For All the Obvious Reasons is Lynn Stegner’s superb collection of nine, remarkably distinct tales of passion, clear-eyed wisdom, and honesty honed to a cutting edge. These are stories the reader can’t shake: A woman living a marital shadow-life realizes that her long compensating heart has begun to ominously decompensate. An affluent New Yorker becomes a hoarder to escape a future he cannot bear to take up. A baby dies in a miasma of sibling resentments and from that, the secrets of culpability unravel. A construction worker and a bereaved young neighbor together find a way to be in a broken world. And in the beautifully moving narrative that closes the volume, a story about the depth of goodness and duty, and of the profound love they both define and prevent. From the wild rivers of British Columbia to the cement jungle of Manhattan, Stegner pulls us from our own worlds into her own. With luminous particulars and in richly orchestrated language, these stories sound the vibrant, sometimes anguished music that composes human lives. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Lynn Stegner’s acclaimed novels and story collections have drawn comparisons to the works of Margaret Atwood, Barbara Kingsolver, Alice Munro, and John Updike. Now in her new novel, The Half-Life of Guilt, Stegner tells the story of Clair Bugato and Mason Comstock. Together they journey to the world’s largest saltworks in Baja California, where a proposed expansion threatens the California gray whale population, recently come back from the brink of extinction. In the midst of a conservation battle, they meet a mysterious son of Mexico, Rubio Cantú, who leads them to the powers that be. Their two-week journey sends Clair deep into the past, where she reviews the divergent paths she and her near-identical twin sister have taken away from a childhood tragedy. At the same time, Mason confronts his own unhappy past in Cornwall, England, with a father whose hate was stronger than his love. No other work of fiction patterns the warp and weft of human guilt, the homesickness only love can cure, environmental crises, the intrinsic conflict between international commerce and planetary health, and the necessity of forgiveness. The Half-Life of Guilt is woven from these themes, delivering to the reader an engrossing and transformative literary experience.
In the space of less than a year, three people in a small New England village make life-defining decisions. When a stranger moves into Harrow -- a stranger without a past and without a conscience -- old conflicts flare, threatening familiar foundations, and exposing possibilities of new ones. In the tradition of Winesburg, Ohio, Lynn Stegner takes the linked story form to new heights as she explores the interactions of circumstance and temperament in determining people's choices in the face of their unsettled issues. In "The Hired Man," Ray Rinaldi, a teenager running his alcoholic father's farm, agonizes over his family obligations and his opportunity to escape the stifling confines of Harrow. As spring arrives he hires a stranger, Sam Chase, to help with farm chores. Spring gives way to the arrival of summer residents in the title piece, "Pipers at the Gates of Dawn," in which Dru Hammond wrestles with her growing sense of disconnection from her husband and her concern over the disturbing behavior of her youngest son. In "Indian Summer," Jack Sayers, a fiercely independent former summer resident now settled in Harrow, tells his college-bound nephew the story of his itinerant life but leaves out something important. Stegner's acute and rich writing reveals, in profoundly original ways, the troubled fault-lines of the relationships that constitute each novella. What happens as Chase appears twice more links the novellas in unexpected and powerful ways, giving all three stories, their characters, and the town of Harrow itself a compelling unity that readers will recall long after the book is finished.
For All the Obvious Reasons is Lynn Stegner’s superb collection of nine, remarkably distinct tales of passion, clear-eyed wisdom, and honesty honed to a cutting edge. These are stories the reader can’t shake: A woman living a marital shadow-life realizes that her long compensating heart has begun to ominously decompensate. An affluent New Yorker becomes a hoarder to escape a future he cannot bear to take up. A baby dies in a miasma of sibling resentments and from that, the secrets of culpability unravel. A construction worker and a bereaved young neighbor together find a way to be in a broken world. And in the beautifully moving narrative that closes the volume, a story about the depth of goodness and duty, and of the profound love they both define and prevent. From the wild rivers of British Columbia to the cement jungle of Manhattan, Stegner pulls us from our own worlds into her own. With luminous particulars and in richly orchestrated language, these stories sound the vibrant, sometimes anguished music that composes human lives. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Kate Riley is not the sort of heroine we meet in most American novels. Self-centered, shape-shifting, driven from one man to another and one city to the next, she is all too realbut not at all the loyal and steady homebody of idealized womanhood. When we first encounter her, Kate (or Katherine, or Kate of the Prairie, or Katrina) is about to undergo exploratory brain surgery for a condition she herself has fabricated.
In this powerful and essential work, Elizabeth Cook-Lynn confronts the politics and policies of genocide that continue to destroy the land, livelihood, and culture of Native Americans. Anti-Indianism in Modern America tells the other side of stories of historical massacres and modern-day hate crimes, events that are dismissed or glossed over by historians, journalists, and courts alike. Cook-Lynn exposes the colonialism that works both overtly and covertly to silence and diminish Native Americans, supported by a rhetoric of reconciliation, assimilation, and multiculturalism. Comparing anti-Indianism to anti-Semitism, she sets the American history of broken treaties, stolen lands, mass murder, cultural dispossession, and Indian hating in an international context of ethnic cleansing, "ecocide", and colonial oppression.Cook-Lynn also discusses the role Native American studies should take in reasserting tribal literatures, traditions, and politics and shows how the discipline has been sidelined by anthropology, sociology, postcolonial studies, and ethnic studies. Asserting the importance of a "native conscience"--a knowledge of the mythologies, mores, and experiences of tribal society--among American Indian writers, she calls for the expression in American Indian art and literature of a tribal consciousness that acts to assure a tribal-nation people of its future. Passionate, eloquent, and uncompromising, Anti-Indianism in Modern America concludes that there are no real solutions for Indians as long as they remain colonized peoples. Native Americans must be able to tell their own stories and, most important, regain their land, the source of religion, morality, rights, and nationhood. As long as public silence accompanies the outlaw maneuvers that undermine tribal autonomy, the racist strategies that affect all Americans will continue. It is difficult, Cook-Lynn concedes, to work toward the development of legal mechanisms against hate crimes, in Indian Country and elsewhere in the world. But it is not too late.
National Parks - 'America's Best Idea' - were from the first seen as sacred sites embodying the God-given specialness of American people and American land, and from the first they were also marked as tourist attractions. The inherent tensions between these two realities ensured the parks would be stages where the country's conflicting values would be performed and contested. As pilgrimage sites embody the values and beliefs of those who are drawn to them, so Americans could travel to these sacred places to honor, experience, and be restored by the powers that had created the American land and the American enterprise. This book explores the importance of the discourse of nature in American culture, arguing that the attributes and symbolic power that had first been associated with the 'new world' and then the 'frontier' were embodied in the National Parks. Author Ross-Bryant focuses on National Parks as pilgrimage sites around which a discourse of nature developed and argues the centrality of religion in understanding the dynamics of both the language and the ritual manifestations related to National Parks. Beyond the specific contribution to a richer analysis of the National Parks and their role in understanding nature and religion in the U.S., this volume contributes to the emerging field of 'religion and the environment,' larger issues in the study of religion (e.g. cultural events and the spatial element in meaning-making), and the study of non-institutional religion.
In interviews with fifteen contemporary writers of the American West, Gregory L. Morris demonstrates what these widely divergent talents have in common: they all redefine what it is to be a western writer. No longer enthralled (though sometimes inspired) by the literary traditions of openness, place, and rugged individualism, each of the writers has remained true to the demand for clarity, strength, and honesty, virtues sustained in their conversations. Morris talks with Ralph Beer, Mary Clearman Blew, Elizabeth Cook-Lynn, James Crumley, Ivan Doig, Gretel Ehrlich, Richard Ford, Molly Gloss, Ron Hansen, John Keeble, William Kittredge, David Long, Thomas McGuane, Amy Tan, and Douglas Unger. Their lives and fiction stretch from Montana to Texas, from ranches to universities, from sea level to mountain slopes.
An eclectic collection of poetry, prose, and politics, Notebooks of Elizabeth Cook-Lynn is a text, a narrative, a song, a story, a history, a testimony, a witnessing. Above all, it is a fiercely intelligent, brave, and sobering work that re-examines and interrogates our nation’s past and the distorted way that its history has been written. In topics including recent debates over issues of environmental justice, the contradictions surrounding the Crazy Horse Monument, and the contemporary portrayal of the Lewis and Clark Expedition as one of the great American epic odysseys, Elizabeth Cook-Lynn stitches together a patchwork of observations of racially charged cultural materials, personal experiences, and contemporary characterizations of this country’s history and social climate. Through each example, she challenges the status quo and piques the reader’s awareness of persistent abuses of indigenous communities. The voices that Cook-Lynn brings to the texts are as varied as the genres in which she writes. They are astute and lyrical, fierce and heartbreaking. Through these intonations, she maintains a balance between her roles as a scholar and a poet, a popular teacher and a woman who has experienced deep personal loss. A unique blend of form and content that traverses time, space, and purpose, this collection is a thoroughly original contribution to modern American Indian literature. Moreover, it presents an alternative narrative of the nation’s history and opens an important window into the political challenges that Natives continue to face.
This provocative collection of essays reveals the passionate voice of a Native American feminist intellectual. Elizabeth Cook-Lynn, a poet and literary scholar, grapples with issues she encountered as a Native American in academia. She asks questions of critical importance to tribal people: who is telling their stories, where does cultural authority lie, and most important, how is it possible to develop an authentic tribal literary voice within the academic community? In the title essay, “Why I Can’t Read Wallace Stegner,” Cook-Lynn objects to Stegner’s portrayal of the American West in his fiction, contending that no other author has been more successful in serving the interests of the nation’s fantasy about itself. When Stegner writes that “Western history sort of stopped at 1890,” and when he claims the American West as his native land, Cook-Lynn argues, he negates the whole past, present, and future of the native peoples of the continent. Her other essays include discussion of such Native American writers as Michael Dorris, Ray Young Bear, and N. Scott Momaday; the importance of a tribal voice in academia, the risks to American Indian women in current law practices, the future of Indian Nationalism, and the defense of the land. Cook-Lynn emphasizes that her essays move beyond the narrowly autobiographical, not just about gender and power, not just focused on multiculturalism and diversity, but are about intellectual and political issues that engage readers and writers in Native American studies. Studying the “Indian,” Cook-Lynn reminds us, is not just an academic exercise but a matter of survival for the lifeways of tribal peoples. Her goal in these essays is to open conversations that can make tribal life and academic life more responsive to one another.
In the tradition of Winesburg, Ohio, Lynn Stegner takes the linked story form to new heights as she explores the interactions of circumstance and temperament in determining people's choices in the face of their unsettled issues.".
Modern medical technology has changed not only the way we live but also the way we die. Until two generations ago, people usually died suddenly, after an accident or serious illness. Now, most of us will live with chronic conditions, and our dying will usually take longer, require more care, and demand more planning than ever before. Handbook for Mortals is warmly addressed to all those who wish to approach the final years of life with greater awareness of what to expect and greater confidence about how to make the end of their lives a time of growth, comfort, and meaningful reflection. Written by Dr. Joanne Lynn and a team of experts, this book provides equal measures of practical information and wise counsel. Readers will learn what decisions they will need to face, what choices are available to them, where to look for help, how to ease pain and other symptoms, what to expect with specific diseases, how the health-care system operates, and how the entire experience affects dying persons, their families, and their friends. Such practical information is indispensable. But equally important are the personal stories included here of how people have come to terms with serious illness and dying, how they have faced their fears and made their choices. These give us moving firsthand insights into a profoundly important process, one that is often kept hidden in our culture. From down-to-earth advice on how to talk to your doctor to inspiring quotes from such writers as Emily Dickinson, W. H. Auden, Jane Kenyon, and others, Handbook for Mortals addresses the needs of both the body and the spirit in our final years.
The West without Water documents the tumultuous climate of the American West over twenty millennia, with tales of past droughts and deluges and predictions about the impacts of future climate change on water resources. Looking at the region’s current water crisis from the perspective of its climate history, the authors ask the central question of what is "normal" climate for the West, and whether the relatively benign climate of the past century will continue into the future. The West without Water merges climate and paleoclimate research from a wide variety of sources as it introduces readers to key discoveries in cracking the secrets of the region’s climatic past. It demonstrates that extended droughts and catastrophic floods have plagued the West with regularity over the past two millennia and recounts the most disastrous flood in the history of California and the West, which occurred in 1861–62. The authors show that, while the West may have temporarily buffered itself from such harsh climatic swings by creating artificial environments and human landscapes, our modern civilization may be ill-prepared for the future climate changes that are predicted to beset the region. They warn that it is time to face the realities of the past and prepare for a future in which fresh water may be less reliable.
Teachers are really performers, classrooms are stages, and students the captivated audience. In beautiful prose, Felman invites us to watch her one woman show on the art of performance in today's classrooms. These essays take on the greatest hits of the academy: identity politics, sexual harrassment, academic censorship, and radical pedagogy. Felman's book is a performance not to be missed.
The fifteen stories contained in The Power of Horses portray, each in a different way, the sensitive and enduring culture of the Dakota of the Upper Plains and convey many of the basic truths that have sustained Elizabeth Cook-LynnÕs people for countless generations. Though the stories are often filled with violence and grief, they are also brimming with beauty, gentleness, charm, and humor. In these striking and memorable tales of Dakota country, Joseph grieves that the body of his middle son will never be returned to his native shores from the distant World War I battlefields where he was killed; family members gather to bury their father and barely survive their own weaknesses and bickering; a grandmother takes her grandchild for a walk and imparts to the child some of the old wisdom of times past; a whining hound dogÑprimordial to the DakotaÑcompetes unwittingly with Reverend TilestonÕs efforts to bring the word of the Christian God to a tight-knit family, and wins; Magpie is a poet but is also on parole, and just as his friends have begun to rethink the finality of justice, he is ÒaccidentallyÓ shot and killed in the white manÕs jail. Cook-Lynn writes unsparingly yet compassionately of reservation life in the last century. In each of these gemlike stories she reveals something of the mystery and essential toughness of the Dakota people.
In Defense of Loose Translations is a memoir that bridges the personal and professional experiences of Elizabeth Cook-Lynn. Having spent much of her life illuminating the tragic irony of being an Indian in America, this provocative and often controversial writer narrates the story of her intellectual life in the field of American Indian studies. Drawing on her experience as a twentieth-century child raised in a Sisseton Santee Dakota family and under the jurisdictional policies that have created significant social isolation in American Indian reservation life, Cook-Lynn tells the story of her unexpectedly privileged and almost comedic "affirmative action" rise to a professorship in a regional western university. Cook-Lynn explores how different opportunities and setbacks helped her become a leading voice in the emergence of American Indian studies as an academic discipline. She discusses lecturing to professional audiences, activism addressing nonacademic audiences, writing and publishing, tribal-life activities, and teaching in an often hostile and, at times, corrupt milieu. Cook-Lynn frames her life's work as the inevitable struggle between the indigene and the colonist in a global history. She has been a consistent critic of the colonization of American Indians following the treaty-signing and reservation periods of development. This memoir tells the story of how a thoughtful critic has tried to contribute to the debate about indigenousness in academia.
This text offers a unique developmental focus on gender. Gender development is examined from infancy through adolescence, integrating biological, socialization, and cognitive perspectives. The book’s current empirical focus is complemented by a lively and readable style that includes anecdotes about children’s everyday experiences. The book’s accessibility is further enhanced with the use of bold face to highlight key terms when first introduced along with a complete glossary of these terms. All three of the authors are respected researchers in divergent areas of children’s gender role development and each of them teaches a course on the topic. The book’s primary focus is on gender role behaviors – how they develop and the roles biological and experiential factors play in their development. The first section of the text introduces the field and outlines its history. Part 2 focuses on the differences between the sexes, including the biology of sex and the latest research on behavioral sex differences, including motor and cognitive behaviors and personality and social behaviors. Contemporary theoretical perspectives on gender development – biological, social and environmental, and cognitive approaches – are explored in Part 3 along with the research supporting these models. The social agents of gender development, including children themselves, family, peers, the media, and schools are addressed in the final part. Cutting-edge and comprehensive, this is the perfect text for those who have been searching for an advanced undergraduate and/or graduate book for courses in gender development, the psychology of sex roles and/or gender and/or women or men, taught in departments of psychology, human development, and educational psychology. Although chapters have been designed to be read sequentially, a full author citation is included the first time a reference is used within an individual chapter rather than only the first time it is used in the book, making it easy to assign chapters in a variety of orders. This referencing system will also appeal to scholars interested in using the book as a resource to review a particular content area.
Challenging received American history and forging a new path for Native American studies Addressing Native American Studies' past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in its past glories or accepting the widespread historians' view of the West as a shared place, Elizabeth Cook-Lynn argues that it should be fundamentally understood as stolen. Firmly grounded in the reality of a painful past, Cook-Lynn understands the story of the American West as teaching the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.
Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies. Addressing this gap, the authors provide a guide to memoir writing that shows how an aspiring writer can use storytelling tools and tactics borrowed from fiction to weave personal experiences into the shape of a story.
Karen Knotts tells the full story of her father, Don Knotts Much has been written about Don Knotts's career, especially about his iconic role as Barney Fife on The Andy Griffith Show, but personal views into the man himself are few and far between. In Tied Up in Knotts, a loving daughter provides a full-life narrative of her father: Don's difficult childhood in an abusive home, his escape into comedic performance, becoming a household name, his growth as a feature film actor, his failing health, and his family life throughout, leading to touching and hilarious moments that will make the reader laugh and cry. Those looking for a behind-the-scenes peek at the show, from the nuts and bolts of production to the hilarious pranks and heartfelt moments between the cast and crew, will see it all through the eyes of the little girl who grew up on the set. Knotts will delight readers with the memories of celebrities touched by Don's life, including Ron Howard, Tim Conway, Andy Griffith, Elinor Donahue, John Waters, Barbara Eden, Katt Williams, and Jim Carrey. Tied Up In Knotts delves beyond Barney Fife nostalgia to tell the life story of a man and father.
One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.
Surveying both recent and historical events, Gonzalez and Cook-Lynn address critical issues of cultural bias and collective memory. Their observations expose not only the seemingly unbridgeable gap between white and Native cultures but also impassioned dialogue among various tribes affected by the Wounded Knee Massacre.
Kate Riley is not the sort of heroine we meet in most American novels. Self-centered, shape-shifting, driven from one man to another and one city to the next, she is all too realbut not at all the loyal and steady homebody of idealized womanhood. When we first encounter her, Kate (or Katherine, or Kate of the Prairie, or Katrina) is about to undergo exploratory brain surgery for a condition she herself has fabricated.
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