Bestselling author M.K. Ramachandran is well-known for his unique travelogues. Not only does he beautifully recount his journey but he also delves into history and culture, tying in various threads to show the reader the many elements that make India what it is. The Journey to Adi Kailash is no different. While detailing his trek to one of the most revered mountains of India, Ramachandran includes interpretations of our history, culture, traditions, the Puranas and the Upanishads, as well as contributions by great sadhus, sages and rishis. He weaves in interesting stories—of how the Asuras came to India, the ancient technology of turning metal to gold, the ninety-five-year-old woman who is well-versed in the 144 courses of Kriya Yoga, the yogi who acquires the power to fly into the sky . . . The Journey to Adi Kailash is compelling reading, and a book that holds a mirror to the greatness of India.
This inaugural volume in the Graphic Medicine series establishes the principles of graphic medicine and begins to map the field. The volume combines scholarly essays by members of the editorial team with previously unpublished visual narratives by Ian Williams and MK Czerwiec, and it includes arresting visual work from a wide range of graphic medicine practitioners. The book’s first section, featuring essays by Scott Smith and Susan Squier, argues that as a new area of scholarship, research on graphic medicine has the potential to challenge the conventional boundaries of academic disciplines, raise questions about their foundations, and reinvigorate literary scholarship—and the notion of the literary text—for a broader audience. The second section, incorporating essays by Michael Green and Kimberly Myers, demonstrates that graphic medicine narratives can engage members of the health professions with literary and visual representations and symbolic practices that offer patients, family members, physicians, and other caregivers new ways to experience and work with the complex challenges of the medical experience. The final section, by Ian Williams and MK Czerwiec, focuses on the practice of creating graphic narratives, iconography, drawing as a social practice, and the nature of comics as visual rhetoric. A conclusion (in comics form) testifies to the diverse and growing graphic medicine community. Two valuable bibliographies guide readers to comics and scholarly works relevant to the field.
In 1966, M.K. Stalin began his political innings by launching the Gopalapuram Youth Dravida Munnetra Kazhagam. Over the next five decades, his political career would see him rise to become the Mayor of Chennai in 1996, the President of the Dravida Munnetra Kazhagam (DMK) in 2018 and the Chief Minister of Tamil Nadu in 2021. One Among You, a translation of Volume 1 of Stalin's Tamil autobiography, Ungalil Oruvan, is the story of the first twenty-three years of his life, from 1953 to 1976. These formative years were witness to Stalin's school and college days, his early involvement with the DMK and his integral role in the party publication, Murasoli. But Stalin's journey extends beyond politics. He also had a profound connection to the world of theatre and cinema, where his passion for art intersected with his pursuit of social change. As the son of the political titan Kalaignar M. Karunanidhi, it was inevitable that Stalin would grow up in a household throbbing with discussions about art, culture, politics, and language. This autobiography, ably translated by veteran journalist and editor, A.S. Panneerselvan, offers an intimate glimpse into the world that moulded the Tamil Nadu Chief Minister.
The origin of world civilization can be traced to the Indus Valley cradle, where brilliant and original thinkers made groundbreaking discoveries. The history of these discoveries is recorded in the vast Sanskrit literature. In this study, author M. K. Agarwal explores the cultural and historical significance of the region. He explores Indus Valley culture, which encouraged creative thought as opposed to the Abrahamic faiths, which herded followers into dogmatic thinking. He holds that these religions prospered because of their unfettered hatred of the Vedic-Hindu-Buddhist peoples, who were demonized as pagans to be murdered, tortured, raped, enslaved, and robbed. He also considers the achievements of that culture, such as the creation of the most affluent, most scientifically advanced, and most spiritual of all societies, with archeological moorings that can be traced back to 8000 BC. No other region can even come close to transforming people and culture like the Indus Valley, but the world's Vedic roots have been ignored, shunned, and covered up. Uncover the history that has been lost and develop a deeper appreciation for the true cradle of human civilization with The Vedic Core of Human History.
The origin of world civilization can be traced to the Sindhu and Sarasvati river valleys (located in present-day Pakistan) as early as 8,000 BC. Here, innovation and originality in every aspect of human endeavor, from mathematics and science to art and sports, flourished. Yet the importance of this civilization, known as the Vedic period, has been deliberately downplayed. Thoroughly researched and including an extensive bibliography, From Bharata to India rectifies this mistake in the perspective of world history and seeks to offer a comprehensive reference source. Author M. K. Agarwal shows how this early culture, where ideation by enlightened philosopher Brahmin kings, brought material and spiritual wealth that was to remain unchallenged until the colonial era. This Vedic-Hindu-Buddhist legacy subsequently influenced peoples and paradigms around the globe, ushering in an era of peace and plenty thousands of years before the Europeans. By using original sources in Sanskirt as well as regional literature, Agarwal compares corresponding situations in other civilizations within the context of their own literary traditions and records to prove that Bharata forms the basis of world civilization. This is in direct contrast to the "Greek or Arab miracle" hypothesis put forth by numerous scholars. The first of two volumes in this series, From Bharata to India offers a fascinating, in-depth glimpse into ancient India's contribution to the modern world.
The first comprehensive inquiry into the origin and growth of regional language cinema in India, this book traces the development of Kannada cinema from the 1940s to the new millennium. Focusing on the role regional language cinema plays, the book examines the conflict between the 'region' and the 'nation' in the regional consciousness. Raghavendra traces the shape of Kannada cinema to its origins in a princely state under indirect British rule and inquires into the effect of the linguistic reorganization of the states in the 1950s upon the regional identity. Exploring the influence of national developments—from the ascendancy of Indira Gandhi in the 1960s to economic liberalization in the 1990s—on regional identity, the book provides first-time assessments of the Kannada star Rajkumar as a regional icon and the changing meaning of Bangalore city to the Kannada-speaking public.
This volume examines the idea of India as it emerges in the writing of its anglophone elite, post-2000. Drawing on a variety of genres, including fiction, histories, non-fiction assessments – economic, political, and business – travel accounts, and so on, this book maps the explosion of English-language writing in India after the economic liberalization and points to the nation’s sense of its growing importance as a producer of culture. From Ramachandra Guha to William Dalrymple, from Arundhati Roy to Pankaj Mishra, from Jhumpa Lahiri to Amitav Ghosh, from Amartya Sen to Gurcharan Das, from Barkha Dutt to Tarun Tejpal, this investigation takes us from aesthetic imaginings of the nation to its fractured political fault lines, the ideological predispositions of the writers often pointing to an asymmetrically constituted India. A major intervention on how postcolonial India is written about and imagined in the anglophone world, this book will be of great interest to scholars and researchers of cultural studies, literature, history, and South Asian studies. It will also be of interest to general readers with an inclination towards India and Indian writing.
This original book examines how investment theory and regulatory constraints are linked to the professional processes of portfolio investments, and how the principles of Islam as defined by sharia fit into these processes. It also explores the measures required to create and grow a global Islamic asset management industry.
Contents: Gender Dimension in Economic Reform Programmes, Gender Related Issues of Urban Informal Labour Market, Gender Discrimination and Poverty, Women s Participation in Rural Non-Farm Employment, Factors Influencing the Participation of Females in RNFE, Women in Farm and Non-Farm Employment in Tirunelveli District, Tamil Nadu, Employment of Women in the Farm and Non-farm Sector in Goa, Women Enterprises in the Informal Sector in Punjab, Globalisation and Empowerment of Women, Need for Empowerment of Tribal Women, Endowment, Entitlement and Empowerment, Information Economy and Empowerment of Women, Views and Perceptions of DWCRA Beneficiaries, Empowerment of Women Through DWCRA Programme, Empowerment of Women, Welfare and Empowerment of Women in India, Conditions of Scheduled Caste Women in Social Sector, Strategies for Empowerment of Women in India, Problems of Girl Child Labour in India, Women Empowerment.
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