contradictions Of Our Values And Assumptions.
Twenty years ago, Anna Gosweb had an affair with a local man while visiting India from the UK. Having never kept in touch after the trip, Anna is surprised when she receives a letter from him asking for help. As she comes back to India, she relives her past, not quite knowing what's in store for her ahead. The Tale of a Mother Feeding her Child was commissioned as part of a landmark drama series marking the 600th death anniversary of Geoffrey Chaucer, poet and author of the Canterbury Tales. Produced by the BBC, the series included the works of twenty-one writers who were asked to write a story which might be re-told to a group of travellers forced to spend the night together at a service station on a motorway in England. Poignant and subversive, like most of Mahesh Dattani's work, this is a vibrant, entertaining and challenging contemporary drama that stays with you long after you've read the last lines.
Mahesh Dattani’s work has shaped contemporary English theatre in India over the past twenty-five years, boldly exploring themes like homosexuality, religious fanaticism, child sexual abuse and gender bias while also raising the bar for theatrical innovation. In Me and My Plays, he eloquently reflects on the highs and lows of surviving in a system largely indifferent to professional theatre. Included in this edition are Where Did I Leave My Purdah?, which explores the life and travails of Nazia, a feisty actress now in her eighties, who is forced to confront her past demons when she attempts to stage a comeback, and The Big Fat City, a black comedy about the residents of an apartment complex in Mumbai who unwittingly become accomplices to a murder. Intense and hard-hitting, both plays deal with the lies that simmer beneath the surface of our daily lives.
‘A playwright of world stature’—Mario Relich, Wasafiri Final Solutions is one of Mahesh Dattani's most renowned and widely performed plays. Moving between the Partition of India and the present day, it explores issues of religious bigotry and communal violence. One night, after being chased by a murderous mob, two Muslim boys seek shelter in the home of a Hindu Gujarati family. The boys' arrival unleashes a flood of bitter memories and deep-seated prejudices. And as the tension builds towards a powerful climax, the play becomes a timely reminder of the need for tolerance. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri First staged in 1991, Bravely Fought the Queen created a stir with its disturbingly honest portrayal of the dysfunctional Trivedi family, confirming Dattani's reputation as a playwright at the top of his game. Unfolding at a relentless pace, the play provides an unflinching insight into the urban Indian milieu, throwing light on a wide range of issues—marital friction, sibling rivalry, sexual politics and the lies we often tell ourselves—before racing to a shocking finale. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri Clearing the Rubble, a radio play for three voices, was commissioned by BBC Radio to commemorate the first anniversary of the massive earthquake that devastated Gujarat on 26 January 2001. Two lives are brought together by tragedy. Toby, an English journalist, decides to help a young Muslim boy whose mother and two sisters are buried under the debris of the fallen hospital. The play is a touching tale of the victims of both natural calamity and social discrimination. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri In this stage adaptation of his radio play of the same name, Mahesh Dattani weaves an enthralling murder mystery featuring amateur sleuth Uma Rao, wife of Bangalore’s Superintendent of Police. Following the brutal murder of Kamla, a beautiful eunuch, Uma’s investigation leads her into the mysterious world of the hijra community, where shocking truths and labyrinthine conspiracies abound. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri Thirty Days in September remains one of the bravest contemporary Indian plays to seriously deal with child sexual abuse. As a child, Mala was sexually abused by her uncle—a fact she suspects her mother has known about all along despite her refusal to acknowledge it. But the fragile fabric of familial relations is ripped apart when memories of a traumatic past return to haunt both mother and daughter. Performed extensively to critical acclaim and commercial success, this play powerfully explores the brutal severance of the unbreakable bond between adult and child. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri Mango Soufflé, India's first major gay-themed film, is an adaptation of Mahesh Dattani's seminal play On a Muggy Night in Mumbai. Kamlesh, a young gay man, invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. Directed by Dattani himself, the film made a splash at various film festivals abroad and even won the Mostra Lambda Award for best film at the Barcelona Film Festival in 2002. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Mahesh Dattani is the first Indian-playwright writing in English to be awarded the Sahitya Akademi award. His plays bring Indian drama into the present day in their themes "sexuality, religious tension and gender issues" while still focussing on human relationships and personal and moral choices which are the classic concerns of world drama.
‘A playwright of world stature’—Mario Relich, Wasafiri Thirty Days in September remains one of the bravest contemporary Indian plays to seriously deal with child sexual abuse. As a child, Mala was sexually abused by her uncle—a fact she suspects her mother has known about all along despite her refusal to acknowledge it. But the fragile fabric of familial relations is ripped apart when memories of a traumatic past return to haunt both mother and daughter. Performed extensively to critical acclaim and commercial success, this play powerfully explores the brutal severance of the unbreakable bond between adult and child. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri Clearing the Rubble, a radio play for three voices, was commissioned by BBC Radio to commemorate the first anniversary of the massive earthquake that devastated Gujarat on 26 January 2001. Two lives are brought together by tragedy. Toby, an English journalist, decides to help a young Muslim boy whose mother and two sisters are buried under the debris of the fallen hospital. The play is a touching tale of the victims of both natural calamity and social discrimination. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
‘A playwright of world stature’—Mario Relich, Wasafiri The Swami and Winston is the second radio play to feature amateur sleuth Uma Rao, wife of Bangalore's Superintendent of Police. Lady Montefiore, an English aristocrat, has been murdered outside a Hindu temple. A Burberry raincoat and a mischievous dog provide the only clues about the identity of the murderer. But what could be the motive for her murder? Uma's second investigation brings her into contact with religious fanaticism in the extreme. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Jairaj Parekh and his wife Ratna, ageing Bharatanatyam dancers, are engaged in finding a substitute mridangam player to accompany their daughter Lata at her performance at a high-profile dance festival. Lata, in the meantime, nervously awaits the meeting between her parents and Viswas, the young man she wishes to marry. When the four meet, and in the conversations and discussions that follow, the fissures in the relationship between Jairaj and Ratna begin to explode into high-strung battles which lead back to their own youth and the tragedy that lies at the heart of their discord. The younger couple have their own issues to contend with: the obvious mismatch between the two sets of parents, the arguments over Lata's career as a dancer after marriage and, most unsettling of all, Lata's attempt to balance her parents' ambition with her own needs and desires. A brilliant study of human relationships and weaknesses framed by the age-old battle between tradition and youthful rebellion, Dance Like a Man has been hailed as one of the best works of the dramatic imagination in recent times.
Twenty years ago, Anna Gosweb had an affair with a local man while visiting India from the UK. Having never kept in touch after the trip, Anna is surprised when she receives a letter from him asking for help. As she comes back to India, she relives her past, not quite knowing what's in store for her ahead. The Tale of a Mother Feeding her Child was commissioned as part of a landmark drama series marking the 600th death anniversary of Geoffrey Chaucer, poet and author of the Canterbury Tales. Produced by the BBC, the series included the works of twenty-one writers who were asked to write a story which might be re-told to a group of travellers forced to spend the night together at a service station on a motorway in England. Poignant and subversive, like most of Mahesh Dattani's work, this is a vibrant, entertaining and challenging contemporary drama that stays with you long after you've read the last lines.
‘A playwright of world stature’—Mario Relich, Wasafiri In this stage adaptation of his radio play of the same name, Mahesh Dattani weaves an enthralling murder mystery featuring amateur sleuth Uma Rao, wife of Bangalore’s Superintendent of Police. Following the brutal murder of Kamla, a beautiful eunuch, Uma’s investigation leads her into the mysterious world of the hijra community, where shocking truths and labyrinthine conspiracies abound. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Abhinay wants to start a music group and while he has a singer, a guitarist, a drummer and lots of talent, he feels there is something missing—something that he finds only in Swarnalatha, a Carnatic singer, who was his mother's best friend. But Swarnalatha has her own demons to fight—the fateful accident that killed her son and Abhinay's mother. A meeting of two worlds, Morning Raga brings together the modern and the traditional, unites the past with the present, Carnatic music with Western music, and fate and coincidence with individual choices. Read this wonderful screenplay of the critically acclaimed film Morning Raga, which was directed and written by Mahesh Dattani. The film, starring Shabana Azmi, Perizaad Zorabian and Prakash Kovelamudi was released in India in October 2004.
‘A playwright of world stature’—Mario Relich, Wasafiri Mango Soufflé, India's first major gay-themed film, is an adaptation of Mahesh Dattani's seminal play On a Muggy Night in Mumbai. Kamlesh, a young gay man, invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. Directed by Dattani himself, the film made a splash at various film festivals abroad and even won the Mostra Lambda Award for best film at the Barcelona Film Festival in 2002. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
When Michael Forsyth, the actor playing Oberon in a special performance of Shakespeare's A Midsummer Night's Dream in Bangalore is shot dead in the greenroom minutes after the performance, it becomes a matter of international concern involving three countries. Forsyth, part of a theatre troupe based in England, was reported to have been kidnapped earlier in the day—only to reappear in time for the performance—by his wife, Nila Ahmed, originally from Pakistan. Uma Rao—having outsmarted her husband, the superintendent of police, on two previous cases—is intrigued to say the least and realizes that there might be more to it than political conspiracy. With the Interpol getting involved, suspecting terrorist activity, will Uma be able to solve the case in time? Read on, as Mahesh Dattani masterfully weaves another pacy thriller around Uma Rao and her sleuthing skills in Uma and the Fairy Queen, while raising some compelling questions about the role of women in society.
‘A playwright of world stature’—Mario Relich, Wasafiri First staged in 1991, Bravely Fought the Queen created a stir with its disturbingly honest portrayal of the dysfunctional Trivedi family, confirming Dattani's reputation as a playwright at the top of his game. Unfolding at a relentless pace, the play provides an unflinching insight into the urban Indian milieu, throwing light on a wide range of issues—marital friction, sibling rivalry, sexual politics and the lies we often tell ourselves—before racing to a shocking finale. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Aparna is still coming to terms with having contracted AIDS from her husband and being forced to end her pregnancy when she begins working at Jeevan Jyot, a hospice set up specifically for HIV patients. There, she meets George, another volunteer who also works with children, and starts developing feelings for him. In order to allow herself to be happy, she must get over the fears holding her back. But it isn't easy considering how society treats AIDS patients. At the hospice, they teach the kids to seize the day and celebrate life, but Aparna is struggling to accept that herself. A heartfelt, tender tribute to the forgotten survivors of a terrible epidemic, Mahesh Dattani beautifully highlights the issues of taboo and ignorance surrounding HIV/AIDS through this screenplay for the film Ek Alag Mausam. Directed by K.P. Sasi and starring Nandita Das, Rajit Kapur and Anupam Kher, the film was released in India in 2005.
‘A playwright of world stature’—Mario Relich, Wasafiri A screen adaptation of Mahesh Dattani's play of the same name, Dance Like a Man revolves around the strained relationship between Jairaj Parekh and his wife Ratna, both ageing Bharatanatayam dancers who are forced to confront long-buried conflicts from their past when their daughter persuades them to meet the boy she wishes to marry. The film, directed by Pamela Rooks, won the National Award for Best Feature Film in English in 2004. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest, gender bias and death. The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars, Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory, only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter. Playful and poignant, devastating and redemptive, these critically acclaimed plays lay bare the far-reaching consequences of the choices we make, confirming Dattani as one of India’s foremost dramatists.
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