In tracing the rise of the modern idea of the American "new woman," Lynn Dumenil examines World War I's surprising impact on women and, in turn, women's impact on the war. Telling the stories of a diverse group of women, including African Americans, dissidents, pacifists, reformers, and industrial workers, Dumenil analyzes both the roadblocks and opportunities they faced. She richly explores the ways in which women helped the United States mobilize for the largest military endeavor in the nation's history. Dumenil shows how women activists staked their claim to loyal citizenship by framing their war work as homefront volunteers, overseas nurses, factory laborers, and support personnel as "the second line of defense." But in assessing the impact of these contributions on traditional gender roles, Dumenil finds that portrayals of these new modern women did not always match with real and enduring change. Extensively researched and drawing upon popular culture sources as well as archival material, The Second Line of Defense offers a comprehensive study of American women and war and frames them in the broader context of the social, cultural, and political history of the era.
Examining the legendary actor's life, art, and controversial politics within the context of their times, Lynn presents a fresh and definitive portrait of Chaplin.
Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the first book to provide a comprehensive overview of the roles that producers have played in Hollywood, from the dawn of the twentieth century to the present day. It introduces readers to the colorful figures who helped to define and reimagine the producer’s role, including inventors like Thomas Edison, moguls like Darryl F. Zanuck, entrepreneurs like Walt Disney, and mavericks like Roger Corman. Readers also get an inside look at the less glamorous jobs producers have often performed: shepherding projects through many years of development, securing financial backers, and supervising movie shoots. The latest book in the acclaimed Behind the Silver Screen series, Producing includes essays written by seven film scholars, each an expert in a different period of cinema history. Together, they give readers a full picture of how the art and business of producing films has changed over time—and how the producer’s myriad job duties continue to evolve in the digital era.
The art of intuitively accessing information in ways that expand the boundaries of ordinary reality has been called the world's "second oldest profession." In some cultures, power and authority are bestowed on those with such special abilities. Recent polls estimate that over 50 percent of the population believes or has an interest in psychic ability and related phenomena. Another 25 percent feel that they have directly experienced psychic phenomena. Now you, too, can learn more about this fascinating subject by exploring: How to select the right psychic for you How psychic healing works How the concepts of free will and the future fit into the prophetic world What the skeptics say In Akashic Who's Who, author Victoria lynn Weston introduces you to the world's best psychics, intuitives, mediums, healers and clairvoyants. This practical guide features biographies and intimate interviews with more than 25 top professionals in the prophetic world, as well as several book excerpts from other leading authors. Akashic Who's Who will take you to a dimension beyond your five senses.
Twilight of the Idols is an outstanding study of Hollywood celebrity culture in the wake of the star scandals that rocked the industry in 1921 and 1922. Through case studies of key male figures of the era, including Wallace Reid, Leopold and Loeb, and Rudolph Valentino, Mark Lynn Anderson argues that deviance became a central trope through which both famous personalities and their adoring fans were conceived in the evolving discourses of psychoanalysis, sociology, and anthropology. Anderson offers a compelling reading of the origins of the star system in the best discussion yet of the interrelationships between male deviance, queerness, and modern stardom. Clearly and engagingly written, and impeccably researched, Twilight of the Idols is poised to make a major contribution to film studies, queer studies, and American studies." —Shelley Stamp, author of Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon "Mark Lynn Anderson has written a remarkable book. With its focus on male deviance and the human sciences in twenties American culture, Twilight of the Idols: Hollywood and the Human Sciences in 1920s America represents new directions for scholarship on film stardom and film history in this period. Through careful analysis of changes in the star system and detailed exploration of the careers of exemplary individual stars, such as Wallace Reid, Rudolph Valentino, and Mabel Normand, this book helps us to better understand the contours of the modern personality promoted by the cinema and the widespread interest in deviant behavior in the 1920s—both of which remain very much with us today." —Patrice Petro, author of Joyless Streets: Women and Melodramatic Representation in Weimar Germany
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
Grandma Says is a Collection of Wisdom for the Next Generation. It is a follow-up book to our very popular Grandpa Says. Grandchildren of all ages will love this inspiring collection of stories, Scriptures, wise sayings and humor designed to encourage and support loved ones as they grow up and face life's challenges and opportunities in a troubled world. A good gift book for holidays and special events -- Christmas, graduation, Mothers day, the birth of a child, etc.
When most of us take a backward glance at the 1920s, we may think of prohibition and the jazz age, of movies stars and flappers, of Harold Lloyd and Mary Pickford, of Lindbergh and Hoover--and of Black Friday, October 29, 1929, when the plunging stock market ushered in the great depression. But the 1920s were much more. Lynn Dumenil brings a fresh interpretation to a dramatic, important, and misunderstood decade. As her lively work makes clear, changing values brought an end to the repressive Victorian era; urban liberalism emerged; the federal bureaucracy was expanded; pluralism became increasingly important to America's heterogeneous society; and different religious, ethnic, and cultural groups encountered the homogenizing force of a powerful mass-consumer culture. "The Modern Temper "brings these many developments into sharp focus.
Nearing 70, and in what would be the last decade of his life, H.G. Wells fell in love at least three times - once with the much younger Baroness Budberg, and soon thereafter with two well-born Americans, Constance Coolidge and Martha Gelhorn, 25 and 40 years his junior respectively. These would constitute what Wells himself described as his "last flounderings towards the wife idea", and demonstrate in many ways that Wells was driven less by his considerable intelligence than by his obsession to find his ideal lover - what he called his "lover-shadow". This study looks at this very personal side of H.G. Wells. The self-proclaimed Don Juan was said to have "radiated" energy: intellectual, emotional, physical and sexual. Drawing on papers made public by the Wells estate, the author documents Wells' relationship with each of these femme fatales and paints a vivid portrait of the early part of the 20th century in London, Paris and the US.
From the bestselling author of Mrs. Poe and Twain’s End comes a “poignant, beautifully rendered story of two sisters who find the courage to reclaim their bond after years of misunderstandings and heartbreak” (Melanie Benjamin, New York Times bestselling author) during the Great Depression. 1934. Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, was infected by the infamous “sleeping sickness” devastating families across the country. If only she could trade places with her older sister, June: blonde and beautiful, married to a wealthy doctor, living in a mansion in St. Paul. And June has a coveted job, too, as one of “the Bettys,” the perky recipe developers who populate the famous Betty Crocker test kitchen. But these gilded trappings hide sorrows: she has borne no children. And the man she loves more than anything belongs to Ruth. When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, who’s brought the two of them together, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters. An emotional journey of redemption, inner strength, and the ties that bind families together, for better or worse, The Sisters of Summit Avenue is a moving and heartfelt tribute to mothers, daughters, and sisters everywhere.
Find out what we wore and why we wore it in The Greenwood Encyclopedia of Clothing in American History-Twentieth Century to the Present. This fascinating reference set provides two levels of information: descriptions of styles of clothes that Americans have worn and, as important, why they wore those types of clothes. With volume one covering 1900-1949 and volume two covering 1950 to the present, the first half of each volume provides four chapters that each examine the impact that political and cultural events, arts and entertainment, daily life, and family structures have on fashion. The second half of each volume describes the important and everyday fashion and styles of the period, decade by decade, for women, men, and children. The set also includes helpful timelines; resource guides listing web sites, videos, and print publications; an extensive glossary; and illustrations. Fashion influences how we view other people and how we view ourselves. Find out what we wore and why we wore it in The Greenwood Encyclopedia of Clothing in American History - Twentieth Century to the Present. This fascinating reference set provides descriptions of styles of clothes that men, women, and children have worn in the U.S. since 1900, and, as important, why they wore them. In addition to chapters describing fashion trends and types of clothes, this work examines the impact that cultural history has on fashion and how fashion may serve as an impetus for change in society. With volume one covering 1900-1949 and volume two covering 1950 to the present, the first half of each volume provides four chapters that examine the impact that political and cultural events, arts and entertainment, daily life, and family structures have on cultural life and fashion. The second half of each volume describes the important and everyday fashion and styles of the period, decade by decade, for women, men, and children. The set also includes helpful timelines; resource guides of web sites, videos, and print publications; an extensive glossary; and illustrations. Fashion is not for the exclusive use of the social elite and the rich, nor can it be simply dismissed as just showing off. We use fashion to express who we are and what we think, to project an image, to bolster our confidence, and to attract partners.
Evelyn Brent's life and career were going quite well in 1928. She was happily living with writer Dorothy Herzog following her divorce from producer Bernard Fineman, and the tiny brunette had wowed fans and critics in the silent films The Underworld and The Last Command. She'd also been a sensation in Paramount's first dialogue film, Interference. But by the end of that year Brent was headed for a quick, downward spiral ending in bankruptcy and occasional work as an extra. What happened is a complicated story laced with bad luck, poor decisions, and treachery detailed in this first and only full-length biography.
Kay Francis came of age in the Roaring Twenties and relished the era's hedonistic pursuits. Her career as an actress was launched at the same time, and before her death in 1968, she had appeared on many theater stages, in more than 60 films, on radio, in USO tours, as a model, and on television. The tall, stylish actress had a husky voice and dark beauty that was striking on film. Despite her financial success, relaxed morals, and life as a socialite, the millionaire actress shunned luxuries such as limousines and sprawling estates popular among Hollywood elite. The actress, who insisted she wanted to be forgotten, left behind scrapbooks, boxes of memorabilia and detailed diaries. These rich resources help provide an exhaustive look at the life of one of Hollywood's most intriguing early stars. Francis' biography is the heart of this book, beginning with her family background and her upbringing by a vaudevillian actress mother. The story of her extensive career and never-ending romantic pursuits is peppered with comments from the media and her own diaries, and supplemented with ample photographs. A chronology gives dates of theater openings, film releases, marriages, television and radio appearances, births and deaths. A filmography includes complete cast and credit lists.
This study of C. L. R. James's writings is the first to look at them as literature and not as theory. This sustained analysis of his major published works places them in the context of his less well-known writings and offers an encompassing critique of one of the African diaspora's most significant thinkers and writers. Here the author of Black Jacobins, World Revolution, A History of Pan-African Revolt,, Beyond a Boundary, and the lyric novel Minty Alley is seen not only as among the great political philosophers but also as the literary artist that he remained, from his first writings in his native Trinidad through his underground years in America, to his final essays and speeches in London. The writings of James have inspired revolutionaries on three continents. They have altered the course of historiography, shown that way toward independent black political struggles, and established a base for much of today's study of culture. This study evaluates them as powerful works of literature.
Lillian Anderson thought she had everything that she was entitled to in life. She married her college sweetheart, David, and was a successful and well-respected child psychotherapist in sunny California. Fast forward a decade. Lillian now finds herself stuck in a loveless marriage to a man that had become a womanizing drunk. Her life had become mundane and routine. That is until she met with her newest patient and her ghostly playmate. Lillian’s life is instantly turned upside down as she is drawn into the paranormal world of unsettled spirits and their unfinished business in our earthly world. She is given a rare opportunity to change events in her past to assist her with getting her present and future back onto the path that was her destiny. With the help of a special friend, and a few old ones from her childhood hometown, Lillian tries to find the one event that changed her life in some scary, funny and some adult situations.
His first screen test was a disaster, his features were large and irregular, his left ear outsized the right, yet he would one day be headlined as the Most Handsome Man in the World. And most of his leading ladies—among them, Ingrid Bergman, Jennifer Jones, Audrey Hepburn, Sophia Loren, and Ava Gardner—would not disagree. Irreverent, candid, refreshingly honest, Lynn Haney's carefully researched biography not only charts the remarkable career of the Oscar-winning star but also plumbs Peck's frequently troubling complexity in his off-screen roles as husband, father, lover, and son. About the tough times, Haney minces no words; but the misfortunes by no means eclipse the energy, intensity, and excitement that characterized Peck's five decades of moviemaking. This is a book filled with telling photographs, and a story cast with movie moguls from Louis B. Mayer to Darryl Zanuck, with directors from Hitchcock and Walsh to Huston and Wyler, with nearly every major luminary in Hollywood, and, starring for the first time in toto, Gregory Peck.
How did Laurette Taylor (1884-1946) become America's most celebrated actress? What training and experience led to her first stage success, Peg o' My Heart, in 1912? How did her failed 1920s silent film career influence her stage technique? What was so remarkable about her portrayal of Amanda Wingfield in the original 1945 Broadway production of The Glass Menagerie that many actors and critics have proclaimed her performance as the greatest they have ever seen, before or since? How did alcoholism affect her career? And why has it been so difficult to tell her story on stage and screen? This biography offers fascinating new insights into the life and craft of Laurette Taylor. Included is a very short play written by the actress, entitled The Dying Wife.
Name Your Hero is the reference book for writers searching for that perfect hyper-masculine name for the leading male character(s) in their great American Novel – or even a short story. Don’t waste time with ordinary name books; reach for Name Your Hero - the one tool designed to help you name your leading man.
Establishing endocrinology as a distinct medical specialty was no easy task. This engaging volume chronicles the journey through the stories of the men –and occasional women—who shaped the specialty through the ages. In 108 brief chapters, A Biographical History of Endocrinology illuminates the progress of endocrinology from Hippocrates to the modern day. The author highlights important leaders and their contributions to the field, including these early pioneers: Kos and Alexandria, and the first human anatomy Bartolomeo Eustachi and the adrenal gland Richard Lower and the pituitary gland Thomas Addison and adrenal insufficiency Franz Leydig and testosterone secreting cells Wiliam Stewart Halsted and surgery of the thyroid gland John J. Abel and isolation of hormones Hakaru Hashimoto and his disease Covering all the watershed moments in the history of the profession, the book identifies key figures whose contributions remain relevant today. Their fascinating stories of experiments and studies, advocacy and adversity, and exploring unknown territory will inspire the next generation of endocrinologists and satisfy every clinician who ever wondered "how did we get here?" This comprehensive yet concise biographical history of endocrinology will benefit not only practicing and prospective endocrinologists, but also other medical specialists and medical historians.
Explores the nature and appeal of swimming, from the history of the strokes to aspects of modern Olympic competition, as well as the author's personal experiences and milestones in the sport.
Every decision that is made by managers and policy-makers in a public sector organization requires an evaluation and a judgement of the risks involved. This vital requirement has been recognised in the growth of risk management. However, risks can never be fully prevented, which means that public managers also have to be crisis managers. Today’s crises develop in unseen ways; they escalate rapidly and transform through the interdependencies of modern society, and their frequency is growing: the global financial crisis, the European volcanic ash cloud, the Japanese tsunami and subsequent Fukushima nuclear plant meltdown, the Christchurch earthquake and the Queensland floods. All highlight the extreme challenges that public sector organizations across the world have had to face in recent years. Risk and Crisis Management in the Public Sector Second Edition responds to these challenges by presenting the only guide for public managers and public management students which combines lessons about risk and crisis management together in a single, accessible text. It equips readers and public managers with the knowledge and skills to understand key issues and debates, as well as the capacity to treat risks and better prepare for, respond to and recover from crisis episodes. This exciting new edition enhances the original text with contemporary cases and a greater focus on the international, trans-boundary and multi-agency dimensions of risk and crisis management. These enhancements reflect the fact that today’s public manager must increasingly operate within a global and interdependent governance context.
After the Second World War, Gertrude Stein asked a friend's support in securing a visa for Richard Wright to visit Paris. “I've got to help him,” she said. “You see, we are both members of a minority group.” The brief, little-noted friendship of Stein and Wright began in 1945 with a letter. Over the next fifteen months, the two kept up a lively correspondence which culminated in Wright's visit to Paris in May 1946 and ended with Stein's death a few months later. Gertrude Stein and Richard Wright began their careers as marginals within marginalized groups, and their desire to live peacefully in unorthodox marriages led them away from America and into permanent exile in France. Still, the obvious differences between them—in class, ethnic and racial origins, and in artistic expression—beg the question: What was there to talk about? This question opens a window onto each writer's meditations on the influence of racial, ethnic, national origins on the formation of identity in a modern and post-modern world. The intuitive and intellectual affinities between Stein and Wright are illuminated in several works of nonfiction. Stein's Paris France and Wright's Pagan Spain are meditations on expatriation and creativity. Their so-called homecoming narratives—Stein's Everybody's Autobiography and Wright's Black Power—examine concepts of racial and national identity in a post-modernist world. Respectively, in Lectures in America and White Man, Listen!, Stein and Wright outline the ways in which the poetics and politics of modernism are inextricably bound. At the close of the twentieth century, the meditations of Stein and Wright on the protean quality of individual identity and its artistic, social, and political expression explore the most prescient and pressing issues of our time and beyond.
A guide for getting in touch with the inner wisdom that can lead to a more abundant and successful life When you are in touch with your intuition, every moment in your life takes on a whole new dimension as intuitive wisdom pours in. Your ability to assess each situation for immediate guidance allows you to move smoothly on your chosen path. Decision-making becomes quick, easy, and fruitful. And you move closer and closer to your best life by divining what is true for you. Divine Intuition is more than simply a book about paying attention to your intuition. The book is filled with inspirational quotes, helpful exercises, and information on how to live a life you love. Offers practical wisdom for creating an abundant life of purpose and fulfillment Shows how to look within for guidance and build patience, faith, and trust Helps to identify the primary ways that you can tap your intuition This inspirational book will give you the practical tools you need to envision, attract, and create the abundant and successful life you were meant to live.
Red in the Rainbow is a story of humanity in the face of political turmoil. Fred and Sarah Carneson were fiercely committed members of the Communist Party from the 1930s onwards. Dedicated activists in brutal times, theirs is a story of political persecution, prolonged separation and enduring love. Lynn Carneson, their daughter, candidly narrates the terror, the pain and the joy of her extraordinary life as the child of such dedicated freedom fighters, revealing how, despite endless campaigning, financial difficulty, emotional breakdown, banning, torture and imprisonment, the family managed to stay together. Based on personal recollection as well as letters, official records and newspaper articles, Lynn describes her parents’ underground work and their involvement in watershed events such as the Treason Trial and the formation of Umkhonto we Sizwe. She evokes the tension of secretive operations and the family’s constant surveillance by security police, as well as the trauma of her father’s trial and prison sentence. Lynn vividly recounts their life as exiles in London and their long-awaited return to South Africa in 1991. Red in the Rainbow not only invokes Fred and Sarah’s lifelong political struggles and triumphs in gripping detail, but also tells a poignant human story of endurance, courage and the survival of a marriage against all odds.
This is a new, third edition of the essential text for all those working towards the Level 5 Diploma in Education and Training. Tailored to meet the demands of the qualification and the latest Standards, it incorporates key information on reflective practice, study and research skills, and provides full coverage of all the mandatory units. Accessible language is combined with a critical approach that clearly relates practical examples to the required underpinning theory. This third edition: has been fully updated throughout, including reference to the new Ofsted Inspection Handbook and legislation around GDPR, mental health, social media and apprenticeships includes new case studies and questions in every chapter features a completely new chapter on mental and emotional well-being is suitable for use with all awarding organisations and HEIs provides the depth and criticality to meet level 5 requirements
During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.