Throughout her career as a playwright, Lydia R. Diamond has boldly challenged assumptions about African American culture. In Harriet Jacobs, she turns one of the greatest American slave narratives, Harriet Jacob's Incidents in the Life of a Slave Girl, into a penetrating, rousing work of theater. Jacob's story - serialized in the New York Tribune until it was deemed too graphic, and eventually published in book form in 1861 - exposed the sexual harrassment and abuse of slave girls and women at the hands of their masters. Harriet Jacobs: A Play organically incorporates theatrical elements that extend the book's enormous power. Though harrowing, Harriet Jacobs undertakes the necessary task of reenvisioning a difficult chapter in American history. -- from back cover.
Throughout her career as a playwright, Lydia R. Diamond has boldly challenged assumptions about African American culture. In Harriet Jacobs, she turns one of the greatest American slave narratives, Harriet Jacob's Incidents in the Life of a Slave Girl, into a penetrating, rousing work of theater. Jacob's story - serialized in the New York Tribune until it was deemed too graphic, and eventually published in book form in 1861 - exposed the sexual harrassment and abuse of slave girls and women at the hands of their masters. Harriet Jacobs: A Play organically incorporates theatrical elements that extend the book's enormous power. Though harrowing, Harriet Jacobs undertakes the necessary task of reenvisioning a difficult chapter in American history. -- from back cover.
The affluent, African-American LeVay family is gathering at their Martha’s Vineyard home for the weekend, and brothers Kent and Flip have each brought their respective ladies home to meet the parents for the first time. Kent’s fiancée, Taylor, an academic whose absent father was a prominent author, struggles to fit into the LeVay’s upper-crust lifestyle. Kimber, on the other hand, is a self-described WASP who works with inner-city school children, fits in more easily with the family. Joining these two couples are the demanding LeVay patriarch, Joe, and Cheryl, the daughter of the family’s longtime housekeeper. As the two newcomers butt heads over issues of race and privilege, long-standing family tensions bubble under the surface and reach a boiling point when secrets are revealed.
Adept at capturing the experience of the upper-middle-class African-American, Diamond lays out two families' worth of secrets in this precise play. With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world.
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