So hip it hurts Want to know what'll be hot next season? Just ask Mim Warner, the best coolhunter in the business. But Mim's latest trend predictions ("slut" T-shirts for eight-year-old girls? Samurai swords for ten-year-old boys?) are troubling, to say the least. Fearing that Mim's about to be out like last season's Capri pants and worried about what she'll say next, her staff implements a Mim surveillance mission. With clients fleeing in droves and everyone around her in a tizzy, Meghan Resnick, Mim's protégée, seems to be the only one in control of all her faculties. But watching Mim lose her cool is loosening a few of Meghan's own screws. Suddenly she's not sure of anything—her career, her future, her ex-boyfriend, even her judgment. When Mim-watching leads to the scene of a murder—with Mim leaning over the dead body—Meghan can't help but wonder if her boss will be forecasting her next trend from Sing Sing. An affectionate satire about the ins and outs of coolhunting, Mim Warner's Lost Her Cool mines the mysterious forces that make a trend come together—and a woman fall apart.
So hip it hurts Want to know what'll be hot next season? Just ask Mim Warner, the best coolhunter in the business. But Mim's latest trend predictions ("slut" T-shirts for eight-year-old girls? Samurai swords for ten-year-old boys?) are troubling, to say the least. Fearing that Mim's about to be out like last season's Capri pants and worried about what she'll say next, her staff implements a Mim surveillance mission. With clients fleeing in droves and everyone around her in a tizzy, Meghan Resnick, Mim's protégée, seems to be the only one in control of all her faculties. But watching Mim lose her cool is loosening a few of Meghan's own screws. Suddenly she's not sure of anything—her career, her future, her ex-boyfriend, even her judgment. When Mim-watching leads to the scene of a murder—with Mim leaning over the dead body—Meghan can't help but wonder if her boss will be forecasting her next trend from Sing Sing. An affectionate satire about the ins and outs of coolhunting, Mim Warner's Lost Her Cool mines the mysterious forces that make a trend come together—and a woman fall apart.
Big Media, Big Money is a lively and scathing critique of the contemporary communications industry, examining how media ownership and the profit-making motive affect the messages we receive in alarming ways. Through close readings of recent news events and critical examination of corporate influence, Bettig and Hall conclude that current interconnections among media, big business, government, and education pose a serious threat to democratic communications. The second edition includes three new chapters, covering the contemporary Hollywood film industry; the changing landscape of the music industry; and “ad creep,” the proliferation of advertising into previously ad-free venues such as schools and children’s television programming.
A stellar quarterback, an ambitious sportscaster. What happens when rising stars collide? In And This Too Shall Pass, Harris takes us into the locker rooms and newsrooms of Chicago, where four lives are about to intersect in romance and scandal. At the heart of the novel is the celibate Zurich, a rookie quarterback for the Chicago Cougars whose trajectory for superstardom is interrupted by a sexual assault charge by Mia, a sportscaster with her own sights on fame. With his career in jeopardy, Zurich hires Tamela, a high-powered attorney, to defend him, while Sean, a gay sportswriter, covers the story and uncovers his heart. All of these characters face the challenge of keeping the faith--in themselves and in God--while Harris's heartfelt storytelling reveals how the love of family can help one to face the terrible legacy of long-held secrets. Throughout these characters' search for self-knowledge, Harris weaves the stories of MamaCee, Zurich's grandmother, whose lessons of faith teach one and all that "this too shall pass." Breaking new ground in contemporary fiction, And This Too Shall Pass entertains and affirms with its stirring message about the healing power of family and faith.
Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the first book to provide a comprehensive overview of the roles that producers have played in Hollywood, from the dawn of the twentieth century to the present day. It introduces readers to the colorful figures who helped to define and reimagine the producer’s role, including inventors like Thomas Edison, moguls like Darryl F. Zanuck, entrepreneurs like Walt Disney, and mavericks like Roger Corman. Readers also get an inside look at the less glamorous jobs producers have often performed: shepherding projects through many years of development, securing financial backers, and supervising movie shoots. The latest book in the acclaimed Behind the Silver Screen series, Producing includes essays written by seven film scholars, each an expert in a different period of cinema history. Together, they give readers a full picture of how the art and business of producing films has changed over time—and how the producer’s myriad job duties continue to evolve in the digital era.
Illuminates both the well- and lesser-known literary figures of New Mexico, whose collaborative efforts created enduring literary colonies. This book also discusses fifteen writers and concludes with walking and driving tours of Santa Fe and Taos.
Linguists have typically studied language change at the aggregate level of speech communities, yet key mechanisms of change such as analogy and automation operate within the minds of individual language users. Drawing on lifespan data from 50 authors and the intriguing case of the special passives in the history of English, this study addresses three fundamental issues relating to individuality in language change: (i) how variation and change at the individual level interact with change at the community level; (ii) how much innovation and change is possible across the adult lifespan; (iii) and to what extent related linguistic patterns are associated in individual cognition. As one of the first large-scale empirical studies to systematically link individual- and community-based perspectives in language change, this volume breaks new ground in our understanding of language as a complex adaptive system.
This resource is a complete, concentrated outline of pharmacology. Each chapter contains objectives, tests with comprehensive rationales, vocabulary review, practice to pass exercises, critical thinking case studies, as well as NCLEX alerts and new test-taking strategies. A bonus CD-ROM contains 700 practice questions for additional review.
His first screen test was a disaster, his features were large and irregular, his left ear outsized the right, yet he would one day be headlined as the Most Handsome Man in the World. And most of his leading ladies—among them, Ingrid Bergman, Jennifer Jones, Audrey Hepburn, Sophia Loren, and Ava Gardner—would not disagree. Irreverent, candid, refreshingly honest, Lynn Haney's carefully researched biography not only charts the remarkable career of the Oscar-winning star but also plumbs Peck's frequently troubling complexity in his off-screen roles as husband, father, lover, and son. About the tough times, Haney minces no words; but the misfortunes by no means eclipse the energy, intensity, and excitement that characterized Peck's five decades of moviemaking. This is a book filled with telling photographs, and a story cast with movie moguls from Louis B. Mayer to Darryl Zanuck, with directors from Hitchcock and Walsh to Huston and Wyler, with nearly every major luminary in Hollywood, and, starring for the first time in toto, Gregory Peck.
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