In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.
Lincolnshire Wills: Second Series A.D. 1600 - 1617 with notes and an introductory sketch. Rev. A. R. Maddison F.S.A., Priest-Vicar of Lincoln Cathedral.
Lincolnshire Wills, First Series A.D.1500 - 1600 with notes and an introductory sketch. Written by the Reverend A. R. Maddison, Priest-Vicar of Lincoln Cathedral and first printed in 1888.
He wants justice Underestimating Marcus Black is the last thing his enemies ever do. After all, the respected Earl of Westwood is a deadly threat... when her Majesty needs him to be. And his only goal is to avenge his brother’s murder. Which would be much easier if the viciously-skilled Lady Kaitlyn Montrose wouldn’t swoop in, knee him in the bollocks, and then run off with his only lead... She wants revenge Kat is determined to avenge her beloved uncle’s murder and nothing will stop her. Especially not the devastatingly handsome, and equally lethal Marcus Black. The fact that he’s after the same target is a complication she hadn’t planned on. And as much as she enjoys taunting him, she has a job to do—one that doesn’t include sparring with the infuriating man at every turn. Except Kat has a new plan... one that Marcus will just hate. Now they’ll have to work together...if they don’t kill each other first Individually, Marcus and Kat are deadly. If they worked together, they could be unstoppable. But when attraction gets in the way of vengeance, it’s more than hearts on the line. And only one person can win... Each book in the Secrets, Scandals, and Spies series is STANDALONE: * The Bachelor Bargain * The Bachelor Betrayal
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.
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