Placement Learning in Medical Nursing covers the following areas: Takes a logical, step-by-step approach to preparing for learning on a medical nursing placement. Provides the principles of care, treatment and management of an individual, linking university-learned theory to clinical practice. Gives helpful evidence-based practice examples and resources to support placement learning. Identifies clinical skills that underpin care of an individual. Highlights potential learning opportunities and experiences available on a medical nursing placement. Explains how to develop your clinical portfolio by completing specific exercises and activities. Maps all activities and exercises to the NMC competencies. Advises on approaches to a range of situations that may arise as a student nurse. Adopts a case-study/patient pathway approach to consolidating learning, from pre-diagnosis, through a range of treatment options to discharge."--Publisher.
A dictionary containing 3500 biographical entries, each representing a composer whose work has been used within the worship of the church in Britain and Ireland.
Beautifully printed tributes to the golden age of the poster. Works by Toulouse-Lautrec, Steinlen, Chéret, Mucha, Will Bradley, Eugène Grasset, and other masters who brought poster art to a new height are represented in sticker format, ready to enhance stationery and gift packages and delight devotees of these noted turn-of-the-century artists.
Stop in for a slice of life and pie at The Red Squirrel Caf , Quick Lunch, Cook Shack and Grill, serving up Mint Haven, Michigan's finest daily specials. Time: Summer 1928 Cast of Characters: Ida Gentry, generally adorable ex-flapper, caf owner and cook; Jake Palmer, local motorcycle cop with a movie star profile; Joe Riordan, hard-edged yet soft-hearted Chicago newspaper reporter; and Clyde Case, man who puts the quick in quick lunch and a jack-of-all-trades with many secrets.
Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969. Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.
Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.
Georgia’s tarnished past unleashes an otherworldly evil in this “marvelous novel . . . southern gothic at its best” (Charles L. Grant, author of the Black Oak series). Lazarus was his name, an evil which "rose from the dead" off a slave ship to control the Georgia plantation with fear and the obeah: the evil instruments of conjure. Does his evil and his anger extend beyond the grave beyond space and time? Elizabeth Franklin Jefferson, called "Frankie" by her friends, is a descendant of slave owners and sensitive to the world beyond. But now Frankie and her cousin, Julian, have awakened an evil long thought put to rest: Lazarus and his deadly obeah. Now everyone in Frankie's family has started to die—will Frankie be next?
George Mackay Brown was one of Scotland's greatest twentieth-century writers, but in person a bundle of paradoxes. He had a wide international reputation, but hardly left his native Orkney. A prolific poet, admired by such fellow poets as Seamus Heaney, Ted Hughes and Charles Causley, and hailed by the composer Peter Maxwell Davies as 'the most positive and benign influence ever on my own efforts at creation', he was also an accomplished novelist (shortlisted for the 1994 Booker Prize for Beside the Ocean of Time) and a master of the short story. When he died in 1996, he left behind an autobiography as deft as it is ultimately uninformative. 'The lives of artists are as boring and also as uniquely fascinating as any or every other life,' he claimed. Never a recluse, he appeared open to his friends, but probably revealed more of himself in his voluminous correspondence with strangers. He never married - indeed he once wrote, 'I have never been in love in my life.' But some of his most poignant letters and poems were written to Stella Cartwright, 'the Muse of Rose Street', the gifted but tragic figure to whom he was once engaged and with whom he kept in touch until the end of her short life. Maggie Fergusson interviewed George Mackay Brown several times and is the only biographer to whom he, a reluctant subject, gave his blessing. Through his letters and through conversations with his wide acquaintance, she discovers that this particular artist's life was not only fascinating but vivid, courageous and surprising.
Six novels in one volume by today’s most outstanding female writers—includes The Magician’s Assistant, Those Who Save Us, and more. From the #1 New York Times–bestselling author of Commonwealth and Bel Canto, to the multiple award-winning author of This Must Be the Place, this collection gathers a half-dozen top-notch literary talents in a treasure trove for fiction lovers. Included: Almost by Elizabeth Benedict chronicles the attempt of writer Sophy Chase to come to terms with the death of her almost ex-husband—who may have committed suicide on the New England resort island where she left him just months before. Those Who Save Us by Jenna Blum follows Trudy, a professor of German history, as she investigates her mother’s past in WWII Germany, combining a passionate, doomed love story; a vivid evocation of life during the war; and a poignant mother/daughter drama. The Hearts of Horses by Molly Gloss is a heartwarming story of a young woman with the rare talent of “gentling” wild horses, and the unexpected and profound connections between people and animals. The Last Chinese Chef by Nicole Mones takes readers inside the hidden world of elite cuisine in modern China, through the story of an American food writer in Beijing who discovers that her late husband may have been leading a double life. The Vanishing Act of Esme Lennox by Maggie O’Farrell is a gothic, intricate tale of family secrets, lost lives, and the freedom brought by truth. The Magician’s Assistant by Ann Patchett tells the story of the death of a secretive magician—and how it sets in motion his partner’s journey of self-discovery.
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