The essays collected in Re-inventing the Symptom explore the final period of Jacques Lacan’s teaching, focusing on his 1975-76 seminar Le sinthome. This book sheds light on the central questions of this last “phase” of Lacanian theory and unravels the principal enigmas of the seminars. The work as a whole breaks through previous obstacles to the act of reading Lacan’s last work, among them the notorious restrictions placed upon the publication and translation of Lacan’s teachings. The contributors examine Lacan’s late work from a variety of perspectives. They consider his theories on Boromean knot topology and rethink readings of his views on sexual difference, his encounter with Joyce, and even his consideration that his work was not theory at all, but rather a kind of writing. These lucid essays offer a dazzling reading of works previously considered elusive. Students and practitioners of psychoanalysis alike will benefit from this revolutionary collection. The contributors mark the territory for a more widespread deployment of Lacanian theory in our cultural landscape, from modernism to deconstruction and feminism. At last, those who seek to approach Lacanian thought and apply its relevance to their own fields have a radical new tool made readily available to them.
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
From its very beginning, psychoanalysis sought to incorporate the aesthetic into its domain. Despite Joyce's deliberate attempt in his writing to resist this powerful hermeneutic, his work has been confronted by a long tradition of psychoanalytic readings. Luke Thurston argues that this very antagonism holds the key to how psychoanalytic thinking can still open up new avenues in Joycean criticism and literary theory. In particular, Thurston shows that Jacques Lacan's response to Joyce goes beyond the 'application' of theory: rather than diagnosing Joyce's writing or claiming to have deciphered its riddles, Lacan seeks to understand how it can entail an unreadable signature, a unique act of social transgression that defies translation into discourse. Thurston imaginatively builds on Lacan's work to illuminate Joyce's place in a wide-ranging literary genealogy that includes Shakespeare, Hogg, Stevenson and Wilde. This study should be essential reading for all students of Joyce, literary theory and psychoanalysis.
The essays collected in Re-inventing the Symptom explore the final period of Jacques Lacan’s teaching, focusing on his 1975-76 seminar Le sinthome. This book sheds light on the central questions of this last “phase” of Lacanian theory and unravels the principal enigmas of the seminars. The work as a whole breaks through previous obstacles to the act of reading Lacan’s last work, among them the notorious restrictions placed upon the publication and translation of Lacan’s teachings. The contributors examine Lacan’s late work from a variety of perspectives. They consider his theories on Boromean knot topology and rethink readings of his views on sexual difference, his encounter with Joyce, and even his consideration that his work was not theory at all, but rather a kind of writing. These lucid essays offer a dazzling reading of works previously considered elusive. Students and practitioners of psychoanalysis alike will benefit from this revolutionary collection. The contributors mark the territory for a more widespread deployment of Lacanian theory in our cultural landscape, from modernism to deconstruction and feminism. At last, those who seek to approach Lacanian thought and apply its relevance to their own fields have a radical new tool made readily available to them.
This book is designed to make Bible study manageable on even the tightest schedule. Tackling a book the size of Luke can be daunting. Many people avoid it altogether because "it's just too big!" This volume contains 24 lessons. Each chapter of Luke's gospel is broken down into short 5-minute outlines. These lessons can be used as daily devotions, as a guide for a small group study, or to introduce someone to the book of Luke for the first time. In each lesson you'll learn: - When the events of the chapter took place - The main characters - The location - An outline of the chapter - How the chapter fits into the big picture - Applications and take aways
The Discourses of Abba Isaiah of Scetis, a classical text of fifth-century desert literature, are grounded in Scripture and the teaching of the earliest Christian monks. The authors of this book present Abba Isaiah as one of the first of the Desert Fathers to examine the relationship between abba and disciple, the monastery and the outside world.
This book is a collection of research sociologist Luke Turnock's essays on the subject of masculinity from 2017. This volume contains the following essays: ""Male Body Image and Masculinity in Media: The Creation, and Stigmatisation, of ?Deviant? Male Subcultures""; ""Illicit Health? The Use of Performance and Image Enhancing Drugs as an Alternative to the General Practitioner""; ""Embodying Conspicuous Consumption: The Rising Use of Image- Enhancing Drugs Amongst Young People""; ""Harm-Reduction for Performance and Image Enhancing Drug Users: A Proposal""; ""Masculinity in the Movies: ?Drive? (2011)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this brilliant sequel to actor Luke Arnold's debut The Last Smile in Sunder City, a former soldier turned PI solves crime in a world that's lost its magic. The name's Fetch Phillips -- what do you need? Cover a Gnome with a crossbow while he does a dodgy deal? Sure. Find out who killed Lance Niles, the big-shot businessman who just arrived in town? I'll give it shot. Help an old-lady Elf track down her husband's murderer? That's right up my alley. What I don't do, because it's impossible, is search for a way to bring the goddamn magic back. Rumors got out about what happened with the Professor, so now people keep asking me to fix the world. But there's no magic in this story. Just dead friends, twisted miracles, and a secret machine made to deliver a single shot of murder. Welcome back to the streets of Sunder City, a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher. Praise for Dead Man in a Ditch: "Superb... With a lead who would be at home in the pages of a Raymond Chandler or James Ellory novel and a nicely twisty plot, this installment makes a strong case for Arnold's series to enjoy a long run." ―Publishers Weekly "Arnold's universe has everything, including the angst of being human. The perfect story for adult fantasy fans—a tough PI and a murder mystery wrapped around the mysticism of Hogwarts, sprinkled with faerie dust." ―Library Journal (starred review) Fetch Phillips Novels The Last Smile in Sunder City Dead Man in a Ditch One Foot in the Fade
Welcome back to the streets of Sunder City, a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher. In a city that lost its magic, an angel falls in a downtown street. His wings are feathered, whole—undeniably magical—the man clearly flew, because he left one hell of a mess when he plummeted into the sidewalk. But what sent him up? What brought him down? And will the answers help Fetch bring the magic back for good? Working alongside necromancers, genies, and shadowy secret societies, through the wildest forests and dingiest dive bars, this case will leave its mark on Fetch's body, his soul, and the fate of the world. Praise for the Fetch Phillips novels: "Superb... With a lead who would be at home in the pages of a Raymond Chandler or James Ellory novel and a nicely twisty plot, this installment makes a strong case for Arnold's series to enjoy a long run." ―Publishers Weekly "Arnold's universe has everything, including the angst of being human. The perfect story for adult fantasy fans—a tough PI and a murder mystery wrapped around the mysticism of Hogwarts, sprinkled with faerie dust." ―Library Journal (starred review) Fetch Phillips Novels The Last Smile in Sunder City Dead Man in a Ditch One Foot in the Fade
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