Lynne Haney is already an important voice in the sociology of welfare but this book marks her debut as a major figure in the sociology of punishment and the study of governmentality. Offending Women is a fascinating work that combines rich ethnographic detail with a structural account of the changing contours of contemporary governance. Its original contributions to prison ethnography, women's studies, and the sociology of the penal-welfare state will make it a reference point in each of these disciplines."--David Garland, author of The Culture of Control "Offending Women is an exemplary piece of work. Haney's writing is engaging, crisp, and smart. She brilliantly assesses the various intentions of the state and incarcerated women and clarifies how these intentions are based on orientations toward punishment and 'healing' that demand fundamental rethinking."--Rickie Solinger, author of Pregnancy and Power and co-editor of Interrupted Life: Experiences of Incarcerated Women in the United States "Lynne Haney brings together her stupendous skills as an ethnographer and her theoretical insights into how states work to explain how the treatment of imprisoned women has changed over the past decade. An altogether brilliant book."--Myra Marx Ferree, University of Wisconsin
A profound portrait of the hidden injustices that trap fathers in a cycle of punishment and debt. In the first study of its kind, sociologist Lynne Haney travels into state institutions across the country to document the experiences of the millions of fathers cycling through the criminal justice and child support systems. Prisons of Debt shows how these systems work together to create complex entanglements—rather than "piling up" in men's lives, these entanglements form feedback loops of disadvantage. The prison–child support pipeline flows in both directions, deepening parents' debt and criminal justice involvement. Through moving accounts of men struggling to be fathers from behind prison walls and under the weight of support debt, Prisons of Debt exposes how the criminalization of child support undermines the most essential of familial relationships. Haney argues that these state systems can end up producing exactly the kind of parent they fear and loathe: bitter, unreliable, and cyclical fathers. Based on observations of 1,200 child support cases and interviews with 145 indebted fathers in New York, California, and Florida, Prisons of Debt reveals the actual practices of child support adjudication and enforcement alongside the lived realities of fathers trapped in those systems. The result is a rigorously documented analysis of how poor men are too often denied their rights of citizenship and of fatherhood.
In her beautifully written, deeply researched, and elegantly argued book, Lynne Haney shows how much American policy-makers can learn from Hungary's social welfare experience. By unpacking the very different strategies that Hungary has adopted during the past half-century, Haney's account illuminates basic policy choices about how a society—any society—addresses the problems of poverty. It makes indispensable reading for those, on both sides of the Atlantic, who care about the lives of the poor."—David Kirp, author of Gender Justice "Inventing the Needy is a theoretically engaged and methodologically innovative ethnography of Hungarian welfare regimes from 1948 to 1996. Studying the state 'from below,' her multi-layered and multi-sited analysis of the transformations in state policies and institutional practices, and their effects on everyday life, is an important contribution to comparative studies of welfare states, the social construction of the materialization and materialization of need, as well as to critical socialist, postsocialist, and feminist studies. Well-written, lucidly argued, thoughtful, and thought-provoking!"—Gail Kligman, author of The Politics of Duplicity: Controlling Reproduction in Ceausescu's Romania "Inventing the Needy stands at the forefront of a new generation of revisionist scholarship. It dispenses with the sharp dichotomies of capitalism and communism and forsakes triumphal interpretations of the transition to the free market and liberal democracy. Looking at Hungary through the eyes of women and their experiences with successive welfare regimes, Lynne Haney offers a more balanced and variegated picture of the state socialist past and a more sober account of the capitalist present. Inventing the Needy is a brilliant combination of ethnography, history, and theory."—Michael Burawoy, co-author of Global Ethnography: Forces, Connections, and Imaginations in a Postmodern World "Lynne Haney's provocative, original, and altogether brilliant study of welfare restructuring in Hungary in the wake of 1989 challenges us to rethink gender, states and social policies in both 'east' and 'west,' while providing essential conceptual tools for doing so."—Ann Shola Orloff, coauthor of States, Markets, Families: Gender, Liberalism and Social Policy in Australia, Canada, Great Britain and the United States "This important book engages the central issue sociology faces after the fall of communism. Inventing the Needy is a careful, empirically well documented, and beautifully written analysis of the Hungarian welfare system during and after socialism. Haney shows that a critical analysis of capitalism is possible from the perspective of a socialist alternative, even today. She challenges 'transitologists,' who often contrast an idealized capitalist present with a homogeneous and negative view of socialism. This book is a must for those interested in theoretical debates about socialism and capitalism and in the welfare state and gender relations under and after socialism."—Ivan Szelenyi, author of Privatizing the Land: Rural Political Economy in Post-Communist and Socialist Societies and co-author of Making Capitalism without Capitalists: Class Formation and Elite Struggles in Post-Communist Central Europe
Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
New edition of a basic text surveying attitudes, cross-cultural and historical perspectives, socialization, health care systems, living with life-threatening illness, funerals and body disposition, the experience of loss, death in children's lives, medical ethics, the law, suicide, and concepts of i
A profound portrait of the hidden injustices that trap fathers in a cycle of punishment and debt. In the first study of its kind, sociologist Lynne Haney travels into state institutions across the country to document the experiences of the millions of fathers cycling through the criminal justice and child support systems. Prisons of Debt shows how these systems work together to create complex entanglements—rather than "piling up" in men's lives, these entanglements form feedback loops of disadvantage. The prison–child support pipeline flows in both directions, deepening parents' debt and criminal justice involvement. Through moving accounts of men struggling to be fathers from behind prison walls and under the weight of support debt, Prisons of Debt exposes how the criminalization of child support undermines the most essential of familial relationships. Haney argues that these state systems can end up producing exactly the kind of parent they fear and loathe: bitter, unreliable, and cyclical fathers. Based on observations of 1,200 child support cases and interviews with 145 indebted fathers in New York, California, and Florida, Prisons of Debt reveals the actual practices of child support adjudication and enforcement alongside the lived realities of fathers trapped in those systems. The result is a rigorously documented analysis of how poor men are too often denied their rights of citizenship and of fatherhood.
Lynne Haney is already an important voice in the sociology of welfare but this book marks her debut as a major figure in the sociology of punishment and the study of governmentality. Offending Women is a fascinating work that combines rich ethnographic detail with a structural account of the changing contours of contemporary governance. Its original contributions to prison ethnography, women's studies, and the sociology of the penal-welfare state will make it a reference point in each of these disciplines."--David Garland, author of The Culture of Control "Offending Women is an exemplary piece of work. Haney's writing is engaging, crisp, and smart. She brilliantly assesses the various intentions of the state and incarcerated women and clarifies how these intentions are based on orientations toward punishment and 'healing' that demand fundamental rethinking."--Rickie Solinger, author of Pregnancy and Power and co-editor of Interrupted Life: Experiences of Incarcerated Women in the United States "Lynne Haney brings together her stupendous skills as an ethnographer and her theoretical insights into how states work to explain how the treatment of imprisoned women has changed over the past decade. An altogether brilliant book."--Myra Marx Ferree, University of Wisconsin
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