Greetings from Ghana is a comical tale set in the city of Accra in 2002. Inspired by real life events this autobiographical novel is an action packed adventure of endless mishaps and mayhem. The story begins in the English countryside from where M. J. Poynter takes the reader on a rip-roaring journey into Ghana and through the bustling streets of Accra. Set in a tropical paradise under the blazing heat of the African sun, the author travels around the affluent suburbs, along the highways and into the citys red-light districts. Here he meets an array of colourful characters who add to the storys sense of mystery and intrigue. The authors use of vivid description captures the vibrancy of African life and depicts the trials and tribulations which many of its people face. Told through a series of amusing anecdotes, Greetings from Ghana is an inventive tale which brings the city of Accra to life!
Middleburg is a coming of age memoir recollecting the authors childhood experiences of growing up in a small town in apartheid South Africa. M. J. Poynter provides a scathing attack of the apartheid regime as seen from the perspective of an English immigrant who finds himself growing up in a culture of conflicting values. The novel breaks new ground in terms of providing an examination of oppression from the perspective of a white minority. Here the instruments of apartheid are viewed from the experiences of someone who is not segregated in terms of race but who is excluded by nationality and culture. Told through a series of amusing anecdotes the novel documents many of the events taking place in South Africa during the 1980s and provides an insightful observation of the popular culture relating to that period. His recollection of events captures a sense of morbid nostalgia in which themes of horror are contrasted with images of the comic and the bizarre. Set against a backdrop of brutal oppression this rights of passage demonstrates how the human spirit can at least find the resolve to laugh in the face of adversity!
Beatnik is a bohemian memoir set in the city of Durban in 1990. M. J. Poynter is a young college student immersed in the vibrant world of performing arts. Under the bright lights of the theatre the author spends his time designing sets and writing poetry. But offstage his carefree life as a beatnik is about to end. Nelson Mandela has just been released from prison and South Africa is on the cusp of political change. Set in a coastal city overlooking the Indian Ocean, Beatnik follows the exploits of four young students who see the need for political reform but who fear the prospect of an ANC government. Told through a series of amusing anecdotes, the author provides an insightful commentary of political events, captures the pop culture of the 1990s, and provides a creative outlet for some of his poems. Set against a backdrop of township violence and instability, M. J. Poynter recollects the final years of apartheid and the end of white minority rule.
An updated edition of the legal art classic. Legal Guide for the Visual Artist is a classic guide for artists. This sixth edition is completely revised and updated to provide an in-depth view of the legal issues facing the visual artist today and provides practical legal guidance for any visual artist involved with creative work. It has been over twelve years since the fifth edition was published, and so much has changed in the world since that time, especially in the law and artists’ legal rights and obligations. This edition has been updated for both a new generation of visual artists and for those who have purchased earlier editions. Among the many new topics covered in this comprehensive guide are: copyright fair use transformative rights; recognition of the rights of temporal street art in the Five Pointz VARA case; the demise of California’s Resale Royalty statute; NFTs; detailed coverage of the myriad developments in copyright (including online copyright registration procedures and use of art on the Internet); changes in laws protecting artists in artist-gallery relationships are explained in depth; scope of First Amendment protections for graffiti art and the sale of art in public spaces; detailed as well as new cases dealing with art and privacy; and a model contract for Web site design and much more. The book also covers copyrights, moral rights, contracts, licensing, sales, special risks and protections for art and artists, book publishing, video and multimedia works, leases, taxation, estate planning, museums, collecting, grants, and how to find the best professional advisers and attorneys. In addition, the book suggests basic strategies for negotiation, gives information to help with further action, contains many sample legal forms and contracts, and shows how to locate artists' groups and Volunteer Lawyers for the Arts organizations. Legal Guide for the Visual Artist is a must-have for any visual artist hoping to share, sell, display, or publish their art.
It is the year 2047. When a huge 110 mile wide asteroid hurtling towards Earth is discovered by Eddie Thompson, the governments of the time realize the devastating implications for the future of mankind. They put their differences aside to work together in secret, trying to devise a means to remove the threat of this asteroid, but also a means to escape Earth should their best efforts fail. A colonizer ship is constructed in out of sight of the public behind the moon, and no expenses are spared. The last nuclear warheads are placed on ballistic missiles and launched to either deflect or destroy the asteroid named Derak but in the end their plans fails miserably and in 2054 it crashes into India, ending all life. Nothing survives the apocalyptic disaster. But not before a hundred and forty thousand carefully selected people escape on the first interstellar ship ever built the Genesis and head towards a known Earth like planet discovered earlier around a far away star. In Genesis, the last survivors of humanity travel for sixty years at near light speed and in deep sleep until they arrive at the new planetary system of 10 Tauri, where they find against all odds a new Earth teeming with life, and here they take on a fantastic adventure of colonizing this new world, set in a Jurassic type era. When one of the landing shuttles crash in a remote jungle, their survival is complicated by the discovery of two primitive civilizations at war
Beatnik is a bohemian memoir set in the city of Durban in 1990. M. J. Poynter is a young college student immersed in the vibrant world of performing arts. Under the bright lights of the theatre the author spends his time designing sets and writing poetry. But offstage his carefree life as a beatnik is about to end. Nelson Mandela has just been released from prison and South Africa is on the cusp of political change. Set in a coastal city overlooking the Indian Ocean, Beatnik follows the exploits of four young students who see the need for political reform but who fear the prospect of an ANC government. Told through a series of amusing anecdotes, the author provides an insightful commentary of political events, captures the pop culture of the 1990s, and provides a creative outlet for some of his poems. Set against a backdrop of township violence and instability, M. J. Poynter recollects the final years of apartheid and the end of white minority rule.
Middleburg is a coming of age memoir recollecting the author's childhood experiences of growing up in a small town in apartheid South Africa. M. J. Poynter provides a scathing attack of the apartheid regime as seen from the perspective of an English immigrant who finds himself growing up in a culture of conflicting values. The novel breaks new ground in terms of providing an examination of oppression from the perspective of a white minority. Here the instruments of apartheid are viewed from the experiences of someone who is not segregated in terms of race but who is excluded by nationality and culture. Told through a series of amusing anecdotes the novel documents many of the events taking place in South Africa during the 1980's and provides an insightful observation of the popular culture relating to that period. His recollection of events captures a sense of morbid nostalgia in which themes of horror are contrasted with images of the comic and the bizarre. Set against a backdrop of brutal oppression this "rites of passage" demonstrates how the human spirit can at least find the resolve to laugh in the face of adversity!
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