Like the biblical Job, many people suffer under the silence of God. This book shows that it is enlightening to retrace the origins of the concept of divine speech and silence in the ancient Near East and Greece.
Series: Pericope, 2 The Book of Ruth reads like a novel. Scholars agree on the literary virtuosity of its author, but are deeply divided about the way she or he has structured the work. For the first time ever, The Structure of the Book of Ruth makes use of hitherto neglected evidence from ancient Hebrew, Greek, Syriac and Latin manuscripts in an attempt to create a more objective basis for discussions about the book’s structure. This type of structural analysis is a powerful new tool in the hands of Bible scholars. Structural irregularities appear to elucidate the redactional history of the Book of Ruth. Structural breaks and links appear to function as markers indicating a certain understanding of the text to the exclusion of other possibilities. The question of divine justice comes out as the central theme of the book. Is it justified to accuse God of injustice, as Naomi did? The time when this problem was most virulent was the exilic and post-exilic period. Naomi appears to stand for the old Zion, the embittered widow of Lamentations 1. Ruth is a personification of the new Zion, the bride whom her divine husband will marry again. The remarkable openness to an active role of foreigners and women in the restoration of Israel is a deliberate protest against the draconic measures of Ezra and Nehemiah against marriages with foreign women.
In this volume selected papers from several Pericope meetings have been combined into a thematic volume, dealing with the method of unit delimitation. A hitherto unnoticed Tibero-Palestinian manuscript from Paris is discussed, as well as the text divisions in the Leviticus and Joshua Codices from the Schoyen collection and a fifth-century lectionary. The volume closes with a proposal for a new polyglot Bible, containing data with regard to unit delimitation from our traditions, Hebrew, Greek, Syriac and Latin. The Pericope Series aims at making available data on unit delimitation found in biblical and related manuscripts to the scholarly world and provides a platform for evaluating this hitherto largely neglected evidence for the benefit of biblical interpretation.
Exegesis starts with the delimitation of the pericope to be interpreted. Yet the principles for selecting passages which form the part of departure for the exegete are seldom made explicit and if one compares various commentaries and Bible translations, it soon becomes apparent that this lack of methodical transparency gives rise to a lot of confusion and dissent. In this work the authors make use of text divisions found in ancient Hebrew, Greek and Syriac manuscripts of Isaiah 40-55 (Deutero-Isaiah). For the first time the poetic structure of the text is based on controllable evidence which is roughly 500-1000 years older than the medieval Masoretic manuscripts on which all modern editions are based. The results are astonishing and raise the question why this type of evidence has been largely neglected thus far.
The first volume of the new Pericope series, Delimitation Criticism contains the papers read at a workshop of the Pericope Group during the First Meeting of the European Association for Biblical Studies, held at Utrecht, The Netherlands, 6-9 August 2000. The volume highlights the importance of the long-ignored unit delimitation markers in ancient manuscripts for the interpretation of Scripture. Much of the data presented here has never been published before and opens up fresh vistas for biblical scholarship. The new series Pericope aims at providing Bible translators and exegetes with the raw data concerning unit delimitation in the ancient manuscripts of the Hebrew Bible, the Septuagint, the Peshitta and the Vulgate. It will contribute significantly to our understanding of the meaning of Scripture as it was written and understood in Antiquity. Pericope is directed by an international editorial board of distinguished specialists. The series will comprise monographs and collaborative volumes on unit delimitation in Antiquity, primarily in biblical manuscripts and lectionaries, but also in other texts relevant to biblical studies. The series will also incorporate exegetical studies which seek to demonstrate the impact of delimitation criticism on various branches of biblical scholarship. From the Contents M.C.A. Korpel - Introduction to the Series M. van Amerongen - Structuring Division Markers in Haggai R. de Hoop - Lamentations: The Qinah-Metre Questioned K.D. Jenner - The Unit Delimitation in the Syriac Text of Daniel and their Consequences for the Interpretation M.C.A. Korpel - Pericope Division in the Book of Ruth J.C. de Moor - Micah 7:1-13: The Lament of a Disillusioned Prophet J.M. Oesch - Skizze einer synchronen und diachronen Gliederungskritik im Rahmen der alttestamentlichen Textkritik J. Renkema - The Literary Structure of Obadiah P. Sanders - Ancient Colon Delimitations: 2 Samuel 22 and Psalm 18 E. Tov - The Background of the Sense Divisions in the Biblical Texts
Exegesis starts with the delimitation of the pericope to be interpreted. Yet the principles for selecting passages which form the part of departure for the exegete are seldom made explicit and if one compares various commentaries and Bible translations, it soon becomes apparent that this lack of methodical transparency gives rise to a lot of confusion and dissent. In this work the authors make use of text divisions found in ancient Hebrew, Greek and Syriac manuscripts of Isaiah 40-55 (Deutero-Isaiah). For the first time the poetic structure of the text is based on controllable evidence which is roughly 500-1000 years older than the medieval Masoretic manuscripts on which all modern editions are based. The results are astonishing and raise the question why this type of evidence has been largely neglected thus far.
The silence of God is a recurring theme in modern reflection. It is not only addressed in theology, religious studies and philosophy, but also in literary fiction, film and theatre. The authors show that the concept of a silent deity emerged in the ancient Near East (including Greece). What did the Ancients mean when they assumed that under circumstances their deities remained silent? What reasons are discernable for silence between human beings and their gods? For the first time the close interrelation between the divine and the human in the revelatory process is demonstrated here on the basis of a wealth of translated ancient texts. In an intriguing epilogue, the authors explore the theological consequences of what they have found.
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