Lydia Maria Child (1802-1880) was for a time one of America's most beloved authors, known for household manuals and children's poems, including the immortal "Over the River and Through the Wood." But in 1833, having converted to the abolitionist cause, Child published An Appeal in Favor of that Class of Americans Called Africans, the first book-length condemnation of slavery printed in the United States. Child's book created an immediate uproar and catapulted her into the life of an activist. Lydia Maria Child became one of the most consequential radicals of nineteenth-century America. In this biography of Child, Lydia Moland foregrounds Child's struggles of conscience and the meaning they held for her life-and, potentially, for ours. In her first career, Lydia Maria Child achieved what almost no woman in history had before-she was a self-sufficient female author. What, then, made her throw it all away to write An Appeal? The scandal of that book caused sales of her other books to plummet, polite society to cast her out, her beloved husband David to be jailed for libel, and the two rendered penniless. Yet Child soon drew untold numbers to the cause of abolition with her writings and her deeds. Thomas Wentworth Higginson and Charles Sumner both credit her with their conversion. During the Civil War, the Union Army distributed her words to 300,000 troops to help weary soldiers justify their sacrifice. She spirited endangered abolitionists out of the country, protected activists from angry pro-slavery mobs with her own body, and helped Harriet Jacobs edit Jacobs's autobiography, the most influential slave narrative by a woman in American history. Moland's biography restores this brave and brilliant woman to her proper place in American history while showing how her example answers these urgent questions: When confronted by sanctioned evil or systematic injustice, how should a citizen live? What prompts moral change? When do we have a duty to disobey unjust laws? Child's story is one from the past with much to teach us about our present"--
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
In Hegel on Political Identity, Lydia Moland provocatively draws on Hegel's political philosophy to engage sometimes contentious contemporary issues such as patriotism, national identity, and cosmopolitanism. Moland argues that patriotism for Hegel indicates an attitude toward the state, whereas national identity is a response to culture. The two combine, Hegel claims, to enable citizens to develop concrete freedom. Moland argues that Hegel's account of political identity extends to his notorious theory of world history; she also proposes that his resistance to cosmopolitanism be reassessed in response to our globalized world. By focusing on Hegel's depiction of political identity as a central part of modern life, Moland shows the potential of Hegel's philosophy to address issues that lie at the heart of ethical and political philosophy.
Lydia Maria Child (1802-1880) was for a time one of America's most beloved authors, known for household manuals and children's poems, including the immortal "Over the River and Through the Wood." But in 1833, having converted to the abolitionist cause, Child published An Appeal in Favor of that Class of Americans Called Africans, the first book-length condemnation of slavery printed in the United States. Child's book created an immediate uproar and catapulted her into the life of an activist. Lydia Maria Child became one of the most consequential radicals of nineteenth-century America. In this biography of Child, Lydia Moland foregrounds Child's struggles of conscience and the meaning they held for her life-and, potentially, for ours. In her first career, Lydia Maria Child achieved what almost no woman in history had before-she was a self-sufficient female author. What, then, made her throw it all away to write An Appeal? The scandal of that book caused sales of her other books to plummet, polite society to cast her out, her beloved husband David to be jailed for libel, and the two rendered penniless. Yet Child soon drew untold numbers to the cause of abolition with her writings and her deeds. Thomas Wentworth Higginson and Charles Sumner both credit her with their conversion. During the Civil War, the Union Army distributed her words to 300,000 troops to help weary soldiers justify their sacrifice. She spirited endangered abolitionists out of the country, protected activists from angry pro-slavery mobs with her own body, and helped Harriet Jacobs edit Jacobs's autobiography, the most influential slave narrative by a woman in American history. Moland's biography restores this brave and brilliant woman to her proper place in American history while showing how her example answers these urgent questions: When confronted by sanctioned evil or systematic injustice, how should a citizen live? What prompts moral change? When do we have a duty to disobey unjust laws? Child's story is one from the past with much to teach us about our present"--
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
This book presents an original worldview, Homo risibilis, wherein self-referential humor is proposed as the path leading from a tragic view of life to a liberating embrace of human ridicule. Humor is presented as a conceptual tool for holding together contradictions and managing the unresolvable conflict of the human condition till Homo risibilis resolves the inherent tension without epistemological cost. This original approach to the human condition allows us to effectively address life’s ambiguities without losing sight of its tragic overtones and brings along far-ranging personal and social benefits. By defining the problem that other philosophies and many religions attempt to solve in terms we can all relate to, Homo risibilis enables an understanding of the Other that surpasses mere tolerance. Its egalitarian vision roots an ethic of compassion without requiring metaphysical or religious assumptions and liberates the individual for action on others’ behalf. It offers a new model of rationality which effectively handles and eventually resolves the tension between oneself, others, and the world at large. Amir’s view of the human condition transcends the field of philosophy of humor. An original worldview that fits the requirements of traditional philosophy, Homo risibilis is especially apt to answer contemporary concerns. It embodies the minimal consensus we need in order to live together and the active role philosophy should responsibly play in a global world. Here developed for the first time in a complete way, the Homo risibilis worldview is not only liberating in nature, but also illuminates the shortcomings of other philosophies in their attempts to secure harmony in a disharmonious world for a disharmonious human being.
This book investigates the role of humor in the good life, specifically as discussed by three prominent French intellectuals who were influenced by Nietzsche's thought: Georges Bataille, Gilles Deleuze, and Clément Rosset. Lydia Amir begins by discussing Nietzsche’s reception in France, and she explains why and how he came to be considered a "philosopher of laughter" in the French academe. Each of the subsequent three chapters focuses on the significance of humor and laughter in the good life as advocated by Bataille, Deleuze, and Rosset. These chapters also explore the complex relationship between the comic and the tragic, and of humor and laughter to irony, satire, and ridicule. The Legacy of Nietzsche’s Philosophy of Laughter makes an invaluable contribution to recent interpretive work done on Bataille and Deleuze, and offers further introduction to the relatively understudied Rosset. It illuminates the philosophies of these three thinkers, their connection to Nietzsche, and, overall, the significant role that humor plays in philosophy.
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