Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--
This is an important book...a harrowing documentation of our modern world's descent into fragmentation, self alienation, and emptiness-brought on, to a large extent, by communication technologies that distract us, dislocate us, and destroy our inner lives.--Alan Lightman, author of the bestselling Einstein's Dreams and National Book Award finalist The Diagnosis and MIT professorThis fascinating book on America's collective ADD is a wake-up call to all of us to take back our lives, turn off the technology, and focus on paying attention to what makes us human and fulfilled.--Rosabeth Moss Kanter, Harvard Business School Professor and author of America the Principled and ConfidenceWe have oceans of information at our disposal, yet we increasingly seek knowledge in online headlines glimpsed on the run. We are networked as never before, but we connect with friends and family via e-mail and fleeting face-to-face moments that are rescheduled and interrupted a dozen times. Despite our wondrous technologies and scientific advances, we are nurturing a culture of diffusion, fragmentation, and detachment.In this new world, something crucial is missing: attention-the key to recapturing our ability to connect, reflect, and relax; the secret to coping with a mobile, multitasking, virtual world. How did we get to the point where we keep one eye on our Blackberry and one eye on our spouse-in bed? We can contact millions of people worldwide, so why is it hard to schedule a simple family supper? Most importantly, what can we do about it? Distracted vividly shows how day by day, our hyper-mobile, cyber-centric, interrupted lives erode our capacity for deep focus and awareness. The implications for a healthy society are stark.Attention is the building block of intimacy, wisdom, and cultural progress. Jackson makes it clear that if we squander our powers of attention, our technological age could ultimately slip into cultural decline. And yet we are just as capable of igniting a renaissance of attention by strengthening our skills of focus and perception, the keys to judgment, memory, morality, and happiness. Jackson reveals the astonishing scientific discoveries that can help us rekindle our powers of attention in a world of speed and overload. She offers us a wake-up call, and reasons for hope.Distracted is an original exposé of the multifaceted nature of attention, an engaging and often surprising portrait of postmodern life, and a compelling roadmap for cultivating sustained focus and nurturing a more enriched and literate society. More than ever, we cannot afford to let distraction become the marker of our time.Maggie Jackson (New York, NY) is an award-winning author and journalist who writes the popular Balancing Acts column in the Boston Globe. Her work also has appeared in The New York Times and on National Public Radio, among other national publications. Her acclaimed first book, What's Happening to Home? Balancing Work, Life and Refuge in the Information Age, examined the loss of home as a refuge.
This moving and inspirational book shows courage,determination and strength of a mother and her 2 children. Living a perfect life on the the outside, a charming,charismatic,handsome husband with a successful Business and lifestyle. Behind closed doors,my husband’s behaviour began to change and he started to become distant,staying out later,sometimes coming home at irregular hours,spending excess money with no explanation. His mood swings became darker and he became a compulsive liar. I was naive and gullible,knowing that something had changed,but did not know what or why? I discovered overnight that he was on drugs. My whole world had turned upside down ,I was married to a Heroin Addict,how did this happen? He was scratching,sweating,personality change and his behaviour became unpredictable especially when I asked questions. We were all walking on eggshells,not knowing from one day to the next whether he was going to be Jekyll or Hyde. This life -changing and devastating experience changed our lives forever. I filed for divorce,which took us on a darker,deeper journey of violence,rape and abuse towards myself and my son,as he wouldn’t accept the separation. One night of terror took us into being held hostage in my home ,which led to us going into a refuge for safety and protection. Leaving our old life behind ,including family and friends.Rebuilding a new one with a new identity.
MAGGIE: In 2019 we gave up the constraints of a frequently frantic existence to live and travel in a campervan for a year; to be in the flow of life; trusting the great mystery of the universe to guide us. We got far more than we expected. The truth is that the truth is stranger than fiction. PETE: On our adventures we encountered sea turtles on a remote island; a mystical prophet woman in an Aborigine rainforest; were bitten by a rare spider; visited most of the Lord of the Rings film locations with uncanny ramifications; collected Maori tea; encountered mysterious Broch energies, and many more weird and wonderful experiences This is: HISstory and HERstory Sit back and come with us on an adventure.
Scattered Bones is a story of the complicated, fragile and sometimes fatal relations between Indigenous people and settlers in Northern Saskatchewan in the 1920s. Aboriginal spiritual traditions are beginning to cross paths with the construction of a residential school, and ancient acts of violent vengeance are shaping the trajectory of events in the town 200 years later. Based on historical events, Siggins creates a fictional version of the real-life Pelican Narrows, weaving a colorful tale resplendent with its own cavalcade of dynamic, diverse characters - from greedy merchants to the well-meaning but ineffectual clergy - whose stories play out against the backdrop of a visit from a condescending celebrity writer. The conflicts between Aboriginals and settlers, Protestants and Catholics, young and old, traditional and progressive, material and spiritual, all shape life in the little Northern community. Ever eloquent, Siggins proves herself more than capable of creating compelling, thought-provoking fiction with Scattered Bones.
When Orlie Breton shows up in June of 1979 to work as a paramedic in New York City’s 911 system, she finds herself plunged into a violent and magical world, populated by medics who are not terribly different from the homeless people—the "skels"—who comprise most of their patient population. Orlie draws parallels between her experiences to the stories and feelings represented in the works of her favorite writers, including Jack London, Walt Whitman, Rimbaud, and Mark Twain. Skels was written with the question in mind of what would happen if the ambulance world really was permeated with the works of past writers, and the skels were carrying the consciousnesses of the writers themselves. What would the protagonist have done if she had met the greatest poet of all, dirty and covered with lice, and been granted the chance to save him? Not from dying, but from his own life. With Skels Dubris shares what she saw during her own time as an EMT— not literally, but more importantaly, how she felt in her soul, magical and violent and funny, filled with passion, and like it contained some ancient element that was invisible from the outside.
Love Inspired Suspense brings you three new titles! Enjoy these suspenseful romances of danger and faith. AMISH HIDEOUT Amish Witness Protection by Maggie K. Black With a price on his witness’s head, US Marshal Jonathan Mast can think of only one place to hide Celeste Alexander—in the Amish community he left behind. But will this trip home save their lives…and convince them that a Plain life together is worth fighting for? WILDERNESS SECRETS by Sharon Dunn Framed DEA agent Jesse Santorum needs to reach a downed plane holding evidence that will prove his innocence. But with the plane hidden high in the mountains of Montana, he requires the expertise of wilderness guide Abigail Murphy. Can they stay alive long enough to clear his name? EXPLOSIVE REUNION by Karen Kirst Back in her hometown, Tori James has no plans of spending time with her ex, Staff Sergeant Cade McMann—until someone blows up her car. Now, with a target on her back and Cade insisting on acting as her bodyguard, she can’t turn him away.
Wedding Planning and Management: Consultancy for Diverse Clients, 2nd Edition provides students, consultants, vendors, scholars and engaged couples with a comprehensive introduction to the business of weddings. Looking through an event management lens, this is the only book to thoroughly explore the fundamentals of weddings, including historical and cultural foundations, practice, and the business of wedding planning in one volume. An emphasis on diversity, traditions from cultures around the globe are integrated throughout with over 80 international case studies that inspire and set standards for best practice. Since the first edition, there have been many changes in the business of weddings and this second edition has been updated in the following ways: Updated content to reflect recent issues and trends in areas such as family dynamics, media influences, impacts of technology, legislation and the global economy. Every chapter is updated with the most recent research, statistics, vendor information and consultant guidelines. New international case studies explore current research, cultural traditions, vendor relations and consulting best practice. New companion website for instructors that includes PowerPoint slides, case study solutions, additional discussion ideas and assignments. The book is illustrated in full color and contains over 150 images by top wedding photojournalist Rodney Bailey end-of-chapter checklists, practical scenarios and review questions to test readers' knowledge as they progress. Maggie Daniels and Carrie Loveless bring a combination of over 40 years of industry practice and teaching experience, and have written a book that is the ideal guide to successful wedding planning and management.
If there is one sector of society that should be cultivating deep thought in itself and others, it is academia. Yet the corporatisation of the contemporary university has sped up the clock, demanding increased speed and efficiency from faculty regardless of the consequences for education and scholarship. In The Slow Professor, Maggie Berg and Barbara K. Seeber discuss how adopting the principles of the Slow movement in academic life can counter this erosion of humanistic education. Focusing on the individual faculty member and his or her own professional practice, Berg and Seeber present both an analysis of the culture of speed in the academy and ways of alleviating stress while improving teaching, research, and collegiality. The Slow Professor will be a must-read for anyone in academia concerned about the frantic pace of contemporary university life.
One of the central images conjured up by the gothic novel is that of a shadowy spectre slowly rising from a mysterious abyss. In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets. In this cogent analysis of the rise and fall of the gothic as a popular form, Kilgour juxtaposes the writings of William Godwin with Mary Wollstonecraft, and Ann Radcliffe with Matthew Lewis. She concludes with a close reading of the quintessential gothic novel, Mary Shelley's Frankenstein. An impressive and highly original study, The Rise of the Gothic Novel is an invaluable contribution to the continuing literary debates which surround this influential genre.
Maggie Gale's West End Women uncovers groundbreaking material about women playwrights and the staging of their performances between the years 1918 and 1962. It documents a dynamic era of social and theatrical history, analysing the transformations that occurred in the theatre and the lives of British women in relation to specific plays of the period. Focusing on the work of playwrights such as Dodie Smith, Clemence Dane, Gordon Daviot and Bridget Boland, Maggie Gale examines the cultural and political context within which they enjoyed commercial success and great notoriety.
Demonstrating the power of teaching global literature from a critical literacy perspective, this book explores the ways that K-6 educators can infuse diverse texts into their classrooms and find support for their endeavours in teacher inquiry communities. Through carefully analyzed, ethnographically informed portraits of classroom life alternating with teachers’ own accounts of their teaching and learning experiences, it demonstrates how students are moved to question, debate, and take action in response to global texts. This multi-vocal work both emerges from and responds to tensions and debates related to the purpose and practice of literature education in a time of Common Core State Standards.
An enjoyable read about love, courage and discovery during a time of change in post war Britain. A lovely story! KITTY NEALE When Nurse Kitty becomes the NHS's poster-girl for its overseas recruitment drive, she swaps the grey post-war backstreets of Manchester for the palm-fringed island of Barbados. But will her determination to save the NHS lose her everyone she loves? It's 1949 and nurse Kitty Longthorne is still hard at work at Manchester's Park Hospital. The one-year-old NHS is inundated by the nation's sick and dying, made worse by a crippling labour shortage. Now engaged, Kitty and James adore each other, but once they marry, she will be expected to leave the job that means so much to her. When she is offered the trip of a lifetime - a voyage by sea to Barbados to recruit nurses to join Park Hospital's ranks - adventurous Kitty is desperate to go. Her brother Ned has been there for years, and she simply cannot resist an opportunity to track him down and see what exactly he's been up to. But what of her beloved James? What of the baby she suspects she may be carrying? Returning home, Kitty has more to contend with than she ever anticipated: a gravely ill father, a dejected fiancé and the close-minded views of her peers upon the arrival of Kitty's first, hardworking recruit - Nurse Grace. After paradise, will Manchester ever be the same again? An uplifting, heart-wrenching novel based on the true story of the first ever NHS hospital, for fans of Donna Douglas and Nancy Revell. *** Praise for NURSE KITTY'S SECRET WAR A galloping read that conjures up life in a late 1940s hospital, complete with fierce matrons and handsome doctors. Nurse Kitty is a feisty heroine who sticks her neck out to protect her patients, while trying to resolve her own family problems and heal her broken heart. It's engaging and atmospheric. GILL PAUL I'm sure readers will love Nurse Kitty as she struggles to find true love when everything is going against it. I loved the end-of-WW2 setting, which is vividly imagined, and the sheer energy of Maggie Campbell's pacy prose. A perfect escapist read. KITTY DANTON, author of A Wartime Wish
The next mystery book—with a touch of paranormal women's fiction—in an amusing historical cozy series! With a string of suspicious deaths threatening her guests, a horribly depressing love life, and a handsome detective on her doorstep, the last thing Lady Adelaide needs to deal with is the ghost of her dead husband. Gloucestershire, 1925. A week-long house party in the country—why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call—Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall—there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev find themselves surrounded by Scotland ghosts and must work together to stop another murder, with some help from Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer? The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)
NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People). After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.
Meet Ross Hutchison, the man who doesnt just make the days counthe makes the minutes count. He has crammed many lifetimes into one life and made many friends along the way. Rosss boundless energy has taken him to the pinnacle of multiple careers, and his tutors and mentors along the way were always the royalty in their chosen fields. His work in television, theatre, film, cabaret, and radio has been seen and heard in Australia and around the world. For many years, he was a dancer and choreographer on Bandstand, both for Brian Henderson and the Daryl Somers Series. Ross was also choreographer and dancer for the great Benny Hill. During his career, he has danced with Sammy Davis, Liza Minnelli, and numerous other stars. His work with Bernard King on TV and in cabaret/theatre restaurants and pantomimes is legendary. In later life, his love of horses reignited as a need to learn to drive harness racers. But that did not shift his focus from his ministry and support of those in need. The many who have used his private alternative medicine clinic and those who lean on his foundation for support will never forget this magical man.
WINNER: 2004 AESA Critics' Choice Award "With wonderful clarity Maggie MacLure shows how deconstructionism opens new avenues of critical inquiry and understanding for educational researchers. In exposing the hidden, ideological side of terms like clarity, certainty, mastery, and relevance she allows us to see schooling and educational policy in new ways. In so doing she allows us to imagine classrooms as liberating, pedagogical places, as places where new forms of desire, knowledge, and learning take place" Norman K. Denzin, University of Illinois at Urbana-Champaign This book is both practical and provocative. It demonstrates the insights and the challenges of a discourse-based orientation to educational and social research. Drawing on a variety of educational and social science 'texts' - including press articles, life history interviews, parent-teacher consultations, policy debates and ethnographies - the author shows how knowledge, power, identities and realities are constructed and problematised in discourse. The book also deals with research itself as discursive practice, examining the texts that qualitative researchers produce and consume: reports, monographs, journal articles. Practical examples are included for researchers and graduate students wishing to 'interrogate' their own data from a discourse perspective. The author develops a critical awareness of the researcher's role as writer/reader of texts. The book makes the case for 'discursive literacy' in research. While its primary allegiances are to poststructuralism and deconstruction, it draws from a wide range of disciplines, including interaction sociology, feminist ethnography, literary theory, critical discourse analysis and art history. What holds the book together is the persistent question: how to do educational research and social research within a 'crisis of representation' that has unsettled the relationship between words and worlds?
George Mackay Brown was one of Scotland's greatest twentieth-century writers, but in person a bundle of paradoxes. He had a wide international reputation, but hardly left his native Orkney. A prolific poet, admired by such fellow poets as Seamus Heaney, Ted Hughes and Charles Causley, and hailed by the composer Peter Maxwell Davies as 'the most positive and benign influence ever on my own efforts at creation', he was also an accomplished novelist (shortlisted for the 1994 Booker Prize for Beside the Ocean of Time) and a master of the short story. When he died in 1996, he left behind an autobiography as deft as it is ultimately uninformative. 'The lives of artists are as boring and also as uniquely fascinating as any or every other life,' he claimed. Never a recluse, he appeared open to his friends, but probably revealed more of himself in his voluminous correspondence with strangers. He never married - indeed he once wrote, 'I have never been in love in my life.' But some of his most poignant letters and poems were written to Stella Cartwright, 'the Muse of Rose Street', the gifted but tragic figure to whom he was once engaged and with whom he kept in touch until the end of her short life. Maggie Fergusson interviewed George Mackay Brown several times and is the only biographer to whom he, a reluctant subject, gave his blessing. Through his letters and through conversations with his wide acquaintance, she discovers that this particular artist's life was not only fascinating but vivid, courageous and surprising.
Farran Mackenzie couldn't have been more surprised when Alison Perry walked into her University of Waterloo office. It had been thirty years since she had last seen her best friend in high school, and thirty years since her best friend's father, a police officer, had been killed in the line of duty. And now Alison was asking for help in discovering who had really killed her father. Farran has doubts about helping her long-lost friend. A lifetime has passed since Alison walked out of her life with no explanation but doubt fades when a car bomb results in the death of Sergeant Perry's old partner, nearly killing Alison and Farran, as well. Someone obviously doesn't want them to dig up old skeletons, so Farran takes them to the only place she feels safe - the St. Lawrence Seaway. But the past keeps catching up with them there, too. A fated meeting in the local cemetery with Paul Vaughn, a police officer from Newfoundland, has Farran revisiting the origins of the St. Lawrence Seaway, a journey that turned her own life upside down only a year ago, and threatens to do so again. She feels a strange attraction to Paul, whose life seems to mirror her own, but what about Jerry Strauss, the OPP inspector to whom she owes so much? Too many police officers in her life, both past and present, and too many coincidences. Farran's heart is playing havoc with her instincts, which could prove dangerous, if not deadly. Whom can she trust? And is the truth worth the price of knowing?"--Back cover.
Governing requires choices, and hence trade-offs between conflicting goals or criteria. This book asserts that legitimate governance requires explanations for such trade-offs and then demonstrates that such explanations can always be found, though not for every possible choice. In so doing, John W. Patty and Elizabeth Maggie Penn use the tools of social choice theory to provide a new and discriminating theory of legitimacy. In contrast with both earlier critics and defenders of social choice theory, Patty and Penn argue that the classic impossibility theorems of Arrow, Gibbard, and Satterthwaite are inescapably relevant to, and indeed justify, democratic institutions. Specifically, these institutions exist to do more than simply make policy - through their procedures and proceedings, these institutions make sense of the trade-offs required when controversial policy decisions must be made.
It is 1992. The Soviet Union has broken up, and a Russian nuclear scientist is trying to start a new life in London. But he finds that he cannot throw off his past so easily. The secret knowledge possessed by Dmitry Gavrilov attracts those wanting to develop clandestine nuclear weapons, as well as the intelligence agencies trying to prevent them. And a British journalist is also on the case, trying to expose him. As the pressure on him tightens, Dr Gavrilov finds himself drawn into a complex plot which will threaten not only his own life, but also that of his wife and children.'Like the very best Le Carre... gripped me more than anything I have read for a long time. People have been making serious claims for thrillers: this is one of the very few that justify them because it is one of the very few where you believe in the main characters as real and really begin to care what happens to them.' Julian Rathbone, author of 'King Fisher Lives' and 'Joseph,' both shortlisted for the Booker Prize'Mesmerising.' Mary Flanagan, author of 'Bad Girls', 'Trust' and 'Adele
Morgy has been getting used to life in Puckett Corner, Massachusetts. Sure, he misses California, and his best friend, Keith, but it’s hard to stay focused on that when there are loud baby twins in your house, a greyhound named Dante to take care of, and a big kid named Ferguson to watch out for. Morgy and his friend Byron are also taking trumpet lessons, as well as playing hockey for the Puckett Corner Pumas, the ten-and-under hockey team usually coached by Byron’s Uncle Mike. But Uncle Mike is fighting forest fires in California, so the Pumas are left with Mrs. Almonio instead. She is no Uncle Mike. First Morgy made his move. Now he is adjusting to all that the fourth grade has to offer him. In Morgy Coast to Coast, Maggie Lewis has written another heartfelt and hilarious story about Morgy MacDougal-MacDuff, trumpet player, hockey star, and dog walker extraordinaire.
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
From the best-selling author of Hamnet and The Marriage Portrait comes a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. "An exquisitely sensual tale of love, motherhood, and other forms of madness, The Hand That First Held Mine will unsettle, move, and haunt you." —Emma Donoghue, author of Room Lexie Sinclair is plotting an extraordinary life for herself. Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories—these two women—something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Praised by The Washington Post as a “breathtaking, heart-breaking creation,” The Hand That First Held Mine is a gorgeous and tenderly wrought story about the ways in which love and beauty bind us together. It is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.
Astronomy is the oldest science, probably because you can do it just with your eyes. From time immemorial, people across the globe have looked up at the skies and wondered. In Stargazing Maggie Aderin-Pocock gives an overview of the universe as we see and know it today, and explains what its components: earth, moon, solar system etc., mean and where we fit in. She shows us what can be seen with the naked eye as well as discussing stargazing equipment from astronomical binoculars to setting up your own telescope. Punctuated throughout with Maggie's top 10s - from Top 10 Interesting Bodies in Space to Top 10 Mysteries of the Universe and Top 10 Dark Sky Locations - this is a fascinating and very accessible guide to understanding our universe.
NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People). After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.
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