The Brumby holds a special place in the Australian psyche. Immortalised in films such as The Man from Snowy River and books like the Silver Brumby series, Brumbies epitomise the spirit of freedom and courage beloved by most Australians. Today, however, they face an uncertain future. Considered by some to be feral pests and increasingly marginalised in lands that have been their home for over a century, Brumbies need our support more than ever before if they are to be protected for the enjoyment of future generations. Bringing together breathtaking photographs of Brumbies in the wild as well as often thought-provoking and entertaining stories from people privileged enough to have encountered or worked with them personally, Brumby celebrates the beauty, strength and indomitable spirit of these amazing animals.
Hurston was renowned for her portrayal of assertive women in her fiction, folklore, and drama. This book explores her development as an assertive woman and outspoken writer, emphasizing the impact of the African American oral traditions and vernacular speech patterns of Harlem, Polk County, and her hometown of Eatonville, Florida on the development of her personal and artistic voice. The study traces the development of her assertive women characters, the emphasis upon verbal performance and verbal empowerment, the significance of down home Southern humor, and the importance of an ideology of assertive individualism in Hurston's writings and analyzes changes in Hurston's personal style. Hurston articulated an assertive spirit and voice that had a profound influence on the development of her professional reputation and on the course of African American literature, folklore, and culture of the 1920s, 1930s, and 1940s. This study combines literary criticism and biography in tracing her often controversial career. This wide-ranging book focuses upon links between Hurston's fiction and nonfiction, and includes analysis of her plays, which have often been neglected in studies of her writing.(Ph.D. dissertation, State University of New York-Buffalo, 1989; revised with new introduction)
Winner of the 2022 Bancroft Prize Shortlisted for the 2022 Cundill History Prize Finalist for the 2022 Los Angeles Times Book Prize How Chinese migration to the world’s goldfields upended global power and economics and forged modern conceptions of race. In roughly five decades, between 1848 and 1899, more gold was removed from the earth than had been mined in the 3,000 preceding years, bringing untold wealth to individuals and nations. But friction between Chinese and white settlers on the goldfields of California, Australia, and South Africa catalyzed a global battle over “the Chinese Question”: would the United States and the British Empire outlaw Chinese immigration? This distinguished history of the Chinese diaspora and global capitalism chronicles how a feverish alchemy of race and money brought Chinese people to the West and reshaped the nineteenth-century world. Drawing on ten years of research across five continents, prize-winning historian Mae Ngai narrates the story of the thousands of Chinese who left their homeland in pursuit of gold, and how they formed communities and organizations to help navigate their perilous new world. Out of their encounters with whites, and the emigrants’ assertion of autonomy and humanity, arose the pernicious western myth of the “coolie” laborer, a racist stereotype used to drive anti-Chinese sentiment. By the turn of the twentieth century, the United States and the British Empire had answered “the Chinese Question” with laws that excluded Chinese people from immigration and citizenship. Ngai explains how this happened and argues that Chinese exclusion was not extraneous to the emergent global economy but an integral part of it. The Chinese Question masterfully links important themes in world history and economics, from Europe’s subjugation of China to the rise of the international gold standard and the invention of racist, anti-Chinese stereotypes that persist to this day.
Mae Elise Cannon opens the annals of activist history to see if there is a correlation between great acts of compassion and advocacy and great depths of prayer. Looking at the lives of Mother Teresa, Dietrich Bonhoeffer, Martin Luther King Jr. and others, Cannon finds a depth of spiritual practice at the root of courageous social action.
Rita Mae Brown and her feline co-author Sneaky Pie Brown return to Albemarle County, Virgina, as tangled mysteries past and present converge in the bestselling Mrs. Murphy series. “As feline collaborators go, you couldn’t ask for better than Sneaky Pie Brown.”—The New York Times Book Review With the New Year just around the corner, winter has transformed the cozy Blue Ridge Mountain community of Crozet, Virginia, into a living snow globe. It’s the perfect setting for Mary Minor “Harry” Haristeen to build a new work shed designed by her dear friend, local architect Gary Gardner. But the natural serenity is shattered when out of the blue, right in front of Harry and Deputy Cynthia Cooper, and in broad daylight, Gary is shot to death by a masked motorcyclist. Outraged by the brazen murder, Harry begins to burrow into her friend’s past—and unearths a pattern of destructive greed reaching far back into Virginia’s post-Revolutionary history. When Harry finds incriminating evidence, the killer strikes again. Heedless of her own safety, Harry follows a trail of clues to a construction site in Richmond, where the discovery of mysterious remains has recently halted work. Aided as always by her loyal, if opinionated, companions, crime-solving cats Mrs. Murphy and Pewter, and Tee Tucker the Corgi, Harry hunts for a link between the decades-old dead, the recently violently deceased—and ancient secrets that underlie everything. And while other deaths are narrowly averted in a flurry of fur, the killer remains at large—ever more desperate and dangerous. The deep-rooted legacy of corruption that’s been exposed can never be buried again. But if Harry keeps pursuing the terrible truth, she may be digging her own grave. Praise for Probable Claws “Series fans will know exactly what to expect: animals who talk to one another, [Rita Mae] Brown’s personal views on an array of topics, and a healthy dose of Virginia history.”—Publishers Weekly “The animal crew, joined by a surprising new addition, is in rare form. . . . Beautiful illustrations bring the pet personalities to life.”—Kirkus Reviews
Rita Mae Brown and her feline co-author Sneaky Pie Brown are back chasing mystery with their unique circle of Southern sleuths. And though the changing colors of fall are a beauty to behold, this year the scattered leaves hide a grim surprise. “As feline collaborators go, you couldn’t ask for better than Sneaky Pie Brown.”—The New York Times Book Review Autumn is in the air in the Blue Ridge Mountain community of Crozet, Virginia—and all the traditions of the changing seasons are under way. Mary Minor “Harry” Haristeen cleans her cupboards, her husband, Fair, prepares the horses for the shorter days ahead, and the clamorous barking of beagles signals the annual rabbit chase through the central Virginia hills. But the last thing the local beaglers and their hounds expect to flush out is a dead body. Disturbingly, it’s the second corpse to turn up, after that of a missing truck driver too disfigured to identify. The deaths seem unrelated—until Harry picks up a trail of clues dating back to the state’s post-Revolutionary past. The echoes of the Shot Heard Round the World pale in comparison to the dangerous shootout Harry narrowly escapes unscathed. Next time, it may be the killer who gets lucky. But not if Harry’s furry friends Mrs. Murphy, Pewter, and Tucker can help it. Lending their sharp-nosed talents to the hunt, they’ll help their mistress keep more lives from being lost—and right an injustice buried since the early days of America’s independence. Praise for A Hiss Before Dying “Clearly the cat’s meow.”—Library Journal “Thoroughly delightful!”—Red Carpet Crash “An air of mystery, a touch of history and that undeniable voice . . . Sneaky Pie Brown is back on the prowl.”—Daily Progress “The staccato conversation style of the contemporary chapters contrasts nicely with the more fluid prose of those set in the eighteenth century. Brown’s signature asides—on such subjects as local and national politics, traditional art, race, God, and just about anything else that strikes her fancy—give readers plenty to think about.”—Publishers Weekly
From the celebrated author of Rubyfruit Jungle and Bingo comes a stirring novel of the Civil War, a tale of true love and mistaken identity. Brimming with colorful characters and vivid settings, High Hearts is Rita Mae Brown at her most ambitious and entertaining. April 12, 1861. Bright, gutsy and young, Geneva Chatfield marries Nash Hart in Albemarle County, Virginia, the same day Fort Sumter's guns fire the start of the Civil War. Five days later she loses him as Nash joins the Confederate Army. Geneva, who is known as the best rider since Light Horse Harry Lee, cuts her hair, dons a uniform, enlists as "Jimmy Chatfield," then rides off to be with her beloved Nash. But sensitive Nash recoils in horror from the violence of war, while Geneva is invigorated by the chase and the fight. Can she be all the man her husband isn't? She'll sure as hell try. But there is a complication, and his name is Major "Mars" Vickers. This macho major, to his own shock and amazement, finds himself inexplicably attracted to the young soldier named "Jimmy." And this is only the beginning of a novel that moves with sureness and grace from the ferocity of battle to the struggle on the homefront, and brings passion and sly humor to a story of dawning love. High Hearts is a penetrating, delightful and sweeping tale that gives fresh life to a fascinating time.
to pass for white in a segregated society, Mae felt that she was doing the opposite - choosing to assert her black identity. Passing for Black is her story, in her own words, of how she lived in this racial limbo and the obstacles it presented. As a Kentucky woman of color during a pioneering period of minority and women's rights, Mae Street Kidd seized every opportunity to get ahead. She attended a black boarding academy after high school and went on to become a.
From the bestselling author of the landmark work Rubyfruit Jungle comes an engaging, original new novel that only Rita Mae Brown could have written. In the pristine world of Virginia foxhunting, hunters, horses, hounds, and foxes form a lively community of conflicting loyalties, where the thrill of the chase and the intricacies of human-animal relationships are experienced firsthand--and murder exposes a proud Southern community's unsavory secrets. . . . As Master of the prestigious Jefferson Hunt Club, Jane Arnold, known as Sister, is the most revered citizen in the Virginia Blue Ridge Mountain town where a rigid code of social conduct and deep-seated tradition carry more weight than money. Nearing seventy, Sister now must select a joint master to ensure a smooth transition of leadership after her death. It is an honor of the highest order--and one that any serious social climber would covet like the Holy Grail. Virginian to the bone with a solid foxhunting history, Fontaine Buruss is an obvious candidate, but his penchant for philandering and squandering money has earned him a less than sparkling reputation. And not even Sister knows about his latest tawdry scandal. Then there is Crawford Howard, a Yankee in a small town where Rebel bloodlines are sacred. Still, Crawford has money--lots of it--and as Sister is well aware, maintaining a first-class hunt club is far from cheap. With the competition flaring up, Southern gentility flies out the window. Fontaine and Crawford will stop at nothing to discredit each other. Soon the entire town is pulled into a rivalry that is spiraling dangerously out of control. Even the animals have strong opinions, and only Sister is able to maintain objectivity. But when opening hunt day ends in murder, she, too, is stunned. Who was bold and skilled enough to commit murder on the field? It could only be someone who knew both the territory and the complex nature of the hunt inside out. Sister knows of three people who qualify--and only she, with the help of a few clever foxes and hounds, can lay the trap to catch the killer. A colorful foray into an intriguing world, Outfoxed features a captivating cast of Southerners and their unforgettable animal counterparts. Rita Mae Brown has written a masterful novel that surprises, delights, and enchants.
Mae's work may be more relevant now than in her heyday. Like those of many other freedom fighters throughout history, the ghost of Mae Brussell will never rest till justice is served."—Tim Cahill "The main Brussell thesis, if I dare risk commit the sin of summary on her complex work, was that an ex-Nazi scientist-Old Boy OSS clique in the CIA using Mafia hit men changed the course of American history by bumping off one and all, high and low, who became an irritant to them."—Warren Hinkle, San Francisco Examiner columnist The Essential Mae Brussell is a compilation of chilling essays and radio transcripts by the seminal American anti-fascist researcher, famously supported by John Lennon and Yoko Ono. Mae Brussell was a married housewife with five children living in southern California before she took up the study of fascism in America. After the Kennedy assassination, she purchased the twenty-six-volume Warren Commission Report, and compiled, for herself, evidence that Lee Harvey Oswald was, as he maintained after his arrest, a "patsy." She had a regular radio broadcast on KLRB, an independent FM radio station in Carmel, California. She also published articles in Paul Krassner's the Realist, Hustler, People's Almanac, and the Berkeley Barb. In 1983, Mae's hour-long program shifted to KAZU-FM in Pacific Grove, California, and she remained on the air weekly until her final broadcast in June 1988. On October 3, 1988, at sixty-six, Brussell died of cancer.
From the best-selling author of Rubyfruit Jungle and Bingo, here is a writers' manual as provocative, frank, and funny as her fiction. Unlike most writers' guides, this one had as much to do with how writers live as with mastering the tools of their trade. Rita Mae Brown begins with a very personal account of her own career, from her days as a young poet who had written a novel no publisher wanted to take a chance on, right up to her recent adventures as a Hollywood screenwriter. In a sassy style that makes her outspoken advice as entertaining as it is useful, she provides straight talk about paying the rent while maintaining the energy to write; and dealing with agents, publishers, critics, and the publicity circus; about pursuingj ournalisim, academia, or screen-writing; and about rejecting the Hemingway myth of the hard-living, hard-drinking genius. In addition Brown, a former teacher or writing, offers a serious examination of the writer's tool--language, plotting, characters, symbolism--plus exercises to sharpen the ear for dialogue, and a fascinating, annoted reading list of important works from the seventh century to the late twentieth.
Nothing tugs on American heartstrings more than an image of a suffering child. Anna Mae Duane goes back to the nation’s violent beginnings to examine how the ideal of childhood in early America was fundamental to forging concepts of ethnicity, race, and gender. Duane argues that children had long been used to symbolize subservience, but in the New World those old associations took on more meaning. Drawing on a wide range of early American writing, she explores how the figure of a suffering child accrued political weight as the work of infantilization connected the child to Native Americans, slaves, and women. In the making of the young nation, the figure of the child emerged as a vital conceptual tool for coming to terms with the effects of cultural and colonial violence, and with time childhood became freighted with associations of vulnerability, suffering, and victimhood. As Duane looks at how ideas about the child and childhood were manipulated by the colonizers and the colonized alike, she reveals a powerful line of colonizing logic in which dependence and vulnerability are assigned great emotional weight. When early Americans sought to make sense of intercultural contact—and the conflict that often resulted—they used the figure of the child to help displace their own fear of lost control and shifting power.
Nia is the only daughter of King Thaedis and stands as sole heir to the throne. To benefit the realm, she is betrothed to the mayor of a neighboring district sight unseen. After all her childhood fantasies, the betrothal is a bitter pill to swallow. Nia's heartfelt dedication to her people and a poignant duty as their guardian bolsters her courage--until the day she meets her mysterious husband-to-be. With his unruly shock of auburn curls and eager smile, Shamus O'Neill reminds her more of a boy than a mayor, and his rich emerald eyes cause a flutter different than she has ever experienced. Will her role forever be a guardian princess? Or will her heart finally burn with the passion she has longed for?
Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
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