A photo collection in full color of zinc cemetery markers in the Chicagoland area. They were manufactured by the Monumental Bronze Company in Bridgeport, CT and their subsidiaries in the U.S. and Canada between 1875 and 1912. Marketed as superior to stone in terms of durability, the products were referred to as "white bronze." They were cast from 99% pure zinc and were rust resistant. Rare in the Chicago area, this is a collection oforiginal full-color photographs of these remarkable powder-blue monuments.
In the first book devoted exclusively to the ecopoetics of the twenty-first century, Lynn Keller examines poetry of what she terms the "self-conscious Anthropocene," a period in which there is widespread awareness of the scale and severity of human effects on the planet. Recomposing Ecopoetics analyzes work written since the year 2000 by thirteen North American poets--including Evelyn Reilly, Juliana Spahr, Ed Roberson, and Jena Osman--all of whom push the bounds of literary convention as they seek forms and language adequate to complex environmental problems. Drawing as often on linguistic experimentalism as on traditional literary resources, these poets respond to environments transformed by people and take "nature" to be a far more inclusive and culturally imbricated category than conventional nature poetry does. This interdisciplinary study not only brings cutting-edge work in ecocriticism to bear on a diverse archive of contemporary environmental poetry; it also offers the environmental humanities new ways to understand the cultural and affective dimensions of the Anthropocene.
To understand the shifting emotions human beings go through daily, regarding any and all relationships to family, friends, lovers, acquaintances and strangers (ourselves included), each of us needs to continue to evolve and to become educated while living creatively in a stressful society and world. My original purpose was to match a different animal and subject for every day of the year. As it turned out, some months have more entries than others; but, none is less than a month without Sundays and/or weekends. Often, true benefit only takes place when the self who feels victimized expresses emotions on paper (i.e. in form of a missive to someone else) to comprehend whatever may be bothering the letter-writer. But, these letters aren't intended to be sent; they are private. Instead, consider this volume a way and means to comfort and/or offer a solution or resolution to a troubling issue. For, only by appreciating ourselves can we totally fathom others before ultimately caring about humanity at-large, enough to accept and tolerate, eventually love each other's distinct uniqueness in this vast universe still striving for peace and harmony. Writing letters has become a dying art. So too comprehending the significance of all creatures to balance our environment that is dependent on survival of on animals and insects. Perhaps you won't be able to resist sending one or two missives to the right or wrong person. That's up to you. I offer Creature Comforts with the genuine hope that you may realize every creature on earth has a purpose. (From the Author's Introduction dated Jan. 21, 2008)
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