A Guide to Faculty-Led Study Abroad provides practical information on the curricular and administrative considerations necessary to design and implement a course-based study abroad experience of the highest quality. From techniques for funding the trip, to legal considerations, curricular development, and cultural preparation, this book explains how to create a meaningful and valuable international experience in a variety of settings and formats. The study abroad novice and experienced faculty or administrator alike will benefit from this step-by-step guide on how to create a truly transformative, course-based study abroad experience.
Offers color photographs, recipes, and wine pairings for Thanksgiving, Christmas, and New Year's Eve dishes that feature locally grown and seasonal ingredients.
Thrilling short stories featuring fan favorite characters from the beloved High Republic series each written by a New York Times bestselling author. The High Republic authors share unmissable short stories that bridge Phases, resolve mysteries, and offer tantalizing hints of what is to come. Rejoin the adventures of the Jedi and Padawans, Pathfinders and Path members, heroes and villains ahead of the launch of Phase III. Authors: Zoraida Córdova, Tessa Gratton, Claudia Gray, Justina Ireland, Lydia Kang, George Mann, Daniel José Older, Cavan Scott, and Charles Soule
Facing a midlife crisis? Dealing with a mess of an all-life crises? The newly released book by Lydia Istomina, “From Misery to Mystery” is for you! The book is a collection of short hilarious stories that work just like medicine. You can take it with a cup of tea, with a glass of wine or by itself.Besides that you get a fresh perspective on life you get an extra load of laughter.Laughing is good for you!
Die Schriftstellerin Lydia Davis beschäftigt sich in ihren Kurzgeschichten mit Phänomenen des Alltags. In ihrem Prosatext »Zwei ehemalige Studenten« wird das Studium an einer Universität oder Akademie mit der Ausbildung durch das Leben gleichgesetzt. Aus Sicht der Erzählerin werden ein junger und ein älterer Mann beschrieben, die nachts »unter einer Laterne auf und ab« gehen. Der Junge sei in Europa gewesen und der Ältere sei ein Kriegsveteran, auf einem Ohr taub. Eine weibliche Person sieht ihnen vom Fenster aus dabei zu. Beide rechnen damit, dass sie von dieser Frau gesehen werden und der ältere Herr befiehlt dem jüngeren Herrn, er möge sich entfernen und »hinaus in den nächtlichen Schnee« gehen. Er befürchtet, die Dame könnte sie gemeinsam als »ehemalige Studenten« abstempeln. Gen Ende stellt die Stimme der Erzählerin klar, dass die Frau sich tatsächlich vorstellt, dass es sich bei beiden Männern um zwei ehemalige Studenten handelt, anstatt jeder von ihnen ganz er selbst. Lydia Davis (*1947) ist Schriftstellerin und Übersetzerin; sie lebt bei Albany, New York. Sprache: Deutsch/Englisch
The first thing Anna noticed was the great aroma of coffee coming from the kitchen. Sam must be early she thought. She jumped from bed and yelled down the stairs, " Sorry Sam, I will be right there just let me grab a shower." That being said she was quite surprised to find a tall handsome stranger in her kitchen staring out the window. He was at least 6' 3” with black hair pulled into a tail at the nape of his neck that hung to the middle of his back. He looked like a man used to hard work and well able to do it. The question was, who was he? What was he doing in her kitchen? She thought, I should be frightened or angry but she felt curious. He jumped as she said, "I think you’re in the wrong kitchen, mine definitely did not come equipped with a man!
After the Second World War, national self-determination became a recognized international norm, yet it only extended to former colonies. Groups within postcolonial states that made alternative sovereign claims were disregarded or actively suppressed. Showcasing their contested histories, Lydia Walker offers a powerful counternarrative of global decolonization, highlighting little-known regions, marginalized individuals, and their hidden (or lost) archives. She depicts the personal connections that linked disparate nationalist struggles across the globe through advocacy networks, demonstrating that these advocates had their own agendas and allegiances, which, she argues, could undermine the autonomy of the claimants they supported. By foregrounding particular nationalist movements in South Asia and Southern Africa and their transnational advocacy networks, States-in-Waiting illuminates the un-endings of decolonization—the unfinished and improvised ways that the state-centric international system replaced empire, which left certain claims of sovereignty perpetually awaiting recognition. This title is also available as Open Access on Cambridge Core.
A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis In Essays One, Lydia Davis, who has been called “a magician of self-consciousness” by Jonathan Franzen and “the best prose stylist in America” by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis’s writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust (“A work of creation in its own right.” —Claire Messud, Newsday), Madame Bovary (“[Flaubert’s] masterwork has been given the English translation it deserves.” —Kathryn Harrison, The New York Times Book Review), and Michel Leiris (“Magnificent.” —Tim Watson, Public Books). She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers.
Rose Parker's husband has been lying. About everything. When a conversation with her husband triggers questions, Rose Parker uncovers alarming answers that shatter her perfect life. But it is only when she shoves her belongings in her SUV and drives off that Rose realizes just how far from perfect her life actually was. She has nowhere to turn. While debating between distressing sleeping arrangements–her mother’s house full of questions or a hotel room with too much solitude–Rose bumps into an acquaintance from her gardening class and allows bubbly, exuberant Becky to indulge her in a wild night full of whiskey, weeping, and whispered confidences. Suddenly, Rose has a new friend, a roof over her head, and two gorgeous men moving her out of her marital home. As Rose struggles to settle into her new life, she remains determined to comprehend her past. And with time and distance and especially wine, comes knowledge. Frank wasn’t the only one lying to her. Rose was lying to herself.
Native American history is filled with pain and suffering. The trail of tears is no different. More than 15,000 Cherokee Indians were removed by the U.S. Army. They were forced to travel over 1,000 miles, under very harsh conditions to Indian Territory. Along the trail, nearly 4,000 Cherokee died of starvation, exposure, or disease. This stirring volume examines the forced removal of Cherokee Indians from their native lands to the Oklahoma Territory, their subsequent history, and the legacy of these events.
A profoundly original philosophical detective story tracing the surprising history of an anecdote ranging across centuries of traditions, disciplines, and ideas Red Sea-Red Square-Red Thread is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows the long history of a short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, Red Sea-Red Square-Red Thread follows the extraordinary number of thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Søren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohème, and with Hogarth's modern moral pictures? Lydia Goehr explores these narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?
Writing about the Holocaust and writing for young readers evoke two quite separate sets of concerns which are not always mutually compatible. The first half of Representing the Holocaust focuses on how literary material can present historically verifiable material. The second half examines how such materials will be perceived by young readers; whether they will be able to determine any boundaries between fictionality and factuality, and what motivates young readers to keep reading. The work concludes by placing the study in the context of Holocaust education.
What won’t we try in our quest for perfect health, beauty, and the fountain of youth? Well, just imagine a time when doctors prescribed morphine for crying infants. When liquefied gold was touted as immortality in a glass. And when strychnine—yes, that strychnine, the one used in rat poison—was dosed like Viagra. Looking back with fascination, horror, and not a little dash of dark, knowing humor, Quackery recounts the lively, at times unbelievable, history of medical misfires and malpractices. Ranging from the merely weird to the outright dangerous, here are dozens of outlandish, morbidly hilarious “treatments”—conceived by doctors and scientists, by spiritualists and snake oil salesmen (yes, they literally tried to sell snake oil)—that were predicated on a range of cluelessness, trial and error, and straight-up scams. With vintage illustrations, photographs, and advertisements throughout, Quackery seamlessly combines macabre humor with science and storytelling to reveal an important and disturbing side of the ever-evolving field of medicine.
Widely accepted as the world's first sex therapist, Dr Graham was devoted to the research of the effect of physical stimuli on the psyche, and more specifically on sexual activity. This biography is a depiction of both the man himself and eighteenth-century society.
This series supports teachers and students of Cambridge IGCSE(TM) English as a Second Language (0510/0511/0991/0993) The ideal companion to the Cambridge IGCSE(TM) English as a Second Language Coursebook, the workbook with digital access provides more opportunities for students to practise key skills and prepare for assessment. Following the same structure as the coursebook, each unit is split into four key practice areas: Vocabulary, Language, Skills (e.g. reading, writing, speaking and listening) and Exam practice. The language section is also split into three levels, providing 'foundation', 'practice' and 'challenge' activities to support every student. Suitable for students studying syllabuses for examination from 2024 and those seeking a course exit CEFR level of B1/B2.
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