From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.
We, parents and teachers, instill in our children the alphabet and numbers at an early age. We believe that they will be able to succeed in life the more they read. As they enjoy this book, they will become encourage, entertained, and educated. Never Alone is a special book that will remind the children that they are never alone.-Mrs. Ingrid Gustafson.
Die Schriftstellerin Lydia Davis beschäftigt sich in ihren Kurzgeschichten mit Phänomenen des Alltags. In ihrem Prosatext »Zwei ehemalige Studenten« wird das Studium an einer Universität oder Akademie mit der Ausbildung durch das Leben gleichgesetzt. Aus Sicht der Erzählerin werden ein junger und ein älterer Mann beschrieben, die nachts »unter einer Laterne auf und ab« gehen. Der Junge sei in Europa gewesen und der Ältere sei ein Kriegsveteran, auf einem Ohr taub. Eine weibliche Person sieht ihnen vom Fenster aus dabei zu. Beide rechnen damit, dass sie von dieser Frau gesehen werden und der ältere Herr befiehlt dem jüngeren Herrn, er möge sich entfernen und »hinaus in den nächtlichen Schnee« gehen. Er befürchtet, die Dame könnte sie gemeinsam als »ehemalige Studenten« abstempeln. Gen Ende stellt die Stimme der Erzählerin klar, dass die Frau sich tatsächlich vorstellt, dass es sich bei beiden Männern um zwei ehemalige Studenten handelt, anstatt jeder von ihnen ganz er selbst. Lydia Davis (*1947) ist Schriftstellerin und Übersetzerin; sie lebt bei Albany, New York. Sprache: Deutsch/Englisch
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