Name on the Envelope By: Michael M. Dowd Everyone has a story and for Michael M. Dowd his story is one of discovery—about who he is, how his life began, and the many twists and turns that led him to a family he never knew he had. Like most people, he experienced his share of happiness, sadness, pain, and suffering. But unlike most people, part of Michael’s life remained a mystery. It wasn’t until he embarked on a journey to learn more about his birth mother that Michael began to realize that he spent most of life unaware that he had another family. The Name on the Envelope is about Michael’s journey to learn more about his family, but it is also about his reflections on his life and how our experiences shape who we are and who we become.
In her second book of heartwarming spiritual poems, Sandra is able to put herself in the place of some of the Biblical characters who were closest to Christ when He walked the earth. She puts herself in the very place and time before His death, during His death, and after His glorious resurrection. She is able to capture the personal relationship between them and their blessed Savior. In this book, you too will be able to experience the intense emotions of those who worshipped and adored their Lord. You will feel the pain, sorrow and grief that gripped each life. But through it all you will also experience the love, joy, and peace that filled the lives of those He touched and who, by faith, chose to believe the unbelievable! But as many as received Him, to them He gave the right to become children of God, to those who believe in His Name. John 1:12
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
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