Scientific management: Technology spawned it, Frederick Winslow Taylor championed it, Thorstein Veblen dissected it, Henry Ford implemented it. By the turn of the century, practical visionaries prided themselves on having arrived at "the one best way" both to increase industrial productivity and to regulate the vagaries of human behavior. Nothing escaped the efficiency craze, and in this vivid, wide-ranging book, Martha Banta explores its effect on the culture at large. To the Taylorists, everthing needed tidying up: government, business, warfare, households, and, most of all, the workplace, with its unruly influx of strangers into the native scenes. Taylored Lives gives us a striking sense of what it was like to live, work, love, and die when time, motion, and emotions were checked off on worksheets and management charts. Canvasing the culture, Banta shows how the cause of efficiency was taken up in narratives, of every sort - in mail-order catalogs, popular romances, newspaper stories, and personal testimonials "from below", as well as in the canonical works of writers from Henry Adams and William James, to Sinclair Lewis, Nathanael West, and William Faulkner. The strategies of impassioned theorists and hands-on practitioners affected the kinds-of narratives produced in the controversy over the pros and cons of the management culture; they bear an eerie resemblance to the means by which we today, storytellers all, keep trying to make sense of our own chaotic times. This interdisciplinary work charts the development of a managerial culture from its start in the steel mills of Pennsylvania through its spread across the American experience in an interlocking series of social systems andeveryday practices. Banta scrutinizes narrative strategies employed by "inscribers" as diverse as Josephine Goldmark, Theodore Roosevelt, Charlotte Perkins Gilman, Anzia Yezierska, Richard Harding Davis, Booker T. Washington, and Theodore Dreiser; by Taylor himself, as well as Veblen and Ford; by women who toiled on the factory floor; by writers of dream-copy for ready-made houses; and by Buster Keaton in his silent treatment of the dysfuntional honeymoon home. With its historical scope and its provocative readings of assorted narratives, this richly illustrated book offers a complex and disturbing picture of a period, as well as invaluable insights into the way theory-making continually makes and breaks cultures. A remarkable work, Taylored Lives confirms Martha Banta's place as one of our leading cultural and literary critics.
Scientific management: Technology spawned it, Frederick Winslow Taylor championed it, Thorstein Veblen dissected it, Henry Ford implemented it. By the turn of the century, practical visionaries prided themselves on having arrived at "the one best way" both to increase industrial productivity and to regulate the vagaries of human behavior. Nothing escaped the efficiency craze, and in this vivid, wide-ranging book, Martha Banta explores its effect on the culture at large. To the Taylorists, everthing needed tidying up: government, business, warfare, households, and, most of all, the workplace, with its unruly influx of strangers into the native scenes. Taylored Lives gives us a striking sense of what it was like to live, work, love, and die when time, motion, and emotions were checked off on worksheets and management charts. Canvasing the culture, Banta shows how the cause of efficiency was taken up in narratives, of every sort - in mail-order catalogs, popular romances, newspaper stories, and personal testimonials "from below", as well as in the canonical works of writers from Henry Adams and William James, to Sinclair Lewis, Nathanael West, and William Faulkner. The strategies of impassioned theorists and hands-on practitioners affected the kinds-of narratives produced in the controversy over the pros and cons of the management culture; they bear an eerie resemblance to the means by which we today, storytellers all, keep trying to make sense of our own chaotic times. This interdisciplinary work charts the development of a managerial culture from its start in the steel mills of Pennsylvania through its spread across the American experience in an interlocking series of social systems andeveryday practices. Banta scrutinizes narrative strategies employed by "inscribers" as diverse as Josephine Goldmark, Theodore Roosevelt, Charlotte Perkins Gilman, Anzia Yezierska, Richard Harding Davis, Booker T. Washington, and Theodore Dreiser; by Taylor himself, as well as Veblen and Ford; by women who toiled on the factory floor; by writers of dream-copy for ready-made houses; and by Buster Keaton in his silent treatment of the dysfuntional honeymoon home. With its historical scope and its provocative readings of assorted narratives, this richly illustrated book offers a complex and disturbing picture of a period, as well as invaluable insights into the way theory-making continually makes and breaks cultures. A remarkable work, Taylored Lives confirms Martha Banta's place as one of our leading cultural and literary critics.
Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened. Banta also deals extensively with London's Punch, a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as Puck,The Crisis,Harper's Weekly, and The International Socialist Review. Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.
Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge?artists, architects, writers, politicians, and the technocrats of scientific inquiry?brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.
How are leaders facing a crisis supposed to handle and overcome an unknowable set of issues? This book demonstrates how effective leaders under pressure work from an understanding of the situation at hand and of their impact on others, and explains how leaders can best apply their internal strengths. Most leaders are steeped in risk management, crisis response tactics, readiness for disaster, continuity-of-operations planning, and logistical and agility capabilities. These preparations are critical but not complete. The reality is that even experienced leaders themselves need guidance when it comes to managing a crisis. This standout book fills that need, drawing on interviews with successful leaders; research findings on trauma, neuroscience, and crisis management; and the authors' own extensive career experiences. The chapters suggest and probe ideas from various angles rather than promoting simplistic formulas or nostrums that are unlikely to apply to all circumstances and present new angles on self-awareness and management under pressure for the practitioner. The book leads off with a description of organizational disaster and crisis leadership—topics of considerable concern as disasters are becoming the "new normal." The authors then explore three critical but very different types of responses by leaders at such a time: recognition and response, care of self and others, and storytelling. A detailed case study of a leader in the midst of Hurricane Katrina—the most expensive natural disaster in U.S. history—provides readers with a real-world practicum for the theories and ideas suggested.
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the center of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-nineteenth century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or unpleasant aspects were systematically erased. West looks at a wide assortment of Kodak's most popular inventions and marketing strategies, including the "Kodak Girl," the momentous invention of the Brownie camera in 1900, the "Story Campaign" during World War I, and even the Vanity Kodak Ensemble, a camera introduced in 1926 that came fully equipped with lipstick. At the beginning of its campaign, Kodak advertising primarily sold the fun of taking pictures. Ads from this period celebrate the sheer pleasure of snapshot photography--the delight of handling a diminutive camera, of not worrying about developing and printing, of capturing subjects in candid moments. But after 1900, a crucial shift began to take place in the company's marketing strategy. The preservation of domestic memories became Kodak's most important mission. With the introduction of the Brownie camera at the turn of the century, the importance of home began to replace leisure activity as the subject of ads, and at the end of World War I, Americans seemed desperately to need photographs to confirm familial unity. By 1932, Kodak had become so intoxicated with the power of its own marketing that it came up with the most bizarre idea of all, the "Death Campaign." Initiated but never published, this campaign based on pictures of dead loved ones brought Kodak advertising full circle. Having launched one of the most successful campaigns in advertising history, the company did not seem to notice that selling a painful subject might be more difficult than selling momentary pleasure or nostalgia. Enhanced with over 50 reproductions of the ads themselves, 16 of them in color, Kodak and the Lens of Nostalgia vividly illustrates the fundamental changes in American culture and the function of memory in the formative years of the twentieth century.
Challenging monolithic images of the New Woman as white, well-educated, and politically progressive, this study focuses on important regional, ethnic, and sociopolitical differences in the use of the New Woman trope at the turn of the twentieth century. Using Charles Dana Gibson's "Gibson Girls" as a point of departure, Martha H. Patterson explores how writers such as Pauline Hopkins, Margaret Murray Washington, Sui Sin Far, Mary Johnston, Edith Wharton, Ellen Glasgow, and Willa Cather challenged and redeployed the New Woman image in light of other “new” conceptions: the "New Negro Woman," the "New Ethics," the "New South," and the "New China." As she appears in these writers' works, the New Woman both promises and threatens to effect sociopolitical change as a consumer, an instigator of evolutionary and economic development, and (for writers of color) an icon of successful assimilation into dominant Anglo-American culture. Examining a diverse array of cultural products, Patterson shows how the seemingly celebratory term of the New Woman becomes a trope not only of progressive reform, consumer power, transgressive femininity, modern energy, and modern cure, but also of racial and ethnic taxonomies, social Darwinist struggle, imperialist ambition, assimilationist pressures, and modern decay.
Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened. Banta also deals extensively with London's Punch, a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as Puck,The Crisis,Harper's Weekly, and The International Socialist Review. Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.
Get a comprehensive foundation in children's primary care! Burns' Pediatric Primary Care, 7th Edition covers the full spectrum of health conditions seen in primary care pediatrics, emphasizing both prevention and management. This in-depth, evidence-based textbook is the only one on the market written from the unique perspective of the Nurse Practitioner. It easily guides you through assessing, managing, and preventing health problems in children from infancy through adolescence. Key topics include developmental theory, issues of daily living, the health status of children today, and diversity and cultural considerations. Updated content throughout reflects the latest research evidence, national and international protocols and standardized guidelines. Additionally, this 7th edition been reorganized to better reflect contemporary clinical practice and includes nine new chapters, revised units on health promotion, health protection, disease management, and much, much more! - Four-part organization includes 1) an introductory unit on the foundations of global pediatric health, child and family health assessment, and cultural perspectives for pediatric primary care; 2) a unit on managing child development; 3) a unit on health promotion and management; and 4) a unit on disease management. - UNIQUE! Reorganized Unit - Health Supervision: Health Promotion and Health Protection - includes health promotion and health protection for developmentally normal pediatric problems of daily living and provides the foundations for health problem management. - UNIQUE! Reorganized Unit - Common Childhood Diseases/Disorders has been expanded to sharpen the focus on management of diseases and disorders in children. - Comprehensive content provides a complete foundation in the primary care of children from the unique perspective of the Nurse Practitioner and covers the full spectrum of health conditions seen in the primary care of children, emphasizing both prevention and management. - In-depth guidance on assessing and managing pediatric health problems covers patients from infancy through adolescence. - UNIQUE! Practice Alerts highlight situations that may require urgent action, consultation, or referral for additional treatment outside the primary care setting. - Content devoted to issues of daily living covers issues that are a part of every child's growth — such as nutrition and toilet training — that could lead to health problems unless appropriate education and guidance are given. - Algorithms are used throughout the book to provide a concise overview of the evaluation and management of common disorders. - Resources for providers and families are also included throughout the text for further information. - Expert editor team is well-versed in the scope of practice and knowledge base of Pediatric Nurse Practitioners (PNPs) and Family Nurse Practitioners (FNPs).
Winner of the 2019 Eisner Award for the Best Comics-Related Book Published in partnership with the Library of Congress, Drawn to Purpose: American Women Illustrators and Cartoonists presents an overarching survey of women in American illustration, from the late nineteenth into the twenty-first century. Martha H. Kennedy brings special attention to forms that have heretofore received scant notice—cover designs, editorial illustrations, and political cartoons—and reveals the contributions of acclaimed cartoonists and illustrators, along with many whose work has been overlooked. Featuring over 250 color illustrations, including eye-catching original art from the collections of the Library of Congress, Drawn to Purpose provides insight into the personal and professional experiences of eighty women who created these works. Included are artists Roz Chast, Lynda Barry, Lynn Johnston, and Jillian Tamaki. The artists' stories, shaped by their access to artistic training, the impact of marriage and children on careers, and experiences of gender bias in the marketplace, serve as vivid reminders of social change during a period in which the roles and interests of women broadened from the private to the public sphere. The vast, often neglected, body of artistic achievement by women remains an important part of our visual culture. The lives and work of the women responsible for it merit much further attention than they have received thus far. For readers who care about cartooning and illustration, Drawn to Purpose provides valuable insight into this rich heritage.
He was told that the color of his skin would keep him out of the big leagues, but Joe Black worked his way up through the Negro Leagues and the Cuban Winter League. He burst into the Majors in 1952 when he signed with the Brooklyn Dodgers. In the face of segregation, verbal harassment, and even death threats, Joe Black rose to the top of his game; he earned National League Rookie of the Year and became the first African American pitcher to win a World Series game. With the same tenacity he showed in his baseball career, Black became the first African American vice president of a transportation corporation when he went to work for Greyhound. In this first-ever biography of Joe Black, his daughter Martha Jo Black tells the story not only of a baseball great who broke through the color line, but also of the father she knew and loved.
With masterful storytelling, Bergland and Hayes demonstrate how Lapham blended his ravenous curiosity with an equable temperament and a passion for detail to create a legacy that is still relevant today. —John Gurda In this long overdue tribute to Wisconsin’s first scientist, authors Martha Bergland and Paul G. Hayes explore the remarkable life and achievements of Increase Lapham (1811–1875). Lapham’s ability to observe, understand, and meticulously catalog the natural world marked all of his work, from his days as a teenage surveyor on the Erie Canal to his last great contribution as state geologist. Self-taught, Lapham mastered botany, geology, archaeology, limnology, mineralogy, engineering, meteorology, and cartography. A prolific writer, his 1844 guide to the territory was the first book published in Wisconsin. Asked late in life which field of science was his specialty, he replied simply, “I am studying Wisconsin.” Lapham identified and preserved thousands of botanical specimens. He surveyed and mapped Wisconsin’s effigy mounds. He was a force behind the creation of the National Weather Service, lobbying for a storm warning system to protect Great Lakes sailors. Told in compelling detail through Lapham’s letters, journals, books, and articles, Studying Wisconsin chronicles the life and times of Wisconsin’s pioneer citizen-scientist.
First platted in the 1850s, and as legend tells it, named from an exclamation of settler William Clark waking to discover "what a Home, Sweet Home," this future lumber boom-town began as a stage stop on the road across the Cascade Mountains. With the arrival of the first freight train on April 1, 1932, Sweet Home became one of Linn County's most important industrialized towns. Crawfordsville, Holley, Fern Ridge, Liberty, Pleasant Valley, Foster, and Cascadia were all settled about the same time and became a part of greater Sweet Home. Following the decline of lumber interests, Sweet Home became the gateway to recreation and industrial activities of Eastern Linn County with the construction of the Green Peter Dam in 1962-63. Here is the story of Sweet Home and its surrounding communities, showcased in some 200 vintage images. These photos illustrate early pioneer stories, like that of Letty Sankey, the first female mayor, whose name was placed on the ballot by her father as a joke. They also show the development of the area through the hotels, mining and logging industries, schools, churches, and shared community activities.
Partners for Innovation in Teaching and Learning: A Shared Responsibility highlights the work of six creative and innovative teachers who developed learner-centered environments in their classrooms. Educational consultants, Sharon Silverman and Martha Casazza, worked with these teachers from the College of Professional Studies at New Jersey City University where they developed a forum on excellence in teaching and learning. The results are showcased with a focus on connecting theory and research to educational practice. The theme of shared responsibility for learning is presented throughout. Some examples include: Developing teacher-student partnerships to create a course syllabus Using questions as a way to promote active participation Building community in the online classroom Using emotions and thoughts as a basis for learning Creating a new approach that reflects problem-based learning, learning communities and collaborative learning The ideas presented are unique and engaging. They stimulate others to take risks and embrace innovation. Challenges and successes are shared to show that implementing new teaching ideas can be both daunting and very rewarding.
This is the first publication devoted to Hirst's oils and watercolors and her transformation of the still life painting through the creation of works that appeal to both men and women, contrasting with her male contemporaries who painted primarily for a male audience. 72 colour& 29 b/w illustrations
Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge?artists, architects, writers, politicians, and the technocrats of scientific inquiry?brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.
Martha Banta’s Henry James: An Alien’s “History” of America is the product of a lifetime of thinking about James and his odd, but oddly productive, relation to the land of his birth. A “biography” of an “autobiography,” it serves as a peripatetic history of the central cross-currents and intersections between Europe and America, memory and history, romance and realism. These diverse elements structure James’s channeling of his own experience as a displaced or “alienated” American into a variety of genres: memoirs and travel writing, novels and tales, letters and literary criticism, social and cultural commentary. Together they constitute the “never completed novel” of his ongoing “autobiographical” project. In its masterful weaving together of materials, text, and time-frames, Henry James: An Alien’s “History” of America moves fluidly back and forth over the intricate tapestry of James’s life and texts. It identifies and analyzes key moments, words, and tropes that echo across the years, tracing the instances of repetition, reversal, self-revelation, and re-vision that underwrite this “life-record.” This study represents a major advance over conventional, sometimes oversimplified readings of James’s “international theme.” His attitudes about both Europe and America emerge here in their full complexity and contradictoriness. The breadth and depth of Banta’s knowledge of James and of the historical America from which he emerged and which he never ceased to engage, however ambivalently, will make this a rich reading experience for general readers as well as scholars. David McWhirter editor of Henry James’s New York Edition: The Construction of Authorship and Henry James in Context.
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