At a time when literature is thought to have limited value in a world dominated by scientific thinking, this volume offers close readings of John Milton's major works to argue that poetry is a vital means of knowing the world and answering the most fundamental questions.
Focusing on such metaphors as communion and cannibalism in a wide range of Western literary works, Maggie Kilgour examines the opposition between outside and inside and the strategies of incorporation by which it is transcended. This opposition is basic to literature in that it underlies other polarities such as those between form and content, the literal and metaphorical, source and model. Kilgour demonstrates the usefulness of incorporation as a subsuming metaphor that describes the construction and then the dissolution of opposites or separate identities in a text: the distinction between outside and inside, essentially that of eater and eaten, is both absolute and unreciprocal and yet fades in the process of ingestion--as suggested in the saying "you are what you eat.". Kilgour explores here a fable of identity central to Western thought that represents duality as the result of a fall from a primal symbiotic unity to which men have longed to return. However, while incorporation can be desired as the end of alienation, it can also be feared as a form of regression through which individual identity is lost. Beginning with the works of Homer, Ovid, Augustine, and Dante, Kilgour traces the ambivalent attitude toward incorporation throughout Western literature. She examines the Eucharist as a model for internalization in Renaissance texts, addresses the incorporation of past material in the nineteenth century, and concludes with a discussion of the role of incorporation in cultural theory today. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
One of the central images conjured up by the gothic novel is that of a shadowy spectre slowly rising from a mysterious abyss. In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets. In this cogent analysis of the rise and fall of the gothic as a popular form, Kilgour juxtaposes the writings of William Godwin with Mary Wollstonecraft, and Ann Radcliffe with Matthew Lewis. She concludes with a close reading of the quintessential gothic novel, Mary Shelley's Frankenstein. An impressive and highly original study, The Rise of the Gothic Novel is an invaluable contribution to the continuing literary debates which surround this influential genre.
Dantean Dialogues is a collection of essays by some of the world's most outstanding Dante scholars., These essays enter into conversation with the main themes of the scholarship of Amilcare Iannucci (d. 2007), one of the leading researchers on Dante of his generation and arguably Canada's finest scholar of the Italian poet. The essays focus on the major themes of Iannucci's work, including the development of Dante's early poetry, Dante's relation to classical and biblical sources, and Dante's reception. The contributors cover crucial aspects of Dante's work, from the authority of the New Life to the novelty of his early poetry, to key episodes in the Comedy, to the poem's afterlife. Together, the essays show how Iannucci's reading of central cruxes in Dante's texts continues to inspire Dante studies - a testament to his continuing influence and profound intellectual legacy.
When Niel Black, one of the most influential settlers of the Western District of Victoria, stepped onto the sand at Port Phillip Bay in 1839 and declared Melbourne to be 'almost altogether a Scotch settlement', he was paying the newly created outpost of the British Empire his highest compliment. His journal, reproduced here in its entirety, provides rare insight into the realities of early settlement in Victoria, detailing experiences of personal hardship and physical danger as well as the potential for accumulating great wealth and success. Drawing on the extensive collections of the State Library of Victoria, Strangers in a Foreign Land also includes glimpses into the lives of other settlers and the indigenous people of the area. It evokes the sense of place and dislocation that the early settlers encountered, and the hopes and anxieties they carried with them as they created new homes in Australia.
Governing requires choices, and hence trade-offs between conflicting goals or criteria. This book asserts that legitimate governance requires explanations for such trade-offs and then demonstrates that such explanations can always be found, though not for every possible choice. In so doing, John W. Patty and Elizabeth Maggie Penn use the tools of social choice theory to provide a new and discriminating theory of legitimacy. In contrast with both earlier critics and defenders of social choice theory, Patty and Penn argue that the classic impossibility theorems of Arrow, Gibbard, and Satterthwaite are inescapably relevant to, and indeed justify, democratic institutions. Specifically, these institutions exist to do more than simply make policy - through their procedures and proceedings, these institutions make sense of the trade-offs required when controversial policy decisions must be made.
Marsh’s Becoming a Teacher, 6e continues to offer pre-service teachers a practical and user-friendly guide to learning to teach that students find invaluable throughout their entire degree. Marsh covers a comprehensive introduction to teaching methodology, preparing pre-service teachers for the challenges they face in a 21st-century classroom. All chapters in this new edition have been updated with new approaches and current references by the two new authors Maggie Clarke and Sharon Pittaway. The approach in this 6th edition is more reflective and gives readers an even greater opportunity to interact with issues raised in the text.
One of the central images conjured up by the gothic novel is that of a shadowy spectre slowly rising from a mysterious abyss. In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets. In this cogent analysis of the rise and fall of the gothic as a popular form, Kilgour juxtaposes the writings of William Godwin with Mary Wollstonecraft, and Ann Radcliffe with Matthew Lewis. She concludes with a close reading of the quintessential gothic novel, Mary Shelley's Frankenstein. An impressive and highly original study, The Rise of the Gothic Novel is an invaluable contribution to the continuing literary debates which surround this influential genre.
Focusing on such metaphors as communion and cannibalism in a wide range of Western literary works, Maggie Kilgour examines the opposition between outside and inside and the strategies of incorporation by which it is transcended. This opposition is basic to literature in that it underlies other polarities such as those between form and content, the literal and metaphorical, source and model. Kilgour demonstrates the usefulness of incorporation as a subsuming metaphor that describes the construction and then the dissolution of opposites or separate identities in a text: the distinction between outside and inside, essentially that of eater and eaten, is both absolute and unreciprocal and yet fades in the process of ingestion--as suggested in the saying "you are what you eat.". Kilgour explores here a fable of identity central to Western thought that represents duality as the result of a fall from a primal symbiotic unity to which men have longed to return. However, while incorporation can be desired as the end of alienation, it can also be feared as a form of regression through which individual identity is lost. Beginning with the works of Homer, Ovid, Augustine, and Dante, Kilgour traces the ambivalent attitude toward incorporation throughout Western literature. She examines the Eucharist as a model for internalization in Renaissance texts, addresses the incorporation of past material in the nineteenth century, and concludes with a discussion of the role of incorporation in cultural theory today. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Rochester's scandalous reputation belies the variety and sophistication of his love poems and satires. This new, modern-spelling edition is the most textually up to date, based not on the unreliable printed editions but on the most authoritative manuscripts. It includes a valuable introduction, helpful notes, and an index of manuscripts.
The first recipe was entered into this manuscript in the 17th. Century. It was then passed from mother to daughter or aunt to niece. Those who had possession of the book added favourite recipes and trusted remedies.Anyone interested in the history of English cooking, ingredients, medicine, language or handwriting will find this book delightful.
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