(Instructional). The Hal Leonard Folk Harp Method is a comprehensive and easy-to-use beginner's guide, designed for anyone just learning to play folk harp. Inside you'll find loads of techniques, tips, and fun songs to learn and play. The accompanying audio features 56 demo tracks that cover most of the music examples in the book. Covers: the harp and its parts; sitting with the harp; hand position and finger placing; key signatures and meter signatures; scales and arpeggios; the I-IV-V chords; ostinatos and slides; many classic folksongs; and much more!
Kate Ryan and her husband, John, have a rollicking pub in the Irish village of Mountfern . . . four lovely children . . . and such wonderful dreams. But all that is about to change one fateful summer when American millionaire Patrick O'Neill comes to town with his irresistible charm, and money to burn. As love and hate vie for a town's quiet heart, old traditions begin to crumble away. . . . Patrick O'Neill builds the grand hotel of his dreams, with its promise of wealth and change. Loyalties are challenged, jealousies ignited, and tragedy strikes before the foundation is laid. Suddenly Kate and John Ryan's lives and family are bound up with the newcomer in ways they can never imagine. And Patrick O'Neill faces his own crisis of conscience and heart as the events he sets in motion take on a life of their own in a town that will never be the same again. Praise for Firefly Summer “The best Binchy yet.”—The New York Times Book Review “Totally engrossing . . . unforgettable . . . an absolutely grand story . . . a lyrical and compelling family drama . . . Mountfern and its residents come vibrantly alive.”—Cleveland Plain Dealer “The secrets hidden behind lace curtains, a young girl's first kiss, children's summer games, unexpected pregnancies, sudden deaths. She makes us feel as if we also know the place and its people. . . . One of those good old-fashioned stories that are as comfortable and comforting as home itself.”—Philadelphia Inquirer
A New York Times Bestseller From the author of A Week in Winter and Minding Frankie: a poignant and heartwarming collection of stories centered on the comings and goings of one delightful street in Dublin “Packed with charming takes on people's quirks and foibles, nosy neighbors and friendly ones. Binchy eloquently exposes and explores relationships between parents and children, husbands and wives, longtime and recently acquired friends.”—The Boston Globe Imagined with the humor and understanding that are hallmarks of Maeve Binchy’s storytelling, the world of Chestnut Street captivates us with its joys and sorrows. Maguire, the window cleaner, must do more than he bargained for in order to protect his son. Nessa Byrne’s aunt visits from America every summer, turning Nessa’s house—and world—upside down. Lilian, a generous girl with a big heart, has a fiancé whom no one approves of. Melly’s gossipy ways help Madame Magic, a self-styled fortune-teller, get everyone on the right track. And Dolly, an awkward young girl, discovers more about her perfect mother than she ever wanted to know.
Five decades of selected writings from the Irish Times by the beloved and best-selling author, filled with her hallmark humor, candor, and wisdom-a timeless gift to her legion of fans. Maeve Binchy once confessed: "As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives." She was an accidental journalist, yet from the beginning, her writings reflected the warmth, wit, and keen human interest that readers would come to love in her fiction. From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity-revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter. “Binchy’s wry, self-effacing style reminds one of a Celtic Nora Ephron. . . . [She] throws a spotlight on strong, imperfect women confronting complicated challenges.” —The Christian Science Monitor
The conversation between music and theology, dormant for too long in recent years, is at last gathering pace. And rightly so. There will always be theologians who will regard music as a somewhat peripheral concern, too trivial to trouble the serious scholar, and in any case almost impossible to engage because of its notorious resistance to words and concepts. But an increasing number are discovering again what many of our forbears realized centuries ago, that the kinship between this pervasive feature of human life and the search for a Christian 'intelligence of faith' is intimate and ineradicable. Maeve Heaney's ambitious, wide-ranging, and energetic book pushes the conversation further forward still. Her approach is unapologetically theological, grounded in the passions and concerns of mainstream doctrinal theology. And yet she is insisting . . . that music must be given its due place in the ecology of theology. Although convinced that music should not be set up as a rival to linguistic or conceptual articulation, let alone swallow up 'traditional' modes of theological language and thought, she is equally convinced that music is an irreducible means of coming to terms with the world, a unique vehicle of world-disclosure, and as such, can generate a particular form of 'understanding': 'there are things which God may only be saying through music.' If this is so, it is incumbent on the theologian to listen." --Jeremy Begbie, from the Foreword
This groundbreaking book provides a new perspective on equality by highlighting and exploring affective equality, the aspect of equality concerned with relationships of love, care and solidarity. Drawing on studies of intimate caring, or 'love labouring', it reveals the depth, complexity and multidimensionality of affective inequality.
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