An examination of the relationship between violence and masculinity in works by Richard Wright, Norman Mailer, Saul Bellow, James Baldwin, and Philip Roth, highlighting the inherent paradox whereby masculinity in this fiction is both asserted and undermined by acts of aggression"--
The first book of literary criticism to examine this Pulitzer Prize winner's entire body of work As a renowned novelist, journalist, biographer, playwright, speaker, aspiring politician, filmmaker, and public intellectual, Norman Mailer was one of the most prominent American literary and cultural figures of the second half of the twentieth century. Over the course of his expansive sixty-year career, Mailer published nearly forty original works of fiction and nonfiction, served as a counterculture activist, and was cofounder of the Village Voice. Twice awarded the Pulitzer Prize, Mailer also received the National Book Award and the Medal of Distinguished Contribution to Arts and Letters, a lifetime achievement award granted by the National Book Foundation. Understanding Norman Mailer is the first book of literary criticism to address Mailer's impressive body of work in its entirety, from his first publication to his last. Situating these volumes in their historical and cultural context, Maggie McKinley traces the major themes and philosophies that pervade Mailer's canon, analyzing his representations of gender, sexuality, violence, technology, politics, faith, celebrity, existentialism, and national identity. McKinley moves chronologically through Mailer's career, illuminating the many genres, styles, and perspectives with which Mailer experimented over time, demonstrating his remarkable artistic reach. McKinley also addresses Mailer's reputation as a combative public figure who, amid controversy surrounding his personal life and public persona, remained committed to lively intellectual debate. Through Understanding Norman Mailer, an accessible introduction to Mailer's life and work, McKinley offers a unique retrospective, articulating the development and changes within Mailer's ideas over time while highlighting concerns that remained at the center of his work for decades.
Gale Researcher Guide for: Making Reality Credible: Philip Roth is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
An examination of the relationship between violence and masculinity in works by Richard Wright, Norman Mailer, Saul Bellow, James Baldwin, and Philip Roth, highlighting the inherent paradox whereby masculinity in this fiction is both asserted and undermined by acts of aggression"--
Gale Researcher Guide for: Making Reality Credible: Philip Roth is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
A spellbinding, profound novel from one of Canada’s most accomplished poets, Between Mountains sets a heart-rending love story amidst the aftermath of the Balkan wars of the 1990s. Daniel, a Canadian journalist, has been living in Bosnia for ten years, long after most correspondents have moved on to other global “hotspots.” On a visit to Paris he meets Lili, a Serbian-Albanian interpreter at The Hague, entrusted with hearing and telling the stories of victims and perpetrators of brutality. Their lives intersect at the trial of a man accused of war crimes, interviews with whom have formed the bedrock of Daniel’s career. Peripatetic, driven people, Lili and Daniel are also both damaged by the horrific things they have witnessed. Each hopes to find in the other some kind of understanding, and in impossible circumstances they are drawn into an affair which could destroy everything they have worked for. Reminiscent of The Quiet American and Fugitive Pieces, Between Mountains is at once a complex love story and a gripping novel of war and politics. Exquisitely written and vividly imagined, it explores issues of the greatest human importance within an intensely intimate landscape. He paused in the doorway of the hotel, automatically charting the safest route. There was a little bar across the street that would probably make him an omelette in mid-afternoon, and he found himself calculating that there was not much exposed ground to cross, then forcing himself to remember that this was Paris, that there were no snipers in the neighbouring buildings, not for now at any rate. -- from Between Mountains
Juggling single motherhood, a bakery, and some minor home repairs should be enough for one woman, but life has other plans for Emily. When Emily decides to start her life over away from everything she's ever known, she only has one thing on her mind--her daughter. Her new bakery is thriving, her daughter, Tinsley, is settling in well, and she has never felt more at home, but what happens when a new man walks into her bakery and sparks feelings in her that she thought she'd buried a long time ago? What starts as an unknown setup between Emily and Ian quickly leads to genuine attraction. Emily wants to push aside the first spark she's felt in years, but Ian makes it difficult when she watches the way he interacts with Tinsley and how he steps up when she's felt alone for a long time. Ian, a hockey player in the prime of his career, has never met anyone important enough to come between him and the game. When he meets Emily and her little girl, he has to decide if he's ready to jump in with both feet or walk away completely. Ian isn't sure a relationship, let alone a full family, is currently in the cards for him. He's in the prime of his hockey career and on the road more often than not, but after finding himself continually distracted by his hometown's baker and his stats starting to slip, he feels like he at least needs to give it a shot. Things only get more complicated when Emily's past comes back to haunt her and threaten what they've begun to build.
Come enjoy the art of pastel painting with beloved workshop instructor Maggie Price. In this step-by-step guide, she teaches you everything you need to know to make the most of this accessible art form. From selecting the right materials to learning the fundamentals of composition, Maggie starts with the basics and progresses to 21 complete pastel demonstrations that detail specific painting techniques and effects. You'll learn how to: • Create depth and movement with color • Paint using a range of strokes • Blend colors to create luminous skies, reflections and more • Underpaint to achieve brilliant light and deep shadows • Mix pastels with watercolor and gouache to create fluid effects • Create new compositions from photographs In addition to step-by-step guidance, you'll be inspired by the work of ten nationally renowned pastel artists. Their contributions to this book illustrate the limitless possibilities of pastel painting and offer additional insight for working with this versatile medium. Maggie also includes dozens of helpful sidebars to help you save time, avoid mistakes and work more efficiently. With its blend of visual instruction, thorough guidance and breathtaking artwork, this is the only guide you need to experience the joy and satisfaction of painting with pastels.
It's a long way from Seattle to Otter Bite, Alaska. But if one woman can survive the trip--and the locals--she just might find what her heart has been searching for. Her mango chutney is exquisite; her blueberry sauce is to die for. But right now, Chef de Cuisine Daisy Moon is a woman without a kitchen--and without a fiancé. Unceremoniously dumped from her place of business and her relationship, Daisy sells her belongings, plus a few of her ex's, and packs her bags. Maybe smashing all the china in her former restaurant was a bad move. Stripped of her Golden Spoon for "un-chef-like" conduct, she is now blacklisted all over Seattle. Her sole job offer is from the Wild Man Lodge...in Otter Bite, Alaska. Too bad Daisy can't even get out of Dodge without incident. By the time she boards a ship for Alaska, she's got a trail of new troubles behind her, and suddenly Otter Bite is sounding pretty good. But the vessel turns into her own personal Titanic when a series of close encounters confirms her terrible taste in men--including one very good looking bad luck charm named Max Kendall. She vows to dedicate the rest of her days to chowders and brulée. Yet even Alaska isn't far enough away to shake the memories of the sexy shipmate who rocked her cabin--and her world. Thank goodness she's done with surprises--but they may not be done with her...
Build your students' confidence and enhance the math skills they use in everyday situations! Each of the six books in the Practical Math in Context presents topics students are likely to encounter in everyday life. Mastery of practical math skills is the overarching goal of the series. Each book includes problems that involve estimation, equations, mental math, calculators, and critical thinking. Each book includes additional concept-specific skills such as graphing, averages, statistics, ratios, and measurement. The series is appropriate for use with small groups, a full class, or by independent learners. The lessons are self-explanatory, freeing the teacher for individual instruction.
NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People). After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.
A groundbreaking look at marriage, one of the most basic and universal of all human institutions, which reveals the emotional, physical, economic, and sexual benefits that marriage brings to individuals and society as a whole. The Case for Marriage is a critically important intervention in the national debate about the future of family. Based on the authoritative research of family sociologist Linda J. Waite, journalist Maggie Gallagher, and a number of other scholars, this book’s findings dramatically contradict the anti-marriage myths that have become the common sense of most Americans. Today a broad consensus holds that marriage is a bad deal for women, that divorce is better for children when parents are unhappy, and that marriage is essentially a private choice, not a public institution. Waite and Gallagher flatly contradict these assumptions, arguing instead that by a broad range of indices, marriage is actually better for you than being single or divorced– physically, materially, and spiritually. They contend that married people live longer, have better health, earn more money, accumulate more wealth, feel more fulfillment in their lives, enjoy more satisfying sexual relationships, and have happier and more successful children than those who remain single, cohabit, or get divorced. The Case for Marriage combines clearheaded analysis, penetrating cultural criticism, and practical advice for strengthening the institution of marriage, and provides clear, essential guidelines for reestablishing marriage as the foundation for a healthy and happy society. “A compelling defense of a sacred union. The Case for Marriage is well written and well argued, empirically rigorous and learned, practical and commonsensical.” -- William J. Bennett, author of The Book of Virtues “Makes the absolutely critical point that marriage has been misrepresented and misunderstood.” -- The Wall Street Journal www.broadwaybooks.com
Cybil Roe gave her heart away thirteen years ago only to have it wind up shattered. With painstaking determination, she has rebuilt her life into something to be proud of today. Yet all her future plans are upended when the only man she has ever loved returns to Echo Springs. Nor does it help that he seems bound and determined to draw her back into his life. Cybil vows to stay away from him, no matter what seeing him all the time does to her resolve. Miles Keaton wiped the dust of his hometown off his shoes years ago, never expecting that life would lead him back to the place where he had begun. Coming home to Echo Springs, to Cybil, to start a new law practice and a new life is a risk he never thought he'd take. She hates him – with good reason. Years ago, he walked away when she needed him the most. But now is he back, and intends to argue the case of his life, one more important than any he has debated in a courtroom, because she is the one woman he cannot live without. Can Miles convince Cybil to take a second chance on him, or will a secret she has kept all these years destroy any future they might have?
Anna Olsen knows it's time to leave her sister's increasingly crowded house and start a life of her own. Following her sisters' examples, she becomes a mail-order bride, and after a short correspondence with clock maker and jeweler Edward Parker, she moves to Denver to become his wife. Almost immediately it's painfully apparent that Anna and Edward are very different. Anna is a free spirit who would rather be painting and enjoying the company of friends than cleaning house. Edward is a consummate perfectionist who, on their wedding day, hands Anna a list of chores that need to be done around the house daily. Can this mismatched couple see past their differences to a harmonious future? Or will their disparate passions create obstacles neither is willing to surmount? Maggie Brendan closes her Blue Willow Brides series with a heartwarming tale of true love despite misunderstanding, showing readers that God's timing is always perfect.
Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--
The instant #1 New York Times bestseller. “This is the book Trump fears most.” - Axios “Will be a primary source about the most vexing president in American history for years to come.” - Joe Klein, The New York Times "A uniquely illuminating portrait." - Sean Wilentz, The Washington Post “[A] monumental look at Donald Trump and his presidency.” — David Shribman, Los Angeles Times From the Pulitzer-Prize-winning New York Times reporter who has defined Donald J. Trump's presidency like no other journalist, Confidence Man is a magnificent and disturbing reckoning that chronicles his life and its meaning from his rise in New York City to his tortured post-presidency. Few journalists working today have covered Donald Trump more extensively than Maggie Haberman. And few understand him and his motivations better. Now, demonstrating her majestic command of this story, Haberman reveals in full the depth of her understanding of the 45th president himself, and of what the Trump phenomenon means. Interviews with hundreds of sources and numerous interviews over the years with Trump himself portray a complicated and often contradictory historical figure. Capable of kindness but relying on casual cruelty as it suits his purposes. Pugnacious. Insecure. Lonely. Vindictive. Menacing. Smarter than his critics contend and colder and more calculating than his allies believe. A man who embedded himself in popular culture, galvanizing support for a run for high office that he began preliminary spadework for 30 years ago, to ultimately become a president who pushed American democracy to the brink. The through-line of Trump’s life and his presidency is the enduring question of what is in it for him or what he needs to say to survive short increments of time in the pursuit of his own interests. Confidence Man is also, inevitably, about the world that produced such a singular character, giving rise to his career and becoming his first stage. It is also about a series of relentlessly transactional relationships. The ones that shaped him most were with girlfriends and wives, with Roy Cohn, with George Steinbrenner, with Mike Tyson and Don King and Roger Stone, with city and state politicians like Robert Morgenthau and Rudy Giuliani, with business partners, with prosecutors, with the media, and with the employees who toiled inside what they commonly called amongst themselves the “Trump Disorganization.” That world informed the one that Trump tried to recreate while in the White House. All of Trump’s behavior as President had echoes in what came before. In this revelatory and newsmaking book, Haberman brings together the events of his life into a single mesmerizing work. It is the definitive account of one of the most norms-shattering and consequential eras in American political history.
At the time of its incorporation, Westmont was the home of rolling prairie and vast swaths of farmland. Over the next 100 years, Westmont grew into a place known for its small-town charm and close-knit community. Over the course of its history, the "Progressive Village" would find itself tied to the Great Chicago Fire, Prohibition, the godfather of Chicago blues music, and the international Beanie Babies craze. It is a town that has thrived on community involvement, from its humble beginnings with an all-volunteer fire department to its current reputation for having some of the best volunteer-led events in all of Chicagoland. Westmont is a proud community that cares for its citizens and celebrates their accomplishments.
Abby Callier is more in love with Shakespearean heroes than any real man, and she’s beginning to wonder if there is life for her outside the pages of a book. It doesn’t help that her esteemed parents tend to view her as they would one of their science experiments gone wrong. On the eve of finishing her dissertation, she escapes her staid existence to live in the house she inherited from her Great Aunt Evie in the small town of Echo Springs, Colorado. Because, let’s face it, when a woman starts comparing her life to horror films, it might be time for a break. Sheriff Nate Barnes believes in law and order and carefully building the life you want. In his spare time, he has been remodeling his house in the hope that one day it will be filled with the family he makes. But Nate doesn’t like drama or complications and tends to avoid them at all costs. And yet, when Miss Abigail Callier, his newest neighbor, beans him with a nine iron, he can’t help but wonder if she might just be the complication he’s been searching for all along. It doesn’t hurt that he’s discovered a journal hidden away by the previous tenant, and decides to use Old Man Turner’s advice to romance Abby into his life. Abby never expected her next-door neighbor, the newly dubbed Sheriff Stud Muffin, to be just the distraction her world needed. The problem is she doesn’t know whether she should make Echo Springs her home, or if this town is just a stopover point in her life’s trajectory. And she doesn’t want to tell Nate that she might not be sticking around – even though she should, because it’s the right thing to do, the honest thing – because then all the scintillatingly hot kisses with the Sheriff will come to an abrupt halt. Did she mention that he’s a really great kisser?
The story takes up where Amelias Secrets left off; after the murder trial held in Jacksonville, Florida where the accused, great-great-grandson of President Thomas Jefferson, T. J. Eppes murderer of one of his best friends and father of six children walks out of the courtroom a free man. He returns to Amelia Island there to carry on life as usual with his beautiful young bride Katie, expecting their first child, only to find life for her to be a daily trial by a jury of her peers; an impossible situation in the end. Our protagonist John Whitner describes in detail not only their lives culminating in the great hurricane of 1898, which nearly devastates the island but through the lives of the Carnegies of Cumberland Island, Mrs. Leddy owner and operator of the Florida House Hotel and her only child Grace from age eight through her progression to adulthood, marriage, babies and widowhood at the young age of twenty one. John, himself reveals his journey through all this, his relationship with Pauline; its ups and downs, a new woman in his life (or women) as well as his passion for photography in the many places he visits, Jekyl Island, Charleston, S. C. during the earthquake of 1886 and Chicagos Worlds fair of 1893. Meticulous research and beautiful descriptions bring nineteenth century Amelia Island to life. With creative flair, Ms. Carter-de Vries uses the first person narrative of her storyteller, John Whitner, to recreate the turbulence of natural disasters and societys mores and make the past inhabitants of Amelia Island walk off the pages. Whether youre a visitor to the island or a life-long resident, you will find much to enjoy in Carter-de Vries Golden Years, Silver Tears. Karen White New York Times bestselling author THE TIME BETWEEN, NAL/Penguin Publishing Group June 2013
July 14, 2003: Flin Flon lawyer Michael Bomek pleads guilty to six counts of sexual assault on young Cree men, some of whom come from the community of Pelican Narrows. His crime is emblematic of white culture' s assault on this Rock Cree community. On the one hand, he was a dedicated lawyer who won 75 per cent of his cases for his native clients. On the other, he was an unthinkably corrupting influence. For over 200 years, Pelican Narrows has endured an equally torturous relationship with the encroaching European culture, from the Hudson Bay factors and missionaries of earlier times to the bureaucrats and police of today. By scrupulously researching the history of a community she has known for much of her life, by using oral history and documenting the personal stories of contemporary Pelican Narrows Cree, Siggins gives us the human face behind the newspaper headlines of native issues. Her storytelling powers are formidable and the portrait she gives us of this single Saskatchewan community is unforgettable.
Paint outside the lines! Jumpstart your creativity and inject new life into your art. Struggling to get started? Paralyzed by the fear of failure? Find yourself falling back on the same colors again and again? Just plain stuck? It happens to every artist sooner or later. What can you do to get unstuck quickly and painlessly? Creative Freedom presents 52 strategies for getting out of ruts and venturing beyond your comfort zone, courtesy of 25 artists who have been there, done that. Each approach is illustrated with a step-by-step painting demonstration. Together, they help you experiment with different mediums, new color combinations, fresh approaches to favorite subjects, and more. Try one a week for a year of creative adventure. Or dip in whenever you're feeling inspired. You may be surprised at the creative liberation that comes from... • Painting with your other hand. • Going big with your canvas and brushes. • Painting fast with 10-minute studies. • Limiting your palette. • Starting with a random line drawing or custom painting surface. • Zooming in on one small detail of a landscape for abstract results. • Copying the work of an Old Master. Featuring an exciting variety of styles and mediums (oil, watercolor, acrylic and pastel), novel perspectives and an invigorating sense of play, this book is sure to generate creative sparks and joyful painting sessions. Getting unstuck has never been so fun!
Answering the eternal question... WHAT TO WATCH NEXT? Looking for a box set to get your adrenaline racing or to escape to a different era? In need of a good laugh to lift your spirits? Hunting for a TV show that the whole family can watch together? If you're feeling indecisive about your next binge-watching session, we've done the hard work for you. Featuring 1,000 carefully curated reviews written by a panel of TV connoisseurs, What To Watch When offers up the best show suggestions for every mood and moment.
The subtitle of Maggie Ross's new book captures its essence, for it is about silence and our need to behold God. Beholding is a notion that we are in danger of losing. It is often lost in translation, even by the NRSV and the Jerusalem Bible. Beholding needs to be recovered both in theology and practice. Ross is very aware of "poor talkative Christianity." There is a twofold plea to enter into silence--for lack of silence erodes our humanity--and to behold the radiance of God. This is a book full of deep questioning and the testing of our assumptions. Throughout there is a great love for the world and for our humanity, accompanied by sadness that we are so easily distracted . . . We are invited into a silence that is not necessarily an absence of noise, but is a limitless interior space. Ancient texts are used in new and exciting ways, and many of our worship practices are challenged. She is in no doubt that "the glory of the human being is the beholding of God." --adapted from a review in The Church Times (London) by Canon David Adam.
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