Edited by leadership experts, this comprehensive reader organizes the top voices in the field to examine teacher leadership in insightful and surprising ways.
Previously, the conventional wisdom about organizations was "If it's not broken, then don't fix it. " Today, the new dictum seems to be "If it works, make it work better. " There is a shift from a posture of reaction to one that embraces change. The prevailing wisdom is changing because many of our organizations are now or will soon be in a state of crisis. Every day we read about a proud old firm going bankrupt, manufacturers who must cut costs and retrench in order to survive, and failures in our governmental agencies. Who's next? Many organizations are failing but others are doing well. All wonder if something terrible could happen to their organization. Thus, it seems prudent to anticipate and proactively manage change rather than to passively sit by until some crisis strikes. All of us know that any organization can be improved. There will always be a gap between some desired state and our current reality. There will always be differences among people about what is desirable and what is not. Every change energizes these gaps. Because there are so many changes taking place, it is no wonder that there is continuous clamor for organizational change. These gaps and differences are the source of problems. Once a problem is recognized and agreed to, efforts are made to generate a solution to it. Every solution has both its intended and unintended consequences.
A Turing Award-winning computer scientist and statistician shows how understanding causality has revolutionized science and will revolutionize artificial intelligence "Correlation is not causation." This mantra, chanted by scientists for more than a century, has led to a virtual prohibition on causal talk. Today, that taboo is dead. The causal revolution, instigated by Judea Pearl and his colleagues, has cut through a century of confusion and established causality -- the study of cause and effect -- on a firm scientific basis. His work explains how we can know easy things, like whether it was rain or a sprinkler that made a sidewalk wet; and how to answer hard questions, like whether a drug cured an illness. Pearl's work enables us to know not just whether one thing causes another: it lets us explore the world that is and the worlds that could have been. It shows us the essence of human thought and key to artificial intelligence. Anyone who wants to understand either needs The Book of Why.
The diary that Mackenzie kept during the height of his career has been transcripted, documenting his daily life and detailing his business travels. It presents a record of his life and work affording insights for economic, social and engineering historians.
The memoirs of John T. MacKenzie reveal a truly remarkable man: a highly respected authority on highland piping with a commitment to tradition and excellence in performance. Born in Edinburgh, Scotland, John T. was a student of piping at age nine. Enlisted in the Scots Guards, he saw active service in the war zones of North Africa, participated in the Liberation of Norway and was later posted to active duty in the Malaysian jungle. John T. MacKenzie bears personal witness to the horrors and valour of warfare. Throughout, his devotion to highland piping remained, and remains, in the forefront of his life. Appointed personal piper to the Royal Household in 1946, John T. MacKenzie has piped at numerous ceremonial events in Europe and North America. His recruitment as a Pipe Major to the Royal Canadian Air Force in 1952 brought him to Canada, and ultimately to Glengarry County, where his contributions to piping are legendary.
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
The sixteenth century in France was marked by religious warfare and shifting political and physical landscapes. Between 1549 and 1584, however, the Pléiade poets, including Pierre de Ronsard, Joachim Du Bellay, Rémy Belleau, and Antoine de Baïf, produced some of the most abiding and irenic depictions of rural French landscapes ever written. In The Poetry of Place, Louisa Mackenzie reveals and analyzes the cultural history of French paysage through her study of lyric poetry and its connections with landscape painting, cartography, and land use history. In the face of destructive environmental change, lyric poets in Renaissance France often wrote about idealized physical spaces, reclaiming the altered landscape to counteract the violence and loss of the period and creating in the process what Mackenzie, following David Harvey, terms 'spaces of hope.' This unique alliance of French Renaissance studies with cultural geography and eco-criticism demonstrates that sixteenth-century poetry created a powerful sense of place which continues to inform national and regional sentiment today.
From applying a sultry smoky cat-eye to a flawless red lip, How to Wear Makeup is an essential guide to perfecting any beauty routine. Here is advice on the best products to include in a makeup bag, tips for seasonal skincare, and the best techniques for transitioning looks from day to night—a must-have for anyone seeking fresh and simple ways to wear makeup. Covering everything from foundation and contouring basics, eyeshadow and eyeliner tutorials, finding the best shade of lipstick for any occasion, tips for eyebrow shaping, and more, How to Wear Makeup is the perfect pocket reference, gift-wrapped in an irresistible package.
This book provides a translation, with introduction, commentary, and annotation, of the medieval Hindu Sanskrit text the Devi Gita (Song of the Goddess). It is an important but not well-known text from the rich SAakta (Goddess) tradition of India. The Devi Gita was composed about the fifteenth century C.E., in partial imitation of the famous Bhagavad Gita (Song of the Lord), composed some fifteen centuries earlier. Around the sixth century C.E., following the rise of several male deities to prominence, a new theistic movement began in which the supreme being was envisioned as female, known as the Great Goddess (Maha-Devi). Appearing first as a violent and blood-loving deity, this Goddess gradually evolved into a more benign figure, a compassionate World-Mother and bestower of salvific wisdom. It is in this beneficent mode that the Goddess appears in the Devi Gita. This work makes available an up-to-date translation of the Devi Gita, along with a historical and theological analysis of the text. The book is divided into sections of verses, and each section is followed by a comment explaining key terms, concepts, ritual procedures, and mythic themes. The comments also offer comparisons with related schools of thought, indicate parallel texts and textual sources of verses in the Devi Gita, and briefly elucidate the historical and religious background, supplementing the remarks of the introduction.
Software has often been marginalized in accounts of digital cultures and network societies. Although software is everywhere, it is hard to say what it actually is. Cutting Code: Software and Sociality is one of the first books to treat software seriously as a full-blown cultural process and as a subtly powerful material in contemporary communication. From deCSS to Java, from Linux to Extreme Programming, this book analyses software artworks, operating systems, commercial products, infrastructures, and programming practices. It explores social forms, identities, materialities, and power relations associated with software, and it asks how software provokes the re-thinking of production, consumption and distribution as entwined cultural processes. Cutting Code argues that analysis of code as a mosaic of algorithms, protocols, infrastructures, and programming conventions offers valuable insights into how contemporary social formations invent new kinds of personhood and new ways of acting.
This book suggests that investment decisions cannot be understood by focusing on isolated investors. Rather, most of their money flows through a chain: a sequence of intermediaries that 'sit between' savers and companies/governments. It argues that investment management is shaped by the opportunities and constraints that this chain creates.
Uncover the traitor. End what you started. Rejoining the English army laying siege to Calais, Simon Merrivale discovers that the conspiracy against the thrones of England and France has regrouped and gathered force. New allies have joined their ranks, including a dark secret society known as the Pilgrims, and the Holy Roman Empire and the Knights of Saint John have also been drawn in. Ambush and murder in the war-torn fields of Flanders, clandestine meetings in ruined castles and assassination attempts in the streets of Bruges and Paris all follow, as Merrivale relentlessly hunts the conspirators, in an attempt to finally reveal the turncoat at its heart. The awe-inspiring finale to the Hundred Years’ War series, perfect for fans of Andrew Taylor, Bernard Cornwell and C. J. Sansom.
A history of the liberal movement in the 1960s argues that the government was largely responsible for many of the positive changes associated with the period, in an account that evaluates the cultural and political factors that enabled key reforms.
An oral history of four generations of Hispanic women in New Mexico. Twenty-one Hispanas recall life experiences spanning a period from the time when New Mexico was a Spanish-speaking territory until today. Themes include: the shift from a rural to an urban environment ; the struggle to preserve culture and traditions ; efforts to cope with discrimination ; changes in family relations ; the striving for education, job, and careers ; service to family and community ; dedication to social change.
Amanda has two lives: one as normal as her brother Eugene's, the other: a chronic sleepwalker who sleepwalks into the black hills where she's "adopted" by a caravan of gypsies. There, she's empowered to protect people from the "town stalker." No one notices that Amanda's uncle, a singing police chief moonlighting at his greenhouse, incubates a deadly strain of locusts. When a hailstorm destroys the greenhouse, the locusts are released, and Amanda learns from the gypsies how to stop the pestilence. While still a teenager, Amanda and her painter-husband move to SoHo, New York's art mecca. Munk is her Svengali and master of drugs. After giving birth, she must take care of her erratic husband and her newborn, precipitating a psychotic break. But her fortune changes as she spies on gypsy workers in the factory next door. Why do they wear hairnets and baby blue dresses when the candy factory has long since closed? Why are they rustling through stacks of letters and bringing coffin-sized trunks into the dark recesses of the factory? Amanda's world is dangerous-her psychic gift of seeing omens in everyday occurrences shows her how to capture the love she searches for-one with consequences she could never imagine. GINNY MACKENZIE is a poet, fiction writer and translator. Her stories and novel excerpts have appeared in "New Letters," "Crab Orchard Review," "Wisconsin Review," "Taarts III" (anthology) and the "American Literary Review." Her poetry manuscript, "Skipstone," won the national Backwaters Poetry Award and was published by Backwaters Press. Her creative non-fiction manuscript won the University of Southern Illinois' John Guyon Award. Her poems have appeared in such magazines as "The Nation," "Agni Review," "Ploughshares," "Shenandoah", the "Mississippi Review", the "Iowa Review", and "Prairie Schooner." She is the editor and translator of two bi-lingual books by contemporary Chinese poets of the Cultural Revolution. Simon Van Booy, novelist and winner of the Frank O'Connor International Short Story Award says: "Sleeping with Gypsies" is a beautifully written book that holds the reader spellbound like a fly in amber.
Explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life.
The authors of the Devī-Bhāgavata Purāna endeavored to demonstrate the superiority of the Devī over competing masculine deities, and to articulate in new ways the manifold nature of the Goddess. Brown's book sets out to examine how the Purana pursues these ends. The Devī-Bhāgavata employs many ancient myths and motifs from older masculine theologies, incorporating them into a thoroughly "feminized" theological framework. The text also seeks to supplant older "masculine" canonical authorities. Part I of Brown's study explores these strategies by focusing on the Purana's self-conscious endeavor to supersede the famous VaisBhagavata Purana. The Devī-Bhāgavata also re-envisions older mythological traditions about the Goddess, especially those in the first great Sanskritic glorification of the Goddess, the Devi-Mahatmya. Brown shows in Part II how this re-envisioning process transforms the Devī from a primarily martial and erotic goddess into the World-Mother of infinite compassion. Part III examines the Devi Gita, the philosophical climax of the Purana modeled upon the Bhagavad Gita. The Devi Gita, while affirming that ultimate reality is the divine Mother, avows that her highest form as consciousness encompasses all gender, thereby suggesting the final triumph of the Goddess. It is not simply that She is superior to the male gods, but rather that She transcends Her own sexuality without denying it.
Before the rise of private homes as we now understand them, the realm of personal, private, and local relations in England was the parish, which was also the sphere of poverty management. Between the 1740s and the 1790s, legislators, political economists, reformers, and novelists transferred the parish system’s functions to another institution that promised self-sufficient prosperity: the laborer’s cottage. Expanding its scope beyond the parameters of literary history and previous studies of domesticity, Be It Ever So Humble posits that the modern middle-class home was conceived during the eighteenth century in England, and that its first inhabitants were the poor. Over the course of the eighteenth century, many participants in discussions about poverty management came to believe that private family dwellings could turn England's indigent, unemployed, and discontent into a self-sufficient, productive, and patriotic labor force. Writers and thinkers involved in these debates produced copious descriptions of what a private home was and how it related to the collective national home. In this body of texts, Scott MacKenzie pursues the origins of the modern middle-class home through an extensive set of discourses—including philosophy, law, religion, economics, and aesthetics—all of which brush up against and often spill over into literary representations. Through close readings, the author substantiates his claim that the private home was first invented for the poor and that only later did the middle class appropriate it to themselves. Thus, the late eighteenth century proves to be a watershed moment in home's conceptual life, one that produced a remarkably rich and complex set of cultural ideas and images. A 2014 CHOICE Outstanding Academic Title
What does God have to do with your "nine to five" existence? Everything! Bridging the gap between Sunday and Monday, MacKenzie and Kirkland's accessible biblical theology of work shows how to integrate your faith with your job so that you can serve and worship God every day of the week. Includes exercises for small groups and individuals.
This book explores the way meaning is encoded in material culture by focusing on the androgynous symbolism of the looped string bag, or bilum, of the Telefol people of Central New Guinea. The web of meanings 'woven' into the bag is shown to extend beyond women's lives and bodies. It is open to manipulation and reformation in a variety of contexts and is used by both Telefol women and men to explore, and so explain the complexities and ambiguities inherent in their social life.
Indigenous Bodies, Maya Minds examines tension and conflict over ethnic and religious identity in the K’iche’ Maya community of San Andrés Xecul in the Guatemalan Highlands and considers how religious and ethnic attachments are sustained and transformed through the transnational experiences of locals who have migrated to the United States. Author C. James MacKenzie explores the relationship among four coexisting religious communities within Highland Maya villages in contemporary Guatemala—costumbre, traditionalist religion with a shamanic substrate; “Enthusiastic Christianity,” versions of Charismaticism and Pentecostalism; an “inculturated” and Mayanized version of Catholicism; and a purified and antisyncretic Maya Spirituality—with attention to the modern and nonmodern worldviews that sustain them. He introduces a sophisticated set of theories to interpret both traditional religion and its relationship to other contemporary religious options, analyzing the relation among these various worldviews in terms of the indigenization of modernity and the various ways modernity can be apprehended as an intellectual project or an embodied experience. Indigenous Bodies, Maya Minds investigates the way an increasingly plural religious landscape intersects with ethnic and other identities. It will be of interest to Mesoamerican and Mayan ethnographers, as well as students and scholars of cultural anthropology, indigenous cultures, globalization, and religion.
Androgynous Objects explores the way meaning is encoded in material culture by focusing on the androgynous symbolism of the looped string bag, or bilum, of the Telefol people of Central New Guinea. The web of meanings 'woven' into the bag is shown to extend beyond women's lives and bodies. It is open to manipulation and reformation in a variety of contexts and is used by both Telefol women and men to explore, and so explain the complexities and ambiguities inherent in their social life.
In An Engine, Not a Camera, Donald MacKenzie argues that the emergence of modern economic theories of finance affected financial markets in fundamental ways. These new, Nobel Prize-winning theories, based on elegant mathematical models of markets, were not simply external analyses but intrinsic parts of economic processes. Paraphrasing Milton Friedman, MacKenzie says that economic models are an engine of inquiry rather than a camera to reproduce empirical facts. More than that, the emergence of an authoritative theory of financial markets altered those markets fundamentally. For example, in 1970, there was almost no trading in financial derivatives such as "futures." By June of 2004, derivatives contracts totaling $273 trillion were outstanding worldwide. MacKenzie suggests that this growth could never have happened without the development of theories that gave derivatives legitimacy and explained their complexities. MacKenzie examines the role played by finance theory in the two most serious crises to hit the world's financial markets in recent years: the stock market crash of 1987 and the market turmoil that engulfed the hedge fund Long-Term Capital Management in 1998. He also looks at finance theory that is somewhat beyond the mainstream—chaos theorist Benoit Mandelbrot's model of "wild" randomness. MacKenzie's pioneering work in the social studies of finance will interest anyone who wants to understand how America's financial markets have grown into their current form.
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European ÒwavesÓ and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme Ô95); Latin American Third Cinemas (Birri, SanjinŽs, Espinosa, Solanas); radical art and the avant-garde (Bu–uel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bolla’n, Debord, Hermosillo, Isou, Kieslowski, PainlevŽ, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Part of the Technologies: Studies in Culture and Theory series. Through a critical analysis of the widely accepted notion that technology speeds everything up, this book argues that there are only ever differences in speed. The question for us is how can such differences be represented?
Part of a service family, the author was born in South Carolina but was quickly on her journey into and around the word - to include five elementary schools; two junior high schools; four high schools; four colleges/universities; three husbands; four children; numerous cats, dogs, and lovers; and a host of people, some memorable, some not.
One lone detective faces down a twisted medieval web of spies and intrigue.October, 1338. A great war has begun, one that will define Europe for a century. King’s Messenger Simon Merrivale returns to England in disgrace, his life barely intact, after a bid to create a pro-English state in Savoy goes disastrously wrong. With the battle lines drawn, a new and overwhelming threat emerges. King Edward III has assembled an uneasy alliance of European powers to enforce his claim to the throne of France. But corruption is rife both at home and abroad, emptying the king’s war chest. Lack of money could cripple everything that has been built. Enemies lie hidden amongst the ranks of friends. Wolves in sheep’s clothing. Faced with the difficult task of not only discovering the traitors but recovering his position and respect, Merrivale has a complex and potentially deadly mission at hand. For if just one conspirator escapes justice, all will fall. A totally gripping historical mystery, perfect for fans of C.J. Sansom, S. J. Parris and Andrew Taylor.
Two kings. Two nations. One crown. Delve into the heart of medieval Europe with the epic Hundred Years War series. Includes all three books; A Flight of Arrows, A Clash of Lions and The Fallen Sword. A Flight of Arrows: 1328. After years of civil unrest between England and France, Charles IV dies, leaving no apparent successor. His closest heir to the throne is Edward III of England, but it passes instead to Charles’s cousin, Phillip, spurring both countries on to war. 1346. Landing at Normandy, Edward’s immense army makes inroads into French territory, burning everything in their path. But the mysterious assassination of an English knight reveals a terrible truth: there is a traitor in their midst. The king charges Simon Merrivale, the Prince of Wales’ herald, with solving the case. As the army marches on towards its destiny, at the awesome scenes of the Battle of Crécy, Simon will uncover a conspiracy that goes to the very heart of the warring nations. A Clash of Lions: 1346. Simon Merrivale is caught up in a new emergency as a powerful Scottish army sweeps into northern England. Joining up with the Archbishop of York, Lord Percy and their forces mustering in the north, Merrivale discovers a new hotbed of treason, as merchants, landowners and soldiers on both sides of the border play off one side against the other. As the Scottish army continues its relentless march, Simon will have to use all his wit and guile to uncover a spy operation so powerful that no throne in Europe is safe... The Fallen Sword: Rejoining the English army laying siege to Calais, Simon Merrivale discovers that the conspiracy against the thrones of England and France has regrouped and gathered force. New allies have joined their ranks, including a dark secret society known as the Pilgrims, and the Holy Roman Empire and the Knights of Saint John have also been drawn in. Merrivale relentlessly hunts the conspirators, in an attempt to finally reveal the turncoat at its heart... A scintillating medieval adventure of warfare and espionage, steeped in years of research, perfect for fans of Bernard Cornwell, S.J. Parris and Conn Iggulden. Praise for A.J. MacKenzie ‘Unputdownable ... I was blown away.’ Angus Donald, bestselling author of the Outlaw Chronicles ‘Like one of those exquisite tapestries with interlacing strands in an array of vivid colour [...] a truly enthralling account of the events leading up to Crécy. Compulsory reading for all who enjoy that most fascinating period of English history.' Paul Doherty, author of The Nightingale Gallery 'A rip-roaring story and devilish plot with outstanding historical detail [...] Mackenzie has created a character who will surely take his place in the canon of historical literary detectives.' C. B. Hanley, author of the Mediaeval Mysteries series 'Espionage, treachery and long-buried sins come to the fore in the blood-stained fields of fourteenth-century Normandy. A compelling story of courage and betrayal – I loved it.' Katherine Stansfield, author of the Cornish Mystery series
From the hands-down authority on time management techniques comes a completely updated edition of the national bestseller, filled with new strategies on how to eliminate time-wasters and achieve goals.
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.
A fun, fresh, timely debut novel about the uproarious adventures that befall the Palacio family during their disastrous illegal residence in Trinidad that poignantly captures the complexities of dysfunctional families and passionate (but sometimes messy) romance. After fleeing crumbling, volatile Venezuela, Yola Palacio wants nothing more than to settle into a peaceful new life in Trinidad with her family. And who cares if they’re there illegally—aren’t most of the people on the island? But life for the Palacios is far from quiet—and when Yola’s Aunt Celia dies, the family once again find their lives turned upside down. For Celia had been keeping a very big secret—she owed a LOT of money to a local criminal called Ugly. And without the funds to pay him off, Ugly has the entire family do his bidding until Celia’s debt is settled. What Ugly says, the Palacios do, otherwise the circumstances are too dreadful to imagine. To say that the year that follows is tumultuous for the Palacios is an understatement. But in the midst of the turmoil appears Roman—Ugly’s distractingly gorgeous right-hand man. And although she knows it’s terrible and quite possibly dangerous, Yola just can’t help but give in to the attraction. Where, though, do Roman’s loyalties lie? And could this wildly inappropriate romance just be the antidote to a terrible year of Ugly? Combining the spark of Imbolo Mbue with the irresistible wit of Maria Semple, One Year of Ugly brilliantly explores cross-cultural struggles and assimilation from a unique immigrant perspective and introduces us to an extraordinary new voice in contemporary fiction.
For Mackenzie, entanglements with things, gadgets, infrastructures, and services---tendencies, fleeting nuances, and peripheral shades of often barely registered feeling that cannot be easily codified, symbolized, or quantified---mark the experience of wirelessness, and this links directly to James's expanded conception of experience. "Wirelessness" designates a tendency to make network connections in different times and places using these devices and services. Equally, it embodies a sensibility attuned to the proliferation of devices and services that carry information through radio signals. Above all, it means heightened awareness of ongoing change and movement associated with networks, infrastructures, location, and information. --
Ioan James celebrates the extraordinary contribution made by Jewish people in mathematics and physics, from the mathematician Norbert Wiener, the founder of cybernetics, to distinguished nuclear physicist and Nobel Prize-winner Niels Bohr. He tells the life-stories of thirty-five men and women, born in the nineteenth century, who were at the forefront of research in the closely related fields of mathematics and physics, often in the face of various kinds of anti-Semitism. Some were caught up in the trauma of the Nazi accession to power in Germany and the Second World War. Wolfgang Pauli, described as 'greater than Einstein' by his contemporary Max Born, became a German national following the Nazi annexation of Austria in 1938 but was able to escape to the United States for the duration of the war. Already hampered by anti-Semitism in his native Poland, logician and mathematician Alfred Tarski found himself stranded in the USA at the outbreak of war and did not see his wife and sons until the war's end. The Italian mathematician Vito Volterra publicly opposed Mussolini's Fascist regime at considerable personal risk. Others such as George Pólya and Emmy Noether found that their left-wing political beliefs hindered their careers.
Enemies at every turn in this medieval mystery thriller perfect for fans of D. V. Bishop and S. J. Parris. Florence, 1342. A city on the brink of chaos. Restored to favour at court, King's Messenger Simon Merrivale accompanies an English delegation to Florence, the powerful centre of European finance, to negotiate a loan to offset King Edward III’s chronic debt. A top secret plot, one to decide the fate of European control. But the delegation has another purpose: to set up an Englishman, Henry Stapledon, Bishop of Dorchester, as an anti-pope in Rome. If they can succeed, they will undermine the papacy and strike a hammer blow to French support across Europe. But one devastating betrayal will shatter their hopes. When disaster strikes, Merrivale finds himself alone, isolated and with a dozen different factions out for his blood. With no way to go but forward, he must plunge back into the seething torrent of Florence’s cutthroat streets, and dangers greater than any he has ever faced before, if he is to survive.
A war on two fronts. A deadly threat from within. The new gripping medieval historical thriller from expert historians and authors A.J. Mackenzie 1346: Sent back to England in the wake of the tremendous victory at Crécy, Simon Merrivale is at once caught up in a new emergency as a powerful Scottish army sweeps into northern England. Joining up with the Archbishop of York, Lord Percy and their army mustering in the north, Merrivale discovers a new hotbed of treason, as merchants, landowners and soldiers on both sides of the border play off one side against the other. Uncovering foreign agents in the English camp, he realises the gravity of what is about to unfold. As the Scottish army continues its relentless march, Simon will have to use all his wit and guile to uncover a spy operation so powerful that no throne in Europe is safe... Perfect for fans of Bernard Cornwell, S.J. Parris and Matthew Harffy, this is an exceptional historical espionage thriller, as rich in detail and research as it is in intrigue, suspense and action.
Roddy MacKenzieâs father served in Bomber Command during the Second World War, but like so many brave veterans who had survived the war, he spoke little of his exploits. So, when Roddy started on his personal journey to discover something of what his father had achieved, he uncovered a great deal about the devastating effectiveness of Bomber Command and the vital role it played in the defeat of Third Reich. He realised that the true story of Bomber Commandâs achievements has never been told nor fully acknowledged. Roddy became a man on a mission, and this startlingly revealing, and often personal study, is the result. Bomber Command: Churchill's Greatest Triumph takes the reader through the early days of the Second World War and introduces all the key individuals who turned the Command into the war-winning weapon it eventually became, as well as detailing the men and machines which flew night after night into the heart of Hitlerâs Germany. The main focus of his book is the destruction and dislocation wrought by the bombing to reduce, and ultimately destroy, Germanyâs ability to make war. In his analysis, Roddy dug deep into German archival material to uncover facts rarely presented to either German or English language readers. These demonstrate that Bomber Commandâs continual efforts, at appalling cost in aircrew casualties and aircraft losses, did far more damage to the Reich than the Allies knew. Roddyâs father served with the Royal Canadian Air Force and Roddy naturally highlights its contribution to Bomber Commandâs successes, another aspect of this fascinating story which the author believes has not been duly recognized. Bomber Command: Churchill's Greatest Triumph will certainly raise the debate on the controversial strategy adopted by âBomberâ Harris and how he was perceived by many to have over-stepped his remit. But most of all, this book will revise peopleâs understanding of just how important the endeavours were of those men who flew through the dark and through the searchlights, the flak, and the enemy night fighters, to bring the Second World War in Europe to its crushing conclusion.
Reclusive movie star Jessica Lessing is finally coming out of hiding—to confront her father, a con man who has been selling her out to the paparazzi for years. On her four-day road trip to Las Vegas, she encounters three unexpected allies—Vivian, a teenager with newborn twins; Lynn, a dog shelter owner living in isolation on a ranch in rural Nevada; and Dana, a fearless ex-military bodyguard wrestling with secrets of her own. As their fates collide, each woman will find a chance at redemption that she never would have thought possible. MacKenzie Bezos’s taut prose, tough characters, and nuanced insights give this novel a complexity that few thrillers can match.
Whether addressing HIV/AIDS, the policing of bathroom sex, censorship, or anti-globalization movements, John Greyson has imbued his work with cutting humour, eroticism, and postmodern aesthetics. Mashing up high art, opera, community activism, and pop culture, Greyson challenges his audience to consider new ways that images can intervene in both political and public spheres. Emerging on the Toronto scene in the late 1970s, Greyson has produced an eclectic, provocative, and award-winning body of work in film and video. The essays in The Perils of Pedagogy range from personal meditations to provocative textual readings to studies of the historical contexts in which the artist's works intervened politically as well as artistically. Notable writers from a range of disciplines as well as prominent experimental and activist filmmakers tackle questions of documentary ethics, moving image activism, and queer coalitional politics raised by Greyson's work. Close to one hundred frame captures and stills from almost sixty works, along with articles, speeches, and short scripts by Greyson - several never before published - supplement the collection. Celebrating thirty years of passionate, brilliant, and affecting moviemaking, The Perils of Pedagogy will fascinate both specialists and general readers interested in media activism and advocacy, censorship, and freedom of expression.
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