At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
This publication will fill a gap in the bibliographic reference shelf by identifying historical novels for both adult and young adult readers. ^IAmerican Historical Fiction^R contains over 3,000 titles set in states and historical regions of the United States. Entries are organized by time period. The newest titles, as well as old favorites, are covered. The volume is indexed by author, title, genre, subject, and geographic setting.
Niki Burnham, Terri Clark, Ellen Hopkins, and Lynda Sandoval give us four tales about the end of first love.How does anyone survive? Read on and find out.Each story showcases the writer's signature style: Niki Burnham keeps it smart and sassy; Terri Clark brings a touch of fantasy; Ellen Hopkins tells her story in verse; and no one does funny like Lynda Sandoval.For teens looking for something to get them through the pain, this is just the prescription!
Who are the great scientists throughout the ages, and what exactly did they do to earn their importance? From Archimedes to Newton to Einstein to Hawking, The Scientific 100 provides the fascinating answers. Vivid biographical sketches chronicle the lives and accomplishments of the world's preeminent scientists. And in the tradition of the Citadel Press 100 Series, they are ranked provocatively in order of influence--an inspiration for lively discussion. This unique volume is a browser's treasure trove and a handy reference for the general reader. John Simmons has been associated with Current Biography for more than fifteen years. He has written frequently about Nobel laureates in science. A member of the New York Academy of Sciences, he divides his time between New York City and Paris.
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