Military families face many trials and challenges because of the difficult and unpredictable lives they lead. Many civilians, including mental health professionals, are not familiar with the unique lifestyle and stressors faced by these families. Dr. Lynn K. Hall has written a work that is the first of its kind, bringing together the writings and research in areas of importance in understanding military culture to provide new insight into the world of the military family. Counseling Military Families begins with an overview of military life before delving into specific chapters on the unique circumstances of career service personnel and their spouses and children. Topics discussed include issues of the male psyche that dominate military history and culture, the common concerns of the constant relocations and deployment of the military parent, and situations faced by children who grow up in a military family. The final section presents treatment models and targeted interventions tailored for use with military families, all of which are based on a framework of working with grief, loss, and change issues that have been used successfully in practice for more than 25 years. Hall has created not only an invaluable guidebook for mental health professionals working with military families, but also a timely and revealing look into a culture unknown to so many on the outside.
Military families face many trials and challenges because of the difficult and unpredictable lives they lead. Many civilians, including mental health professionals, are not familiar with the unique lifestyle and stressors faced by these families. Dr. Lynn K. Hall has written a work that is the first of its kind, bringing together the writings and research in areas of importance in understanding military culture to provide new insight into the world of the military family. Counseling Military Families begins with an overview of military life before delving into specific chapters on the unique circumstances of career service personnel and their spouses and children. Topics discussed include issues of the male psyche that dominate military history and culture, the common concerns of the constant relocations and deployment of the military parent, and situations faced by children who grow up in a military family. The final section presents treatment models and targeted interventions tailored for use with military families, all of which are based on a framework of working with grief, loss, and change issues that have been used successfully in practice for more than 25 years. Hall has created not only an invaluable guidebook for mental health professionals working with military families, but also a timely and revealing look into a culture unknown to so many on the outside.
Once & Forever is the story of the North Carolina Granite Corporation, the artistic stone cutters that created magnificent works of art, and a history of the men that boosted the company in the early 20th century.
The wage arrears crisis has been one of the biggest problems facing contemporary Russia. At its peak, it has involved some $10 billion worth of unpaid wages and has affected approximately 70 percent of the workforce. Yet public protest in the country has been rather limited. The relative passivity of most Russians in the face of such desperate circumstances is a puzzle for students of both collective action and Russian politics. In Protest and the Politics of Blame, Debra Javeline shows that to understand the Russian public's reaction to wage delays, one must examine the ease or difficulty of attributing blame for the crisis. Previous studies have tried to explain the Russian response to economic hardship by focusing on the economic, organizational, psychological, cultural, and other obstacles that prevent Russians from acting collectively. Challenging the conventional wisdom by testing these alternative explanations with data from an original nationwide survey, Javeline finds that many of the alternative explanations come up short. Instead, she focuses on the need to specify blame among the dizzying number of culprits and potential problem solvers in the crisis, including Russia's central authorities, local authorities, and enterprise managers. Javeline shows that understanding causal relationships drives human behavior and that specificity in blame attribution for a problem influences whether people address that problem through protest. Debra Javeline is Assistant Professor of Political Science, Rice University.
After helping rescue passengers from a float plane crash in Anchorage Jim and Ronnie are having a beer at the local pub when an old bush pilot gives them a hand drawn map to a secret lake deep in the Talkeetna Mountains of Alaska. It’s late October but the lakes are still ice free and the weather looks good, so they decide to fly out over the weekend for one last float plane trip of the year. The lake is beautiful and serene. The fishing is fantastic. An evening around the campfire with fresh grilled fish and Jim Beam, the Norther lights dazzling the sky, and more stars than imaginable. A lone wolf howls in the distance…It doesn’t get any better than this. Time for bed. They awake to a howling, blinding snow storm and freezing temperatures. This is the beginning of their incredible struggle for survival in one of the most remote unforgiving areas on the continent. Encountering hardships, danger, injuries and suffering. Pushing themselves beyond their physical limitations where others would have given up and perished. Never ending adversities threaten them daily until they finally reached the end of their strength and resolve. Lying in the cold snow barely able to move they are confronted by something so amazing and fantastical they question their own sanity. Something that could not be. This is barley the beginning of the hardships yet to come as they confront challenges of unbelievable magnitude to get back home. This is a story of hardship, strength, determination, skills, challenges, friendship, fantasy, and the acceptance of things that could not possibly be. Did they make it? Could you?
The seventh edition of this frequently adopted textbook features new or expanded sections on social justice research, data analysis software, scholarly identity research, social networking, data science, and data visualization, among other topics. It continues to include discipline experts' voices. The revised seventh edition of this popular text provides instruction and guidance for professionals and students in library and information science who want to conduct research and publish findings, as well as for practicing professionals who want a broad overview of the current literature. Providing a broad introduction to research design, the authors include principles, data collection techniques, and analyses of quantitative and qualitative methods, as well as advantages and limitations of each method and updated bibliographies. Chapters cover the scientific method, sampling, validity, reliability, and ethical concerns along with quantitative and qualitative methods. LIS students and professionals will consult this text not only for instruction on conducting research but also for guidance in critically reading and evaluating research publications, proposals, and reports. As in the previous edition, discipline experts provide advice, tips, and strategies for completing research projects, dissertations, and theses; writing grants; overcoming writer's block; collaborating with colleagues; and working with outside consultants. Journal and book editors discuss how to publish and identify best practices and understudied topics, as well as what they look for in submissions.
The seat of Morris County, Morristown began as a small rural settlement centered around a common green. The small village soon earned its place in American history when George Washington chose to make Morristown the site of his headquarters twice during the Revolutionary War. Just a few decades later, history was made again when Samuel Morse made Alfred Vail his partner in developing the telegraph at Speedwell Iron Works in Morristown. The town continued to grow as successive immigrant groups created ethnic enclaves. The Gilded Age came to Morristown, and by 1900, dozens of millionaires called the community home and brought the trappings of wealth, from lavish homes to social clubs. Today, while Morristown continues to evolve, numerous historic sites and museums document its rich past.
If you would like a double mystery, read The Faceless Man. The first mystery is the identity of #968 John Doe. The second mystery involves finding the murderer.
Modern woman was made between the French Revolution and the end of the First World War. In this time, the women of Europe crafted new ideas about their sexuaity, motherhood, the home, the politics of femininity, and their working roles. They faced challenges about what a woman should be and how she should act. From domestic ideology to women's suffrage, this book charts the contests for woman's identity in the epoch-shaping nineteenth century.
Author Lynn Barnes admits shes known all along that shed been a little different in ways she cant explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence. She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Aspergers syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life. An insightful and creative look at Barness life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Aspergers syndrome.
Lynn, a Baltimore Surrealist artist, reviews her unusual life without any knowledge that Asperger's Syndrome, a mild form of autism, exists. Her life and circumstances certainly are the result of something. She has always been different. It is impossible to explain herself or confide in anyone, even the closest friends and family. Depressed, overwhelmed, and not knowing how to describe what she's going through to anybody, she tries to figure out things on her own. Can she find some clues in her dreams? Nothing she tries works, and she is ready to give up. She looks back, going deeper and deeper into her past. What is it, the thing that makes her different? Has it prevailed throughout her entire life? Maybe; so, does it have patterns? She begins to see there are. Are they responsible for things turning out so badly? Does whatever "It" is make it possible to dream of the future and possibly travel through time? The Last Exit before The Toll: Art, Death, Asperger's, and Dreams is the story of her journey to find out the truth of the mystery. The story is told in an unusual timeline; it is told backwards (in decades), a timeline never used in books, but the usual way we get to know each other in real life. The book also features pictures of her singular, highly-detailed art. One chapter spotlights her epic painting, "Poe's Last Supper." The large. (4'x 6') oil painting depicts Poe on his deathbed in a hospital, but he hallucinates he's in a Fell's Point bar drinking with his characters. See more on the book and art (in vivid color) @ lynnbarnes.net A passage from "What Kind of Kid Were You?": In earlier childhood, I could be a handful. I don't know what happened. It was as if something would take over. I'd persistently asked questions and would make comments out loud or sounds. The other kids would crack up. I understand now, they didn't think I was stupid, although it felt so at the time. I would ask outrageous questions, whether the teacher acknowledged my raised hand or not. They sometimes wouldn't. Many times what I asked, or my comments, made me sound like a smart-ass. Right after the words left my mouth, it sounded different than what I was trying to say. This would drive the teachers up a wall, right out of their minds. My third grade-teacher, the elderly Mrs. Mitchell, got so fed up; she separated my desk from the other kids by sitting me up front, next to her desk. Bad move. I already had everybody's attention up front. Everybody could then hear everything I said. I did it one time too many. I said something, and the whole class shrieked. She went ape-shit. She went over the edge. She would have hit me if she could have gotten away with it, if it weren't for my mother. The best she could do was throw a cartoon-like tantrum. She jumped up and down with her knees a little bent. She stopped writing on the blackboard and made tight fists, clutching the chalk. SHUT UP! SHUT UP! SHUT UP! SHUT UP! she screamed. It was almost the same as the tantrum Mozart would throw at the costume party in Amadeus, when he wanted his penalty (except more aggressively). I did shut up, for then. The image stunned me. I had no idea I got to her that badly. A note was sent home. Another note; one of many. Let me tell you, I got away with nothing at home. I got whipped. My mother was strict. The only-child-spoiled-brat wasn't correct. That wasn't it. The same basic kind of behavior got me whipped at home, but whipped or not, it would come out. I know my mother was driven crazy sometimes. She would practically lose her mind. I was also hardheaded and wouldn't back down if I thought I was right. I would face my punishment, such as staying out of the woods. I wasn't going to stay out of the woods. We played our roles in that one. At school, I don't know exactly what happened, because most of the time I was so sincere. I really did want to know something, or I would make a comment about something. It wasn't appreciated. Most of it w
For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
Harlequin® Heartwarming celebrates wholesome, heartfelt relationships imbued with the traditional values so important to you: home, family, community and love. Experience all that and more with four new novels in one collection! This Harlequin Heartwarming box set includes: THE RANCHER’S FAKE FIANCƒE Return of the Blackwell Brothers by Amy Vastine Tyler Blackwell’s had to make a deal with a coworker to get himself out of a family jam. Hadley Sullivan’s willing to play the part of his fiancée for a promotion…until winning Tyler’s heart becomes her only desire. AVA’S PRIZE City by the Bay Stories by Cari Lynn Webb EMT Ava Andrews is desperate to win a design contest’s cash prize. Her simple, revolutionary hearing aid has also attracted entrepreneur Kyle Quinn. Will his decision mean the end of their relationship before it begins? A COWBOY’S CHRISTMAS PROPOSAL The Sweetheart Ranch by Cathy McDavid As Molly O’Malley manages the chaos of the first day of her Western-themed wedding business at Sweetheart Ranch, help comes in the form of Owen Caufield, a wedding officiant—with his three young children in tow! RESCUED BY THE FIREFIGHTER Shores of Indian Lake by Catherine Lanigan Firefighter Rand Nelson heroically rescues Beatrice Wilcox and two children from a fire. But with his risky profession, Beatrice knows Rand can’t be her hero—especially when his investigation into the fire threatens to shut down her summer camp… Look for 4 compelling new stories every month from Harlequin® Heartwarming!
Lynn introduces readers to the case method of instruction popularized by the John F. Kennedy School of Government and the Harvard Business School. This is a practical, process-oriented guide to teaching, writing, and learning with the case method. Lynn integrates insight from literature with his own extensive experience as a case teacher and writer, and as a trainer of case teachers and case writers. Lynn selects the broadest possible context for discussing the use of cases in teaching for maximum appeal to instructors and learners in diverse fields.
Evelyn Brent's life and career were going quite well in 1928. She was happily living with writer Dorothy Herzog following her divorce from producer Bernard Fineman, and the tiny brunette had wowed fans and critics in the silent films The Underworld and The Last Command. She'd also been a sensation in Paramount's first dialogue film, Interference. But by the end of that year Brent was headed for a quick, downward spiral ending in bankruptcy and occasional work as an extra. What happened is a complicated story laced with bad luck, poor decisions, and treachery detailed in this first and only full-length biography.
Gender-Class Equality in Political Economies offers an in-depth analysis of gender-class equality across six countries to reveal why gender-class equality in paid and unpaid work remains elusive, and what more policy might do to achieve better social and economic outcomes. This book is the first to meld cross-time with cross-country comparisons, link macro structures to micro behavior, and connect class with gender dynamics to yield fresh insights into where we are on the road to gender equality, why it varies across industrialized countries, and the barriers to further progress.
36 Hours Serial As a devastating summer storm hits Grand Springs, Colorado, the next thirty-six hours will change the town and its residents forever…. Lightning Strikes Part 1 At Vanderbilt Memorial's E.R., the power goes out, casualties flood in and hospital staff must fight for lives in the dark. Doctors Noah Howell and Amanda Jennings, once lovers, are thrown together to save the lives of two teen car crash victims. Amanda thought she was over the sexy doctor and her anger at his betrayal. And Noah's hoping he can keep his calm—and his secret. As they work through the night, the emotions of both are as intense as the storm outside. The story continues in Lightning Strikes Parts 2 and 3.
In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today’s selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and in pinup poses, people even turned the TV setting into a space for erotic display. While the television industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of television in everyday life.
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
This volume explores adult work-world writing issues from the perspectives of five seasoned professionals who have logged hundreds of hours working with adults on complicated written communication problems. It examines the gap between school-world instructional practices and real-world problems and situations. After describing the five major economic sectors which are writing intensive, the text suggests curricular reforms which might better prepare college-educated writers for these worlds. Because the volume is based on the extensive work-world experiences of the authors, it offers numerous examples of real-world writing problems and strategies which illustrate concretely what goes wrong and what needs to be done about it.
In the Afro-Cuban Lukumi religious tradition—more commonly known in the United States as Santería—entrants into the priesthood undergo an extraordinary fifty-three-week initiation period. During this time, these novices—called iyawo—endure a host of prohibitions, including most notably wearing exclusively white clothing. In A Year in White, sociologist C. Lynn Carr, who underwent this initiation herself, opens a window on this remarkable year-long religious transformation. In her intimate investigation of the “year in white,” Carr draws on fifty-two in-depth interviews with other participants, an online survey of nearly two hundred others, and almost a decade of her own ethnographic fieldwork, gathering stories that allow us to see how cultural newcomers and natives thought, felt, and acted with regard to their initiation. She documents how, during the iyawo year, the ritual slowly transforms the initiate’s identity. For the first three months, for instance, the iyawo may not use a mirror, even to shave, and must eat all meals while seated on a mat on the floor using only a spoon and their own set of dishes. During the entire year, the iyawo loses their name and is simply addressed as “iyawo” by family and friends. Carr also shows that this year-long religious ritual—which is carried out even as the iyawo goes about daily life—offers new insight into religion in general, suggesting that the sacred is not separable from the profane and indeed that religion shares an ongoing dynamic relationship with the realities of everyday life. Religious expression happens at home, on the streets, at work and school. Offering insight not only into Santería but also into religion more generally, A Year in White makes an important contribution to our understanding of complex, dynamic religious landscapes in multicultural, pluralist societies and how they inhabit our daily lives.
Harry Potter, Buffy the Vampire Slayer, and the Left Behind series are but the latest manifestations of American teenagers' longstanding fascination with the supernatural and the paranormal. In this groundbreaking book, Lynn Schofield Clark explores the implications of this fascination for contemporary religious and spiritual practices. Relying on stories gleaned from more than 250 in-depth interviews with teens and their families, Clark seeks to discover what today's teens really believe and why. She finds that as adherence to formal religious bodies declines, interest in alternative spiritualities as well as belief in "superstition" grow accordingly. Ironically, she argues, fundamentalist Christian alarmism about the forces of evil has also fed belief in a wider array of supernatural entities. Resisting the claim that the media "brainwash" teens, Clark argues that today's popular stories of demons, hell, and the afterlife actually have their roots in the U.S.'s religious heritage. She considers why some young people are nervous about supernatural stories in the media, while others comfortably and often unselfconsciously blur the boundaries between those stories of the realm beyond that belong to traditional religion and those offered by the entertainment media. At a time of increased religious pluralism and declining participation in formal religious institutions, Clark says, we must completely reexamine what young people mean--and what they may believe--when they identify themselves as "spiritual" or "religious." Offering provocative insights into how the entertainment media shape contemporary religious ideas and practices, From Angels to Aliens paints a surprising--and perhaps alarming--portrait of the spiritual state of America's youth.
Challenging readers to rethink the norms of women's health and treatment, Prescribed Norms concludes with a gesture to chaos theory as a way of critiquing and breaking out of prescribed physiological and social understandings of women's health.
This is the first comprehensive firefly guide for eastern and central North America ever published. It is written for all those who want to know more about the amazing world of lightning bugs and learn the secrets hidden in the flash patterns of the 75+ species found in the eastern and central U.S. and Canada. As an independent researcher working with numerous university teams, naturalist Lynn Frierson Faust, “The Lightning Bug Lady,” has spent decades tracking the behavior and researching the habitats of these fascinating creatures. Based on her twenty-five years of field work, this book is intended to increase understanding and appreciation of bioluminescent insects while igniting enthusiasm in a fun and informative way. Species accounts are coupled with historical background and literary epigraphs to engage and draw readers young and old into the world of these tiny sparklers. A chart documenting the flash patterns of the various species will aid in identification. Clear photos illustrate the insects’ distinguishing physical characteristics, while habitats, seasonality, and common names are provided in clear, easy-to-understand yet scientifically accurate language. The guide will be welcomed by everyone who wants to learn more about fireflies' and glow-worms' unique traits and about their fragile niche in the ecosystem. FEATURES Over 600 color photographsDetailed accounts and anatomical diagrams of 75+ species, as well as aids in distinguishing between similar speciesA first-of-its-kind flash-pattern chart that folds out on heavy-weight paper • Extensive scientific details written in an understandable and engaging wayColorful, common names—Twilight Bush Baby, Shadow Ghosts, and Snappy Syncs, and more—for easy species identification based on flash patternsTips on ideal sites and times of year for firefly watchingConservation-oriented approach
When vice had a legal home and jazz was being born—the captivating story of an infamous true-life madam New Orleans, 1900. Mary Deubler makes a meager living as an “alley whore.” That all changes when bible-thumping Alderman Sidney Story forces the creation of a red-light district that’s mockingly dubbed “Storyville.” Mary believes there’s no place for a lowly girl like her in the high-class bordellos of Storyville’s Basin Street, where Champagne flows and beautiful girls turn tricks in luxurious bedrooms. But with gumption, twists of fate, even a touch of Voodoo, Mary rises above her hopeless lot to become the notorious Madame Josie Arlington. Filled with fascinating historical details and cameos by Jelly Roll Morton, Louis Armstrong, and E. J. Bellocq, Madam is a fantastic romp through The Big Easy and the irresistible story of a woman who rose to power long before the era of equal rights.
What is it like to be Jewish and to be born and raised in Germany after the Holocaust? Based on remarkably candid interviews with nearly one hundred German Jews, Lynn Rapaport's book reveals a rare understanding of how the memory of the Holocaust shapes Jews' everyday lives. As their views of non-Jewish Germans and of themselves, their political integration into German society, and their friendships and relationships with Germans are subtly uncovered, the obstacles to readjustment when sociocultural memory is still present are better understood. This is also a book about Jewish identity in the midst of modernity. It shows how the boundaries of ethnicity are not marked by how religious Jews are, or their absorption of traditional culture, but by the moral distinctions rooted in Holocaust memory that Jews draw between themselves and other Germans. Jews in Germany after the Holocaust has won an award for being the best book in the sociology of religion from the American Sociological Association.
Explores the role of gender in poetic production, the tensions between poetry and contemporary literary theory, and the fluid boundaries between theoretical and literary writing.
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