Lyndsey Stonebridge presents a new way to think about the relationship between literature and human rights that challenges the idea that empathy inspires action.
Exploring the work of Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, and Simone Weil, among other, Placeless People argues that we urgently need to reconnect with the moral and political imagination of these writers to tackle today's refugee 'crisis'.
A timely guide on how to live—and think—through the challenges of our century drawn from the life and thought of political theorist Hannah Arendt, one of the twentieth century’s foremost opponents of totalitarianism “We are free to change the world and to start something new in it.”—Hannah Arendt The violent unease of today’s world would have been familiar to Hannah Arendt. Tyranny, occupation, disenchantment, post-truth politics, conspiracy theories, racism, mass migration: She lived through them all. Born in the first decade of the last century, she escaped fascist Europe to make a new life for herself in America, where she became one of its most influential—and controversial—public intellectuals. She wrote about power and terror, exile and love, and above all, about freedom. Questioning—thinking—was her first defense against tyranny. She advocated a politics of action and plurality, courage and, when necessary, disobedience. We Are Free to Change the World is a book about the Arendt we need for the twenty-first century. It tells us how and why Arendt came to think the way she did, and how to think when our own politics goes off the rails. Both a guide to Arendt’s life and work, and its dialogue with our troubled present, We Are Free to Change the World is an urgent call for us to think, as Hannah Arendt did—unflinchingly, lovingly, and defiantly—through our own unpredictable times.
Whereas trauma and memory have come to dominate discussions of World War Two, Lyndsey Stonebridge suggests that it was in fact the representation of anxiety - a state in which we look forwards as well as backwards - that emerged most forcefully in mid-century wartime culture. For two crucial but understudied second generations, the psychoanalysts who came after Freud and whose work thrived in 1940s Britain, and the later modernists who had cut their teeth on the expressive verve of their First World War-shocked elders, thinking about anxiety, she argues, was a way of imagining how it might be possible to stay within a history that frequently undermined a sense of self and agency.
Freud's account of the sublimated drives at work beneath the surfaces of advanced societies, alongside the modernist fictions of Joyce, Proust, Kafka, Woolf and others, both reflected and inaugurated a strain of modernism preoccupied with the darkest elements of the human psyche. In The Destructive Element Lyndsey Stonebridge examines the career and legacy of British psychoanalyst Melanie Klein as a lens through which to examine the 20th century's fascination with death drives, the sublimation of civilization's discontents and the socialization of children--fascinations that would surface throughout the cultural production of the West. At once cultural history and psychoanalytic theory, and a bold reformulation of the legacies of modernism, The Destructive Element is an essential contribution to our understanding of the Western tradition.
A timely guide on how to live—and think—through the challenges of our century drawn from the life and thought of political theorist Hannah Arendt, one of the twentieth century’s foremost opponents of totalitarianism “We are free to change the world and to start something new in it.”—Hannah Arendt The violent unease of today’s world would have been familiar to Hannah Arendt. Tyranny, occupation, disenchantment, post-truth politics, conspiracy theories, racism, mass migration: She lived through them all. Born in the first decade of the last century, she escaped fascist Europe to make a new life for herself in America, where she became one of its most influential—and controversial—public intellectuals. She wrote about power and terror, exile and love, and above all, about freedom. Questioning—thinking—was her first defense against tyranny. She advocated a politics of action and plurality, courage and, when necessary, disobedience. We Are Free to Change the World is a book about the Arendt we need for the twenty-first century. It tells us how and why Arendt came to think the way she did, and how to think when our own politics goes off the rails. Both a guide to Arendt’s life and work, and its dialogue with our troubled present, We Are Free to Change the World is an urgent call for us to think, as Hannah Arendt did—unflinchingly, lovingly, and defiantly—through our own unpredictable times.
A bold and accessible argument for the moral and political value of literature in rightless times. The obvious humanity of books would seem to make literature and human rights natural allies. But what is the real connection between literature and human rights? In this short polemical book, Lyndsey Stonebridge shows how the history of human rights owes much to the creative imagining of writers. Yet, she argues, it is not enough to claim that literature is the empathetic wing of the human rights movement. At a time when human rights are so blatantly under attack, the writers we need how are the political truthtellers, the bold callers out of easy sympathy and comfortable platitudes.
Exploring the work of Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, and Simone Weil, among other, Placeless People argues that we urgently need to reconnect with the moral and political imagination of these writers to tackle today's refugee 'crisis'.
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