In the early 1970s, the United States was much the same as in the radical '60s; Americans dying in Vietnam, anti-war demonstrations on college campuses, conflict between blacks and whites in most major cities. In predominantly white Dolton, a south Chicago suburb, busing had come to Thornridge High School. Black students from nearby Phoenix now attended school with whites from Dolton and South Holland. They were not warmly received. Then, the Thornridge basketball team started winning... Fans in black and white communities came together as Thornridge captured consecutive Illinois championships. Led by the national high school athlete of the year, Quinn Buckner, the Falcons stormed to a perfect season in 1972. No team even came close. This is their story told in their own words. THORNRIDGE is about prejudice and acceptance, adversity and triumph, and a team that changed attitudes while the players were having the time of their lives.
Distributed by the University of Nebraska Press for Caxton Press Horses are not indigenous to the West. Prehistoric horses existed before humans came to the region but the horse only appeared after the Spanish Conquistadores brought their Spanish stallions to America. The arrival of the horse in the West changed forever the lives of the Native peoples of the region and shaped the history of the West in many ways.
For her sixteenth birthday, Damita De Salvado receives a beautiful slave girl, Rissa, but mistreats her, revealing Damita's prejudice and hardening Rissa's heart. When her family experiences financial hardships, Damita grudgingly sells Rissa to a mysterious Christian doctor, Jefferson Whitman, who is Rissa's adopted brother. Now the tables have turned: Rissa is a wealthy, free woman, while Damita's family struggles to keep the plantation. Will both women find the love and security they long for?
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.
This combination manual is designed to help students avoid common mistakes and understand the material better. The solutions manual section includes detailed answers and explanations to the odd-numbered exercises in the text.
Idaho's Remarakble Women 2 tells the history of the Gem State through the stories of fifteen pioneering women, all born before 1900, who made a profound impact on Idaho. Meet Sacajawea, Lewis and Clark's Shoshone guide; Jo Monaghan, who lived as a man for nearly forty years; Margaret Cobb Ailshie, who ran Idaho's biggest newspaper; and Nell Shipman, an actress, writer, and early filmmaker. Each woman in her own way displayed remarkable courage, hope, and love during a time when Idaho was still an untamed frontier. Read about their exceptional lives in this collection of absorbing biographies.
Most wonder how Dale Varnam stayed alive. Dale wonders why. Back in the eighties, the quaint fishing village of Varnamtown, North Carolina—full of zany Southern characters—got rich, and so did town clown Dale Varnam, who perfected his own brand of crazy. Dale rose to the top of the heap in the drug smuggling biz, helping the town’s livelihood of shrimping go to pot. Although it’s not big enough to be on most maps, Varnamtown became the second busiest port of entry for illegal drugs on the Eastern Seaboard. Dale Varnam’s misfit persona contradicts any preconceived notions of an international drug smuggler. His “good ol’ southern redneck persona” belies his past…and oh, what a past! During the 1980s, Dale Varnam was newspaper fodder. He was depicted as a “show-off,” “hot dog,” and “homicidal nut case,” until “armed career criminal” became the headline. The prankster extraordinaire now lives in a junkyard morphing into a grandiose roadside attraction of sorts called Ft. Apache, where a sign reads “A crazy place blessed by God’s Grace.” How did Dale get here from what he was? It took two Dales—not just one. “New Dale” dusts off “Old Dale,” who danced with the devil for over twenty years. Between the Dales were ten years he considers a “vacation.” As an informant, he helped bring more than one hundred and fifty of those involved to grand juries resulting in over eighty indictments. Many in Varnamtown succumbed to smuggling. This story does not leave them out; secrets are replaced by revelations, forgiveness, and healing. Forever changed, these God-fearing southern folks got caught up in crime, then caught, before eventually returning to their lives. The widespread corruption of law enforcement and politicians unfurls its tentacles through Dale’s tales. From courting Manuel Noriega and Pablo Escobar to selling cocaine to Disney characters, from Playboy Bunnies mowing his yard to jungle labs where preserved tongues rested in jars, jaw-dropping events punctuate Dale’s story from beginning to end.
Renowned storyteller Ray Hicks was a certified national treasure. He received many prestigious honors in his lifetime, including the National Heritage Fellowship Award from the National Endowment for the Arts. Best known for his traditional storytelling and also for saving the original Beech Mountain Jack tales brought to the Appalachian Mountains by his ancestors as early as 1776, Hicks was conscious of the role he played in the preservation of oral storytelling. Many of those stories are included in The Life and Times of Ray Hicks. Born in 1922, Ray lived his whole life in the Appalachian Mountains of North Carolina. (Although it finally got a refrigerator and electric lights, Ray's place never did get a telephone, indoor plumbing, or a radio or television.) It seems he knew everything there was to know about living off the land and about his family's history. A lot of what he knew is in this new book. Hicks made his public storytelling debut in 1951, when a local schoolteacher invited him to her class. In 1973, Ray performed at the very first International Storytelling Festival in Jonesborough, Tennessee. He appeared at every one until he became too weak to attend. He died on Easter Sunday in 2003. Based on hundreds of hours of interviews and visits, painstakingly pieced together by Lynn Salsi, The Life and Times of Ray Hicks comes as close as possible to capturing the way Ray talked. Part memoir and part biography, The Life and Times of Ray Hicks presents, sometimes in Ray Hicks's own words, the most important part of his long, colorful life-a life scarcely less interesting than the Jack Tales he told so well. Lynn Salsi is the author of several books, including The Jack Tales and Young Ray Hicks Learns the Jack Tales. She has received the American Library Association's Notable Book Award, six Willie Parker Peace History Book Awards, and was named the North Carolina Historian of the Year in 2001.
Don't Let Autism Have the Last Word in Your Child's Life. Perhaps one of the most devastating things you can learn as a parent is that your child has been diagnosed with autism. A multifaceted disorder, autism has long baffled parents and professionals alike. At one time, doctors gave parents virtually no hope for combating the disorder. But in recent years, new treatments and therapies have demonstrated that improvement is possible. With intensive, early intervention, some children have recovered from autism and have been integrated into school, indistinguishable from their peers. Discover ten things you can do to begin battling your child's autism right now. See why Applied Behavior Analysis has become parents' treatment of choice, and examine its impressive results. Get information on cutting-edge biomedical treatments such as secretin and immunotherapy. Learn how dietary intervention can positively impact your child's behavior. Find out what additional therapies can offer - including sensory and auditory integration. Explore loving ways to keep your family together when your world is torn apart. Children with autism do have the possibility to improve greatly, and some even overcome the effects of autism, if appropriate therapies are begun early enough. Discover the steps you can take today to begin the fight for your child's future in Facing Autism.
Lewiston, New York, a village and town on the mighty Niagara River, was destroyed during the War of 1812. Rebuilding began in the embers from that war, and the ongoing transformation has created a popular tourist destination for music, theater, festivals, and more.
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
In Preserving the White Man’s Republic, Joshua Lynn reveals how the national Democratic Party rebranded majoritarian democracy and liberal individualism as conservative means for white men in the South and North to preserve their mastery on the eve of the Civil War. Responding to fears of African American and female political agency, Democrats in the late 1840s and 1850s reinvented themselves as "conservatives" and repurposed Jacksonian Democracy as a tool for local majorities of white men to police racial and gender boundaries by democratically withholding rights. With the policy of "popular sovereignty," Democrats left slavery’s expansion to white men’s democratic decision-making. They also promised white men local democracy and individual autonomy regarding temperance, religion, and nativism. Translating white men’s household mastery into political power over all women and Americans of color, Democrats united white men nationwide and made democracy a conservative assertion of white manhood. Democrats thereby turned traditional Jacksonian principles—grassroots democracy, liberal individualism, and anti-statism—into staples of conservatism. As Lynn’s book shows, this movement sent conservatism on a new, populist trajectory, one in which democracy can be called upon to legitimize inequality and hierarchy, a uniquely American conservatism that endures in our republic today.
Health information technology (HIT) is a critical component of the modern healthcare system. Yet to be effective and safely implemented in healthcare organizations and physicians and patients’ lives, it must be usable and useful. User Experience (UX) research is required throughout the full system design lifecycle of HIT products, which involve a user-centered and human- centered approach. This book discusses UX research frameworks, study designs, methods, data-analysis techniques, and a variety of data collection instruments and tools that can be used to conduct UX research in the healthcare space, all of which involve HIT and digital health. This book is for academics and scholars to be used to design studies for graduate dissertation work, in independent research, or as a textbook for UX/usability courses in health informatics or related health information and communication courses. This book is also useful for UX practitioners because it provides guidance on how to design a user research or usability study and focuses on leveraging a mixed- methods approach, including step-by-step by instructions and best practices for conducting: Field studies Interviews Focus groups Diary studies Surveys Heuristic evaluation Cognitive walkthrough Think aloud A plethora of standardized surveys and retrospective questionnaires (SUS, Post-study System Usability Questionnaire (PSSUQ)) are also included. UX researchers and healthcare professionals will gain an understanding of how to design a rigorous, yet feasible study that generates useful insights to inform the design of usable HIT. Everything from consent forms to how many participants to include in a usability study has been covered in this book. The author encourages user-centered design (UCD), mixed-methods, and collaboration amongst interdisciplinary teams. Knowledge from many inter-related disciplines, like psychology, technical communication (TC), and human-computer interaction (HCI), together with experiential knowledge from experts is offered throughout the text.
Changing Women, Changing History is a bibliographic guide to the scholarship, both English and French, on Canadian's women's history. Organized under broad subject headings, and accompanied by author and subject indices it is accessible and comprehensive.
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
A highly accessible and authoritative account of wind energy’s scientific background, current technology, and international status, with an emphasis on large turbines and wind farms, both onshore and offshore Topics covered include: a brief history of wind energy the nature of the wind turbine aerodynamics, mechanics, and electrics wind farms offshore opportunities and challenges grid integration of wind energy economic and environmental aspects Whilst intellectually rigorous, this is not an academic treatise. Key equations are fully discussed, providing essential theoretical background. The text is supported by copious illustrations and about 50 inspiring full-colour photographs from around the world. This book is aimed at a wide readership including professionals, policy makers and employees in the energy sector in need of a basic appreciation of the underlying principles of wind energy or a quick update. Its style and level will also appeal to second and third year undergraduate and postgraduate students of renewable and wind energy, energy systems and electrical/electronic engineering. It also gives a concise account of the technology for the large and growing number of people who are interested in onshore and offshore wind farms and the contribution they are making to carbon-free electricity generation in the 21st century.
The Bloomsbury Guide to Philosophy of Disability is a revolutionary collection encompassing the most innovative and insurgent work in philosophy of disability. Edited and anthologized by disabled philosopher Shelley Lynn Tremain, this book challenges how disability has historically been represented and understood in philosophy: it critically undermines the detrimental assumptions that various subfields of philosophy produce; resists the institutionalized ableism of academia to which these assumptions contribute; and boldly articulates new anti-ableist, anti-sexist, anti-racist, queer, anti-capitalist, anti-carceral, and decolonial insights and perspectives that counter these assumptions. This rebellious and groundbreaking book's chaptersmost of which have been written by disabled philosophersare wide-ranging in scope and invite a broad readership. The chapters underscore the eugenic impetus at the heart of bioethics; talk back to the whiteness of work on philosophy and disability with which philosophy of disability is often conflated; and elaborate phenomenological, poststructuralist, and materialist approaches to a variety of phenomena. Topics addressed in the book include: ableism and speciesism; disability, race, and algorithms; race, disability, and reproductive technologies; disability and music; disabled and trans identities and emotions; the apparatus of addiction; and disability, race, and risk. With cutting-edge analyses and engaging prose, the authors of this guide contest the assumptions of Western disability studies through the lens of African philosophy of disability and the developing framework of crip Filipino philosophy; articulate the political and conceptual limits of common constructions of inclusion and accessibility; and foreground the practices of epistemic injustice that neurominoritized people routinely confront in philosophy and society more broadly. A crucial guide to oppositional thinking from an international, intersectional, and inclusive collection of philosophers, this book will advance the emerging field of philosophy of disability and serve as an antidote to the historical exclusion of disabled philosophers from the discipline and profession of philosophy. The Bloomsbury Guide to Philosophy of Disability is essential reading for faculty and students in philosophy, disability studies, political theory, Africana studies, Latinx studies, women's and gender studies, LGBTQ studies, and cultural studies, as well as activists, cultural workers, policymakers, and everyone else concerned with matters of social justice. Description of the book's cover: The book's title appears on two lines across the top of the cover which is a salmon tone. The names of the editor and the author of the foreword appear in white letters at the bottom of the book. The publisher's name is printed along the right side in white letters. At the centre, a vertical white rectangle is the background for a sculpture by fibre artist Judith Scott. The sculpture combines layers of shiny yarn in various colours including orange, pink, brown, and rust woven vertically on a large cylinder and horizontally around a smaller cylinder, as well as blue yarn woven around a protruding piece at the bottom of the sculpture. The sculpture seems to represent a body and head of a being sitting down, a being with one appendage, a fat person, or a little person.
Gender-Class Equality in Political Economies offers an in-depth analysis of gender-class equality across six countries to reveal why gender-class equality in paid and unpaid work remains elusive, and what more policy might do to achieve better social and economic outcomes. This book is the first to meld cross-time with cross-country comparisons, link macro structures to micro behavior, and connect class with gender dynamics to yield fresh insights into where we are on the road to gender equality, why it varies across industrialized countries, and the barriers to further progress.
As an idealist and a visionary, Jack Layton connected with millions of Canadians who saw that he was a different kind of political leader. So did Tommy Douglas, chosen as the greatest Canadian ever by CBC's television audience. The New Democratic Party and its predecessor, the CCF, have often chosen leaders who resonated with the Canadian public. In fact, the vision and the ideals of the leaders of the NDP and the CCF have been key to its strength and appeal. Their commitment to these values in their personal as well as their political lives has earned them admiration and support far beyond the votes they have attracted at election time. Even though these politicians have never succeeded in forming a government in Ottawa, they are seen to stand for values the whole country cherishes. As a historian, Lynn Gidluck noted that the story of the CCF/NDP has often focused on events, policies, programs, and electoral campaigns. In this book, her emphasis is on the leaders who have defined the party, its vision, and its policies. This tradition of selecting distinguished leaders who share and refine a vision of a better Canada is as important as the policies they have promoted. By focusing on leaders, this book offers fresh insight into the NDP and its appeal to Canadians.
This is the first comprehensive firefly guide for eastern and central North America ever published. It is written for all those who want to know more about the amazing world of lightning bugs and learn the secrets hidden in the flash patterns of the 75+ species found in the eastern and central U.S. and Canada. As an independent researcher working with numerous university teams, naturalist Lynn Frierson Faust, “The Lightning Bug Lady,” has spent decades tracking the behavior and researching the habitats of these fascinating creatures. Based on her twenty-five years of field work, this book is intended to increase understanding and appreciation of bioluminescent insects while igniting enthusiasm in a fun and informative way. Species accounts are coupled with historical background and literary epigraphs to engage and draw readers young and old into the world of these tiny sparklers. A chart documenting the flash patterns of the various species will aid in identification. Clear photos illustrate the insects’ distinguishing physical characteristics, while habitats, seasonality, and common names are provided in clear, easy-to-understand yet scientifically accurate language. The guide will be welcomed by everyone who wants to learn more about fireflies' and glow-worms' unique traits and about their fragile niche in the ecosystem. FEATURES Over 600 color photographsDetailed accounts and anatomical diagrams of 75+ species, as well as aids in distinguishing between similar speciesA first-of-its-kind flash-pattern chart that folds out on heavy-weight paper • Extensive scientific details written in an understandable and engaging wayColorful, common names—Twilight Bush Baby, Shadow Ghosts, and Snappy Syncs, and more—for easy species identification based on flash patternsTips on ideal sites and times of year for firefly watchingConservation-oriented approach
Provides information on 68 important archaeological sites in Iowa, including sites of every type, from every time period, and in every part of the state.
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