Too late for cold feet Baron Edward Christie prided himself on his reputation for even temperament and reserve. That was before he met Caroline Parker. Wedding a scandalous beauty by special license days after they met did not inspire respect for his sangfroid. Moving her to a notorious lovebirds' nest as punishment for her flighty nature was perhaps also a blow. And of course talk has gotten out of his irresistible clandestine visits. Christie must put his wife aside--if only he can get her out of his blood first. Too hot to refuse. . . Caroline Parker was prepared to hear the worst: that her husband had determined to divorce her, spare them both the torture of passion they can neither tame nor escape. But his plan is wickeder than any she's ever heard. Life as his wife is suffocating. But she cannot resist becoming her own husband's mistress... "A very talented debut author." --Romance Junkies First comes seduction. . . As children, Desmond Ryland, Marquess of Conover, and Laurette Vincent were inseparable. As young adults, their friendship blossomed into love. But then fate intervened, sending them down different paths. Years later, Con still can't forget his beautiful Laurette. Now he's determined to make her his forever. There's just one problem. Laurette keeps refusing his marriage proposals. Throwing honor to the wind, Con decides that the only way Laurette will wed him is if he thoroughly seduces her... Then comes marriage. . . Laurette's pulse still quickens every time she thinks of Con and the scorching passion they once shared. She aches to taste the pleasure Con offers her. But she knows she can't. For so much has happened since they were last lovers. But how long can she resist the consuming desire that demands to be obeyed...? Scandal Is Only The Beginning. . . Charlotte Fallon let her guarded virtue fall once--and she's paid dearly for it ever since. She swore she'd never succumb to men's desires again. But even a village spinster's life miles from temptation can't save her from a sister with no shame whatsoever. Or a heart that longs for more, whatever the cost... Sir Michael Bayard found more than he expected in his bed when he finally joined his new mistress. He'd fantasized about her dewy skin and luscious curves, assured her understanding that what passed between them was mere dalliance. But he didn't expect the innocence and heat of her response in his arms. Nor her surprisingly sharp tongue once she was out of them... A few days of abandon cannot undo the hard-learned lessons of a lifetime. Nor can an honest passion burn away the restraints of society's judgments. Unless, of course, one believes in nonsense like true love...
Scandal Is Only The Beginning. . . Charlotte Fallon let her guarded virtue fall once--and she's paid dearly for it ever since. She swore she'd never succumb to men's desires again. But even a village spinster's life miles from temptation can't save her from a sister with no shame whatsoever. Or a heart that longs for more, whatever the cost. . . Sir Michael Bayard found more than he expected in his bed when he finally joined his new mistress. He'd fantasized about her dewy skin and luscious curves, assured her understanding that what passed between them was mere dalliance. But he didn't expect the innocence and heat of her response in his arms. Nor her surprisingly sharp tongue once she was out of them. . . A few days of abandon cannot undo the hard-learned lessons of a lifetime. Nor can an honest passion burn away the restraints of society's judgments. Unless, of course, one believes in nonsense like true love. . .
The next mystery book—with a touch of paranormal women's fiction—in an amusing historical cozy series! With a string of suspicious deaths threatening her guests, a horribly depressing love life, and a handsome detective on her doorstep, the last thing Lady Adelaide needs to deal with is the ghost of her dead husband. Gloucestershire, 1925. A week-long house party in the country—why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call—Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall—there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev find themselves surrounded by Scotland ghosts and must work together to stop another murder, with some help from Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer? The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)
The next mystery book in a lively historical cozy series! A Russian prince. A wealthy heir. An impoverished earl's daughter. Which one will make an untimely exit from the London social scene? "If you like a clever mystery, a handsome ghost, and the far-from-bereaved widow who can't find the elusive killer without Rupert's help, Who's Sorry Now? is just your cup of English murder."—Charles Todd, author of the Inspector Ian Rutledge mysteries and the Bess Crawford mysteries London, England 1925. Scotland Yard Detective Inspector Devenand Hunter finds himself in the middle of a series of upper-class deaths in London. Bright Young People are being extinguished in their favorite night spots, from a sleazy private jazz club to the Savoy ballroom. Dev knows just the person to help him navigate the treacherous society waters: Lady Adelaide Compton, a marquess' daughter and widow of a Great War hero. Beautiful, clever, and kind, Addie is a unique woman—not the least because she's haunted by the irritating ghost of her deceased husband. Unfortunately, Dev has put her in jeopardy once before, nearly leading him to turn in his warrant card. But Addie is nobody's victim: when her sister Cee is attacked, Addie turns to the inspector, offering her help... and it soon becomes clear that the two of them working together on these Scottish mysteries could lead to much more than merely solving crime. The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)
“A Maggie Robinson book is like the best kind of chocolate: delicious and totally addictive!” —Vanessa Kelly, USA Today bestselling author In Maggie Robinson’s sparkling new series, the quaint village in Gloucestershire is where the wayward sons and daughters of Great Britain’s finest families come for some R&R—and good old-fashioned “rehab”. But sometimes they find much more . . . No one at Puddling-on-the-Wold ever expected to see Sarah Marchmain enter through its doors. But after the legendary Lady’s eleventh-hour rejection of the man she was slated to marry, she was sent here to restore her reputation . . . and change her mind. It amused Sadie that her father, a duke, would use the last of his funds to lock her up in this fancy facility—she couldn’t be happier to be away from her loathsome family and have some time to herself. The last thing she needs is more romantic distraction . . . As a local baronet’s son, Tristan Sykes is all too familiar with the spoiled, socialite residents of the Puddling Rehabilitation Foundation—no matter how real their problems may be. But all that changes when he encounters Sadie, a brave and brazen beauty who wants nothing more than to escape the life that’s been prescribed for her. If only Tristan could find a way to convince the Puddling powers-that-be that Sadie is unfit for release, he’d have a chance to explore the intense attraction that simmers between them—and prove himself fit to make her his bride . . . Praise for Maggie Robinson’s Lady Anne’s Lover “Robinson never fails to provide plenty of brio, banter, and interpersonal heat . . .Fans of humorous historicals will enjoy this delightful romp.” —Publishers Weekly “A charming, fun Regency romp that combines an innovative, compelling plot with characters that jump off the page and a hot, captivating romance that will tug at heartstrings.” —Kirkus Reviews “Lively repartee and steamy sensuality, yet maintains the mystery to the very end.” —RT Book Reviews, 4 Stars
The Society Scandal of the Season... Lady Adelaide Compton had prepared herself to say goodbye forever to Detective Inspector Devenand Hunter. It would be a welcome relief not to get mixed up in any more murders, even if it meant never working alongside the handsome detective again...wouldn't it? But then Addie's prim and proper mother, Constance, the Dowager Marchioness of Broughton, is accused of murdering her secret lover, and there can't be enough gentlemen detectives on hand to find the truth. The dead Duke of Rufford appeared to lead a blameless life, but appearances can be deceiving. And unless Addie and Dev work together, Constance will hang—which is no one's idea of a happy ending.
“A clever, charming mystery that perfectly captures 1920s society . . . sure to appeal to fans of Ashley Weaver or Rhys Bowen.” —Shelf Awareness August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to do some sleuthing. Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter, an Anglo-Indian who is not going to let some society beauty who seems to talk to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it. . . . “A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise.” —Kirkus Reviews
She has exactly what he needs—and desires… Ever since Mary Evensong’s elderly aunt Mim got sick, Mary’s masqueraded as the owner of the Evensong Agency, finding housemaids and husbands, and solving pesky problems, for the peerage. Someday she’d like to shake off her silvery wig and spectacles and be the young woman she truly is, but desperate clients are waiting for “Mrs. Evensong” at the office. Like a scandalous Scottish baron. Honor forbids Lord Alec Raeburn from explaining the suspicious circumstances surrounding his wife’s death, but he knows who’s responsible. He just needs to hire an actress to lure the scoundrel into a trap. After listening to Raeburn’s story—and seeing him in his kilt—Mary knows the perfect person for the role. Letting her red hair down, she heads off to the Scottish Highlands to pose as a seductress, but soon finds herself with more than her virtue at stake in a tug-of-war between two powerful men. She could wind up in danger—or in the heart of the highlander.
From the author of In the Heart of the Highlander, a romance proving that inappropriate desires can provide the most passionate encounters… Harriet Benson takes her work at the Evensong Agency seriously, but lately, between convalescing from an illness and tending to her father and two young brothers, she’s had to shorten her hours. So when a promising position opens up for part time work, she immediately accepts, despite the fact that her new boss is scandalously indecent—and dangerously appealing. Though his reputation paints him as a scoundrel, Sir Thomas Featherstone is more proper than anyone would guess. But Harriet’s wit and luscious curves are driving him to distraction. She’s the perfect woman to fill his office requirements, and other desperate needs he’s been ignoring… Harriet has always held firm to the rule that a secretary must never fall in love with her employer. Only Thomas is determined to win her affections—and he’s willing to risk any cost to make her his… Praise for the Ladies Unlaced Novels “Downton Abbey fans will fall in love.”—Tessa Dare, USA Today bestselling author “Full of witty dialogue and scorching romance.”—Elizabeth Essex, RITA Award-nominated author “Highly recommended.”—Library Journal Maggie Robinson, author of the Ladies Unlaced series, including In the Arms of an Heiress, In the Heart of the Highlander, and The Reluctant Governess, is a former teacher, library clerk, and mother of four who woke up in the middle of the night absolutely compelled to create the perfect man and use as many adverbs as possible doing so. A transplanted New Yorker, she lives with her not-quite-perfect husband in Maine, where the cold winters are ideal for staying inside and writing hot historical romances.
It’s all fun and games until someone falls in love… Independent heiress Louisa Stratton is going home to Rosemont for the holidays and, at the family’s request, she’s bringing her new husband Maximillian Norwich, art connoisseur and artful lover, the man she’s written of so glowingly. There’s one hitch—he doesn’t exist. Louisa needs a fake husband, and fast, to make the proper impression. Charles Cooper, captain of the Boer War and with a background far from silver spoons or gilded cages, is so hard up that even Louisa’s crazy scheme appeals to him. It’s only thirty days, not till death do them part. What’s so difficult about impersonating a husband, even if he doesn’t know a Rembrandt from a Rousseau? The real difficulty is keeping his hands off Louisa once there’s nobody around to see through their ruse. And then there’s the small problem of someone at Rosemont trying to kill him. Keeping his wits about him and defending Louisa brings out the honor he thought he’d left on the battlefield. But when Louisa tries to protect him, Charles knows he’s found a way to face his future—in the arms of his heiress.
“When a Duke’s daughter with a bad reputation is summoned to a cottage in Gloucestershire to be reinvented, hilarity most definitely ensues. The antics are amusing, and Robinson’s writing style is easy to read. Intriguing from start to finish!” —RT Book Reviews, 4 Stars, on Seducing Mr. Sykes “A Maggie Robinson book is like the best kind of chocolate: delicious and totally addictive!” —Vanessa Kelly, USA Today bestselling author Return to the scandalous secrets of the English countryside’s renowned getaway for R&R—restoration and romance—in this delightful series from Maggie Robinson! After two months of treatment at Puddling-on-the-Wold, Mary Nicola Mayfield has shown no improvement, and her condition seems impervious to rehab. But Nicola is not the typical guest of Gloucestershire’s destination village for the wealthy and wayward. The trauma of surviving a horrific train wreck has rendered her mute; her injuries have healed, but try as she might, she cannot utter a sound. With her family and fiancé at their wits’ end, Nicola knows Puddling is the resort—the last resort—that holds any hope for her recovery. Lord Jack Ryder—baron, businessman and, some say, mad genius—has gone from the heights of success to hit rock bottom, after a faulty girder from his iron foundry caused a dreadful bridge collapse. Nothing has assuaged his guilt over the passenger train that crashed or the lives that were destroyed. The stringent regimen at Puddling is not doing much for his deep depression—until he meets his mysteriously silent neighbor. Their fiery affair breaks all the rules, but will the unspoken truth be too hot to handle?
In a follow-up to Lord Gray's list, an advertisement for a housekeeper in Lord Gray's tabloid newspaper, the London list, brings together two people--Lady Imaculata Anne Egremont and Major Gareth Ripton-Jones--who both need to repair their less than savory reputations.
It’s all fun and games until someone falls in love… Independent heiress Louisa Stratton is going home to Rosemont for the holidays and, at the family’s request, she’s bringing her new husband Maximillian Norwich, art connoisseur and artful lover, the man she’s written of so glowingly. There’s one hitch—he doesn’t exist. Louisa needs a fake husband, and fast, to make the proper impression. Charles Cooper, captain of the Boer War and with a background far from silver spoons or gilded cages, is so hard up that even Louisa’s crazy scheme appeals to him. It’s only thirty days, not till death do them part. What’s so difficult about impersonating a husband, even if he doesn’t know a Rembrandt from a Rousseau? The real difficulty is keeping his hands off Louisa once there’s nobody around to see through their ruse. And then there’s the small problem of someone at Rosemont trying to kill him. Keeping his wits about him and defending Louisa brings out the honor he thought he’d left on the battlefield. But when Louisa tries to protect him, Charles knows he’s found a way to face his future—in the arms of his heiress.
She has exactly what he needs—and desires… Ever since Mary Evensong’s elderly aunt Mim got sick, Mary’s masqueraded as the owner of the Evensong Agency, finding housemaids and husbands, and solving pesky problems, for the peerage. Someday she’d like to shake off her silvery wig and spectacles and be the young woman she truly is, but desperate clients are waiting for “Mrs. Evensong” at the office. Like a scandalous Scottish baron. Honor forbids Lord Alec Raeburn from explaining the suspicious circumstances surrounding his wife’s death, but he knows who’s responsible. He just needs to hire an actress to lure the scoundrel into a trap. After listening to Raeburn’s story—and seeing him in his kilt—Mary knows the perfect person for the role. Letting her red hair down, she heads off to the Scottish Highlands to pose as a seductress, but soon finds herself with more than her virtue at stake in a tug-of-war between two powerful men. She could wind up in danger—or in the heart of the highlander.
In the first book ever published on Indigenous quantitative methodologies, Maggie Walter and Chris Andersen open up a major new approach to research across the disciplines and applied fields. While qualitative methods have been rigorously critiqued and reformulated, the population statistics relied on by virtually all research on Indigenous peoples continue to be taken for granted as straightforward, transparent numbers. This book dismantles that persistent positivism with a forceful critique, then fills the void with a new paradigm for Indigenous quantitative methods, using concrete examples of research projects from First World Indigenous peoples in the United States, Australia, and Canada. Concise and accessible, it is an ideal supplementary text as well as a core component of the methodological toolkit for anyone conducting Indigenous research or using Indigenous population statistics.
This book introduces action research as a method of developing e-learning modules and courses. It covers both the theory and practice of applying action research principles to develop online learning.
She’s bound by her duty to her family... Forced to leave school at the age of fourteen, young Rose Sharpe’s dreams of independence are ruined by her domineering father and constantly ailing mother. It falls to Rose to bring up her young sister and run the household, with little thanks from either of her parents. But just as Rose has almost given up hope, she realises she has a secret admirer of her own...
This book covers a dramatic decade in the fortunes of Britain's quirkiest broadcaster. It opens in 2009, with the realisation that Channel 4's biggest money spinner, Big Brother, had become a toxic asset and would have to be discarded, at the same time as advertising revenues were shrinking in the wake of the 2008 financial crash. Maggie Brown's compelling narrative, which draws on interviews with key players in Channel 4's story and unique access to the broadcaster's archives, takes us inside the boardroom battles, changes in senior management and commissioning teams, interventions by the media regulator Ofcom, and the channel's response to a rapidly-changing media and political landscape. Brown describes how the channel, under its new chief executive David Abraham, successfully fought off the threat of privatisation, which became a reality after the Conservatives' general election victory in 2015. The price for remaining publicly funded was a substantial relocation of Channel 4's operations, with Leeds announced in 2018 as a new 'regional hub'. The Channel 4 story is also one of ambitious and innovative programming, with a new director of content, Jay Hunt, instigating radical changes in commissioning and scheduling. Brown traces programming hits and losses during this period, with the departure to competitors of celebrity chefs, Black Mirror and Charlie Brooker, horse racing and Formula 1, and a reappraisal of the remit of institutions such as Channel 4 News and Film 4. But there were successes too, with the 2012 Paralympics helping to restore a public service sheen, and new programmes such as Gogglebox in 2013 connecting with younger audiences, and, in 2016, the coup of taking The Great British Bake Off from its home at the BBC.
As bombs begin to fall, her strength will be tested... A newly qualified nurse, Theda Wearmouth is delighted to gain a place at Newcastle Hospital. But the onset of war brings tragedy when her young soldier boyfriend is killed in action before he can make good on his promise to marry her. Broken-hearted, Theda finds herself re-assigned to a special unit of the hospital dealing with German prisoners of war. Her duty is clear. But will she be able to cope with nursing the very men her fiancé died fighting...? A gritty family saga from the Sunday Times bestselling author of The Miner’s Girl and An Orphan’s Secret
People go to church every Sunday hoping to hear a life-giving word from the Lord but often find that they have to make do with either the dry crust of cognitive sermons or the empty calories of emotional exhortations. This book provides preachers with the tools to feed their flock with hearty sustenance. Using real-life sermon examples from across Asia that reflect issues facing Asian Christians, Maggie Low builds a picture of a sermon as a body, taking you step-by-step through guidelines for what this body needs to come alive. Whether you are a beginner or an experienced preacher, you will learn to preach more confidently and relevantly through this skillful integration of biblical theology, homiletical theory, spirituality, and communication skills. Preaching cannot deliver life unless preachers themselves listen to the Word of Life. Dr Low guides the reader to exegete the Scriptures and to listen to God personally so that they can deliver a life-giving word to the hearers.
Sadie Raine has a bad reputation... When she runs off with a Canadian airman, her two young daughters are left behind to pick up the pieces. But Cath Raine is determined to rise above the local gossips. Only, when she meets the upper-class Jack on the grounds of his father’s estate, she is tempted by the thought of an affair. Is she destined to follow in her mother’s scandalous footsteps after all...? (Note: previously published as The Pitman's Brat by Una Horne)
Focusing on such metaphors as communion and cannibalism in a wide range of Western literary works, Maggie Kilgour examines the opposition between outside and inside and the strategies of incorporation by which it is transcended. This opposition is basic to literature in that it underlies other polarities such as those between form and content, the literal and metaphorical, source and model. Kilgour demonstrates the usefulness of incorporation as a subsuming metaphor that describes the construction and then the dissolution of opposites or separate identities in a text: the distinction between outside and inside, essentially that of eater and eaten, is both absolute and unreciprocal and yet fades in the process of ingestion--as suggested in the saying "you are what you eat.". Kilgour explores here a fable of identity central to Western thought that represents duality as the result of a fall from a primal symbiotic unity to which men have longed to return. However, while incorporation can be desired as the end of alienation, it can also be feared as a form of regression through which individual identity is lost. Beginning with the works of Homer, Ovid, Augustine, and Dante, Kilgour traces the ambivalent attitude toward incorporation throughout Western literature. She examines the Eucharist as a model for internalization in Renaissance texts, addresses the incorporation of past material in the nineteenth century, and concludes with a discussion of the role of incorporation in cultural theory today. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Learn how to infuse learning with deeper purpose, connectedness, and engagement, so students feel more empowered and less anxious about their futures. In Learning in the Age of Climate Disasters, author and award-winning teacher Maggie Favretti outlines the contexts and causes of "futurephobia" and then offers Regenerative Learning strategies rooted in nature’s principles for repair and redesign. She explains how tending the soil and cultivating the roots of (re)generative power (Love, Personhood, People, Place, Purpose, Process, Positivity) help us disrupt degenerative hierarchical fragmentation. She also explores methods for co-empowering youth creativity, agency, and hope. Chapters include interviews with and contributions by children and young people, as well as key takeaways (Seeds for Planting), and tools to help you implement the ideas. With this book’s thought-provoking concepts, you’ll be able to help students overcome eco-anxiety and find healing connection and meaning for more sustained, regenerative change.
A perennial debate in the field of global ethics revolves around the possibility of a universalist ethics as well as arguments over the nature, and significance, of difference for moral deliberation. Decolonial literature, in particular, increasingly signifies a pluriverse – one with radical ontological and epistemological differences. This book examines the concept of the pluriverse alongside global ethics and the ethics of care in order to contemplate new ethical horizons for engaging across difference. Offering a challenge to the current state of the field, this book argues for a rethinking of global ethics as it has been conceived thus far.
Maggie Gale's West End Women uncovers groundbreaking material about women playwrights and the staging of their performances between the years 1918 and 1962. It documents a dynamic era of social and theatrical history, analysing the transformations that occurred in the theatre and the lives of British women in relation to specific plays of the period. Focusing on the work of playwrights such as Dodie Smith, Clemence Dane, Gordon Daviot and Bridget Boland, Maggie Gale examines the cultural and political context within which they enjoyed commercial success and great notoriety.
The first authoritative look at one of the most iconic figures in the history of the NFL, this book is both a critical chapter in the story of football in America and a thoroughly engaging in-depth introduction to a character unlike any other in the annals of American sports.
Mapping the ways in which unequally empowered groups claimed and transformed statements associated with the discourse of national identity, Sale succeeds in recovering a historically informed sense of the discursive and activist options available to people of another era.
Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--
Rita Hush knows she’s lucky. She lives in a dream location with her Border Terrier Jazz, walks most days, along the beach to her dream job in the village library where, along with her sidekick, Sharon, they entertain the punters and serve the community in equal measure. The only thing missing is her dream man and she’s in no hurry to find him, much preferring her hard-won independence and freedom. When a psychic brings through a message from her beloved Granny Maggie advising that despite her idyllic lifestyle, she needs to prioritise mending her badly bruised heart, Rita goes on a voyage of self-discovery and with a little help from her friends, gets way more than she bargained for.
This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach. Each chapter has an easy-to-use format, comprising an introductory overview, an explanation of key themes and techniques, a detailed account of the work of specific critics, and a summary which includes critiques of the approach. Each chapter is accompanied by a guide to the primary texts and further reading.
Ms. Maggie Tells Her Story By: Maggie R. Bass In this inspirational memoir, Maggie R. Bass shares the story of how she started and grew her ministry. In particular, the book details her relationships with various people – both those whom she was able to help and those who served as inspiration and mentors to her.
No other guide on the market covers the volume of comic book listings and range of eras as Comic Book Checklist & Price Guide does, in an easy-to-use checklist format. Readers can access listings for 130,000 comics, issued since 1961, complete with names, cover date, creator information and near-mint pricing. With super-hero art on the cover and collecting details from the experts as America's longest-running magazine about comics in this book, there is nothing that compares.
Can she escape her mother's scandalous past? Cath Raine and her sister have had a difficult childhood. Abandoned by their mother who ran off with a Canadian airman, the two young girls were forced to fend for themselves in a town rife with gossip about their family. When Cath first meets the wealthy Jack Vaughan on the grounds of his father's estate, he dismisses her because of the rumours he's heard about her family. But when their paths cross again, they find themselves irresistibly drawn to each other despite their different backgrounds. However, it's soon clear her family's reputation will make a fresh start impossible. Can Cath escape her difficult upbringing and find love at last? A gripping saga perfect for fans of Katie Flynn and Dilly Court. Previously published as 'Like Mother, Like Daughter
Concern about violence on television has been publicly debated for the past 50 years. TV violence has repeatedly been identified as a significant causal agent in relation to the prevalence of crime and violence in society. Critics have accused the medium of presenting excessive quantities of violence, to the point where it is virtually impossible for viewers to avoid it. This book presents the findings of the largest British study of violence on TV ever undertaken, funded by the broadcasting industry. The study was carried out at the same time as similar industry-sponsored research was being conducted in the United States, and one chapter compares findings from Britain and the U.S.A. The book concludes that it is misleading to accuse all broadcasters of presenting excessive quantities of violence in their schedules. This does not deny that problematic portrayals were found. But the most gory, horrific and graphic scenes of violence were generally contained within broadcasts available on a subscription basis or in programs shown at times when few children were expected to be watching. This factual analysis proves that broadcasters were meeting their obligations under their national regulatory codes of practice.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.