SHORTLISTED FOR THE WOLFSON HISTORY PRIZE 2017 SHORTLISTED FOR THE ELIZABETH LONGFORD PRIZE 2017 'A magnificent study of one of history's most compelling and divisive figures' Richard J. Evans When Martin Luther nailed a sheet of paper to the church door of a small university town in 1517, he set off a process that changed the Western world for ever. Within a few years Luther’s ideas had spread like wildfire. His attempts to reform Christianity by returning it to its biblical roots split the Western Church, divided Europe and polarised people’s beliefs, leading to religious persecution, social unrest and war; and in the long run his ideas would help break the grip of religion on every sphere of life. Yet Luther was a deeply flawed human being: a fervent believer tormented by spiritual doubts; a prolific writer whose translation of the Bible would shape the German language yet whose attacks on his opponents were vicious and foul-mouthed; a married ex-monk who liberated human sexuality from the stigma of sin but who insisted that women should know their place; a religious fundamentalist, Jew-hater and political reactionary who called ‘for the private and public murder of the peasants’ who had risen against their lords in response to his teaching. And perhaps surprisingly, the man who helped create in the modern world was not modern himself: for him the devil was not a figure of speech but a real, physical presence. As an acclaimed historian, Lyndal Roper explains how Luther’s impact can only be understood against the background of the times. As a brilliant biographer, she gives us the flesh-and-blood figure. She reveals the often contradictory psychological forces that drove Luther forward and the dynamics they unleashed, which turned a small act of protest into a battle against the power of the Church. A New Statesman, Spectator, History Today, Guardian and Sunday Times Book of the Year
From “one of the best of the new [Martin Luther] biographers” (The New Yorker), a portrait of the complicated founding father of the Protestant Reformation, whose intellectual assault on Catholicism transformed Christianity and changed the course of world history. “Magnificent.”—The Wall Street Journal “Penetrating.”—The New York Times Book Review “Smart, accessible, authoritative.”—Hilary Mantel On October 31, 1517, so the story goes, a shy monk named Martin Luther nailed a piece of paper to the door of the Castle Church in the university town of Wittenberg. The ideas contained in these Ninety-five Theses, which boldly challenged the Catholic Church, spread like wildfire. Within two months, they were known all over Germany. So powerful were Martin Luther’s broadsides against papal authority that they polarized a continent and tore apart the very foundation of Western Christendom. Luther’s ideas inspired upheavals whose consequences we live with today. But who was the man behind the Ninety-five Theses? Lyndal Roper’s magisterial new biography goes beyond Luther’s theology to investigate the inner life of the religious reformer who has been called “the last medieval man and the first modern one.” Here is a full-blooded portrait of a revolutionary thinker who was, at his core, deeply flawed and full of contradictions. Luther was a brilliant writer whose biblical translations had a lasting impact on the German language. Yet he was also a strident fundamentalist whose scathing rhetorical attacks threatened to alienate those he might persuade. He had a colorful, even impish personality, and when he left the monastery to get married (“to spite the Devil,” he explained), he wooed and wed an ex-nun. But he had an ugly side too. When German peasants rose up against the nobility, Luther urged the aristocracy to slaughter them. He was a ferocious anti-Semite and a virulent misogynist, even as he argued for liberated human sexuality within marriage. A distinguished historian of early modern Europe, Lyndal Roper looks deep inside the heart of this singularly complex figure. The force of Luther’s personality, she argues, had enormous historical effects—both good and ill. By bringing us closer than ever to the man himself, she opens up a new vision of the Reformation and the world it created and draws a fully three-dimensional portrait of its founder.
From the author of the acclaimed biography Martin Luther: Renegade and Prophet, new perspectives on how Luther and others crafted his larger-than-life image Martin Luther was a controversial figure during his lifetime, eliciting strong emotions in friends and enemies alike, and his outsized persona has left an indelible mark on the world today. Living I Was Your Plague explores how Luther carefully crafted his own image and how he has been portrayed in his own times and ours, painting a unique portrait of the man who set in motion a revolution that sundered Western Christendom. Renowned Luther biographer Lyndal Roper examines how the painter Lucas Cranach produced images that made the reformer an instantly recognizable character whose biography became part of Lutheran devotional culture. She reveals what Luther's dreams have to say about his relationships and discusses how his masculinity was on the line in his devastatingly crude and often funny polemical attacks. Roper shows how Luther's hostility to the papacy was unshaken to the day he died, how his deep-rooted anti-Semitism infused his theology, and how his memorialization has given rise to a remarkable flood of kitsch, from "Here I Stand" socks to Playmobil Luther. Lavishly illustrated, Living I Was Your Plague is a splendid work of cultural history that sheds new light on the complex and enduring legacy of Luther and his image.
This bold and imaginative book marks out a different route towards understanding the body, and its relationship to culture and subjectivity. Amongst other subjects, Lyndal Roper deals with the nature of masculinity and feminity.
In an exciting new approach to witchcraft studies, The Witch in the Western Imagination examines the visual representation of witches in early modern Europe. With vibrant and lucid prose, Lyndal Roper moves away from the typical witchcraft studies on trials, beliefs, and communal dynamics and instead considers the witch as a symbolic and malleable figure through a broad sweep of topics and time periods. Employing a wide selection of archival, literary, and visual materials, Roper presents a series of thematic studies that range from the role of emotions in Renaissance culture to demonology as entertainment, and from witchcraft as female embodiment to the clash of cultures on the brink of the Enlightenment. Rather than providing a vast synthesis or survey, this book is questioning and exploratory in nature and illuminates our understanding of the mental and psychic worlds of people in premodern Europe. Roper's spectrum of theoretical interests will engage readers interested in cultural history, psychoanalytic theory, feminist theory, art history, and early modern European studies. These essays, three of which appear here for the first time in print, are complemented by more than forty images, from iconic paintings to marginal drawings on murals or picture frames. In her unique focus on the imagery of witchcraft, Lyndal Roper has succeeded in adding a compelling new dimension to the study of witchcraft in early modern Europe.
A powerful account of witches, crones, and the societies that make them From the gruesome ogress in Hansel and Gretel to the hags at the sabbath in Faust, the witch has been a powerful figure of the Western imagination. In the sixteenth and seventeenth centuries thousands of women confessed to being witches--of making pacts with the Devil, causing babies to sicken, and killing animals and crops--and were put to death. This book is a gripping account of the pursuit, interrogation, torture, and burning of witches during this period and beyond. Drawing on hundreds of original trial transcripts and other rare sources in four areas of Southern Germany, where most of the witches were executed, Lyndal Roper paints a vivid picture of their lives, families, and tribulations. She also explores the psychology of witch-hunting, explaining why it was mostly older women that were the victims of witch crazes, why they confessed to crimes, and how the depiction of witches in art and literature has influenced the characterization of elderly women in our own culture.
This is the most thoroughly researched book on Napoleon III's Second Empire in any language. It makes a vital contribution to the quarter-century of French history following the 1848 revolution, which saw major developments in the 'modernisation' of the French state and in its relationships with its citizens.
A powerful account of witches, crones, and the societies that make them From the gruesome ogress in Hansel and Gretel to the hags at the sabbath in Faust, the witch has been a powerful figure of the Western imagination. In the sixteenth and seventeenth centuries thousands of women confessed to being witches--of making pacts with the Devil, causing babies to sicken, and killing animals and crops--and were put to death. This book is a gripping account of the pursuit, interrogation, torture, and burning of witches during this period and beyond. Drawing on hundreds of original trial transcripts and other rare sources in four areas of Southern Germany, where most of the witches were executed, Lyndal Roper paints a vivid picture of their lives, families, and tribulations. She also explores the psychology of witch-hunting, explaining why it was mostly older women that were the victims of witch crazes, why they confessed to crimes, and how the depiction of witches in art and literature has influenced the characterization of elderly women in our own culture.
This bold and imaginative book marks out a different route towards understanding the body, and its relationship to culture and subjectivity. Amongst other subjects, Lyndal Roper deals with the nature of masculinity and feminity.
From the author of the acclaimed biography Martin Luther: Renegade and Prophet, new perspectives on how Luther and others crafted his larger-than-life image Martin Luther was a controversial figure during his lifetime, eliciting strong emotions in friends and enemies alike, and his outsized persona has left an indelible mark on the world today. Living I Was Your Plague explores how Luther carefully crafted his own image and how he has been portrayed in his own times and ours, painting a unique portrait of the man who set in motion a revolution that sundered Western Christendom. Renowned Luther biographer Lyndal Roper examines how the painter Lucas Cranach produced images that made the reformer an instantly recognizable character whose biography became part of Lutheran devotional culture. She reveals what Luther's dreams have to say about his relationships and discusses how his masculinity was on the line in his devastatingly crude and often funny polemical attacks. Roper shows how Luther's hostility to the papacy was unshaken to the day he died, how his deep-rooted anti-Semitism infused his theology, and how his memorialization has given rise to a remarkable flood of kitsch, from "Here I Stand" socks to Playmobil Luther. Lavishly illustrated, Living I Was Your Plague is a splendid work of cultural history that sheds new light on the complex and enduring legacy of Luther and his image.
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