A rich and diverse collection of stories detailing life in all its daily battles and yearnings Lynne Sharon Schwartz is a master of tone, deft at creating realistic settings and characters. In Acquainted with the Night, she unleashes sixteen wickedly smart, wholly believable short stories. In the title story, for instance, a man’s nocturnal battle against a floating globule in his eye forces him to question his very state of being. In “Mrs. Saunders Writes to the World,” an anonymous old woman attempts to force people to know her first name by writing “FRANNY” in big red letters all over her neighborhood. In another, a girl must to deal with the increasingly juvenile actions of her divorced mother. By turns darkly humorous, moving, and witty, Acquainted with the Night demonstrates Schwartz’s genius for detail.
DIVA dynamic collection of stories that portrays different generations and explores various genres with compassion and dry wit/divDIV In The Melting Pot, nothing is ever what it seems. In these short stories from critically acclaimed author Lynne Sharon Schwartz, characters grapple with the desires and needs of daily life, no matter how absurd or mundane. In the title story, a woman finally reveals her tangled family history to her widowed lover. In another tale, an ageing womanizer undergoes more than just a midlife crisis. In “So You’re Going to Have a New Body!” a woman experiences a surreal surgical sterilization./divDIV /divDIVThe Melting Pot demonstrates Schwartz’s many talents coalescing into a determined and striking whole./div
DIVRetirement doesn’t spell the end after all, in this rousing journey through loss and rebirth/divDIV Max has lived a long and fulfilling life. He and his wife were star trapeze artists and acrobats in the Brandon Brothers circus. But with her passing, he’s left alone in New York, and suffers a heart attack after a terrifying mugging. Without family to fall back on, Max is forced to leave his beloved Manhattan for a rest home in Westchester. He fears it will be the end of him—but in this stirring novel, retirement means a new beginning./divDIV /divDIVIn Westchester, Max meets Lettie, a kind widow, and the rambunctious and intelligent Alison, her daughter. And through a new gig teaching juggling and stunts at a local middle school, and new relationships with unexpected allies in the boring suburbs, Max discovers that it’s never too late to have a fresh start. /div
Ever since the explorations of Marco Polo and the travels of Montaigne, a lively dialogue has persisted about the pros and cons of travel. Lynne Sharon Schwartz joins this dialogue with a memoir that raises both serious and amusing questions about travel, using her own experiences as vivid illustrations. Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel has shaped her sensibilities from childhood through adulthood. She makes an adolescent visit to Miami Beach, where she confronts the powerful sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to startling realizations of their own. Schwartz’s personal history takes on new shapes, and her feelings about travel change as she shows us who she started out as and who she has become. Above all, this memoir exemplifies a mode of travel in and of itself: the mind on a journey or quest, pausing here and there, sometimes by design, sometimes by serendipity, lingering, occasionally backtracking, but always on the move.
Following her acclaimed Ruined by Reading, Lynne Sharon Schwartz moves from the world of books to the broader world outside, tracing the solitary self as it's shaped and defined by connections large and small. These essays move through a landscape of varied encounters that blossom into self-discovery for the reader as well as the writer. Once again, we find ourselves illuminated by Schwartz's relentless, sometimes hopeful, and always fiercely intelligent gaze.
One marvels at the force of seeing in Schwartz's No Way Out But Through and cannot help but feel a particular gratitude for her abundant humor. Go all in with these poems; you'll reap unknown rewards. She possesses a quick-witted imagination that sanctifies memories and makes room for the wondrous nature of our cosmopolitan lights." —Major Jackson
DIVThe emotionally realistic and elegant portrait of mourning in the days and months following 9/11/divDIV As Renata, a linguist for the New York City Public Library, crosses the Brooklyn Bridge on her way to work one morning, she looks up to see a flash of orange and blue. Two planes have hit the World Trade Center, and with that, her world changes entirely./divDIV /divDIVRenata’s connection to the tragedy grows deeper as her boyfriend, an overzealous social worker, begins to take care of a baby orphaned by the attacks. And then she meets a mute teenage girl in the rubble of the Twin Towers who may or may not be her long lost niece—a family connection as tenuous as it is painful. The winner of New York magazine’s Best Literary Fiction award in 2005, this novel evocatively represents the forms of grief in the wake of major trauma./div
In this collection of impeccably written essays, Schwartz tells us early on that she never thought of her life as a “continuous line” but rather a series of intertwined interrupted experiences. Hers is a life that has been bumped, tumbled, and smoothed by an endless stream of travel, fascinating people, and books: writing them, pondering them, translating them. Her essays range from musings about the art of translation, the tribulations of major surgery dissected with biting wit, a quest for recovery from the 9 /11 attacks at a music school, and hours spent with friends arguing, drinking and smoking in a neighborhood bar. Her personal narratives range from humorous childhood (an 8-year-old writer) and troubled revelations to learning to be an adult facing the difficulties of simultaneously writing and raising children. We see her as a daughter struggling to understand her parents through adolescent eyes, a mother startled at the all-consuming demands of motherhood and writing, and as an older adult grappling with mortality. Throughout, she is painfully honest, funny, and unafraid of difficult truths. Relentlessly candid, subjecting herself to her own sharp scrutiny, Schwartz is willing to confront the confusions of maturing in a changing world.
A Los Angeles Times Book Review Best Book of 1996 'Without books how could I have become myself?' In this wonderfully written meditation, Lynne Sharon Schwartz offers deeply felt insight into why we read and how what we read shapes our lives. An enchanting celebration of the printed word.
An injury at birth left Audrey with a wandering eye. Though flawed, the bad eye functions well enough to permit her an idiosyncratic view of the world, one she welcomes in the stifling postwar Brooklyn of the 1950s. During a journey to Manhattan to see a doctor about her sight, she begins to explore the sexual rites of adulthood. But can her romance last? In this beautifully observed novel, Lynne Sharon Schwartz raises themes of innocence and escape while illuminating the rich inner life of a singular girl.
The author presents intimate recollections of her life, discussing topics ranging from going to the movies as a child and her complicated relationship with her parents to her heart-valve surgery and thoughts about friendship.
The Fatigue Artist is a refreshingly candid story about life, love, and survival in the contemporary world. A writer living in New York City, Laura is overwhelmed by a mysterious lethargy and retreats to her bed where she reflects on the loves and losses of her recent past and seeks the cure to her perplexing tiredness. Fortified by the Eastern teachings of her Tai Chi instructor and the nurturing attentions of friends and a acupuncturist, Laura crawls out of her somnambulism with intelligent determination in search of peace and resurrection. The Fatigue Artist is both a moving chronicle of a woman's search for meaning and a wry depiction of modern urban life.
“A more-than-welcome return to a classic idea of the novel . . . A wonder to read” (Los Angeles Times Book Review). The field is all around us. It’s our needs and our wants. This is what George tells Lydia. A disturbance, however, is something that keeps us from grasping and attaining the things we need. Usually, we can adapt to these disturbances and move forward. But, what happens if a disturbance becomes too great to move past? In this entrancing tale of loss and understanding, acclaimed author Lynne Sharon Schwartz plots the course of a woman’s life, through the cycles of love, loss, and acceptance. Lydia’s early life is marked by calm constants: a house in Cape Cod, a philosophy group in college. These remain her touchstones as she becomes a busy wife, mother, and music teacher. But when her family’s world is suddenly shattered, she struggles to regain her equilibrium. Will she be able to find her way in such a radically altered field?
An acclaimed novelist, essayist, memoirist, and translator, Lynne Sharon Schwartz has written that she began writing "before [she] knew about the strictures of literary genres: poem, story, essay." What she wrote as a child was "poetic speculation . . . partaking of all the genres and bounded by none." It is not surprising, then, that her facility with, and love of, language and speculation are on display in her new collection of poetry, See You in the Dark. Despite her indifference to genre, Schwartz takes a profound delight in poetic forms, appropriating the sonnet, the prose poem, and the envoi. She brings an easygoing musicality to her work, which ranges from parodic translations of Verlaine to instructions for making the perfect soup to a meditation on an Ecstasy trip. No artificial line between high and low culture divides Schwartz's world: she is equally intrigued by the metaphor of gardening, the work of artist Jenny Holzer, the bandits Frank and Jesse James (maybe distant relatives of Henry and William?), and the unintentional poetry of Craigslist's "missed connection" section. Filled with wisdom, humor, and deep insight, See You in the Dark is poetry for readers not bounded by genre.
Two–Part Inventions begins when Suzanne, a concert pianist, dies suddenly of a stroke in the New York City apartment she shares with her producer husband Philip. Rather than mourn in peace, Philip becomes deeply paranoid: their life is based on a fraud and the acclaimed music the couple created is about to be exposed. Philip had built a career for his wife by altering her recordings, taking a portion of a song here and there, from recordings of other pianists. Syncing the alterations seamlessly, he created a piece of flawless music with Suzanne getting sole credit. In this urban, psychological novel, author Lynne Sharon Schwartz brilliantly guides the reader through a flawed marriage and calculated career. Beginning with Suzanne's death and moving backwards in time, Schwartz examines their life together, and her remarkable career, while contemplating the nature of truth, marriage and the pursuit of perfection.
Why is this night different from all other nights? Every year when families gather for the Passover holiday, the youngest child poses that question as part of the poetic Four Questions near the start of the Seder. The answers are no less than the story of a people bound in slavery, their suffering in a foreign land, and their ultimate liberation – the story of Passover. Here the Four Questions are presented in breathtakingly luminous paintings by Ori Sherman. Whimsical animals parade through a unique format that can be read straight through in English or turned upside down to focus on the delicate Hebrew calligraphy and ingenious split-frame pictures. Each side of the Seder table can see its own variation of the richly colored scenes as elephants eat matzoh, monkeys dip herbs into water, and lions recline in newfound freedom. Author Lynne Sharon Schwartz answers the questions with refreshing clarity, providing insight into the symbols and rituals of the holiday. Experience a glorious art book, a beautiful book for the kids who find the afikomen, and a wonderful way to experience Passover and its unique celebration of freedom.
Roy, a psychotherapist, and his first wife, Bea, a caterer, are the linchpins of an extended family dispersed throughout an apartment building on New York's Upper West Side. Around them cluster their four children with assorted friends and lovers; Roy's next two wives, one of them stolen from a neurotic parent; and Bea's lover (the Russian emigres superintendent), lesbian artist sister, and caustic mother. Blending satire and sympathy, Lynne Sharon Schwartz takes aim at contemporary social and sexual behavior as this confused but clever cast of characters, with their entanglements and betrayals, seeks love and happiness in the free- for-all nineties. Blinded by self-deception, and driven by self-gratification, they couple and uncouple as they struggle to redefine the idea of family. In the Family Way combines the frothiness and bounce of a sitcom with the literary elegance of an accomplished and wryly serious writer. Jane Austen would definitely approve.
With her new dazzling collection of short fiction Schwartz has propelled herself to the front rank of inventive short story writers such as George Sanders and David Means Her characters are indefatigable New Yorkers whose long-established routines are thwarted by a swerve of fate or a mishap or a time warp A man generously lends his car to his ex-wife and is bewildered when she neglects to return it and keeps making implausible excuses not to bring it back A neat and orderly clothing store owner is taken in and manipulated by an ailing elderly neighbor who then leaves her all earthly possessions A woman who has been left by her husband for a younger woman and forced to visit the couple in order to see her children realizes with a mixture of fascination and elation that her former husband has been physically and psychologically debilitated by his recent marriage to a much younger wife The majority of Schwartz's characters reflect her many decades of accumulating wisdom and her sharp and fascinating perspective Reflecting on the past one of her characters muses Memory is so prone to digression To sustain a logical or chronological sequence we must keep dragging our minds off their natural course like a cowboy tugging on a calf with a rope around its neck who wants to run off into the fields With this sort of nuanced thinking Schwartz's fiction brings new angles of intelligence to day-to day questions
A Los Angeles Times Book Review Best Book of 1996 'Without books how could I have become myself?' In this wonderfully written meditation, Lynne Sharon Schwartz offers deeply felt insight into why we read and how what we read shapes our lives. An enchanting celebration of the printed word.
Following her acclaimed Ruined by Reading, Lynne Sharon Schwartz moves from the world of books to the broader world outside, tracing the solitary self as it's shaped and defined by connections large and small. These essays move through a landscape of varied encounters that blossom into self-discovery for the reader as well as the writer. Once again, we find ourselves illuminated by Schwartz's relentless, sometimes hopeful, and always fiercely intelligent gaze.
An injury at birth left Audrey with a wandering eye. Though flawed, the bad eye functions well enough to permit her an idiosyncratic view of the world, one she welcomes in the stifling postwar Brooklyn of the 1950s. During a journey to Manhattan to see a doctor about her sight, she begins to explore the sexual rites of adulthood. But can her romance last? In this beautifully observed novel, Lynne Sharon Schwartz raises themes of innocence and escape while illuminating the rich inner life of a singular girl.
Everyone has a face that they show to the outside world—but our thoughts, fears, and perversions lie just beneath. “Referred pain” describes the sensation of pain, not at the actual point of injury, but somewhere else in the body. This disorientation of the senses is felt, in one way or another, by many of the characters in this collection from Lynne Sharon Schwartz, one of America’s foremost chroniclers of contemporary life. In the title novella, a son of Holocaust survivors circumvents his discomfort over his parents’ history through a Kafkaesque series of dental procedures. In another story, a professor’s sexual attraction to one of his students leads him down a twisted path of misplaced identity. Laced with Schwartz’s satirical, acidly intelligent wit, Referred Pain displays the peak of her ability.
DIVThe arithmetic of marriage is never easy to understand—as time passes, the variables constantly change/divDIV Caroline is set adrift in 1950s Rome when she meets Ivan. Though things start slowly, Ivan wins her over after a strong pursuit, and the two marry, agreeing never to inflict any “irreparable wounds.” But though Ivan proves to be a fine father, he is a distant husband, and Caroline finds herself daydreaming of other men. So as the years pass, the couple finds ways to bend but not break their cardinal rule./divDIV /divDIVRough Strife, the first novel from Lynne Sharon Schwartz, was nominated for the National Book Foundation Award. In this sensational debut, Schwartz depicts a marriage that grows painfully into the modern era, despite the changes—both political and personal—that challenge it. /div
DIVThe emotionally realistic and elegant portrait of mourning in the days and months following 9/11/divDIV As Renata, a linguist for the New York City Public Library, crosses the Brooklyn Bridge on her way to work one morning, she looks up to see a flash of orange and blue. Two planes have hit the World Trade Center, and with that, her world changes entirely./divDIV /divDIVRenata’s connection to the tragedy grows deeper as her boyfriend, an overzealous social worker, begins to take care of a baby orphaned by the attacks. And then she meets a mute teenage girl in the rubble of the Twin Towers who may or may not be her long lost niece—a family connection as tenuous as it is painful. The winner of New York magazine’s Best Literary Fiction award in 2005, this novel evocatively represents the forms of grief in the wake of major trauma./div
Ever since the explorations of Marco Polo and the travels of Montaigne, a lively dialogue has persisted about the pros and cons of travel. Lynne Sharon Schwartz joins this dialogue with a memoir that raises both serious and amusing questions about travel, using her own experiences as vivid illustrations. Not Now, Voyager takes us on a voyage of self-discovery as the author traces how travel has shaped her sensibilities from childhood through adulthood. She makes an adolescent visit to Miami Beach, where she confronts the powerful sensation of not belonging; she goes to Rome as a young woman and ponders the difference between ignorance and innocence; she ventures to Jamaica and witnesses political and social unrest; and she takes a family road trip to Montreal and watches her daughters come to startling realizations of their own. Schwartz’s personal history takes on new shapes, and her feelings about travel change as she shows us who she started out as and who she has become. Above all, this memoir exemplifies a mode of travel in and of itself: the mind on a journey or quest, pausing here and there, sometimes by design, sometimes by serendipity, lingering, occasionally backtracking, but always on the move.
Drawing on scholarly research findings, this book presents a cogent case that librarians can use to work towards prioritization of reading in libraries and in schools. Reading is more important than it has ever been—recent research on reading, such as PEW reports and Scholastic's "Kids and Family Reading Report," proves that fact. This new edition of Reading Matters provides powerful evidence that can be used to justify the establishment, maintenance, and growth of pleasure reading collections, both fiction and nonfiction, and of readers' advisory services. The authors assert that reading should be woven into the majority of library activities: reference, collection building, provision of leisure materials, readers' advisory services, storytelling and story time programs, adult literacy programs, and more. This edition also addresses emergent areas of interest, such as e-reading, e-writing, and e-publishing; multiple literacies; visual texts; the ascendancy of young adult fiction; and fan fiction. A new chapter addresses special communities of YA readers. The book will help library administrators and personnel convey the importance of reading to grant-funding agencies, stakeholders, and the public at large. LIS faculty who wish to establish and maintain courses in readers' advisory will find it of particular interest.
Award–winning novelist, poet, and essayist, Lynne Sharon Schwartz returns with what is perhaps her most personal book yet. These memoirs, gathered under the title of "Intimate Glimpses," are exactly that. Intimate recollections of her life, beginning with her serious heart–valve surgery and ranging back in time, from going to movies as a child, to her relationship with her complicated and challenging parents, her own difficulties with intimacy and anger, thoughts about long friendships, and the pure delight of grandchildren. It will surprise none of her readers that after a lifetime of playing the piano and moving from place to place for her entire adulthood, she finds a different, richer sort of fulfillment as a middle–aged woman taking African drum lessons in Manhattan. every piece in this wonderful collection is an adventure. In this her twenty–fourth book, Schwartz remains, as was said of her by Frederick Busch, "precise and unflinching." she is a writer of elegant style and captivating honesty, about herself, those around her, and the world at large. These reflections, certain to move and disturb, enlighten and entertain, affirm that Lynne Sharon Schwartz is one of the finest writers of her generation.
An acclaimed novelist, essayist, memoirist, and translator, Lynne Sharon Schwartz has written that she began writing "before [she] knew about the strictures of literary genres: poem, story, essay." What she wrote as a child was "poetic speculation . . . partaking of all the genres and bounded by none." It is not surprising, then, that her facility with, and love of, language and speculation are on display in her new collection of poetry, See You in the Dark. Despite her indifference to genre, Schwartz takes a profound delight in poetic forms, appropriating the sonnet, the prose poem, and the envoi. She brings an easygoing musicality to her work, which ranges from parodic translations of Verlaine to instructions for making the perfect soup to a meditation on an Ecstasy trip. No artificial line between high and low culture divides Schwartz's world: she is equally intrigued by the metaphor of gardening, the work of artist Jenny Holzer, the bandits Frank and Jesse James (maybe distant relatives of Henry and William?), and the unintentional poetry of Craigslist's "missed connection" section. Filled with wisdom, humor, and deep insight, See You in the Dark is poetry for readers not bounded by genre.
“A more-than-welcome return to a classic idea of the novel . . . A wonder to read” (Los Angeles Times Book Review). The field is all around us. It’s our needs and our wants. This is what George tells Lydia. A disturbance, however, is something that keeps us from grasping and attaining the things we need. Usually, we can adapt to these disturbances and move forward. But, what happens if a disturbance becomes too great to move past? In this entrancing tale of loss and understanding, acclaimed author Lynne Sharon Schwartz plots the course of a woman’s life, through the cycles of love, loss, and acceptance. Lydia’s early life is marked by calm constants: a house in Cape Cod, a philosophy group in college. These remain her touchstones as she becomes a busy wife, mother, and music teacher. But when her family’s world is suddenly shattered, she struggles to regain her equilibrium. Will she be able to find her way in such a radically altered field?
The Fatigue Artist is a refreshingly candid story about life, love, and survival in the contemporary world. A writer living in New York City, Laura is overwhelmed by a mysterious lethargy and retreats to her bed where she reflects on the loves and losses of her recent past and seeks the cure to her perplexing tiredness. Fortified by the Eastern teachings of her Tai Chi instructor and the nurturing attentions of friends and a acupuncturist, Laura crawls out of her somnambulism with intelligent determination in search of peace and resurrection. The Fatigue Artist is both a moving chronicle of a woman's search for meaning and a wry depiction of modern urban life.
DIVRetirement doesn’t spell the end after all, in this rousing journey through loss and rebirth/divDIV Max has lived a long and fulfilling life. He and his wife were star trapeze artists and acrobats in the Brandon Brothers circus. But with her passing, he’s left alone in New York, and suffers a heart attack after a terrifying mugging. Without family to fall back on, Max is forced to leave his beloved Manhattan for a rest home in Westchester. He fears it will be the end of him—but in this stirring novel, retirement means a new beginning./divDIV /divDIVIn Westchester, Max meets Lettie, a kind widow, and the rambunctious and intelligent Alison, her daughter. And through a new gig teaching juggling and stunts at a local middle school, and new relationships with unexpected allies in the boring suburbs, Max discovers that it’s never too late to have a fresh start. /div
“A grab bag of realist and experimental stories, each one a treasure . . . Wise, wry, and witty—theses stories in all their stylistic variations are perfect.” —Kirkus Reviews, starred review A man generously lends his car to his ex-wife, and is bewildered when she not only neglects to return it but makes increasingly implausible excuses for her actions. A neat and orderly clothing store owner is taken in and manipulated by an ailing elderly neighbor. A wife left by her husband for a younger woman is forced to visit the couple in order to see her children—and makes a startling realization about her former spouse. In these stories and others, including an O. Henry Award winner and a Best American Short Stories selection, National Book Award finalist Lynne Sharon Schwartz presents readers with a cast of indefatigable New Yorkers whose long-established routines are disrupted by mishaps or swerves of fate. “Meticulously crafted . . . This first-rate collection demonstrates why Schwartz remains an American literary treasure.” —Publishers Weekly
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