A half century ago when Bulgari arrived in America, it came with jewelry and ideas that resonated. B is for Bulgari: Celebrating 50 Years in America reviews many of the highlights through fascinating behind-the-scenes anecdotes, dazzling Bulgari jewels and extraordinary editorial photographs from legendary lensmen Richard Avedon, Gian Paolo Barbieri and Francesco Scavullo among others. An innovative 1970s Bulgari advertisement featuring a large bejeweled B inspired the title and alphabet format of the publication. For each letter a story is told about one aspect of Bulgari's history. The dynamic design of the book, glamorous visual story-telling and touch of humor are a tribute to the Italian jeweler's inimitable style.Over the years, Bulgari has perpetually moved jewelry forward like none other by having a modern attitude and a pioneering drive for experimentation. B is for Bulgari shows how the American jewelry landscape has sparkled more brilliantly because of Bulgari.
Linguists have typically studied language change at the aggregate level of speech communities, yet key mechanisms of change such as analogy and automation operate within the minds of individual language users. Drawing on lifespan data from 50 authors and the intriguing case of the special passives in the history of English, this study addresses three fundamental issues relating to individuality in language change: (i) how variation and change at the individual level interact with change at the community level; (ii) how much innovation and change is possible across the adult lifespan; (iii) and to what extent related linguistic patterns are associated in individual cognition. As one of the first large-scale empirical studies to systematically link individual- and community-based perspectives in language change, this volume breaks new ground in our understanding of language as a complex adaptive system.
The town of Webster, New York, is framed with a rugged, natural beauty that sets it apart from other local communities, and there is a spirit of independent thinking here that is valued. In 1840, the newly incorporated town was named after Daniel Webster, the outspoken statesman, who had never actually set foot in the town. Favorable soil conditions and climate tempered by Lake Ontario contributed to Webster's growth as a prosperous agricultural center for growing fruit. The production of dried apples, baskets, and food processing were all early industries. From the earliest days of Webster to the mid-20th century, this book highlights pioneer settlers such as the Constant Holt family who came in an oxcart from New England; recalls happenings such as train wrecks, fires, horse races, baseball teams, and children's flower parades through the village; and celebrates the social heritage and spirit of the town whose motto is "Where Life is Worth Living.
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
ESPIONAGE. FRAUD. POLITICS. "This book is one of the most chilling and compelling business stories I've ever read. Lynn Brewer lived the Enron story, and in a deeply personal, yet highly professional way, lets us peek into what can go horribly wrong in a publicly-traded business. There are some great lessons for leadership in this tale." Oren Harari, Author, The Leadership Secrets of Colin Powell "In this incredibly lucid and juicy account of Enron's shenanigans, Lynn Brewer courageously reveals what went on behind the scenes. What she reports will shock the financial press who voted Enron "the most innovative and admired" five years in a row. It will shame research analysts and investors who drove Enron's stock up into the stratosphere - while never being able to explain how Enron made money. Brewer hasn't forgotten the teachers, the small business owners and retirees who lost a bundle when the house of cards came crashing down. She urges us to see Enron not simply as the failure of a few people and institutions. No, it is symptomatic of our win-at-any-cost culture. To prevent future Enrons, we all must look to see how our choices perpetuate this culture, which ultimately, like Enron, is unsustainable." L. J. Rittenhouse, Author, Do Business With People You Tru$t: Balancing Profits and Principles "Lynn Brewer unabashedly exposes the unchecked greed and chicanery operating in the leadership of Enron. Her story clearly reveals how the unethical leadership at Enron led to an unbearable culture of emotional turbulence and fear, drawing everyone into a web of deceit. Readers will get the inside view of one of the country's biggest corporate scandals." Danna Beal, M.Ed., Author, Tragedy in the Workplace: The Longest Running Show in the Country LIES. DECEPTIONS. SCANDAL. ENRON. Confessions of an Enron Executive: A Whistlebower's Story, is Lynn Brewer's gripping account of nearly three years spent with the company that has come to symbolize the worst in corporate greed. Lynn's riveting tale takes you deep into the heart of Enron for a shocking look at both the notorious illicit deals and the unscrupulous people who made them. Having spent time with Enron's water company, trading division, power trading desk, and the broadband unit, coupled with Lynn's background in accounting and law, a scandalous portrait emerges of a company run amok in the name of naked avarice. Fascinating, revelatory, and often times hilarious, Confessions of an Enron Executive: A Whistleblower's Story details the riveting account of her career at Enron, and her decision to blow the whistle to lawyers and the United States Government, long before the world had ever heard of Sherron Watkins. Cover Designed By: Paguirigan Branding & Design
In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today’s selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and in pinup poses, people even turned the TV setting into a space for erotic display. While the television industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of television in everyday life.
Covering social morbidities and mortalities of adolescents, including suicide, smoking, high risk sexual activity, eating disorders, mental health problems and interpersonal violence, this volume consolidates multiple theoretical perspectives.
Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s - the New Novel and New Wave - have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wave, New Politics overturns this traditional approach. Lynn A. Higgins argues that the New Novelists (e.g., Alain Robbe-Grillet, Claude Simon, Marguerite Duras) and New Wave filmmakers (e.g., Claude Chabrol, Francois Truffaut, Jean-Luc Godard, Alain Resnais) "engage in a kind of historiography.... They enact the conflicts, the double binds of postwar history and representation." Higgins claims that what art historian Serge Guilbaut has said of American Abstract Expressionism is equally true of the New Novel and New Wavethat its aesthetic innovations "provided a way for avant-garde artists to preserve their sense of social 'commitment'... while eschewing the art of propaganda and illustration. It was in a sense a political apoliticism." Higgins shows how the New Novel and New Wave are related developments. "While their individual styles and themes remain distinctive, " she writes, "they share an ecriture that can be described as alternately, or interconnectedly, filmic and novelistic." New Wave filmmakers borrowed novelistic devices and made frequent literary allusions, while the "vision of the novelists is distinctly cinematic." A lively account that takes us to the crossroads where culture and politics meet, New Novel, New Wave, New Politics dramatically revises our view of a whole generation of important, influential artists.
Sport and Violence takes a critical look at the culture of ‘sports rage’ and aggression in the sporting industry, covering ethical, historical and sociological causes and impacts. It examines international examples of sport violence, including: the father of a tennis competitor placing a drug in the drinks of her competitors; a player’s neck broken after being attacked from behind by an opponent in an NHL game; hooliganism in international soccer and more. The book not only attempts to explain how and why such violence originates, it examines its impact on society outside sport and suggests potential remedies for the problem. This book: Examines the culture of violence that permeates and surrounds sport, including the sociological causes of that violence, and what can be done to mitigate them Features an international perspective with examples of sport violence from throughout the world Offers a historical view on the evolution of violence in sport Its up-to-date and in-depth coverage of a controversial issue makes this book a valuable asset to both sports students and professionals working in sports management.
Examining a wide range of archaeological data, and using it to explore issues such as the sexual body, mind/body dualism, body modification, and magical practices, Lynn Meskell and Rosemary Joyce offer a new approach to the Ancient Egyptian and Mayan understanding of embodiment. Drawing on insights from feminist theory, art history, phenomenology, anthropology and psychoanalysis, the book takes bodily materiality as a crucial starting point to the understanding and formation of self in any society, and sheds new light on Ancient Egyptian and Maya cultures. The book shows how a comparative project can open up new lines of inquiry by raising questions about accepted assumptions as the authors draw attention to the long-term histories and specificities of embodiment, and make the case for the importance of ancient materials for contemporary theorization of the body. For students new to the subject, and scholars already familiar with it, this will offer fresh and exciting insights into these ancient cultures.
Covers the area of feminist media criticism. This edition discusses subjects including, alternative family structures, de-westernizing media studies, industry practices, "Sex and the City", Oprah, and "Buffy.
In the first book devoted exclusively to the ecopoetics of the twenty-first century, Lynn Keller examines poetry of what she terms the "self-conscious Anthropocene," a period in which there is widespread awareness of the scale and severity of human effects on the planet. Recomposing Ecopoetics analyzes work written since the year 2000 by thirteen North American poets--including Evelyn Reilly, Juliana Spahr, Ed Roberson, and Jena Osman--all of whom push the bounds of literary convention as they seek forms and language adequate to complex environmental problems. Drawing as often on linguistic experimentalism as on traditional literary resources, these poets respond to environments transformed by people and take "nature" to be a far more inclusive and culturally imbricated category than conventional nature poetry does. This interdisciplinary study not only brings cutting-edge work in ecocriticism to bear on a diverse archive of contemporary environmental poetry; it also offers the environmental humanities new ways to understand the cultural and affective dimensions of the Anthropocene.
Lynn V. Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others. Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path (Spirit Woman). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree (Jaguar Woman). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to show Andrews how to make her life one of goodness, power, adventure, and love (The Woman of Wyrrd). Not all these stories describe the author's own spiritual experiences. Meet Sin Coraz?n, an initiate into the Sisterhood, whose husband abandons her. She nearly succumbs to her inner dark power and unleashes her rage on men and the Sisterhood (Dark Sister). Andrews also writes about the elder women of the Sisterhood: their loves, their lives, their losses (Tree of Dreams). Andrews shows us how to channel our own spiritual and intellectual energy and balance the need for love with the desire for power (Love and Power). She takes the reader on numerous spiritual journeys that inevitably uplift.
From the New York Times bestselling author of Star Woman and Ceystal, here is the visionary autobiography that began in Medicine Woman. Andrews offers essential lessons about love and unity that will readers forge their own visions and lives.
Andrews has enthralled more than a million readers with her explorations into past lives and feminine spirituality. Available now in a trade paper edition, this seventh chronicle in the Sisterhood of the Shields series tells of Catherine's confrontation with death and her terrifying attempt to recover her soul from a dark, brooding man.
Lynn V. Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others. Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path (Spirit Woman). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree (Jaguar Woman). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to show Andrews how to make her life one of goodness, power, adventure, and love (The Woman of Wyrrd). Not all these stories describe the author's own spiritual experiences. Meet Sin Corazòn, an initiate into the Sisterhood, whose husband abandons her. She nearly succumbs to her inner dark power and unleashes her rage on men and the Sisterhood (Dark Sister). Andrews also writes about the elder women of the Sisterhood: their loves, their lives, their losses (Tree of Dreams). Andrews shows us how to channel our own spiritual and intellectual energy and balance the need for love with the desire for power (Love and Power). She takes the reader on numerous spiritual journeys that inevitably uplift.
The author enters the sacred Dreamtime and emerges as young Catherine in medieval England, where she encounters the Woman of Wyrrd who becomes her teacher
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.