Secret Horsham explores the lesser-known history of the West Sussex town of Horsham through a fascinating selection of stories, unusual facts and attractive photographs.
Could there really be a cow in the kitchen making all that mess? Watch in amazement along with a young child as one talented cow from the stables comes inside to bake a birthday surprise for the farmer. Artist Maggie Weir also shares her experience of developing the sweet illustrations for this book together with a third-grade class in Wisconsin, along with ideas to help kids get empowered with the creative activity of writing and illustrating their own stories. Every kid can create a book!
Stretching midway across Wisconsins famous Door County peninsula, Sturgeon Bay has developed into the countys business and industrial center. Divided by the waterway its named after, this small city provided a home to a working waterfront that once housed sawmills and docks for shipping ice, quarried stone, and, later, cherries. A canal dug from Sturgeon Bay to Lake Michigan in 1880 enabled ships to avoid the long passage over the tip of the peninsula. Sturgeon Bay became a shipbuilding capital, housing three major yards. The lively downtown districts on each side of the bay sported the typical hotels, taverns, stores, and blacksmith shops. Residents took pride in their newly formed schools, churches, and public services such as the Pioneer Fire Department. Families, fortunate to live in a land of great natural beauty, enjoyed recreational pursuits in the woods and on the water, whether it was perch fishing early on a summer morning or skating over the ice on a crisp winter afternoon.
Have you ever wondered about St. Leonard's Forest; maybe you have walked its footpaths? Wonder no more, Maggie uncovers: the iron, rabbits, estates with their parks and gardens, the villages, churches, people, not forgetting its dragon.
When the Clyde Ran Red paints a vivid picture of the heady days when revolution was in the air on Clydeside. Through the bitter strike at the huge Singer Sewing machine plant in Clydebank in 1911, Bloody Friday in Glasgow's George Square in 1919, the General Strike of 1926 and on through the Spanish Civil War to the Clydebank Blitz of 1941, the people fought for the right to work, the dignity of labour and a fairer society for everyone. They did so in a Glasgow where overcrowded tenements stood no distance from elegant tea rooms, art galleries, glittering picture palaces and dance halls. Red Clydeside was also home to Charles Rennie Mackintosh, the Glasgow Style and magnificent exhibitions showcasing the wonders of the age. Political idealism and artistic creativity were matched by industrial endeavor: the Clyde built many of the greatest ships that ever sailed, and Glasgow locomotives pulled trains on every continent on earth. In this book Maggie Craig puts the politics into the social context of the times and tells the story with verve, warmth and humour.
Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
What does it mean to 'kiss and part'? This collection of previously unpublished short stories from a stellar list of contemporary women novelists is a literary celebration of the spirit of place. Each contributor shares one thing in common - they have all stayed at a small cottage in the village of Clifford Chambers near Stratford-upon-Avon, courtesy of a trust set up to provide women writers with ‘a room of one’s own’, as Virginia Woolf put it. Clifford Chambers was the home of the Jacobean poet Michael Drayton, who incorporated the phrase ‘Kiss and part’ into a sonnet. Each of the ten short stories in this collection takes this as its theme and the result is wonderfully eclectic mix of storytelling of the highest quality. All royalties go the Hosking Houses Trust to further encourage women’s writing. Contents List Preface ‘Kiss and Part’ by Michael Drayton Introduction by Margaret Drabble Buck Moon Marina Warner ‘A Merrie Meeting’ Salley Vickers The Incumbent Elizabeth Speller ‘Colossal Wreck’ Maria McCann The Visitation Maggie Gee And the River Flows On Joan Bakewell The Creature Jill Dawson The Turn Catherine Fox The Fabric of Things Jo Baker ‘Place of Dreams’ Lucy Durneen The Writers Afterword by Sarah Hosking Acknowledgements of Photographs
“From foot-binding to corsets, patriarchal societies have found ways to immobilize women, but now, marathoners and Olympians are proving that women can run like the wind!” —GLORIA STEINEM "A look behind the curtain that all women who love running and sport should read.” —KARA GOUCHER, Olympic runner and New York Times-bestselling author of The Longest Race More than a century ago, a woman ran in the very first modern Olympic marathon. She just did it without permission. Award-winning journalist Maggie Mertens uncovers the story of how women broke into competitive running and how they are getting faster and fiercer every day—and changing our understanding of what is possible as they go. Despite women proving their abilities on the track time and again, men in the medical establishment, media, and athletic associations have fought to keep women (or at least white women) fragile—and sometimes literally tried to push them out of the race (see Kathrine Switzer, Boston Marathon, 1967). Yet before there were running shoes for women, they ran barefoot or in nursing shoes. They ran without sports bras, which weren’t invented until 1977, or disguised as men. They faced down doctors who put them on bed rest and newspaper reports that said women collapsed if they ran a mere eight hundred meters, just two laps around the track. Still today, women face relentless attention to their bodies: Is she too strong, too masculine? Is she even really a woman? Mertens transports us from that first boundary-breaking marathon in Greece, 1896, to the earliest “official” women’s races of the twentieth century to today’s most intense ultramarathons, in which women are setting all-out records, even against men. For readers of Good and Mad, Born to Run, and Fly Girls, Better Faster Farther takes us inside the lives and the victories of the women who have redefined society’s image of strength and power. "An essential read to normalize women's existence, excellence, and humanity within the sport of running.” —ALISON MARIELLA DÉSIR
July 14, 2003: Flin Flon lawyer Michael Bomek pleads guilty to six counts of sexual assault on young Cree men, some of whom come from the community of Pelican Narrows. His crime is emblematic of white culture' s assault on this Rock Cree community. On the one hand, he was a dedicated lawyer who won 75 per cent of his cases for his native clients. On the other, he was an unthinkably corrupting influence. For over 200 years, Pelican Narrows has endured an equally torturous relationship with the encroaching European culture, from the Hudson Bay factors and missionaries of earlier times to the bureaucrats and police of today. By scrupulously researching the history of a community she has known for much of her life, by using oral history and documenting the personal stories of contemporary Pelican Narrows Cree, Siggins gives us the human face behind the newspaper headlines of native issues. Her storytelling powers are formidable and the portrait she gives us of this single Saskatchewan community is unforgettable.
There are three reasons why this book deserves to be taken seriously. The first is because it concerns ‘play’, and this is a challenging and multi-faceted subject. The second reason is because it examines play during the first three years of life, which is a crucial period for the developing child in many aspects (i.e. physical, emotional, cognitive, etc.). The third reason is the book’s virtues, the most important of which are the clarity of thought displayed by its authors, the systematic descriptions of play contexts and play between children and adults, and the accessible style in which it is written.” International Journal of Early Years Education Key Times for Play takes a broad look at the importance of play for children from birth to three and sets play within the framework of a child's whole development. The book combines theory and practice and is illustrated by many examples from direct observation of children. Key Times for Play is organised in relation to key characteristics of children from birth to three, each of which are looked at in relation to how very young children play. The implications of this for how adults interact with young children and how they provide, support and develop play experiences is a major focus. A key theme of the book is the emphasis on a holistic approach to young children's play. Play is therefore looked at in relation to all aspects of the child's day and the separation of play and work and care and education is challenged. Key Times for Play is suitable for the student undertaking a level three qualification, but wishing to continue onto a degree course. It is a challenging text for these levels, but because it keeps a practical approach, it remains accessible to the reader.
This book covers a dramatic decade in the fortunes of Britain's quirkiest broadcaster. It opens in 2009, with the realisation that Channel 4's biggest money spinner, Big Brother, had become a toxic asset and would have to be discarded, at the same time as advertising revenues were shrinking in the wake of the 2008 financial crash. Maggie Brown's compelling narrative, which draws on interviews with key players in Channel 4's story and unique access to the broadcaster's archives, takes us inside the boardroom battles, changes in senior management and commissioning teams, interventions by the media regulator Ofcom, and the channel's response to a rapidly-changing media and political landscape. Brown describes how the channel, under its new chief executive David Abraham, successfully fought off the threat of privatisation, which became a reality after the Conservatives' general election victory in 2015. The price for remaining publicly funded was a substantial relocation of Channel 4's operations, with Leeds announced in 2018 as a new 'regional hub'. The Channel 4 story is also one of ambitious and innovative programming, with a new director of content, Jay Hunt, instigating radical changes in commissioning and scheduling. Brown traces programming hits and losses during this period, with the departure to competitors of celebrity chefs, Black Mirror and Charlie Brooker, horse racing and Formula 1, and a reappraisal of the remit of institutions such as Channel 4 News and Film 4. But there were successes too, with the 2012 Paralympics helping to restore a public service sheen, and new programmes such as Gogglebox in 2013 connecting with younger audiences, and, in 2016, the coup of taking The Great British Bake Off from its home at the BBC.
Emily Dinwiddie knows full well that fantastical beings exist. Will Count Revay-Czobar be a fiend so foul she cannot bear to look at him, let alone ask his help? Valentin Lupescu, Count Revay-Czobar, is bored. When Emily arrives on his doorstep, he sees in this freckled, bespectacled spinster the source of more amusement than he’s enjoyed in decades. Mystery, mayhem and madness in the dark streets of Regency Edinburgh’s Old Town. Regency Paranormal Romance by Maggie MacKeever; originally published by Zebra as Waltz with a Vampire
Follow the charming adventures of Mole, Mr. Toad, Ratty, and Badger in The Wind in the Willows. Originally published in 1908, the classic children's tale The Wind in the Willows tells the stories of four animals and their adventures together. It is celebrated for its sense of camaraderie, morality, and mysticism. With illustrations by Paul Bransom, this beautiful, vibrant edition is unabridged and makes a great addition to every child's library. The Knickerbocker Classics bring together the essential works of classic authors from around the world in stunning editions to be collected and enjoyed.
The complete Edinburgh Vampire Series together in one volume. Follow the Regency Edinburgh characters through tall medieval buildings and narrow, twisty streets. Ominous preternatural beings. And oh, those Edinburgh vampires. Now complete in one volume: Ravensclaw, Vampire, Bespelled, and A Judgement of Vampires
A magical retelling of the story of the legendary Welsh bard Taliesin, perfect for fans of The Wizards of Once and The Firework Maker's Daughter. On the most magical day of the year, the unluckiest man in the whole of Wales finds a baby floating in the river. But Taliesin is no ordinary baby – not only can he talk, but he is also a magician, prophet, poet and trickster. As the years pass, Taliesin transforms the lives of all he meets, for better or worse... This enchanting version of a Welsh myth from Maggie Pearson has intricate black-and-white illustrations by David Wyatt and is perfect for children who are developing as readers. The Bloomsbury Readers series is packed with brilliant books to get children reading independently in Key Stage 2, with book-banded stories by award-winning authors like double Carnegie Medal winner Geraldine McCaughrean and Waterstones Prize winner Patrice Lawrence covering a wide range of genres and topics. With charming illustrations and online guided reading notes written by the Centre for Literacy in Primary Education (CLPE), this series is ideal for reading both in the classroom and at home. For more information visit www.bloomsburyguidedreading.com. Book Band: Grey Ideal for ages 8+
ESSENTIAL COMICS VALUES ALL IN COLOR! COMICS SHOP is the reliable reference for collectors, dealers, and everyone passionate about comic books! THIS FULL-COLOR, INDISPENSABLE GUIDE FEATURES: • Alphabetical organization by comic book title • More than 3,000 color photos • Hundreds of introductory essays • Analysis of multi-million dollar comics' sales • How covers and splash pages have evolved • An exclusive photo to grading guide to help you determine your comics' conditions accurately • Current values for more than 150,000 comics From the authoritative staff at Comics Buyer's Guide, the world's longest running magazine about comics, Comics Shop is the only guide on the market to give you extensive coverage of more than 150,000 comics from the Golden Age of the 1930s to current releases and all in color! In addition to the thousands of comic books from such publishers as Marvel, DC, Dark Horse, and Image, this collector-friendly reference includes listings for comic books from independent publishers, underground publishers, and more!
Award-winning author Maggie Siggins returns with her first work of fiction. Scattered Bones is a story of the complicated, fragile and sometimes fatal relations between Indigenous people and settlers in Northern Saskatchewan in the 1920s. Aboriginal spiritual traditions are beginning to cross paths with the construction of a residential school, and ancient acts of violent vengeance are shaping the trajectory of events in the town 200 years later.
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