Byline anthologises M.J. Akbar's finest writings over the last decade, bringing together essays that reflect the author's versatility and range. The book is divided into five seamless sections, each with its own identity, woven together by M.J. Akbar's delectably informal prose. 'Travel' is the first section in which the author shares his passion for history and the occasional fable, the obscure detail, the glorious and the ludicrous. This is followed by 'Politics and History' in which the reader is provided a view of some events and people in the recent past with all the quirks and whims that characterise the great as well as the mundane. The reader then moves on to 'Sidelines' (those delightfully off-centre pieces). M.J. Akbar says in an essay in this section: "The train of thought has moved. But that is the way with trains. They must travel." 'Memories' is the most personal and autobiographical part of the entire selection, mixing regret, nostalgia and deeply felt sorrow for the friends and times gone forever. Byline ends with a short section entitled 'On a Personal Note' in which James Bond must live to die another day, The Telegraph has to learn to live beyond the age of twenty and Dev Anand remains young forever.
“Among many recent books on Pakistan, Mr. Akbar’s stands out….A fine and detailed history of Indian Muslim anger and insecurity.” —The Economist In Tinderbox, India’s leading journalist delivers a fascinating narrative history of Pakistan, chronicling the conflict between Muslim and Hindu cultures in South Asia and describing the role that their relationship has played in defining both the country and the region. Editorial director of India Today and editor of the Sunday Guardian, M. J. Akbar gives readers an unprecedented look at Pakistan past and present. Panoramic in scope but specific in detail, with rich portraits of the central figures and events that have defined the nation’s history, Ackbar’s Tinderbox tells the Pakistanian story from the Middle Ages to the present, puts the Taliban and its place within modern Islam into a meaningful context, and diagnoses where the country is headed in the 21st century.
A Mirror to Power takes a sharp look across the wide horizon of the past decade, a time when reputations were wrecked on a high-velocity rollercoaster and events became a jamboree instead of a procession. This tumbledown history of corruption, terrorism, justice delayed, rights denied and governance betrayed still left enough gaps for celebration of laughter in areas outside politics. The cast is extraordinary: from the founding fathers of our partitioned subcontinent to those shaping its future today. This book is especially distinctive because of M.J. Akbar's unerring eye for underlying causes and potential consequences that bookend current events and a prose style that conveys serious thought in lucid sentences and succinct paragraphs. The pieces are on subjects as diverse as politics, cricket, cinema stars, the lost art of reading and the joys of trash, besides long, elegant essays on the history of a community seen through the genius of its poets and the trial of Bahadur Shah Zafar. This is an indispensable introduction to what promises to be an Indian century.
In July 1765 Robert Clive, in a letter to Sir Francis Sykes, compared Gomorrah favourably to Calcutta, then capital of British India. He wrote: 'I will pronounce Calcutta to be one of the most wicked places in the Universe.' Drawing upon the letters, memoirs and journals of traders, travellers, bureaucrats, officials, officers and the occasional bishop, Doolally Sahib and the Black Zamindar is a chronicle of racial relations between Indians and their last foreign invaders, sometimes infuriating but always compelling. A multitude of vignettes, combined with insight and analysis, reveal the deeply ingrained conviction of 'white superiority' that shaped this history. How deep this conviction was is best illustrated by the fact that the British abandoned a large community of their own children because they were born of Indian mothers. The British took pride in being outsiders, even as their exploitative revenue policy turned periodic drought and famine into horrific catastrophes, killing impoverished Indians in millions. There were also marvellous and heart-warming exceptions in this extraordinary panorama, people who transcended racial prejudice and served as a reminder of what might have been had the British made India a second home and merged with its culture instead of treating it as a fortune-hunter's turf. The power was indisputable-the British had lost just one out of 18 wars between 1757 and 1857. Defeated repeatedly on the battlefield, Indians found innovative and amusing ways of giving expression to resentment in household skirmishes, social mores and economic subversion. When Indians tried to imitate the sahibs, they turned into caricatures; when they absorbed the best that the British brought with them, the confluence was positive and productive. But for the most part, subject and ruler lived parallel lives. From the celebrated writer of the bestselling Gandhi's Hinduism: the Struggle Against Jinnah's Islam comes this extensively researched and utterly engrossing book, which is easy to pick up and difficult to put down.
Gandhi, a devout Hindu, believed faith could nurture the civilizational harmony of India, a land where every religion had flourished. Jinnah, a political Muslim rather than a practicing believer, was determined to carve up a syncretic subcontinent in the name of Islam. His confidence came from a wartime deal with Britain, embodied in the 'August Offer' of 1940. Gandhi's strength lay in ideological commitment which was, in the end, ravaged by the communal violence that engineered partition. The price of this epic confrontation, paid by the people, has stretched into generations. M.J. Akbar's book, meticulously researched from original sources, reveals the astonishing blunders, lapses and conscious chicanery that permeated the politics of seven explosive years between 1940 and 1947. Facts from the archives challenge the conventional narrative, and disturb the conspiratorial silence used to protect the image of famous icons. Gandhi's Hinduism: The Struggle Against Jinnah's Islam delves into both the ideology and the personality of those who shaped the fate of a region between Iran and Burma. It is essential reading for anyone interested in modern Indian history, and the past as a prelude to the future.
Mohandas Karamchand Gandhi, justly venerated as a Mahatma, dismantled the mightiest empire in world history through the inspirational power of three pivotal mass campaigns across two decades. In 1920 Gandhi liberated Indians from fear through the unprecedented mass mobilization of the non-cooperation movement. In 1930 he turned a pinch of salt into a metaphor for the punitive, heartless colonial exploitation of the impoverished. The 1942 call to 'Quit India' sent a final, unambiguous message to foreign overlords: Indians would prefer to die rather than live in British fetters. Once Gandhi had unchained India, history could no longer remain dormant. Akbar draws on historical archives and contemporary narratives to vividly depict the mass ferment and individual protest that swept across the subcontinent. The combination of meticulous scholarship with riveting storytelling, make Gandhi in Three Campaigns an unmissable fresh portrait of an icon and a time.
M.J. Akbar embarks on a historical whodunnit to trace the journey of an idea, and the events, people, circumstances and mindset that divided India. The investigation spans a thousand years, and features an extraordinary cast: visionaries, opportunists, statesmen, tyrants, plunderers, generals, and an unusual collection of theologians, beginning with Shah Waliullah who created a 'theory of distance' to protect 'Islamic identity' from Hindus and Hinduism. Akbar brings an impressive array of research, perception and analysis to solve this puzzle, writing the story in a fluent, engaging style that makes a difficult subject deceptively accessible. There could be no better guide to the subcontinent's past, and a glimpse into its future.
From Muhammed to the Ottoman empires and the modern struggle for Palestine, Akbar's story explains how Jihad thrives on complex and shifting notions of persecution, victory and sacrifice and the Muslim control over this phenomenon.
MJ Akbar is among those who have made a significant impact on Indian society by their writing, whether as authors or editors. Founder and Editor-in-Chief of the seminal newsmagazine, Sunday, in 1976 and The Telegraph in 1982, he revolutionized Indian journalism in the 1970s and 80s. In the 1990s he launched The Asian Age, a multi-edition daily that once again had substantive impact on the profession. He has also served as the Editorial Director of India Today, Headlines Today and as the editor of the Deccan Chronicle and the Sunday Guardian. MJ, as he is popularly known, first entered public life in 1989, when he was elected to the Lok Sabha. He went back to media in 1993 and returned to the political area in 2014, when he joined the Bharatiya Janata Party (BJP) and became the party’s national spokesperson during the 2014 campaign led by Prime Minister Narendra Modi. In July 2016, he was named the Minister of State for External Affairs by Prime Minister Modi. His seven books have achieved great international acclaim: India: The Siege Within; Nehru: The Making of India; Riot-after-Riot; Kashmir: Behind the Vale; The Shade of Swords: Jihad and the Conflict between Islam and Christianity, Tinderbox: The Past and Future of Pakistan and Blood Brothers, his only work of fiction. In addition, there have been four collections of his columns, reportage and essays.
MJ Akbar is among those who have made a significant impact on Indian society by their writing, whether as authors or editors. Founder and Editor-in-Chief of the seminal newsmagazine, Sunday, in 1976 and The Telegraph in 1982, he revolutionized Indian journalism in the 1970s and 80s. In the 1990s he launched The Asian Age, a multi-edition daily that once again had substantive impact on the profession. He has also served as the Editorial Director of India Today, Headlines Today and as the editor of the Deccan Chronicle and the Sunday Guardian. MJ, as he is popularly known, first entered public life in 1989, when he was elected to the Lok Sabha. He went back to media in 1993 and returned to the political area in 2014, when he joined the Bharatiya Janata Party (BJP) and became the party’s national spokesperson during the 2014 campaign led by Prime Minister Narendra Modi. In July 2016, he was named the Minister of State for External Affairs by Prime Minister Modi. His seven books have achieved great international acclaim: India: The Siege Within; Nehru: The Making of India; Riot-after-Riot; Kashmir: Behind the Vale; The Shade of Swords: Jihad and the Conflict between Islam and Christianity, Tinderbox: The Past and Future of Pakistan and Blood Brothers, his only work of fiction. In addition, there have been four collections of his columns, reportage and essays.
Blood Brothers is M.J. Akbar's amazing story of three generations of a Muslim family - based on his own - and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign'world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents - conversion, circumcision, the arrival of the plague of electricity - and a fascinating array of characters - the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet- teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala - interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.
Have Pen, Will Travel is a highly engaging collection of reportage and travel pieces that appeared originally in leading journalist and author M.J. Akbar’s column, Byline. The intrepid author ambles – or sometimes jogs – through Africa, America, Asia and of course the innumerable corners of India to record an engrossing mix of piquant observation, geography and history. With a keen eye, deft insight and wit, Akbar assembles a rich mosaic of a world that enlightens and entertains.
The Shade of Swords unwraps two hundred years of India's history, focusing on the inter-communal, sectarian strife that has so blighted the country and the lives of its peoples. The Hindu-Muslim divide, like sectarianism in Northern Ireland, is seen by many both inside and outside India as an interminable and accepted fact of life. It has led to massacres, political assassinations, to the destruction of mosques (most provocatively the Barbi mosque in 1992) and alarming nuclear stand-offs between India and Pakistan.
This book discovers the reasons behind communal and caste violence that have taken place in India after Partition. M.J. Akbar's journalist's eye for the revealing instance as also a historian's sense of the deeper treds, resulting in an illuminating study of the violence on the surface and beneath the land of Gandhi. A timely collection of reports of violence in a land formally pledged to the Mahatma's philosophy of non-violence.
Byline anthologises M.J. Akbar's finest writings over the last decade, bringing together essays that reflect the author's versatility and range. The book is divided into five seamless sections, each with its own identity, woven together by M.J. Akbar's delectably informal prose. 'Travel' is the first section in which the author shares his passion for history and the occasional fable, the obscure detail, the glorious and the ludicrous. This is followed by 'Politics and History' in which the reader is provided a view of some events and people in the recent past with all the quirks and whims that characterise the great as well as the mundane. The reader then moves on to 'Sidelines' (those delightfully off-centre pieces). M.J. Akbar says in an essay in this section: "The train of thought has moved. But that is the way with trains. They must travel." 'Memories' is the most personal and autobiographical part of the entire selection, mixing regret, nostalgia and deeply felt sorrow for the friends and times gone forever. Byline ends with a short section entitled 'On a Personal Note' in which James Bond must live to die another day, The Telegraph has to learn to live beyond the age of twenty and Dev Anand remains young forever.
Mohandas Karamchand Gandhi, justly venerated as a Mahatma, dismantled the mightiest empire in world history through the inspirational power of three pivotal mass campaigns across two decades. In 1920 Gandhi liberated Indians from fear through the unprecedented mass mobilization of the non-cooperation movement. In 1930 he turned a pinch of salt into a metaphor for the punitive, heartless colonial exploitation of the impoverished. The 1942 call to 'Quit India' sent a final, unambiguous message to foreign overlords: Indians would prefer to die rather than live in British fetters. Once Gandhi had unchained India, history could no longer remain dormant. Akbar draws on historical archives and contemporary narratives to vividly depict the mass ferment and individual protest that swept across the subcontinent. The combination of meticulous scholarship with riveting storytelling, make Gandhi in Three Campaigns an unmissable fresh portrait of an icon and a time.
MJ Akbar is among those who have made a significant impact on Indian society by their writing, whether as authors or editors. Founder and Editor-in-Chief of the seminal newsmagazine, Sunday, in 1976 and The Telegraph in 1982, he revolutionized Indian journalism in the 1970s and 80s. In the 1990s he launched The Asian Age, a multi-edition daily that once again had substantive impact on the profession. He has also served as the Editorial Director of India Today, Headlines Today and as the editor of the Deccan Chronicle and the Sunday Guardian. MJ, as he is popularly known, first entered public life in 1989, when he was elected to the Lok Sabha. He went back to media in 1993 and returned to the political area in 2014, when he joined the Bharatiya Janata Party (BJP) and became the party’s national spokesperson during the 2014 campaign led by Prime Minister Narendra Modi. In July 2016, he was named the Minister of State for External Affairs by Prime Minister Modi. His seven books have achieved great international acclaim: India: The Siege Within; Nehru: The Making of India; Riot-after-Riot; Kashmir: Behind the Vale; The Shade of Swords: Jihad and the Conflict between Islam and Christianity, Tinderbox: The Past and Future of Pakistan and Blood Brothers, his only work of fiction. In addition, there have been four collections of his columns, reportage and essays.
The recent revival of interest in the Muslim world has generated numerous studies of modern Islam, most of them focusing on the Sunni majority. Shi'ism, an often stigmatized minority branch of Islam, has been discussed mainly in connection with Iran. Yet Shi'i movements have been extraordinarily effective in creating political strategies that have
Over the past decade Iranian films have received enormous international attention, garnering both critical praise and popular success. Combining his extensive ethnographic experience in Iran and his broad command of critical theory, Michael M. J. Fischer argues that the widespread appeal of Iranian cinema is based in a poetics that speaks not only to Iran’s domestic cultural politics but also to the more general ethical dilemmas of a world simultaneously torn apart and pushed together. Approaching film as a tool for anthropological analysis, he illuminates how Iranian filmmakers have incorporated and remade the rich traditions of oral, literary, and visual media in Persian culture. Fischer reveals how the distinctive expressive idiom emerging in contemporary Iranian film reworks Persian imagery that has itself been in dialogue with other cultures since the time of Zoroaster and ancient Greece. He examines a range of narrative influences on this expressive idiom and imagery, including Zoroastrian ritual as it is practiced in Iran, North America, and India; the mythic stories, moral lessons, and historical figures written about in Iran’s national epic, the Shahnameh; the dreamlike allegorical world of Persian surrealism exemplified in Sadeq Hedayat’s 1939 novella The Blind Owl; and the politically charged films of the 1960s and 1970s. Fischer contends that by combining Persian traditions with cosmopolitan influences, contemporary Iranian filmmakers—many of whom studied in Europe and America—provide audiences around the world with new modes of accessing ethical and political experiences.
From Muhammed to the Ottoman empires and the modern struggle for Palestine, Akbar's story explains how Jihad thrives on complex and shifting notions of persecution, victory and sacrifice and the Muslim control over this phenomenon.
In July 1765 Robert Clive, in a letter to Sir Francis Sykes, compared Gomorrah favourably to Calcutta, then capital of British India. He wrote: 'I will pronounce Calcutta to be one of the most wicked places in the Universe.' Drawing upon the letters, memoirs and journals of traders, travellers, bureaucrats, officials, officers and the occasional bishop, Doolally Sahib and the Black Zamindar is a chronicle of racial relations between Indians and their last foreign invaders, sometimes infuriating but always compelling. A multitude of vignettes, combined with insight and analysis, reveal the deeply ingrained conviction of 'white superiority' that shaped this history. How deep this conviction was is best illustrated by the fact that the British abandoned a large community of their own children because they were born of Indian mothers. The British took pride in being outsiders, even as their exploitative revenue policy turned periodic drought and famine into horrific catastrophes, killing impoverished Indians in millions. There were also marvellous and heart-warming exceptions in this extraordinary panorama, people who transcended racial prejudice and served as a reminder of what might have been had the British made India a second home and merged with its culture instead of treating it as a fortune-hunter's turf. The power was indisputable-the British had lost just one out of 18 wars between 1757 and 1857. Defeated repeatedly on the battlefield, Indians found innovative and amusing ways of giving expression to resentment in household skirmishes, social mores and economic subversion. When Indians tried to imitate the sahibs, they turned into caricatures; when they absorbed the best that the British brought with them, the confluence was positive and productive. But for the most part, subject and ruler lived parallel lives. From the celebrated writer of the bestselling Gandhi's Hinduism: the Struggle Against Jinnah's Islam comes this extensively researched and utterly engrossing book, which is easy to pick up and difficult to put down.
MJ Akbar is among those who have made a significant impact on Indian society by their writing, whether as authors or editors. Founder and Editor-in-Chief of the seminal newsmagazine, Sunday, in 1976 and The Telegraph in 1982, he revolutionized Indian journalism in the 1970s and 80s. In the 1990s he launched The Asian Age, a multi-edition daily that once again had substantive impact on the profession. He has also served as the Editorial Director of India Today, Headlines Today and as the editor of the Deccan Chronicle and the Sunday Guardian. MJ, as he is popularly known, first entered public life in 1989, when he was elected to the Lok Sabha. He went back to media in 1993 and returned to the political area in 2014, when he joined the Bharatiya Janata Party (BJP) and became the party’s national spokesperson during the 2014 campaign led by Prime Minister Narendra Modi. In July 2016, he was named the Minister of State for External Affairs by Prime Minister Modi. His seven books have achieved great international acclaim: India: The Siege Within; Nehru: The Making of India; Riot-after-Riot; Kashmir: Behind the Vale; The Shade of Swords: Jihad and the Conflict between Islam and Christianity, Tinderbox: The Past and Future of Pakistan and Blood Brothers, his only work of fiction. In addition, there have been four collections of his columns, reportage and essays.
This book deals with the history of pre-Islamic Arab society and the emergence of Islam, as reflected in hadith, adab, historical, genealogical and exegetical literature. Among the themes discussed are the ethnic composition of the population of Mecca, the evolving relationship between the nascent state in Medina and Muslim religious ideas, as well as some aspects of early Muslim expansion. Other articles deal with Jahili tribal groups and their contribution to emerging Islam. An extensive article is devoted to Adam as a great herald and predecessor of Muhammad.
In a world of multinational commerce, satellite broadcasting, migration, terrorism, and global arms dealing, what is said and how it is said in one society can no longer be isolated from what is said and how it is said in another. Debating Muslims focuses on Iranian culture, Shi'ite Islam, and Iranians in the United States, offering an experiment in postmodern ethnography and an invitation to think in a multifaceted way about Islam in the contemporary world.
Blood Brothers is M.J. Akbar's amazing story of three generations of a Muslim family - based on his own - and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign'world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents - conversion, circumcision, the arrival of the plague of electricity - and a fascinating array of characters - the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet- teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala - interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.
Unlike much of the instant analysis that appeared at the time of the Iranian revolution, Iran: From Religious Dispute to Revolution is based upon extensive fieldwork carried out in Iran. Michael M. J. Fischer draws upon his rich experience with the mullahs and their students in the holy city of Qum, composing a picture of Iranian society from the inside—the lives of ordinary people, the way that each class interprets Islam, and the role of religion and religious education in the culture. Fischer’s book, with its new introduction updating arguments for the post-Revolutionary period, brings a dynamic view of a society undergoing metamorphosis, which remains fundamental to understanding Iranian society in the early twenty-first century.
This series for Key Stage 3 mathematics has been written to match the Framework for teaching mathematics. Comprising parallel resources for each year and covering all ability levels, it provides a consistent but fully differentiated approach.
Have Pen, Will Travel is a highly engaging collection of reportage and travel pieces that appeared originally in leading journalist and author M.J. Akbar’s column, Byline. The intrepid author ambles – or sometimes jogs – through Africa, America, Asia and of course the innumerable corners of India to record an engrossing mix of piquant observation, geography and history. With a keen eye, deft insight and wit, Akbar assembles a rich mosaic of a world that enlightens and entertains.
In Anthropological Futures, Michael M. J. Fischer explores the uses of anthropology as a mode of philosophical inquiry, an evolving academic discipline, and a means for explicating the complex and shifting interweaving of human bonds and social interactions on a global level. Through linked essays, which are both speculative and experimental, Fischer seeks to break new ground for anthropology by illuminating the field’s broad analytical capacity and its attentiveness to emergent cultural systems. Fischer is particularly concerned with cultural anthropology’s interactions with science studies, and throughout the book he investigates how emerging knowledge formations in molecular biology, environmental studies, computer science, and bioengineering are transforming some of anthropology’s key concepts including nature, culture, personhood, and the body. In an essay on culture, he uses the science studies paradigm of “experimental systems” to consider how the social scientific notion of culture has evolved as an analytical tool since the nineteenth century. Charting anthropology’s role in understanding and analyzing the production of knowledge within the sciences since the 1990s, he highlights anthropology’s aptitude for tracing the transnational collaborations and multisited networks that constitute contemporary scientific practice. Fischer investigates changing ideas about cultural inscription on the human body in a world where genetic engineering, robotics, and cybernetics are constantly redefining our understanding of biology. In the final essay, Fischer turns to Kant’s philosophical anthropology to reassess the object of study for contemporary anthropology and to reassert the field’s primacy for answering the largest questions about human beings, societies, culture, and our interactions with the world around us. In Anthropological Futures, Fischer continues to advance what Clifford Geertz, in reviewing Fischer’s earlier book Emergent Forms of Life and the Anthropological Voice, called “a broad new agenda for cultural description and political critique.”
In this second collection of his articles, Professor Kister has continued his investigation into the social and religious history of Arabia. The papers are based essentially on a study of the traditions preserved in the early Arabic sources, many unpublished. As the author demonstrates, these sources represent an invaluable mine of information on the history and religious life of pre-Islamic Arabia and on the transformations that affected customs, law and beliefs after the coming of Islam. Particular articles also deal with such questions as the relations and confrontation between nascent Islam and Judaism and Christianity, the contacts between tribal society and sedentary population, and the emergence of new popular customs and beliefs. Dans ce second receuil d’articles, le professeur Kister, poursuit ses recherches sur l’histoire sociale et religieuse de l’Arabie. Les essais sont essentiellement basés sur une etude des traditions conservées par les premieres sources arabes, dont beaucoup n’ont jamais été publiées. Ainsi que l’auteur le démontre, ces sources représentent une mine d’information inestimable sur la vie religieuse et l’histoire de l’Arabie pré-islamique et sur les changements qui affectèrent coutumes,lois et croyances après l’avenement de l’Islam. Certains articles , traitent plus particulierement, de sujets, tels les rapports et les affrontements entre la force naissante de l’Islam et le Judaïsme et Christianisme pré-existants; ou encore des contacts entre société tribale et population sédentaire, ainsi que de l’emergence de nouvelles coutumes et croyances poulaires.
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