Walt Whitman is one of the most innovative and influential American poets of the nineteenth century. Focusing on his masterpiece Leaves of Grass, this book provides a foundation for the study of Whitman as an experimental poet, a radical democrat, and a historical personality in the era of the American Civil War, the growth of the great cities, and the westward expansion of the United States. Always a controversial and important figure, Whitman continues to attract the admiration of poets, artists, critics, political activists, and readers around the world. Those studying his work for the first time will find this an invaluable book. Alongside close readings of the major texts, chapters on Whitman's biography, the history and culture of his time, and the critical reception of his work provide a comprehensive understanding of Whitman and of how he has become such a central figure in the American literary canon.
Blending memoir, cultural history, and a literary perspective, Facing It bears witness to controversies like Tellico and Chernobyl, global warming and local drought. But rather than merely drowning readers in waves of ecological angst, M. Jimmie Killingsworth seeks alternative images and episodes to invoke presence without crippling the hope for survival and sustenance in places and communities of value. In deft, highly accessible prose, Killingsworth takes the reader through a Cold-War childhood, an adolescence colored by anti-war and ecological activism, and an adulthood darkened by terrorism and climate change. Inviting us on walks through tame suburbias (riddled with environmental abuse) and wild deserts and mountains (shadowed by industrial development), he celebrates the survival of natural beauty and people living close to the earth while questioning truisms associated with both economic advancement and environmental purity. Above all, this book invites the reader to face it: to look with wide-open eyes on a new nature that will never be the same, but that continues to offer opportunities for renewal and advancement of life.
Many years ago, John Graves said goodbye to a wild river that tumbled out of the Hill Country and was forever changed by dams and people. In this book we say hello to that same river farther down its course, in the valley that carries its name. When naming the signature landscapes of Texas, if you have never said “Brazos Valley” in the same breath as “Hill Country” or “Big Bend,” this book could change your mind. In the fine, penetrating photography of D. Gentry Steele and the revealing, affectionate reflections of M. Jimmie Killingsworth, the Brazos Valley has found its champions in two adopted sons who have learned to love its quiet, uncelebrated beauty. In words and pictures, Killingsworth and Steele remind us that this valley was the birthplace of a republic, was once the agricultural heart of Texas, and was the ancestral home of a great alluvial river. Here, the Brazos is—and isn’t—John Graves’s river, the one with clear-running waters flowing beneath limestone cliffs. A little south of Waco, the river gets bigger, slower, muddier. In its middle reaches it creates a wide swath of bottomlands and prairies where, if you take the time to look, you will discover the natural virtues of this place: peaceful glens, watered forests, flowers, birds, and backyard wildlife. This book will inspire all who live and work here—and those who just visit—to see the Brazos Valley anew and form a fuller appreciation of what it offers.
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