This book discusses the geology, hydrogeology, and water quality/geochemistry of karst systems in geologically young terrain, using the state of Florida as an example. Also discussed are sinkhole-development models; sinkhole risk; eogenetic karst features developed in rocks as young as 125,000 years and as old as 65 million years; and karst landscapes of Florida, including regional geology and geomorphology with important examples of karst features, such as springs, sinkholes, caves, and other karst landforms. The eogenetic karst of Florida is largely covered and this book extensively discusses the interactions of karst processes with sand- and clay-rich cover materials.
This authoritative and vividly written book brings readers into the heart of Italian literary culture from the 1690s to the present. It probes the work of major authors in their broad cultural context, traces the history of audiences and publishers, explores the shifting relationship between public and private, assesses the impact of significant historical trends and events on creative processes, and establishes the continuities as well as the discontinuities of the Italian literary tradition. A synoptic overview at the beginning of the volume is designed to help the reader get her or his bearings in the detail of the nine chapters which follow. Using an essentially chronological framework, the book is divided into three major cultural time-spans: the long eighteenth century, the decades of national identity formation and the creation of modern', industrial Italy between 1816 and 1900, and the twentieth century with its constant renegotiation of national cultural identity. A final epilogue provides a snapshot of Italian literary culture in the near-present. This is a book which will be readily accessible to students and all those interested in Italian culture, and at the same time is based on the most up-to-date scholarship. New readings of the canonical authors rub shoulders with a refreshing attention to standard and popular writing, gender issues, and the interaction between written and oral forms, producing a history of modern Italian literature which is new in its conception and its scope.
It is December 8, 1941, the day after the Japanese attack on Pearl Harbor, and President Franklin Delano Roosevelt leads a nation in crisis. He must make a speech to a joint session of Congress that will build support for America’s entry to World War II, but to do that he needs an armored vehicle in which to make the short trip from the White House to the Capitol Building. According to legend, the car Roosevelt rode in that day, borrowed from the FBI’s impound lot, was an armored Cadillac V-8 built for gangster Al Capone in the late 1920s to shield himself from enemies. Is the legend true, or is it an American tall tale in the tradition of Paul Bunyan or John Henry? Either way, it’s an ideal vehicle to compare and contrast the lives of two American men who grew up within miles of one another: one a great president, the other an infamous villain. F&P Level Y
Fast, flashy, and fun to drive, the Ferrari has been one of the most desirable cars in the world since 1947. Let's cruise through the history of the Ferrari with Sports Illustrated for Kids author Michael Bradley! Book jacket.
In The Limit, Michael Cannell tells the enthralling story of Phil Hill-a lowly California mechanic who would become the first American-born driver to win the Grand Prix-and, on the fiftieth anniversary of his triumph, brings to life a vanished world of glamour, valor, and daring. With the pacing and vivid description of a novel, The Limit charts the journey that brought Hill from dusty California lots racing midget cars into the ranks of a singular breed of men, competing with daredevils for glory on Grand Prix tracks across Europe. Facing death at every turn, these men rounded circuits at well over 150 mph in an era before seat belts or roll bars-an era when drivers were "crushed, burned, and beheaded with unnerving regularity." From the stink of grease-smothered pits to the long anxious nights in lonely European hotels, from the tense camaraderie of teammates to the trembling suspense of photo finishes, The Limit captures the 1961 season that would mark the high point of Hill's career. It brings readers up close to the remarkable men who surrounded Hill on the circuit-men like Hill's teammate and rival, the soigné and cool-headed German count Wolfgang Von Trips (nicknamed "Count Von Crash"), and Enzo Ferrari, the reclusive and monomaniacal padrone of the Ferrari racing empire. Race by race, The Limit carries readers to its riveting and startling climax-the final contest that would decide it all, one of the deadliest in Grand Prix history.
Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St John's College, Oxford 'I found the text very readable and I particularly enjoyed the post-postmodernist take on many issues. It is hugely stimulating and intriguing throughout.' - Deborah Howard, University of Cambridge 'I think this is an absolutely splendid text, unique in conception, elegant and ingenious in design, and extremely ???user-friendly??? in styling and presentation.' - David Hopkins, University of Bristol 'A prodigiously ambitious, cornucopian book . . . so rich that no review will do it justice.' - Paul Barolsky, University of Virginia, Arion 'Impressive power and learning.' - Justus Cobet, Universität Duisburg-Essen, Sehepunkte 'Succeeds in providing an overarching account of a huge sweep of cultural history without losing sight of the host of nuances and particularities associated with such an overwhelmingly large topic.' - Pablo Maurette, University of Chicago, Comparative Critical Studies 'Highly innovative...engrossing...the book is marvellously packed throughout with insights and provocations. It conducts, to its great benefit and ours, a properly theoretical enquiry.' - Charles Martindale, University of Bristol, Translation and Literature The classical tradition – the legacy of Ancient Greece and Rome – is a large, diverse, and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent, and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German, and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships – comparative, contrastive, and interactive – between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.
Collecting the Now offers a new, in-depth look at the economic forces and institutional actors that have shaped the outlines of postwar art history, with a particular focus on American art, 1960–1990. Working through four case studies, Michael Maizels illuminates how a set of dealers and patrons conditioned the iconic developments of this period: the profusions of pop art, the quixotic impossibility of land art, the dissemination of new media, and the speculation-fueled neo-expressionist painting of the 1980s. This book addresses a question of pivotal importance to a swath of art history that has already received substantial scholarly investigation. We now have a clear, nuanced understanding of why certain evolutions took place: why pop artists exploded the delimited parameters of aesthetic modernism, why land artists further strove against the object form itself, and why artists returned to (neo-)traditional painting in the 1980s. But remarkably elided by extant scholarship has been the question of how. How did conditions coalesce around pop so that its artists entered into museum collections, and scholarly analyses, at pace unprecedented in the prior history of art? How, when seeking to transcend the delimited gallery object, were land artists able to create monumental (and by extension, monumentally expensive), interventions in the extreme wilds of the Western deserts? And how did the esoteric objects of media art come eventually to scholarly attention in the sustained absence of academic interest or a private market? The answers to these questions lie in an exploration of the financial conditions and funding mechanisms through which these works were created, advertised, distributed, and preserved.
Diagnosis and Management of Adult Congenital Heart Disease, by Drs. Gatzoulis, Webb, and Daubeney, is a practical, one-stop resource designed to help you manage the unique challenges of treating long-term adult survivors of congenital heart disease. Authored by internationally known leaders in the field, this edition is the first that truly integrates anatomy and imaging technology into clinical practice, and includes new chapters on cardiac CT for ACHD assessment, critical and perioperative care, anesthesia for ACHD surgery, cardiac resynchronization therapy, and transition of care. Congenital defects are presented with high-quality illustrations and appropriate imaging modalities. Find all the information you need in one user-friendly resource that integrates anatomy, clinical signs, and therapeutic options. Confidently make decisions aided by specific recommendations about the benefits and risks of surgeries, catheter interventions, and drug therapy for difficult clinical problems. Recognize and diagnose morphologic disorders with the help of detailed, full-color diagrams. Quickly find what you need thanks to easily accessible, consistently organized chapters and key annotated references. Keep pace with the latest advancements including five new chapters on cardiac CT for ACHD assessment, critical and perioperative care, anaesthesia for ACHD surgery, cardiac resynchronisation therapy, and transition of care Comply with the latest European Society of Cardiology (ESC) and American College of Cardiology (ACC) practice guidelines - integrated throughout the book - for cardiac pacing and cardiac resynchronisation therapy See imaging findings as they appear in practice and discern subtle nuances thanks to new, high-quality images and illustrations Integrates anatomy, clinical signs and therapeutic options of congenital heart disease both in print and online!
Three bestselling true crime books for the price of one—from the Steven Avery case to a brother’s quest for justice to an international conspiracy. Wrecking Crew: While working for USA Today’s Investigative Team, John Ferak wrote dozens of articles on Steven Avery, who was charged with the murder of Teresa Halbach. In Wrecking Crew, Ferak lays out high-profile lawyer Kathleen Zellner’s post-conviction strategy to free Avery. “Whatever you thought you believed about this infamous case, get ready to change your mind or be more convinced than ever . . . Fascinating.” —Steve Jackson, New York Times bestselling author My Brother’s Keeper: The moment he found out his brother Gary was missing and presumed dead, Ted Kergan launched a relentless effort to bring two suspected killers to justice and find Gary’s body. Little did he know his quest would consume a fortune and take thirty years to reach its dramatic conclusion. An International Book Awards Finalist! “A thirty-year search for the truth . . . a story of persistence, determination, and deep brotherly love.” —Denise Wallace, author of Daddy’s Little Secret Summary Execution: On June 1, 1981, two young activists, Silme Domingo and Gene Viernes, were murdered in Seattle in what was made to appear like a gang slaying. But the victims’ families and friends suspected they were considered a threat to Philippines dictator Ferdinand Marcos and his regime’s relationship to the United States. “Remarkable . . . The story has so many twists—as well as amazing turns—that prove the point that conspiracy theories aren’t necessarily fiction.” —Eric Nalder, Pulitzer Prize–winning investigative journalist
Heart failure is epidemic throughout the world. A growing incidence and prevalence has resulted in a large population of individuals transitioning to advanced stages of the syndrome and requiring uniquely specialised therapies and cardiac transplantation. i The Oxford Textbook of Advanced Heart Failure and Cardiac Transplantationr is a focused and comprehensive work covering this new and rapidly growing cardiovascular subspecialty. Authored by eminent international experts, it is the authoritative text on advanced heart failure and a central resource for clinicians caring for patients with this condition. By covering a range of characteristics, therapeutic challenges and practical aspects of managing patients, this book provides an in-depth source for cardiologists and other related clinicians. A strong focus on the difficult decision making needed to handle advanced heart failure cases, along with specific knowledge of epidemiology, biology and pathophysiology, creates a key tool for optimally managing these complex patients.
This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
This authoritative and vividly written book brings readers into the heart of Italian literary culture from the 1690s to the present. It probes the work of major authors in their broad cultural context, traces the history of audiences and publishers, explores the shifting relationship between public and private, assesses the impact of significant historical trends and events on creative processes, and establishes the continuities as well as the discontinuities of the Italian literary tradition. A synoptic overview at the beginning of the volume is designed to help the reader get her or his bearings in the detail of the nine chapters which follow. Using an essentially chronological framework, the book is divided into three major cultural time-spans: the long eighteenth century, the decades of national identity formation and the creation of modern', industrial Italy between 1816 and 1900, and the twentieth century with its constant renegotiation of national cultural identity. A final epilogue provides a snapshot of Italian literary culture in the near-present. This is a book which will be readily accessible to students and all those interested in Italian culture, and at the same time is based on the most up-to-date scholarship. New readings of the canonical authors rub shoulders with a refreshing attention to standard and popular writing, gender issues, and the interaction between written and oral forms, producing a history of modern Italian literature which is new in its conception and its scope.
Benjamin Disraeli (1804-81) was one of the most important political figures in 19th century Britain. However, before rising to political prominence he had established himself as a major literary figure. This set takes a critical look at Disraeli's early work. Volume 5 includes Henrietta Temple (1837).
Recognizing the responsibility institutions have to prepare teachers for today's diverse classrooms, Vavrus shows us how to incorporate transformative multicultural education into teacher education curriculum, pedagogy, and evaluation. Placing race, racism, antiracism, and democracy at the center of his analyses and recommendation, this volume provides: - Concrete structural suggestions for including transformative multicultural education in higher education and K-12 in-service programs. -A multicultural critique of new NCATE accreditation standards for teacher education programs that offers reconceptualized assessment procedures. -The historical roots of transformative multicultural education that incorporates issues of white privilege and racialized color blindness, anti-racist pedagogy, racial identity among teachers, and critical race theory. - A discussion of globalization that emphasizes its contemporary economic effects on social and educatonal inequities.
First published in 1995. The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. This collection of critical writings about Dante, many of them published here in English for the first time, tries to offer a balanced survey of the poet's reception in both time and space. Its scope therefore differs from that of its main predecessors in both English and Italian.
End of October 1961, the so-called “Palace uprising” taking place at Ferrari leads to the dismissal by the Commendatore of eight elements that have formed the core of the team of Maranello, capable of contributing in a decisive way to the just conquered Formula One World Title in the same season.These include the designer Carlo Chiti and team manager Romolo Tavoni, who, along with most of the defectors, decide, thanks to the contribution of three wealthy businessmen of the time, Giorgio Billi, Giovanni Volpi di Misurata and Jaime Ortiz Patino, to create a new all-Italian team, the Automobili Turismo Sport Serenissima (ATS): 11 February 1962, the headquarters are fixed in via Altabella 17 in the Centre of Bologna.A few months later, in the presence of World Champion Juan Manuel Fangio, the first stone of a futuristic factory in Pontecchio Marconi in placed where will be built not only the car of Formula One, but also a road car Gran Turismo.This initiative gives rise to huge interest, for the quality and the characteristics of those who made up the team, and because many see in ATS the true antagonist of the “Prancing Horse”.In December the car Type 100 is presented in great style in the luxury emilian hotel, the Baglioni, whit yet another shot at effect: the pair of drivers hired, one who raced for Ferrari in the Championship just ended, the former world champion Phil Hill and Giancarlo Baghetti, the Italian rising star.This is the history of the Bologna racing team, through the words of veterans, documents of the time, and the numerous vintage photos, of his brief adventure in the 1963 season in Formula One and the ATS 2500, innovative car unveiled at the Geneva Motor Show that is able to take part in the 1964 Targa Florio.
Leigh Hunt’s contributions to English literature, although downplayed for several decades, are now acknowledged by scholars as key to our understanding of the Romantic period. He was not only a facilitator - in his support for the poetry of Shelley and Keats for example - but was also a major contributor in his own right to the literary and political world of the nineteenth century. Underscoring the literary innovations in his writing during the first three decades of the nineteenth century, this text focuses on the selected works that complement the current view of Hunt as a Romantic writer and show the independence in his critical approach and use of poetic language. With an episodic, chronological approach, this is an important reassessment of Hunt’s substantial contributions to several different genres, providing a fascinating account of the significant impact of his works on audiences during the Romantic period.
Revised, updated, and enhanced from cover to cover, the Sixth Edition of Greenfield’s Surgery: Scientific Principles and Practice remains the gold standard text in the field of surgery. It reflects surgery’s rapid changes, new technologies, and innovative techniques, integrating new scientific knowledge with evolving changes in surgical care. Updates to this edition include new editors and contributors, and a greatly enhanced visual presentation. Balancing scientific advances with clinical practice, Greenfield’s Surgery is an invaluable resource for today’s residents and practicing surgeons.
This is the first biography to foreground the importance of Hester Lynch Piozzi’s Welsh heritage throughout her long life. As one anonymous reader put it, ‘Few eighteenth-century Welsh writers long resident in England continued to identify as strongly with their homeland.’ Born in an obscure plwyf in Caernarvonshire the salonnière of Streatham was finally laid to rest in the vault of Tremeirchion church in the Vale of Clwyd. Hester had been mortified at the failure of her brewer husband Henry Thrale, and her mentor Dr Samuel Johnson, to appreciate the beauties of Wales. But her second husband, musician Gabriel Piozzi, was so enamoured that he proposed residing there. Newly-found confidence inspired Piozzi to write in her middle age, and her daringly personal biography (1786) and edition of Johnson’s letters (1788) were runaway bestsellers. Her travel book (1789) treated the reader for the first time as an intimate friend, recounting her love affair with her husband’s homeland in Italy, whose landscape reminded her so much of Wales.
It is a tale as familiar as our history primers: A deranged actor, John Wilkes Booth, killed Abraham Lincoln in Ford’s Theatre, escaped on foot, and eluded capture for twelve days until he met his fiery end in a Virginia tobacco barn. In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating. Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators. Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now. In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.
Marking the fiftieth anniversary of the death of Aldous Huxley (1894–1963), Temporaries and Eternals focuses on the music column that Huxley wrote for The Weekly Westminster Gazette in 1922–23. Readers of Huxley’s novels, essays and travel writing will be aware of the wealth of musical detail in these works, and this book suggests that such references can only be fully understood in the context of the opinions voiced in Huxley’s music criticism. Not only does Huxley’s column offer a fascinating snapshot of musical life in 1920s Britain, but several of the themes that Huxley explores continue to have contemporary relevance. These include music and technology, the composer-performer relationship, the nature of the child prodigy, musical tradition and innovation, the suitability of opera libretti, and how to write about music effectively. However, Huxley’s central theme, reflected in the title of this book, is the problematic question of how to judge the significance and potential longevity of specific composers and their works, from Palestrina to Schoenberg. After an extended introduction placing Huxley’s music criticism in the context of his other writings, the book reproduces all 64 of Huxley’s weekly articles, with footnote commentary to help the reader appreciate his wide-ranging textual references.
2023 Catholic Media Association Honorable Mention, History Pope Francis is the first member of the Society of Jesus, the Catholic Church’s largest religious order of men, to be elected to the papacy in its nearly five-hundred-year existence, even though the Society is known for the special vow of obedience to the papacy taken by its leading members. Yet despite that oath of loyalty, Jesuits and popes have frequently been at loggerheads, eventually leading to one pope imprisoning the Jesuit superior general and entirely abolishing the Society. While recounting the more significant events in the history of the Jesuit order, this book pays particular attention to the controversies that have surrounded it, especially those concerning human freedom.
“Michael Walling has honored the American men and women who served in Operation Enduring Freedom by helping them tell their own stories. This is the war in Afghanistan as experienced by the people who fought it.” - General Tommy R. Franks, Ret. The war in Afghanistan has seen men and women thrown into America's longest sustained combat operation. For over 13 years, US military personnel have been embroiled in a conflict unlike any other, in a hostile country where danger and death lurk at every turn. The nature of the fighting has transformed not only the entire structure of the US military, but the lives of every soldier, sailor, marine, coast guardsman, and airman who served there. There have been many tales told of this most recent Afghan war, but until now no single work has combined the strategic view of high-level commanders with the perspective of soldiers on the ground. This book places the first-hand accounts of serving men and women into the context of the military operations. Drawing on gripping oral histories from theater commanders, Special Forces troops, reconstruction teams, and everyday soldiers, Michael G. Walling analyzes operations as they were experienced by individuals, from those immediately following 9/11 through to those in 2014 as US troops prepared to withdraw. He also charts the evolution of US military structure as it was forced to adapt to cope with the non-conventional, but nonetheless deadly threats of asymmetric warfare, as well as detailing covert ops, infrastructure rebuilding, and the training of Afghan forces. Resonating across gender, age, nationality, and ethnicity, this book is not just a document of US fortunes in a far-flung conflict. It is a tribute to the determination, heroism, sacrifice, and the strength of the human spirit.
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